The Long Ryders - I Want You Bad

This is the second appearance on ERV for The Long Ryders; the superb "Looking for Lewis and Clark" was posted on our little blog in October, 2013.

Regular readers will recall that The Long Ryders were a roots rock act associated with the LA Paisley Underground scene.  They made a bit of a ripple on the college radio scene in the middle part of the 1980s, but never quite found their audience.

"I Want You Bad" was the lead single of the group's 1987 LP, Two Fisted Tales.  It is a cover (more on that below), but highlights the band's style and musicianship.  Unfortunately, we don't believe that either the LP or single charted.

While The Long Ryders remained well-regarded by critics, their big breakthrough never happened and in 1987 and the strenuous touring schedule finally did the band in.  Bassist Tom Stevens and guitarist Stephen McCarthy left the group by year end, and the remaining members (vocals/guitarist Sid Griffin and drummer Greg Sowders) chose not to continue.  However, the group did re-form in 2014, and plans to tour and perform some more as of this writing.

As mentioned above, "I Want You Bad" is a cover of an NRBQ song, below.  NRBQ is an influential and eclectic rock band who are known for their live shows.

Ray Parker, Jr. and Raydio - A Woman Needs Love (Just Like You Do)

Ray Parker, Jr. formed Raydio in 1977 with with Vincent Bohnam, Jerry Knight, and Arnell Carmichael.  The group's smooth pop/funk quickly led to success, with "Jack and Jill" and "You Can't Change That" as strong examples of their style.

First among equals bands, where there is one dominant member, often have trouble staying intact and Raydio was no exception.  By 1980, the group was called Ray Parker, Jr. and Raydio; this only lasted around a year before Parker left Raydio to go out on his own.

"A Woman Needs Love (Just Like You Do)" was off the last Raydio LP of the same name, and the success of the song and album likely encouraged Ray Parker, Jr. to go solo.  The single reached #4 on the charts, while the album peaked at #13 and went gold.

While the song picked up a significant amount of airplay on pop and adult contemporary radio, we don't recall ever seeing it on MTV.  The combination of the soft pop sound and MTV's initial positioning as a new wave/rock video channel probably account for this.  However, the vid is an awesome timepiece -- from the time Parker gets out of his Porsche, we were hooked.  Smooth, relaxed love advice never sounded so good (at least in 1981).

As regular readers will know, Parker's solo career go off the a strong start, with "The Other Woman," featured in our All Hallows Even celebration of 2014.  However, his career was inconsistent from there, though he did score a #1 hit in 1984 with "Ghostbusters."

The Hooters - Day by Day

After a long, bumpy road, Eric Bazilian and Rob Hyman finally saw significant success with The Hooters 1985 Nervous Night LP.  The album peaked at #12 on the charts and went double platinum; it also featured all three of the group's top 40 singles.

In fact, the Bazilian/Hyman partnership (sounds dirty but isn't) dates back to the early 1970s when they met as students at Penn.  Their first group (Baby Grand) recorded some decent material, but did not break through.  [Baby Grand also recorded the original version of "Never Enough" which was covered by Patty Smyth in 1987 and featured on ERV in April, 2014.]

Bazilian and Hyman formed The Hooters in 1980 and played extensively in the Philadelphia music scene before breaking up in 1982.  However, the group re-formed the following year and released their first (independent) album.  Their big break came when an old friend (Rick Chertoff from Baby Grand) asked Bazilian and Hyman to work with him on Cindy Lauder's She's So Unusual album.  The success of that project led to The Hooter's signing with Columbia Records.

Many readers will be surprised that "Day by Day" was the highest charting single from Nervous Night -- it hit #18 on the charts.  The song (co-written with Chertoff) is pretty typical of the band's music from this period -- upbeat roots rock, with some new wave and folk elements, to boot.

Sadly, Nervous Night was the peak of The Hooter's success.  Though their material remained strong, the albums did not sell as well.  The band broke up in 1995, but has reunited from time to time in the intervening years.  

Note that The Hooters excellent and underrated "Karla with a K" was featured on ERV in March, 2012.

The B-52's - Private Idaho

New wave and surf rock might seem like an odd combination (ok, it is an odd combination), but somehow the B-52's hit on a sound that was pure campy fun.  Sounding simultaneously  modern and vintage, the band sported an odd look that included the high beehives that gave the band its name.  Combine that with some seriously catchy material, and it is not surprising that the group made a name for itself in the late 1970s and early 1980s.

