Divinyls - Pleasure and Pain

"Pleasure and Pain" is the second Divinyls video to show up on ERV; "Boys in Town" was posted back in July 2012, shortly before the untimely death of lead singer Chrissy Amphlett.  We view Divinyls as a unique and underrated band who were likely hurt by their hard to categorize sound that managed to combine rock, new wave, and pop elements all at once.

Interestingly, "Pleasure and Pain" was not the lead single off their 1985 What a Life! LP.  It was actually the fourth single released - perhaps because it was not written by the band.  The song was actually co-written by producer Mike Chapman and 1980s songwriter extraordinaire Holly Knight.  (Knight has shown up on the blog before; click on her name in the labels section for more info.)

I remember "Pleasure and Pain" picking up a fair bit of airplay on Boston rock radio when it came out, but the song only reached #76 on the charts, while the What a Life! album peaked at #91.  To be fair, the band did become stars in their native Australia, but it did seem like they never really broke through in the U.S. in the 1980s. (Although "I Touch Myself" did become a big hit in 1991.)

The energetic video featuring Chrissy Amphlett was filmed in the closed Balmain power plant in Sydney, Australia.  In our view it suits the song pretty well:

In addition to the vid, we also found a cool making of video, showing the somewhat boring hard work that went in to making music videos during MTV's heyday.

The Jam - Town Called Malice

The Jam were a popular, influential, and interesting band in Britain, but couldn't get arrested in America.  Between 1977 and 1982, the group had 18 top 40 U.K. singles and 6 top 25 LPs without any real success in the U.S.

The band formed in Woking (England) in the early 1970s, and burst onto the scene in 1977.  While their early work fit into the punk scene, they had a stronger melodic sense and more obvious 1960s soul influences than many of their contemporaries.  Over time, this soul sound became more pronounced, though they remained popular throughout this transition.

At peak of their popularity, singer/guitarist/songwriter Paul Weller decided to disband The Jam in order to form a full-on soul band, which led to the creation The Style Council in 1983.  When The Style Council's popularity faded, Weller ended that group in 1989 and has remained a solo artist to the present day.

"Town Called Malice" was off The Jam's last studio LP, 1982's The Gift.  The title was inspired by Nevil Shute's 1950 novel A Town Like Alice, though the content was not.  The contrast between an upbeat melody and more downbeat lyrics (reflecting the mood in Britain at the time) made the song a huge hit; it reached #1 on the British charts.

The video is all 1982 goodness, and shows the cool, mod-revival style that led to Weller's nickname "The Modfather."  We're particularly partial to the soft ultra-white lighting.

Cool trivia fact:  Not only did every Jam single break the top 40 in the U.K., but two import singles also charted (1981's "That's Entertainment" at #21 and 1982's "Just Who Is the 5 O'Clock Hero?" at #8).

Mighty Mighty Bosstones - Devil's Night Out

Utilizing a sound that combines ska, hardcore punk, and heavy metal make the Mighty Mighty Bosstones a unique and interesting band.  The act's roots go back to the early 1980s punk scene in Boston, although the Bosstones didn't officially form until the mid-1980s.  Led by the plaid-wearing Dicky Barrett, the band built a local following and was signed by Taang! Records in 1989.

The group's first LP for Taang! was the 1989 Devil's Night Out LP, and we went with the title cut for the blog.  The song is reasonably representative of the group's early sound, which is to say a bit all over the place (but mostly in a good way).

As with many innovative acts, the Bostones built a solid following, but did not achieve huge commercial success, although their 1997 song, "The Impression That I Get" did pick up a bunch of airplay.  However, the Bosstones are viewed as one of the creators of  ska-core and their music laid the groundwork for bands such as No Doubt.

While interest in ska and ska punk waned since the late 1990s, the Bosstones have continued to record and play (with a few hiatuses) to the present day.

Cool trivia fact:  Dicky Barrett has been the announcer for Jimmy Kimmel Live! since 2004.

Hüsker Dü - Makes No Sense At All

Hüsker Dü was one of the most interesting and influential bands of the 1980s.  No less a source than Allmusic believe that they and R.E.M. changed the direction of rock and roll.  At a bare minimum, Hüsker Dü has to be considered one of the acts that laid the groundwork for the alternative music scene.

The group formed in Minneapolis in 1979 and were originally a quartet called Buddy and the Returnables (seriously).  Eventually Grant Hart (drums/vocals), Bob Mould (guitar/vocals), and Greg Norton (bass) booted keyboardist Charlie Pine out of the band and transitioned to a hardcore punk act.

