Sting - Fortress Around Your Heart

By the early 1980s, The Police were one of the biggest bands in the world, so Sting's 1985 solo album was huge news. Interestingly, The Police were apparently only on hiatus at this point, but they officially broke up shortly after a failed attempt at recording a new album in 1986.

Likely contributing to the breakup was the huge success of The Dream of the Blue Turtles (named after a dream that Sting had).  The album showed significant musical growth for Sting as it was both more polished and jazzier than The Police.  The result was an LP that peaked at #2 on the Billboard charts with four top 40 hits.

"Fortress Around Your Heart" was the third single off Blue Turtles and it reached #8 on the charts.  In our view, it was the most Police-like single off Sting's first solo album, and the odd, atmospheric video didn't hurt the song's success a bit.  In fact, it was all over MTV for a time in 1985.

Sting would go on to have almost continual success throughout his career, though he does seemed to have slowed down of late.  The Police eventually reunited for a hugely successful 2007-08 tour, but then disbanded, seemingly for good.  

Mental As Anything - Live It Up

"Live It Up" is an upbeat song with an interesting history from a cool, quirky band from Australia.  Mental As Anything were an art rock band that formed in Sydney in 1976.  The group would go on to have significant success in their home market, with three top 10 albums and twenty (!) top 40 singles.  The band is also noteworthy for their odd and humorous videos.

Their 1985 release, Fundamental, proved to be Mental As Anything's biggest success.  The LP peaked at #3 on the Australian album charts, while the "Live It Up" single hit #2 on the singles charts.  It's easy to see why, as it's a great pop song with a fantastic hook.

The song then won the lottery as it was picked for the Crocodile Dundee film and soundtrack.  Dundee became an international phenomenon; it was also the second highest grossing film in the U.S. in 1986 (slightly behind Top Gun). "Live It Up" was re-released and would go on to have significant international success, reaching #3 in the UK, for example.

While the band's success faded over time, they remained an active working band through 2019, when Greedy Smith, the last remaining original member, died unexpectedly of a heart attack.

In spite of the global success of "Live It Up," Mental As Anything never broke through in the U.S., making this an eighties rare video.

Cool trivia fact: In 2020, "Live It Up" was adopted by fans of the Glasgow, Scotland soccer team Rangers FC, who pushed in to #1 on the UK iTunes charts in December of that year.

Elliot Easton - (Wearing Down) Like a Wheel

As we've mentioned before, The Cars appeared to be running out of steam by the mid-1980s, which led to three of the five member releasing solo albums.  ERV has previously featured work by guitarist/singer Ric Ocasek ("Emotion in Motion") and by bassist/singer Ben Orr ("Stay the Night") both of which came out in 1986.  However, The Cars' lead guitarist, Elliot Easton released his only solo album the prior year.

Easton's solo album was titled Change No Change and was co-written with Jules Shear.  If Shear's name sounds familiar, it's because he wrote Cyndi Lauper's "All Through the Night" and The Bangles' "If She Knew What She Wants."

The resulting record was neither a commercial nor a critical success.  While Easton is undoubtedly a gifted guitarist, the songs don't highlight this, and there was criticism of his voice, as well.  The album peaked at #99, and while "(Wearing Down) Like a Wheel" picked up a modicum of airplay, it did not chart.  It is a solid, if unspectacular song, and a nice rare video too.

In addition to the videos linked above, Ric Ocasek's earlier (and excellent) "Something to Grab For" was featured on ERV early on, in September 2011.  We also posted The Cars "Since You're Gone" in May 2014. [Yes, The Cars are well-represented on ERV.]

Cool trivia fact: Elliot Easton's given name was Elliot Steinberg.

The Comsat Angels - I'm Falling

ERV reader(s) who are into movies from back in the day may recognize this song, as it was featured prominently in Real Genius, a fun (and underrated) 1985 flick starring Val Kilmer.  However, the Comsat Angels were a well-regarded early New Wave act, and with a bit of luck could have become major stars.

