Missing Persons - Destination Unknown

Well, it is the time of year where ERV rolls out some rare, spooky, and/or atmospheric videos - welcome to our 11th annual All Hallows Even celebration!

First up is Missing Persons' strong 1982 cut, "Destination Unknown."  Long time readers may recall that we featured Missing Persons' cool, artsy video for "Surrender Your Heart" back in 2012.  That entry also does a good job of providing some background on the band, so we'll politely suggest following the link.

"Destination Unknown" is one of Missing Persons older songs and was originally released on the band's 1980 EP (along with "I Like Boys," "Mental Hopscotch" and a cover of the Doors' "Hello, I Love You.")  It was also the second single released from the group's breakout 1982 LP, Spring Session M (unsurprisingly, "Words" was the first single).

From an All Hallows Even point of view, we dig the atmospheric video which feels somewhat dream-like.  Bonus points for the broken mirror, which is prominently featured in the clip. The video did manage to go into rotation on MTV for a time, though we don't think that it was featured quite as much as "Words" was.

While we suspected that Missing Persons could be a one hit wonder, they actually never had a top 40 hit.  "Words" and "Destination Unknown" both peaked at #42, thought the Spring Session M album (an anagram of the band's name) did better, reaching #17 on the charts.

Kim Wilde - Kids In America

For a time in 1982, and again in 1987, it looked like Kim Wilde might break out and become a pop star in the U.S., but unfortunately the stars did not align for her.  However, she did carve out a long career in Europe and the UK, as well as two breakthrough hits in the U.S.

Wilde was basically born into the music business; her father (Marty Wilde) had several hits in the 1950s and early 1960s before transitioning to a career as an entertainer.  By the early 1980s, Marty was working with his son Ricky.  Kim offered to sing backup vocals in the studio with Ricky, and drew the attention of Mickie Most, the head of RAK Records. Ricky and Marty recognized that this could be a big break for Kim and wrote a song for her: "Kids in America."

The song became a hit in the UK and Europe in 1981, but it was the video, shown on the fledgling MTV cable channel that really drove Wilde's U.S. success.  "Kids in America" peaked at #25 in August 1982 - roughly eighteen months after its UK peak (at #2 in February 1981).  However, Wilde's other singles did not do well in the U.S.; none broke the top 40.  In contrast, from 1981-86, she had nine top 40 hits in her native UK.

Surprisingly, in 1987 Wilde broke through again, this time with a cover of The Supremes' "You Keep Me Hangin' On," which went to number 1.  Although Wilde never had another top 40 hit in the U.S., her career remain strong in the UK throughout the 1990s.  She later became a DJ and TV presenter which continues to the present day.

Real Life - Send Me An Angel

For our second All Hallows Even treat, we're posting Real Life's "Send Me An Angel" (the original version; more on that in a moment).

Real Life were an Australian band that formed in Melbourne in 1980.  Originally called The Wires, the group changed their name to avoid being confused with Wire (the UK punk rock act).  They settled on A Private Life, which turned out to be a terrible choice, as they were then threatened with a lawsuit from Private Lives (a Sydney band) and so changed their name again to Real Life.

"Send Me An Angel" was the lead single from the group's first LP, 1983's Heartland. The song did reasonably well, reaching #29 on the U.S. charts, and going to #6 in their native Australia.  The video, with a spooky forest and a wolfman (prince?) looking for his Celtic (?) princess (?) seems ... odd, but definitely Halloweeny.

As mentioned above, Real Life re-released the song (and video) in 1989, as part of their Send Me An Angel/Best of Real Life compilation.  Incredibly, "Send Me An Angel" re-charted even higher in the U.S., reaching #26.  The video is less interesting (and less spooky) than the original, but we've included it here anyway (cause that's what we do).

Special shout out to M, who asked for our help after seeing a portion of the video on Loop ... and then found it herself.  Obviously, we liked it enough to put it up on the blog.

Ultravox - Vienna

Huge in the UK and Europe and relatively unknown in the U.S., Ultravox were an influential band that helped lay the foundation for synth pop.  The group formed in London in 1973, and was originally called Tiger Lilly.  The name was changed to Ultravox! when the act signed with Island Records in 1976, and the ! was dropped a few years later.