While the band's first few indy records were strong, over time Hüsker Dü began recording material that sounded like melodic punk songs -- punk pop, if you will.  This was groundbreaking and innovative stuff.  Unfortunately, although the band built a strong cult following, they never became a mainstream success.

"Makes No Sense At All" is a great example of the punk pop sound, and comes off the superb 1985 Flip Your Wig LP.  This was the last record on the SST label, as the group had just signed to major label Warner Bros. (who apparently wanted to release Flip Your Wig, but the band declined).  The video includes "Makes No Sense At All" and "Love Is All Around" (the theme from The Mary Tyler Moore Show) which was the B side.  The result is somewhat odd, but still impressive.

Hüsker Dü would go on to release two additional records on Warner Bros. before breaking up in 1987, due to the creative tension between Bob Mould and Grant Hart (the two songwriters for the band).  Mould and Hart remained in the industry, while bassist Greg Norton has sporadically played in the intervening years (he has spent most of his time in the restaurant business).

Cool trivia fact:  Neither "Makes No Sense At All" nor Flip Your Wig charted in the U.S.

Note that Bob Mould's "See A Little Light" was previously featured on ERV.

Motörhead - Ace of Spades

As subtle as artillery, Motörhead's punk-infused hard rock was way ahead of its time.  But while the band laid the groundwork for thrash and speed metal, they never really broke through commercially in the U.S.  Even today, when many critics sing the praises of the Ramones, the Sex Pistols and the Clash (deservedly so), Motörhead seems (sadly) to be a bit of a forgotten band.

Formed by  Lemmy (Ian Kilmister) in 1975 (!) after he was kicked out of Hawkwind, the new band (named after the last song that Lemmy wrote for Hawkwind) had a tough start.  In fact, by 1977, the trio including guitarist "Fast" Eddie Clarke and drummer "Philthy Animal" (Phil Taylor) were flat broke.  The band decided to do a farewell show before breaking up, which led to a one album contract with Chiswick Records.  The following year, they managed to sign a one single deal with Bronze Records, which was extended several times as the band's popularity grew in the U.K.

"Ace of Spades," from the 1980 album of the same name would go on to become the band's signature song.  The video is a simple performance piece and it fits well with the group's dark, rocking sound.  Motörhead is definitely a "let the music do the talking" sort of group, and it totally comes off in the video.  We also think that their sound has held up remarkably well (this is a 30 year old song!).

Lemmy continued to record and perform with Motörhead until his death in December 2015.  However, "Fast" Eddie Clarke left the group in 1982 to form Fastway, though he has played with Lemmy several times during the past few years. "Philthy Animal" (Phil Taylor) left Motörhead in 1984, rejoined the group in 1987 and left for good in 1992.

Motörhead recorded a cool, acoustic version of "Ace of Spades" for a Kronenbourg beer commercial in 2010; this version (well worth a listen) is below.

Cool trivia fact: Rolling Stone ranks the Ace of Spades LP at #408 on their list of the 500 greatest albums ever.

Ramones - Pet Sematary

Written for the Stephen King movie of the same (intentionally misspelled) name, "Pet Sematary" would go on to become one of the Ramones bigger radio hits.  The song would reach #4 on the Modern Rock charts, while the Brain Drain album peaked at #122.  In spite of this success, neither the song nor the album were well-regarded by critics, who viewed the song as more hard rock than punk.  [Readers who are so inclined should contrast "Pet Sematary" with "Sheena Is A Punk Rocker," which was also used in the Pet Sematary movie.]

While this criticism is valid, "Pet Sematary" still manages to combine a Stephen King horror flick with the Ramones, making it a fantastic Halloween video.  In fact, it was a match made in horror heaven, as King is a big fan of the Ramones.

The video combines scenes from the movie with the band playing in a ... well, cemetery.  While there a bunch of actors, fog machines, and graves also present, there really isn't much more to the video (although we did appreciate the fact that the band is buried in the end).

By the by, the Ramones were featured on ERV last August with "Do You Remember Rock 'n' Roll Radio?" which is well worth checking out.

X - Hungry Wolf

Although they were not the first LA punk band, X quickly became the standard-bearer for the California punk scene.  The band's literate, dangerous lyrics and unique punk meets rockabilly sound earned them rave reviews and a loyal following but never translated to mainstream success.  Perhaps that is part of their charm, through their lack of success says more about rock radio and the listening audience than it does about X.  It is easy to describe a band as ahead of their time and few truly were, but X fits the bill.