The band formed in Sheffield, UK in 1978 and were named after a J. G. Ballard short story.  Their initial work was sparse, atmospheric pop, in the same segment as Joy Division.  Unfortunately, they never quite found their audience and their label (Polydor) did not know how to promote them.

The band switched to Jive, and then Island records during the 1980s, and tried to transition to a more pop-oriented sound, in an effort to become successful.  Sadly, nothing seemed to work.  By 1990, the group even changed its name to Dream Command and released a more rock-oriented LP (Fire on the Moon).  Several years later, they broke up, although they did briefly re-form in 2009-10.

"I'm Falling" is a catchy synth pop song that hints at the strong songwriting of the band.  The song did not chart in the U.S., but did reach #90 in the UK.

Strawberry Switchblade - Since Yesterday

Although they had one of the coolest names in the music industry, Strawberry Switchblade was a one hit wonder in their native U.K., and didn't make a dent in the U.S. market at all.  This is a shame, as they were an odd and interesting duo whose one hit was really pretty good.

Strawberry Switchblade was formed in Scotland in 1981, and was comprised of Jill Bryson and Rose McDowall.  Their image of big bright dresses and bows fit nicely with the synth pop sound ... as long as you didn't listen to the lyrics (or pay attention to the goth makeup).  It turns out that the name was intentionally chosen, and the lyrics to their bright pop songs were often dark or disturbing.  "Since Yesterday," for instance, was written about the aftermath of a nuclear war.

The group gained traction in 1983, and released their first single, "Trees and Flowers."  This led to a recording contract and in late 1984, "Since Yesterday" was released.  The song slowly rose on the UK charts, eventually reaching #5.  Their self-titled debut LP followed in 1985, but they were not able to land another hit, and a combination of musical and personal disagreements led to a split by 1986.

I don't recall seeing the video on MTV, though it may have appeared on 120 Minutes.  However, the Tim Pope video is visually arresting, and does a solid job of conveying the band to the public. 

Divinyls - Pleasure and Pain

"Pleasure and Pain" is the second Divinyls video to show up on ERV; "Boys in Town" was posted back in July 2012, shortly before the untimely death of lead singer Chrissy Amphlett.  We view Divinyls as a unique and underrated band who were likely hurt by their hard to categorize sound that managed to combine rock, new wave, and pop elements all at once.

Interestingly, "Pleasure and Pain" was not the lead single off their 1985 What a Life! LP.  It was actually the fourth single released - perhaps because it was not written by the band.  The song was actually co-written by producer Mike Chapman and 1980s songwriter extraordinaire Holly Knight.  (Knight has shown up on the blog before; click on her name in the labels section for more info.)

I remember "Pleasure and Pain" picking up a fair bit of airplay on Boston rock radio when it came out, but the song only reached #76 on the charts, while the What a Life! album peaked at #91.  To be fair, the band did become stars in their native Australia, but it did seem like they never really broke through in the U.S. in the 1980s. (Although "I Touch Myself" did become a big hit in 1991.)

The energetic video featuring Chrissy Amphlett was filmed in the closed Balmain power plant in Sydney, Australia.  In our view it suits the song pretty well:

In addition to the vid, we also found a cool making of video, showing the somewhat boring hard work that went in to making music videos during MTV's heyday.

a-ha - Take On Me

No one in their right mind could consider a-ha's monster hit "Take on Me" to be a rare song or video, which begs the question:  have we (finally) lost our minds?  The answer to this question may well be yes, but there is a method to our madness for this video.

Let's get the obvious out of the way first:  "Take on Me" was the song that seemingly every teenage girl (and many boys) loved during 1985.  The song hit #1 all over the world, including the U.S.  The video was in heavy rotation for seemingly all of 1985 and beyond, and won six MTV VMAs.  Video savant Steve Barron combined pencil animation with live action in an innovative and creative way; we think it is fair to say that many critics would view "Take on Me" among the greatest music videos ever made.  For younger readers, folks who want to reminisce, or anyone who was locked in a closet for 1985, the original clip is below.