For all practical purposes, there were two versions of the band.  From the early days until 1979, Ultravox was led by John Foxx, and had an artsy synth-rock sound (to my ear, the sound is in the same genre as Devo).  Foxx left in '79 to start a solo career, and was replaced by Midge Ure, who pushed the band's sound in a lush, artistic direction.

The revitalized Ultravox would go on the have significant success in the 1980s in the UK, with 5 top 10 LPs and 16 top 40 singles, led by "Vienna," which hit #2 on the UK charts.  However, they made barely a ripple in the U.S., where only one album broke the top 100, and no singles reached the top 40.

I don't recall seeing the video on my favorite video music channel, but it is quite strong, especially for an early clip. Influenced by the 1949 movie The Third Man (which takes place in Vienna),  it was mostly shot in London, primarily at Covent Garden.  Interestingly, the band paid for the video, as their label at the time (Chrysalis) didn't think it was worth it.  [How things would change a few years later.]

As previously mentioned, Ultravox was successful through the eighties in Europe - and Midge Ure even co-wrote "Do They Know It's Christmas."  However, artistic difference led the Ure leaving the band in 1988, and the group broke up a few years later.  They did re-form (with Ure) in 2008, and played until 2017, but appear to have disbanded for a second time as of this writing.

Cool trivia fact "Vienna" was the 135th video played on MTV's first day.

Strawberry Switchblade - Since Yesterday

Although they had one of the coolest names in the music industry, Strawberry Switchblade was a one hit wonder in their native U.K., and didn't make a dent in the U.S. market at all.  This is a shame, as they were an odd and interesting duo whose one hit was really pretty good.

Strawberry Switchblade was formed in Scotland in 1981, and was comprised of Jill Bryson and Rose McDowall.  Their image of big bright dresses and bows fit nicely with the synth pop sound ... as long as you didn't listen to the lyrics (or pay attention to the goth makeup).  It turns out that the name was intentionally chosen, and the lyrics to their bright pop songs were often dark or disturbing.  "Since Yesterday," for instance, was written about the aftermath of a nuclear war.

The group gained traction in 1983, and released their first single, "Trees and Flowers."  This led to a recording contract and in late 1984, "Since Yesterday" was released.  The song slowly rose on the UK charts, eventually reaching #5.  Their self-titled debut LP followed in 1985, but they were not able to land another hit, and a combination of musical and personal disagreements led to a split by 1986.

I don't recall seeing the video on MTV, though it may have appeared on 120 Minutes.  However, the Tim Pope video is visually arresting, and does a solid job of conveying the band to the public. 

a-ha - Take On Me

No one in their right mind could consider a-ha's monster hit "Take on Me" to be a rare song or video, which begs the question:  have we (finally) lost our minds?  The answer to this question may well be yes, but there is a method to our madness for this video.

Let's get the obvious out of the way first:  "Take on Me" was the song that seemingly every teenage girl (and many boys) loved during 1985.  The song hit #1 all over the world, including the U.S.  The video was in heavy rotation for seemingly all of 1985 and beyond, and won six MTV VMAs.  Video savant Steve Barron combined pencil animation with live action in an innovative and creative way; we think it is fair to say that many critics would view "Take on Me" among the greatest music videos ever made.  For younger readers, folks who want to reminisce, or anyone who was locked in a closet for 1985, the original clip is below.

Yep, still a great video.  a-ha would go on to have a second top 40 hit in the U.S. with "The Sun Always Shines on TV" and became bonafide stars in Europe through the mid 1990s.  Since 1994, a-ha has broken up and re-formed several times, most recently in 2015.

In order to get to the rare video, a little about the song itself is helpful.  The origins of "Take on Me" go back to two earlier songs -- 1981's "The Juicey Fruit Song" which evolved into "Lesson One" which in turn became "Take on Me" in early 1983.  The band recorded a demo shortly afterwards, and recorded a different version after they were signed to Warner Bros. in 1984.  The second version of the song was released, and a video was made - so here is your rare video:

 
Though the song and video are fine, we think it is fair to say that they were unexceptional.  At this point, the band caught a huge (and we mean huge) break.  Warner Bros. in the U.S. took a liking to the group, and decided to invest in them.  First, Warner helped a-ha re-record the song (with producer Alan Tarney, who was previously featured on ERV for "No Time to Lose"). Then, they brought in Steve Barron to make the top video.  Lastly, Warner aggressively promoted the video, even showing it before movies.