The group came together in the late 1970s and was made up of transplants from all over the U.S. -- John Doe (bass and vocals, born John Duchac from Baltimore), Exene Cervenka (vocals, born Christine Cervenkova from Tampa), Billy Zoom (guitars, born Ty Kindell from Illinois) and D.J. Bonebrake (drums, from California and using his real name -- Donald James Bonebrake).

X released two spectacular early 1980s independent albums (both of which made Rolling Stone's list of the 500 greatest albums of all time) before signing a major label deal with Elektra.  Their Elektra debut, 1982's Under the Big Black Sun was just as strong, in your author's opinion.  The LP opened with "Hungry Wolf," and the video picked up some airplay on MTV back in the day.  In spite of this, the album peaked at #76, and the single did not chart.

After Under the Big Black Sun, X slowly shifted their sound, trying for greater commercial success.  These changes did not pan out and guitarist Billy Zoom left the band in 1986, supposedly frustrated by the lack of success.  Amazingly, X has remained together through the years, albeit with several extended breaks.  While the group has not recorded any new material since 1993, they continue to perform to the present day (with Billy Zoom, as of this writing).

Cool trivia fact:  Ray Manzarek (The Doors) produced X's first four albums.

Cool trivia fact #2:  John Doe and Exene were an item, and were married from 1980 - 85.

Ramones - Do You Remember Rock 'n' Roll Radio?

Often viewed by critics as the first punk band, the Ramones are an incredibly important act in the history of rock and roll.  By stripping rock down to its basic elements, they created something new, brash and exciting, and breathed new life into the music industry.

The roots of the Ramones go back to early 1960s rock and roll, and the band's style (jeans, leather jackets) showed these influences.  This was probably one of the factors that made them so influential -- they were doing something new, but it was connected to rock's past.

The Ramones got their start in New York City, and they quickly became part of the punk/new wave scene at CBGB's that included Blondie, Talking Heads, and Television among others.  Their early sets (often featuring 10 songs in 20 minutes) soon gathered a following, and they were signed by Sire in 1975.   Their debut album came out the following year, and the band then began a relentless touring schedule for the next 20 or so years.

In spite of the band's importance, they had only modest commercial success, and in 1980 they decided to work with Phil Spector on their fifth album, End of the Century.  While the combination was a bit weird, it also made some sense, as the band's 1960s influences and desire for more commercial success fit well with Spector's strengths.  The resulting album was surprisingly good, though the recording sessions were tumultuous (at one point, Spector apparently pulled a gun on the band).

While End of the Century was the band's highest charting LP, it only reached #44, and none of the singles charted.  The band would go on to tour and release records up until their breakup in 1996.  Sadly, Joey, Johnny and Dee Dee would all pass away within eight years of the breakup.

Cool trivia facts:  "Do You Remember Rock 'n' Roll Radio?" was the 103rd video played on MTV (on the first day).

The Ramones never had a top 40 hit; 1977's "Rockaway Beach" was their highest charting single at #66.

In 2002, Spin Magazine ranked the Ramones as the second greatest band ever, trailing only the Beatles.

The Ramones video for "Pet Sematary" was posted on the blog in October 2013 as part of our annual All Hallows Even celebration.

Divinyls - Boys in Town

"Boys in Town" was the debut single by Divinyls, the Australian rock/new wave act fronted by the charismatic Chrissy Amphlett.  The song was released internationally in 1983, as the lead single off the Desperate album.  (It had been released earlier in Australia, and was included on the soundtrack of Monkey Grip, an early Ken Cameron film.)

While the song was a big hit in their native Australia (#8), it did not chart in the U.S.  In fact, the Divinyls did not really break out in the U.S. until their eponymous 1991 CD, which includes the #4 hit "I Touch Myself."  By that point, the band was essentially a duo, with Amphlett and guitarist Mark McEntee (they used session musicians when they recorded or while touring).

The "Boys in Town" video is a performance clip from the Monkey Grip movie, and it shows the band in fine form.  Chrissy Amphlett really did use the illuminated mike stand in her early performances; that, combined with her schoolgirl outfit and aggressive attitude, made for a strong live show.

Sadly, Chrissy Amphlett passed away on April 21, 2013 after a long battle with breast cancer.

Cool trivia fact:  yes, the Divinyls count as a one hit wonder in the U.S., as "I Touch Myself" was their only  top 40 hit.

"Pleasure and Pain," the cool 1985 minor hit for Divinyls was posted on ERV on December 2017.