Yep, still a great video.  a-ha would go on to have a second top 40 hit in the U.S. with "The Sun Always Shines on TV" and became bonafide stars in Europe through the mid 1990s.  Since 1994, a-ha has broken up and re-formed several times, most recently in 2015.

In order to get to the rare video, a little about the song itself is helpful.  The origins of "Take on Me" go back to two earlier songs -- 1981's "The Juicey Fruit Song" which evolved into "Lesson One" which in turn became "Take on Me" in early 1983.  The band recorded a demo shortly afterwards, and recorded a different version after they were signed to Warner Bros. in 1984.  The second version of the song was released, and a video was made - so here is your rare video:

 
Though the song and video are fine, we think it is fair to say that they were unexceptional.  At this point, the band caught a huge (and we mean huge) break.  Warner Bros. in the U.S. took a liking to the group, and decided to invest in them.  First, Warner helped a-ha re-record the song (with producer Alan Tarney, who was previously featured on ERV for "No Time to Lose"). Then, they brought in Steve Barron to make the top video.  Lastly, Warner aggressively promoted the video, even showing it before movies.

Needless to say, this record company support led to the huge success of the single (and album).  Unfortunately for the group, synth pop fell out of favor, and it appears that Warner's promotional efforts turned elsewhere.  Still, a-ha can't complain too much:  they became the first Norwegian act to have a #1 hit in the U.S.

The Hooters - Day by Day

After a long, bumpy road, Eric Bazilian and Rob Hyman finally saw significant success with The Hooters 1985 Nervous Night LP.  The album peaked at #12 on the charts and went double platinum; it also featured all three of the group's top 40 singles.

In fact, the Bazilian/Hyman partnership (sounds dirty but isn't) dates back to the early 1970s when they met as students at Penn.  Their first group (Baby Grand) recorded some decent material, but did not break through.  [Baby Grand also recorded the original version of "Never Enough" which was covered by Patty Smyth in 1987 and featured on ERV in April, 2014.]

Bazilian and Hyman formed The Hooters in 1980 and played extensively in the Philadelphia music scene before breaking up in 1982.  However, the group re-formed the following year and released their first (independent) album.  Their big break came when an old friend (Rick Chertoff from Baby Grand) asked Bazilian and Hyman to work with him on Cindy Lauder's She's So Unusual album.  The success of that project led to The Hooter's signing with Columbia Records.

Many readers will be surprised that "Day by Day" was the highest charting single from Nervous Night -- it hit #18 on the charts.  The song (co-written with Chertoff) is pretty typical of the band's music from this period -- upbeat roots rock, with some new wave and folk elements, to boot.

Sadly, Nervous Night was the peak of The Hooter's success.  Though their material remained strong, the albums did not sell as well.  The band broke up in 1995, but has reunited from time to time in the intervening years.  

Note that The Hooters excellent and underrated "Karla with a K" was featured on ERV in March, 2012.

Lone Justice - Ways To Be Wicked

This is Lone Justice's second appearance on ERV, as the equally strong "Sweet, Sweet Baby (I'm Falling)" showed up on our little corner of the universe back in November 2011.

As we mentioned then, Lone Justice was one of the leading acts in the cowpunk movement, a roots revival scene that merged country and rockabilly with the rough edges of punk.  Sadly, while several acts garnered critical acclaim, there was little to speak of in terms of commercial success.  Country rock just didn't sell in the 1980s, and we're all a little worse off because of that.

The band's roots go back to 1982 when the group was founded by Maria McKee (vocals) and Ryan Hedgecock (guitar).  Lone Justice eventually built a following, and signed to Geffen in 1985.  In the 'it's nice to have friends in high places' category, Tom Petty and Mike Campbell wrote "Ways to be Wicked."

In spite of the positive press, the single only reached #71 on the charts, while the LP stalled at #56.  The band effectively broke up after that, although singer Maria McKee kept the name and released a second album (Shelter) in 1986 that did not do appreciably better.

McKee officially went solo in the late 1980s, and has remained active in the industry to the present day.