Needless to say, this record company support led to the huge success of the single (and album).  Unfortunately for the group, synth pop fell out of favor, and it appears that Warner's promotional efforts turned elsewhere.  Still, a-ha can't complain too much:  they became the first Norwegian act to have a #1 hit in the U.S.

Steve Winwood - Still In The Game

Steve Winwood got his musical start at the tender age of 14 when he joined the Spencer Davis Group, though he would go on to even greater fame in Traffic and Blind Faith.  However, by the mid-1970s his career was on the wane.  In fact, when his first solo album performed poorly in 1977, he apparently considered leaving the music business altogether.

This all changed with the success of his second solo LP, 1980's Arc of a Diver.  The synthesizer-driven pop album sounded fresh and original, and would go on to become a huge hit, reaching #3 on the charts.

Winwood tried to capitalize on this success, releasing Talking Back to the Night in 1982.  This album sounded a bit like a reprise of Arc of a Diver, and did not do as well  (though "Valerie" became a top 10 hit when it was re-released in 1987).  Interestingly, Winwood may have realized that the formula wasn't working, and soon shifted into more soul-influenced pop.  The result was even greater success by the end of the 1980s.

While the LP was not a big hit, we've always been partial to "Still in the Game," a synth pop gem that picked up a bit of airplay on MTV back in the day.  The song became the highest charting single off Talking Back to the Night, but only reached #47 on the charts, while the video was only aired for a short while.

Although Winwood has slowed down in recent years, he remains active in the industry as of this writing, both as a solo artist and in occasional projects with other classic rock stars.

Cool trivia fact:  The woman in the video is Nicole Winwood, who sang backup on "Still in the Game" and was Steve Winwood's wife from 1978 - 1986.  Sadly, she passed away in 2005.

The System - Don't Disturb This Groove

By combining two seemingly disparate musical styles -- synth pop and soul -- The System created some very interesting music in the 1980s and pointed the way forward towards the modern dance and electronic era.

The duo formed in New York in 1982 and was comprised of Mic Murphy (vocals and guitars) and David Frank (keyboards).  The group's interesting musical style and strong production values caught the attention of many industry insiders (especially in the dance segment), but failed to break through to the general public.  In fact, The System only had two charting singles -- 1983's "You Are in My System" (#64) and "Don't Disturb This Groove," which went to #4 on the charts (yes, that makes The System an official one hit wonder).

Although their success as a band was modest, Murphy and Frank remained active in the New York studio scene as performers, and Frank transitioned to helping with arrangements and production.  [Frank contributed to Chaka Khan's "I Feel For You," Phil Collins' "Sussudio," and Mtume's "Juicy Fruit."  He also worked on Scritti Pollitti's Cupid and Psyche 85 LP.]

In 1989, The System went on hiatus, and Frank moved to LA and opened the Canyon Reverb recording studio, which became quite successful.  He is perhaps best known as the co-writer and co-producer of Christina Aguilera's "Genie in a Bottle."  Murphy briefly pursued a solo career in the early 1990s.

The System has also periodically re-formed in the ensuing years, and has released material in 2000, 2009, and 2013.

Duran Duran - Girls on Film

Duran Duran were one of the first acts to truly embrace the emerging music video revolution, and their proficiency with the media helped them become superstars by the early 1980s.

The band formed in Birmingham, England in 1978, and fashioned themselves as a post-punk art band whose influences included Roxy Music and David Bowie.  The group was named after a character from the 1968 Jane Fonda film, Barbarella.  Signed to EMI, Duran Duran's self-titled debut LP was released in 1981, and they found immediate success in the U.K. (and a bit in U.S. clubs).

It was around this time that the "Girls on Film" video benefitted from almost unbelievable good luck.  Directed by future video superstars Godley and Creme, the original video was designed for late night TV shows and dance clubs, and featured a fair amount of nudity.  It was subsequently banned by the BBC, which generated a ton of publicity for the band.  An edited version of the video found its way to MTV and received some airplay, although neither the song nor the album really broke through on their initial release.

However, the success of the video seemed to solidify the band's visual focus, and led to the tremendous success of future Duran Duran albums and videos, starting with 1982's Rio.  A 1983 reissued version of the debut LP broke the top 10 in the U.S in 1983, one of 3 top 10 LPs that the band had between 1982 and 1983.