The B-52's emerged out of the growing Athens, Georgia music scene, and would soon be joined by fellow Athenians R.E.M.  However, the group's sound was more Devo or Talking Heads than southern rock.  After forming in 1976 with little musical training, the band had progressed enough to make a demo of "Rock Lobster" in 1978.  That song would go on to become an independent hit, and would lead to recording contracts with Warner Bros. and Island Records.

"Private Idaho" was off the B-52's second LP, 1980's Wild Planet.  The single hit #74 on the charts (the group's second charting single, after "Rock Lobster"), while the album hit #18.  From there, things became more challenging -- the next few albums did not do as well, and founding guitarist Ricky Wilson (whose sister Cindy was also in the band) died of an AIDS-related illness in 1985.

As many readers will know, that wasn't the end of the story.  The B-52's 1989 comeback album, Cosmic Thing, became a huge surprise hit and led to a second period of success.  The group remains active as of this writing, though there have been some personnel changes and periods of inactivity through the years.

Indigo Girls - Closer to Fine

Indigo Girls were part of the late 1980s folk revival scene that included 10,000 Maniacs, Michelle Shocked, and Tracy Chapman, among others.  While they never became superstars, the duo has maintained a strong following through the years and is still active as of this writing.

Amy Ray and Emily Saliers met as students at Emery University in the mid-1980s and began performing together around the same time.  Their first independent album was released in 1987, but it was their 1989 major label eponymous debut that brought them national attention.  As the lead single off the LP, "Closer to Fine" was a major part of that breakthrough.

Interestingly, Ray and Saliers write separately; Saliers tends to favor a more traditional folk sound, while Ray's songs often incorporate more rock elements.  "Closer to Fine" was written by Saliers, and is loosely based on her experiences.  The song would go on to become the group's biggest hit, reaching #52 on the singles charts.  The album would peak at #22 and eventually go double platinum.

The video is a straightforward performance piece that highlights the strong songwriting and crisp harmonies that are the signature of the group.  It remains one of our favorite 1980s folk tunes.

Glenn Fry - Smuggler's Blues

It has been a tough few weeks in rockland; Atropos has been busy.  And while we already had posts up for Lemmy ("Ace of Spades") and Bowie ("Ashes to Ashes"), Glenn Fry was still in the bullpen at the time of his passing.  As a result, we moved him up in order to create a fitting ERV memorial to him.

Glenn Fry was born in Detroit, Michigan, and moved to California in the late 1960s to follow his dream in music.  This eventually led to work in Linda Ronstadt's backup band, and in 1971 he and fellow backup band members Don Henley, Randy Meisner, and Bernie Leadon formed the Eagles.

The Eagles were at the forefront of the California folk/country/rock sound of the 1970s, and became one of the best-selling acts of the decade.  And though there was some turnover among the band members, the group was more or less run by Fry and Henley.

After the Eagles disbanded in 1980, Fry continued recording as a solo artist, and had three top 40 LPs and 7 top 40 singles in the 1980s.  His solo popularity faded in the 1990s, but this was offset by the Eagles' resurgence, as they had several reunions starting in 1994.

"Smuggler's Blues" showcases Glenn Fry at the peak of his popularity, and the song was helped by the movie-like video.  Additionally, the song and theme fit perfectly with the TV show Miami Vice, and Fry (and his song) were showcased on the 15th episode, which was named (not coincidentally) Smuggler's Blues.  All this publicity helped "Smuggler's Blues" to reach #12, while The Allnighter album hit #22.

With its bluesy guitar sound and cool video, this remains our favorite Glenn Fry single and is, we think, a fitting tribute to him.

Rest peacefully, Glenn Fry, and thanks for the music.

Stabilizers - One Simple Thing

Stabilizers were another act that appeared on MTV for the briefest of time before fading from view.  The band consisted of Dave Christenson on vocals and Rich Nevens on guitar and keyboard.  By 1985, they had generated enough buzz on the Erie, PA music scene to get signed by Columbia Records, and Tyranny (their debut LP) came out the following year.

"One Simple Thing" was the lead single from Tyranny, and it picked up a bit of airplay -- even breaking into the top 100 at #93.  However, the follow up single did not do as well, and the band was dropped by the label before releasing their second effort.

There seems to be remarkably little information on Christenson and Nevens since then, so if any reader has information to share, please leave it in the comments.

"One Simple Thing" is a classic 1980s pop song, in the Mr. Mister vein (note that Mr. Mister's Welcome to the Real World hit #1 on the album charts in early 1986).