The Cult - Rain

"Rain" was the second single off The Cult's 1985 Love album (or perhaps the first, as "She Sells Sanctuary" was actually released prior to the LP).  This is another atmospheric rock song that makes one wonder why The Cult weren't even bigger stars.

The group formed in Yorkshire, England in the early 1980s, and started as a goth rock band called Southern Death Cult.  Lineup, name, and style changes followed with the band really taking shape in 1983 or 1984.  Led by the mystical singer Ian Astbury and guitarist Billy Duffy, The Cult crafted a unique hard rock sound with atmospheric and new wave influences.

The video for "Rain" is a cool, slightly freaky clip that alludes to the song's subject matter (in a word: sex).  We don't recall seeing this one back in the day, but it is a strong if somewhat odd effort.  The single did not chart in the U.S., but did pick up a bunch of rock and college radio airplay - similar to "She Sells Sanctuary," which was posted on ERV in August, 2011.  However, the Love album would reach #87 on the charts and go gold.

The Cult would go on to have significant success before breaking up in 1995, though there have been numerous reunions since then.

Cool trivia fact:  The Cult are a no hit wonder in the U.S.; their highest charting single was 1989's Fire Woman (#46).  (They did have #11 top 40 singles in the U.K.)

Cool trivia fact #2:  Prior to joining The Cult, guitarist Billy Duffy played with a pre-Smiths Morrissey in the Nosebleeds.

The video for "Lil' Devil" was posted on ERV in May, 2021.

Katrina & The Waves - Do You Want Crying?

Although casual listeners may view Katrina & the Waves as an overnight success story and a one hit wonder, the truth is that they were neither.  In fact, this is the second time that they have been featured on ERV without their signature hit, 1985's "Walking on Sunshine." [The first time was when we posted The Bangles' cover of "Going Down to Liverpool," complete with Mr. Spock.]

The group formed in London in 1981 and was fronted by American ex-pat (and army brat) Katrina Leskanich.  Guitarist Kimberley Rew (the group's primary songwriter), Vince de la Cruz (Bass) and Alex Cooper (drums) rounded out the lineup.  Signed in Canada, the band released two records there before they finally scored a major deal with Capitol in 1985.

As a result of their previous work, the act's self-titled major label debut consisted primarily of reworked material - making it something of a greatest hits record.  The album would go on to become a major success, reaching #25 on the charts, led by the ever present (in the summer of 1985) "Walking on Sunshine," which peaked at #9.  However, "Do You Want Crying?" would also break the top 40 at #37, as would 1989's "That's the Way" (#16).

While Katrina & the Waves continued recording and touring in the 1990s, they did not have much in the way of major commercial success ... until a surprising win at the 1997 Eurovision song contest with "Love Shine a Light," which would go on to be a #3 smash in the U.K.  Sadly, this second period of success did not last, and the group broke up in 1998, though there have been occasional reunions in recent years.

Fiona - Talk To Me

It is easy to forget how difficult it is to become a rock star.  Even if all of the pieces are there, sometimes they just don't fit together.  Case in point: Fiona, who had the attitude, looks and voice to be a star, but never made it.

Fiona Flanagan was born in New Jersey, but moved to New York City when she was 18, and began her career as the frontwoman of several bands.  This led to a recording contract with Atlantic, and a 1985 self-titled debut album produced by Beau Hill, who had worked with Ratt and Sandy Stewart.  (Hill would later produce albums for Winger, Warrant, and Europe.)

Fiona's debut album generated some traction, but never delivered the breakout song to launch her career.  The album reached #71, while "Talk to Me" peaked at #64.  We seem to recall seeing the video on our favorite station, but we don't think that it went into heavy rotation.

A guest spot on Miami Vice ("Little Miss Dangerous") and a second album followed in 1986.  In 1987, Fiona co-starred in the Bob Dylan movie Hearts of Fire, which did so poorly in its limited U.K. release that it was sent direct to video in the U.S.  After two additional albums did not succeed, Fiona left the industry, although she did return in 2011 with Unbroken, which has received positive reviews from AOR rock aficionados.