As many readers will know, Duran Duran has never officially broken up, although they have had several extended periods of inactivity and a few lineup changes through the years.

Scritti Politti - Perfect Way

Although they were a one hit wonder in the U.S., Scritti Politti were more successful in the U.K., where they had 5 top 40 hits (and 15 charting singles).  The band's origins date back to 1977, but the group (named after the Italian phrase for political writings) was essentially the musical vehicle for Welsh singer-songwriter Green Gartside (born as Paul Strohmeyer).

Scritti Politti's pop sound (with new wave and blue-eyed soul influences) contrasted nicely with Gartside's complex and interesting lyrics.  The result was music that can be enjoyed on several levels, and unsurprisingly made the band something of a critical darling.  This was no doubt enhanced by the well-crafted studio productions.

"Perfect Way" comes off Scritti's 1985 studio LP, Cupid & Psyche 85.  While this was the band's second album, it was their first major label recording, which allowed Gartside access to the money and equipment that he desired.  As a result, it was a lush sounding, lyrically dense pop record that did surprisingly well on the charts.

While Scritti did not dent the U.S. charts after "Perfect Way," the group did continue to have mainstream success in the U.K. through the end of the 1980s.  Green Gartside remains active in the industry, and continues to release the occasional album (he rarely performs, due to stagefright).

Pet Shop Boys - West End Girls

One of the many great things about writing blog entries for ERV is that is provides an opportunity to link seemingly disparate songs (and bands) in assorted crazy ways.  For some examples, check out the first two singles by Feargal Sharkey, or the Hoodoo Gurus' song that sounds a bit like a Robert Plant single.  In this case, there is a surprising connection between The Flirts and Pet Shop Boys ... more on that in a moment.

Pet Shop Boys (no 'the') are an English duo of Neil Tennant (vocals, keyboards) and Chris Lowe (keyboards, vocals).  The group formed in 1981 and were originally called West End (after the section of London), before changing their name to Pet Shop Boys, after a friend who actually worked in a pet shop (and was a boy).

In 1983, the duo met New York producer Bobby Orlando (Bobby O); they were big fans of his dance-driven productions.  Bobby O agreed to produce some Pet Shop Boys songs, and worked on 11 songs, including "West End Girls," which became a minor U.S. club hit.  The group dropped Bobby O in 1985 (only after agreeing to pay him of cut of their royalties) and signed to EMI/Parlophone.

By the way, Bobby Orlando was also the producer/creator of The Flirts. (!)

Pet Shop Boys remixed the Bobby O songs for their major label recordings, and went on to become big stars.  "West End Girls" became a #1 hit in the U.S. and U.K., and their 1986 debut LP, Please, broke the top 10 in both countries.  The duo would go on to have 42 top 30 singles in the U.K. and 6 top 40 hits in the U.S.  They have sold more than 50 million units over their career and remain active as of their writing.

 The original "West End Girls" video is below.  Note that the song was inspired by the T.S. Eliot poem 'The Waste Land.'

And, of course, the original version, produced by Bobby O:

Information Society - What's on Your Mind (Pure Energy)

Information Society could have easily become big stars if things had broken their way just a bit more.  The band's sound was early 1980s synth pop meets late 1980s techno, which could have made them the perfect dance band to transition into the 1990s.  However, things didn't work out that way, and they ended up having a brief period of success in the late 1980s before fading from view.

The group formed in Minneapolis and the core consisted of James Cassidy, Paul Robb, and Kurt Harland (Valaquen).  The band's name came from Ingsoc (newspeak for English Socialism) from the Orwell novel Nineteen Eighty-Four.  In fact, the band's debut EP was called The InSoc EP (and came out in 1983).

However, it was Information Society's self-titled 1988 LP that catapulted them onto the scene, led by "What's on Your Mind."  The song plays like an updated early 1980s synth pop gem and became a huge hit, reaching #3 on the charts, while the album hit #25.  Surprisingly, "Walking Away" also broke the top 10, though we only vaguely remember it.  By the by, the band also had a third top 40 hit with 1990s "Think."

After the group's big breakthrough, their popularity steadily waned in the 1990s and they officially broke up in 1997, before reforming in 2006.

Cool trivia fact:  As many readers will know, "What's on Your Mind" sampled two Star Trek lines, including Dr. McCoy (DeForest Kelley) saying "It's worked so far, but we're not out yet!" in the intro and (of course) Mr. Spock's (Leonard Nimoy's) "Pure energy" line used in the chorus.