Cool trivia fact:  "One Simple Thing" was directed by David Fincher, who got his start in videos (including Jermaine Stewart's "We Don't Have To Take Our Clothes Off" and Loverboy's "Notorious")  before transitioning to movies (Seven, Fight Club and The Social Network, among others).

Helix - Heavy Metal Love

I remember seeing "Heavy Metal Love" back in the day, and thoroughly enjoyed it.  The same holds true for Helix's earlier entry on ERV, "Deep Cuts the Knife," which was posted back in October, 2011.

As we mentioned on the earlier post, Helix is a hard working, hard rocking Canadian band.  The group formed in Kitchener, Ontario, Canada in 1974 and has been led by Brian Vollmer on vocals from day one.  At the time of this single, the remainder of the band consisted of Paul Hackman and Brent 'The Doctor' Doerner on guitars, Mike Uzelac on bass and Greg 'Fritz' Hinz on drums.

Hinz and Vollmer remain with the band to the present day.  Hackman was killed in 1992 when the band's van crashed during a tour.  Doerner left Helix in 1989, but has rejoined the act several times over the years, and  Uzelac quit in 1983.

While "Heavy Metal Love" picked up some airplay on my favorite music video channel, the song did not break into the singles chart, though it did reach #23 on the Mainstream Rock chart (based on airplay on rock radio stations).  The No Rest for the Wicked LP peaked at #186 on the album chart.

Cool trivia fact: The woman in the video is actress Sandahl Bergman, best known as the female lead in the 1982 film Conan the Barbarian.

Ziggy Marley And The Melody Makers - Tomorrow People

David Nesta "Ziggy" Marley was reggae legend Bob Marley's eldest son, and he built a career in the industry after his father's untimely passing in 1981.  Along with several siblings, he formed the Melody Makers in 1979 -- named after the British music trade rag, by the by.

The group released three independent albums in the 1980s and built enough of a fan base to get signed by Virgin Records.  Their first major label release was 1988's Conscious Party, and it became a surprise hit.  The album climbed to #23 on the charts, while "Tomorrow People" broke into the top 40 (barely) at #39.  The sound was undoubtedly helped by the production team of Chris Frantz and Tina Weymouth (both of Talking Heads fame), who helped find the pop side of the strong material.

The video for "Tomorrow People" is a well-crafted performance piece that seems to suit the song well.  The upbeat clip with the reggae-pop sound even went into heavy rotation for a time at MTV.

While Ziggy's time as a pop star was brief, he remains a major figure in the reggae scene and has continued to record and perform to the present day.

Cool trivia fact:  Ziggy Marley And The Melody Makers are a one hit wonder, as only "Tomorrow People" broke the top 40.  However, that is one more top 40 hit than Bob Marley had.

Little Steven and the Disciples of Soul - Forever

Yesterday, The Universe requested another video for the blog, and as per usual we am only too happy to oblige.  In this case, the rare and exceptional "Forever" by Little Steven and the Disciples of Soul made an appearance on my radio while commuting to work.  A quick google search (after safely parking the car) confirmed it an an Eighties Rare Video; and so here it is.

Steven Van Zandt (aka Little Steven or Miami Steve) is one of the most colorful personalities in rock.  He got his start in the Jersey Shore scene of the early 1970s, most notably with Southside Johnny and the Asbury Jukes (their later song, "New Romeo" was previously posted on ERV).  After helping Bruce Springsteen with the horn arrangement on "Tenth Avenue Freeze-Out," he became a member of the E Street Band, where he remained until 1984 (and from the late 1990s on).

By the early 1980s Little Steven was looking for additional creative outlets, and was also becoming increasingly political (more on that in a moment).  This led to several solo rock/soul albums; 1982's Men Without Women was the first (and best in the eyes of many critics).  For readers who like rock and classic R&B (think late 1960s Motown), this LP is highly recommended.

Sadly, the album never quite found its audience.  The LP peaked at #118, while "Forever" hit #63.  We remember hearing it on New York rock radio back in the day, but do not recall ever seeing the video -- which is full of NYC 1982 goodness including Times Square, old cars and at least one Mohawk.

In addition to Little Steven's solo records, he was instrumental in the formation of the Artists United Against Apartheid "Sun City" effort which has also been posted on ERV.  In 1999 he landed an acting lead in The Sopranos TV show, and has continued his work as a musician and DJ (Little Steven's Underground Garage) to the present day.