For the blog, we went with "Talk to Me," which does a nice job of highlighting the charismatic singer and her hair.

Ratt - You're In Love

There is no right way for a band to become successful, but there is a wrong (or hard) way: burst onto the scene with a huge first album before a strong fan base has been established.  While it is not the kiss of death, successful first albums can lead to oversized expectations and pressure that can be hard to live up to.  This likely hurt the careers of The Knack, The Outfield, The Hooters, and Young MC among many others.

Viewed from this perspective, Ratt didn't do half bad.  True, their first album (1984's Out of the Cellar) was their commercial peak, but they were able to maintain a significant amount of success all through the eighties, helped by the popularity of pop metal and their generally solid music videos.

The origins of Ratt go back to the mid 1970s when Mickey Ratt was formed by singer Stephen Pearcy.  The band went through a series of lineup changes, and eventually became regulars on the LA Sunset Strip scene.  Ratt's 1983 independent EP sold well, which led to a major label contract, a video with Milton Berle, and no small amount of success.

"You're In Love" was the second single of the group's 1985 LP, Invasion of Your Privacy.  The video features mostly live footage, and was filmed at shows in Mississippi and Louisiana in August 1985.  The single only reached #89 on the charts, while the album peaked at a strong #7.

Ratt maintained its string of successful albums through the 1980s, before breaking up in the early 1990s.  There have been several reunions since the late 1990s, but none with the classic lineup.  (Sadly, original lead guitarist Robbin Crosby died of a drug overdose in 2002).  A version of the group appears to be together as of this writing.

Coll trivia fact:  Ratt was very nearly a one hit wonder.  While "Round and Round" hit #12, the band's only other top 40 single was "Lat It Down," which reached ... #40.

Cool trivia fact #2:  Jake E. Lee (later of Ozzy Osbourne and Badlands) and Marq Torien (BulletBoys) were both briefly members of Ratt in the early 1980s, while Michael Schenker was briefly a member in the early 1990s.

ZZ Top - Stages

ZZ Top may have been the most surprising success story of the 1980s.  True, the blues-rock trio had landed five albums in the top 25 from 1973 - 1981, and even had two top 40 hits ("Tush" and "I Thank You.")  Still, the success of 1983's Eliminator, which launched the band into superstardom, was stunning.  In retrospect, this success was largely driven by two factors ... but more on that in a minute.

The group formed in Houston in 1969 (!) and has remained intact to this day, with guitarist/singer Billy Gibbons, bassist/co-singer Dusty Hill and drummer Frank Beard (ironically the only member of the group without the trademark Rip Van Winkle facial hair).  From the start, the band's sound incorporated elements of the blues into modern rock songs.

On Eliminator, the group updated their sound even further, adding synthesizers and drum machines to their blues-rock sound.  Though this sounds like a recipe for disaster, the results were spectacular.  It was this updated sound, combined with a shrewd use of videos, that drove ZZ Top's massive success.

1985's Afterburner continued in the same vein, albeit with results that did not hold together quite as well.  Still, there were highlights, such as "Stages," which is our favorite cut off the album.  The song reached #21, while the Afterburner LP went to #4 (thus becoming the highest charting ZZ Top album ever).

The band released one more synthesizer-influenced LP, 1990's Recycler, before returning to a more traditional sound.  While their mainstream popularity gradually declined from the 1980s highs, they remain active in the music industry to the present day.

Cool trivia fact:  The ZZ Top name came as a tribute to blues legend B.B. King.  The band was originally called ZZ King, but decided that this was too similar, and changed it to ZZ Top.

Oingo Boingo - Weird Science

Oingo Boingo was one of the more interesting 1980s bands, with a theatrical flair that was often compared to Devo.  The band formed in LA in the 1970s and began as an avant-garde musical theater act called The Mystic Knights of the Oingo Boingo.  Shortening their name to just Oingo Boingo, the group (led by Danny Elfman) transitioned to a ska/dance/new wave sound, and was signed by I.R.S. Records in 1980.