Soft Cell - Tainted Love

Soft Cell were a one hit wonder in the U.S., but the group's music was interesting and influential.  In fact, "Tainted Love" played an important role in early 1980s synth pop, highlighting the soulful, human aspect of a musical style that was sometimes viewed as cold and artificial.  As was the case with so many acts, Soft Cell were much more successful in their home market.  The group had 12 top 40 hits in the UK, including a run of five consecutive top 5 singles, starting with "Tainted Love."

The band consisted of singer Marc Almond and synthesizist (is that a word?) Dave Ball.  The duo met at Leeds Polytechnic (now Leeds Metropolitan University) in 1978.  Soft Cell initially worked scoring music for theater, and soon came to the attention of Stevo (Steve Pearce) a DJ who launched Some Bizzare Records and become a major player in the emerging electronic scene in Britain.  Stevo would become Soft Cell's manager and help them sign a major label deal.

"Tainted Love" comes off the first Soft Cell LP, 1981's Non-Stop Erotic Cabaret.  The song became a monster hit, reaching #1 in many countries, including the UK, while reaching #8 in the U.S.  "Tainted Love" took an unusually long time to peak on the U.S. charts and spent a then-record 43 weeks in the Hot 100.

The original version of the song was recorded in 1965 by Gloria Jones and it was not a hit -- in fact, it failed to chart in either the U.S. or UK.  However, a British club DJ (Richard Searling) came across a copy in 1973 and began playing it, which led to a period of success as a club single.  Jones then re-recorded the song in 1976, but the new version failed to chart, as well.  [As an aside for any hardcore musicologists out there, Jones is best known as the girlfriend of Marc Bolan (T. Rex).  Jones and Bolan had a son (Rolan Bolan) together and Jones was driving the Mini when it crashed, killing Bolan in September 1977.]

Soft Cell released three additional albums after Non-Stop Erotic Cabaret before breaking up in 1984.  Both Almond and Ball have remained in the industry, and there have been periodic reunions in recent years.

The original video for "Tainted Love" features togas and a cricket player.  We don't recall seeing the video much on MTV back in the day, though.

Soft Cell also released a remixed version of the song (with a corresponding video) in 1991, which is below:

Lastly, here is the original version of the song by Gloria Jones:

T'Pau - Heart and Soul

Although they were stars in the U.K. (where they had 8 top 40 hits), T'Pau were a classic one hit wonder in the U.S., with only "Heart and Soul" breaking the top 40.  The band was formed in Shropshire, U.K. in 1986 and were led by singer Carol Decker.  The group was originally called Talking America but changed their name to T'Pau (a Star Trek character) almost randomly.  It seems that an old episode of the TV show was on in the background while they were debating names, and the word T'Pau stuck in their heads.

T'Pau's demo tapes soon scored them a recording contract with Virgin Records, and the band's debut LP, Bridge of Spies was released in 1987.  Interestingly, the initial release of "Heart and Soul" did not go well.  And then ... it was used in a Pepe Jeans commercial in the U.S. and U.K. and absolutely took off, reaching #4 on both sides of the Atlantic.

While they did not chart again in the U.S., our British readers may remember "China in Your Hand," a #1 song from later in 1987.

The band broke up in 1991, then re-formed in 1998 and continue to perform as of this writing.

Joy Division - Love Will Tear Us Apart

The Joy Division story is among the more tragic rock and roll tales, and is only compounded by the band's innovative and visionary sound.  Joy Division formed in 1977 in Manchester (UK) and were originally called Warsaw.  They changed their name in 1978 to differentiate themselves from Warsaw Pakt, an on-the-rise UK punk band.  The Joy Division name came from the 1955 novel The House of Dolls -- it was the prostitution section of a Nazi concentration camp.

While they came out of the vibrant UK punk scene, the band quickly migrated to a different sound that was moody, dark and atmospheric; the band was one of the originators of goth.  Their innovative approach earned them the respect of several industry insiders and critics, including the influential John Peel of the BBC.  Although their first LP only reached #71 on the UK charts, they were a band on the rise.

Unfortunately, their growing success and touring schedule was placing a strain on lead singer Ian Curtis.  In particular, Curtis' epileptic seizures became difficult to control and his marriage was failing.  In May 1980, just before the band was to leave for their first American tour, Curtis committed suicide.  He was 23.

"Love Will Tear Us Apart" was written as an ironic response to "Love Will Keep Us Together," a 1975 hit for Captain & Tennille.  In retrospect, the lyrics seem autobiographical, as the song was written during a difficult time in Curtis' life.  The video was shot by the band themselves, during the recording of the song.

As many readers will know, the remaining members of Joy Division stayed together and renamed themselves New Order.  They would go on to have significant success, and were featured on ERV last December for "Bizarre Love Triangle."

Cool trivia facts: NME rated "Love Will Tear Us Apart" as the greatest single of the past 60 years in 2012.

Rolling Stone ranked the Closer LP as the 56th best album of the 1980s.

The song has charted 3 separate times in the UK -- in 1980 (#13), 1983 (#19) and 1995 (#19).  It never charted in the U.S.

The title of this song is inscribed on Ian Curtis' tombstone.

Julian Lennon - Too Late for Goodbyes

So what is it like to be the first son of a rock legend?  Well ... for Julian Lennon (son of John), it means that a drawing you did as a child became the inspiration for "Lucy in the Sky with Diamonds."  And when you were sad during your parents divorce, a band mate of your dad's wrote "Hey Jude" for you.  Pretty heady stuff.

It also means that when you decide to become a musician, everything you do will be compared to your dad. Especially when your voice sounds like his and when your first album comes out a few short years after his death.

Welcome to the life of Julian Lennon.

In spite of this, Julian Lennon's first album, Valotte (named after the French château when Lennon had stayed) is a solid effort.  It also sold well -- the album reached #17 on the charts and went platinum, spawning 3 top 40 hits -- the title cut (#9), "Too Late for Goodbyes" (#5) and "Say You're Wrong (#21).

Unfortunately, Lennon was not able to duplicate this success.  He released three additional albums through 1991, with each LP performing worse than the previous one.  Lennon then left the industry for seven years, before releasing Photograph Smile in 1998.  When it did not sell particularly well, he again left the industry, and became involved in photography, several internet businesses and charitable work.  He has had a somewhat higher profile lately, and released another album in 2011, but has had little commercial success of late.

Cool trivia facts:  the videos for "Too Late for Goodbyes" and "Valotte" were directed by Sam Peckinpah, best-known for the 1969 western The Wild Bunch.

Special shout out to eagle-eyed viewer Corky, who pointed out that Martin Briley (featured on ERV in October 2011 for "Salt of My Tears") can be seen on the video at 0:08.  Briley was a successful studio musician and played guitar on the studio version of "Too Late for Goodbyes."

New Order - Bizarre Love Triangle

"Bizarre Love Triangle" is one of those cool songs where the title does not appear in the lyrics, something that New Order did a lot.  It was the second single from the band's 1986 Brotherhood LP and was one of a relatively small number of songs that the famously reclusive (aloof?) band turned into a video.  The main video (the first one below) was directed by the American painter Robert Longo of Men in the Cities fame.

New Order was formed from the remains of Joy Division, following the tragic suicide of lead singer Ian Curtis.  While the band started out as stylistically similar to Joy Division, they gradually incorporated more dance and synth pop elements into their songs.  The result was a new wave dance sound that was trendsetting, and laid the groundwork for many bands to follow.

While they became huge stars in their native Britain, New Order had only modest mainstream success in the U.S.  "Bizarre Love Triangle" did not chart in 1986, although it was re-released and did hit #98 in 1995.  The Brotherhood album was also not a huge hit; it peaked at #161.

Of course New Order continued to have success (particularly in the UK and Europe) and they remain active as of this writing, although they have had at least two breakups/long hiatuses through the years.

In classic ERV style, we found a second video of the song, recorded in the famous Strawberry Studios in London.  (Sorry for the abrupt ending.)

Cool trivia fact:  New Order is not a U.S. one hit wonder.  They actually had two top 40 hits -- 1987's "True Faith (#32) and 1990's "Regret (#28).

Yazoo - Don't Go

Another superb Halloween video (if we say so ourselves ... and we do) is Yazoo's "Don't Go."  Long time readers and 1980s synth pop fans will recall that Yazoo (Yaz if you live in the U.S.) was formed by Vince Clarke after he left Depeche Mode.  Although they only released two albums, Yazoo produced some of the strongest synth pop material of the early 1980s, helped by Alison Moyet's powerful vocals.