As a southern California band with dramatic tendencies, Oingo Boingo was tailor-made for the movies, and eventually made a series of appearances on movie soundtracks.  This continued into the 1990s as frontman Elfman became friends with director Tim Burton, and the band contributed a song to virtually every Burton film of the era.  (In addition, Elfman wrote the musical score for virtually all of Burton's movies).

"Weird Science" was on the soundtrack of the John Hughes movie of the same name, and the song was also included on the group's 1985 LP, Dead Man's Party.  The single became the most successful release of Oingo Boingo's career, reaching #45 on the charts, while the album hit #98, and eventually went gold.

Although Oingo Boingo never enjoyed mainstream success, they remained a well-known cult act until they disbanded -- after a Halloween show (!) in 1995.  Danny Elfman remains active in the industry, and has become a huge success as a movie and TV soundtrack composer.

Cool trivia fact:  Elfman wrote the theme to the popular TV show, The Simpsons.

The Outfield - Say It Isn't So

When we started ERV in August 2011, the Outfield were one of the first bands to go in the bullpen, and they have been patiently waiting their turn ever since.  This is somewhat typical of the group -- they weren't avant-garde, or loved by critics, and they did not develop a large cult following over time.  What they did do, however, was produce a bunch of strong power pop songs, led by a #6 hit with one of the best opening lines of the decade:  "Josie's on a vacation far away..."

The Outfield's original lineup of Tony Lewis (bass and vocals), John Spinks (guitars), and Alan Jackman (drums) formed around 1983 in London.  The group was originally called The Baseball Boys, a name inspired by the Baseball Furies gang from The Warriors movie (a great flick that gets a thumbs up from ERV).  When the group signed with Columbia/CBS in 1984, their manager suggested that the name might be too campy.  After a discussion, the group renamed itself the Outfield.

Unlike most British acts, the Outfield were much more popular on this side of the Atlantic, where they had five top 40 hits and four charting albums.  (In the U.K., the group had two charting singles, but no top 40 hits).  It seems likely that their sound, with soaring vocals and strong guitar lines, fit better into the American music scene of the time.

For the blog, we went with "Say It Isn't So," the lead single from their 1985 breakthrough, Play Deep.  While the song didn't chart, the next three singles from the LP did, and the record ultimately peaked at #9 on the album charts.  Sadly, the Outfield would never match the success of their debut album, though they continued to be moderately successful until the grunge era.

Although they never officially broke up, the Outfield took an extended break for most of the 1990s.  They have performed sporadically since then, but have been more active since 2009 (when the original lineup with drummer Alan Jackman re-formed).  Sadly, it is unclear what the current status of the band is, as guitarist (and primary songwriter) John Spinks passed away from cancer in 2014.

The Outfield's "My Paradise" was featured on ERV in November 2021,

Jesse Johnson - I Want My Girl

Best-known as the guitarist for Morris Day and the Time, Johnson signed a solo deal with A&M Records when the group broke up in 1984.  His first album, Jesse Johnson's Revue came out the following year, and  reached #43 on the album charts.

Johnson's material was typical of the Minneapolis pop/funk sound of the day; a less charitable author might call it Prince light.  Still, it is very listenable music, though it does not break any new ground.

For the blog, we went with "I Want My Girl," a slow jam classic.  The song only reached #76 on the pop charts, but did top out at #7 on the R&B charts.  Johnson released two more charting albums in the 1980s, and had 4 top 100 singles led by 1986's "Crazay," with Sly Stone, which hit #53.

As his solo career faded , Johnson became involved in movie soundtracks and album production -- his credits include records by Paula Abdul and Janet Jackson.  Although Johnson has taken several hiatuses (is that a word) from the music industry, he appears to be active as of this writing.

Loudness - Crazy Nights

Loudness (ラウドネス) are likely to be the only Japanese group to appear on ERV, and are one of a handful of Japanese acts that had the potential to make an impact on the U.S. charts.  The group got its start in 1981 and quickly established themselves as the premier heavy metal band in Japan.