Yazoo's first album, 1982's Upstairs at Eric's was a smash in the UK, where it went to #2 on the charts.  (The band's follow-up, 1983's You and Me Both, peaked at #1).  However, Yaz had less mainstream success in the U.S., where they were mainly seen as a dance band.  In fact, "Don't Go" did not break the top 100 on the Billboard charts in the U.S., although it did hit #1 on the U.S. Dance charts (and #3 in the UK).  However, the video was popular on MTV back in the day.  We dig the Rocky Horror vibe of the video, and we think it works quite well with the song.

Yazoo disbanded after their 1983 album.  Vince Clarke would of course go on to form Erasure (ERV featured "A Little Respect" back in March) while Alison Moyet had a successful solo career (particularly in the UK).  Clarke and Moyet re-formed Yazoo in 2008, and they have worked together from time to time since then.

Cool trivia fact:  Yazoo never had a top 40 hit in the U.S., although "Only You" and "Situation" both broke the top 100.

Steel Breeze - You Don't Want Me Anymore

A testament to the growing power of MTV, "You Don't Want Me Anymore" became a hit for Steel Breeze in 1982.  The song was undoubtedly helped by the quirky video, which went into heavy rotation on your favorite video music channel.

Based in California, Steel Breeze was named after a line in Pink Floyd's "Shine on You Crazy Diamond."  [The line:  "You were caught on the crossfire/Of childhood and stardom/Blown on the steel breeze".]  The band released their self-titled debut album in 1982, and actually had two top 40 hits -- "You Don't Want Me Anymore" which peaked at #16 and "Dreamin' Is Easy" which hit #30 (and no, we don't remember "Dreaming Is Easy" either).

The band (with multiple lineups) released four albums after their debut, but none of them charted and they more or less faded from view ... until now.

Cool trivia fact:  "You Don't Want Me Anymore" was the last charting single produced by Kim Fowley, best known for being the manager of the Runaways.

Roxy Music - More Than This

The Universe made another request, playing this song serendipitously as  we were considering the next entry, and we do try to accommodate requests (especially from The Universe).  So without further ado ...

Many readers will be familiar with Roxy Music.  The English art rock band formed in the early 1970s, and went on to have huge success in Britain, where every one of their studio albums broke the top 10, including three number ones.  In the U.S., they were significantly less successful, although they built a loyal following through the 1970s and early 1980s.

The band was known for their sophistication, particularly lead singer Bryan Ferry -- perhaps the most debonair rock star ever.  As is often the case, their sound evolved over time, and gradually became less art rock and more atmospheric pop, although there was often a strong pop sensibility to their songs.  The band's final album, 1982's Avalon, represented something of a peak for the group.  Incredibly lush and layered, it is a real work of art.  Much of the music was written by Ferry while he was on vacation on the West coast of Ireland and their is something of an ethereal vibe that runs through the entire LP.

We don't use the word masterpiece much on the blog (we think the only other time that we've used it was for The Waterboys song "The Whole of the Moon") but we think that "More Than This" qualifies.  The striking guitar line, the lyrics, the synthesizers all paint a musical picture that is haunting, with a gentle sadness.  "More Than This" also has a spectacular, lingering outro that perfectly suits the song.

Amazingly, "More Than This" did not break the top 100 in the U.S. (#103), although it was a top 10 hit in the U.K. and Australia.  The Avalon album peaked at #53 in the U.S., (it was a #1 LP in Britain).  The video might be a tad bit overdone, but it does seem to suit the band and the song.

Bryan Ferry broke up Roxy Music soon after Avalon's release, and went on to have a successful solo career (particularly in the U.K).  The band did re-form and toured in the early 2000s, but Ferry has stated that he does not intend to release another Roxy Music album.

Cool trivia fact:  Roxy Music is a U.S. one hit wonder.  Their only top 40 hit was "Love is the Drug" (#30) from 1975.

Cool trivia fact #2:  10,000 Maniacs 1997 cover of "More Than This" hit #25 on the Billboard charts -- higher than any Roxy Music single ever, and much higher than the superior original version.  Go figure.

Cool trivia fact #3:  Rolling Stone rated Avalon as the 31st best album of the 1980s (and the 336th greatest album, full stop).