By 1984, Loudness had released four albums, and had a following in their home market.  To our ear, their early work sounds similar to the New Wave of British Heavy Metal and we think that it holds up reasonably well.  Their growing success caught the attention of the Twisted Sister management team and led to an international recording contract with Atco Records in 1985.

The act's first American record was 1985's Thunder in the East.  The album was recorded in the U.S., with English lyrics and some significant style changes, designed to appeal to the American market -- essentially, they went with a more pop metal sound, similar to Mötley Crüe, instead of sticking with their earlier, heavier music.

The results were ok, but not great.  Thunder in the East did hit #74 on the U.S. album charts, led by "Crazy Nights," which did not chart.  However, it was not the big breakout that the label had hoped for, and several subsequent records did not fare any better.  Atco dropped the band in 1991, and Loudness refocused on the Japanese market.  Though there have been several lineup changes, the band remains active to the present day.continues to record and tour to the present day.

Cool trivia fact:  The "M - Z - A" chant in the chorus has no particular meaning -- it was used as a placeholder during the initial recording, and the band could not come up with anything better, so they keep it in the final version.

Scritti Politti - Perfect Way

Although they were a one hit wonder in the U.S., Scritti Politti were more successful in the U.K., where they had 5 top 40 hits (and 15 charting singles).  The band's origins date back to 1977, but the group (named after the Italian phrase for political writings) was essentially the musical vehicle for Welsh singer-songwriter Green Gartside (born as Paul Strohmeyer).

Scritti Politti's pop sound (with new wave and blue-eyed soul influences) contrasted nicely with Gartside's complex and interesting lyrics.  The result was music that can be enjoyed on several levels, and unsurprisingly made the band something of a critical darling.  This was no doubt enhanced by the well-crafted studio productions.

"Perfect Way" comes off Scritti's 1985 studio LP, Cupid & Psyche 85.  While this was the band's second album, it was their first major label recording, which allowed Gartside access to the money and equipment that he desired.  As a result, it was a lush sounding, lyrically dense pop record that did surprisingly well on the charts.

While Scritti did not dent the U.S. charts after "Perfect Way," the group did continue to have mainstream success in the U.K. through the end of the 1980s.  Green Gartside remains active in the industry, and continues to release the occasional album (he rarely performs, due to stagefright).

The Smiths - How Soon Is Now?

The Smiths were an interesting band whose fortunes widely diverged on each side of the Atlantic.  In Britain, they had 3 #2 and 1 #1 LPs and 18 top 40 singles.  In the U.S., they did not have a top 50 album or a charting single.  Nevertheless, they were critically acclaimed in both countries and widely seen as perhaps the most important British alternative act of the decade.  In particular, their use of guitars and rejection of dance beats cut strongly against the grain, and laid the groundwork for the 1990s alternative scene in the U.K.

The band formed in Manchester in 1982 and consisted of Morrissey (Steven Patrick Morrissey, vocals), Johnny Marr (John Maher, guitar), Andy Rourke (bass) and Mike Joyce (drums).  The Smiths was chosen as the most ordinary name they could think of, to contrast the band with the synth pop scene, where names such as Orchestral Manoeuvres in the Dark and Spandau Ballet were used.  After an indy single was picked up by John Peel, the influential BBC Radio 1 DJ, the band landed a recording contract which led to nearly immediate success in their home market.

"How Soon Is Now?" was originally the B side of "William, It Was Really Nothing." As the song gained momentum, it was released as a single in its own right, and was added to some versions of the Meat is Murder LP.  The single reached #24 on the U.K chart in 1985 (and re-charted at #16 in 1992).

Although "How Soon Is Now?" is not viewed as a typical Smiths song, it is a lush, atmospheric masterpiece.  The opening line was inspired by a quote from the George Eliot novel Middlemarch.  Johnny Marr's guitars were painstakingly crafted using multiple amps, which made the song difficult to play live in the 1980s.  (In fact, the band rarely played it live).  The video was put together by Sire Records; the band only found out about it after the fact (and by all accounts, was none too pleased).  Both the short and long versions of the video are below:

Cool trivia fact:  The 1990 Soho hit "Hippychick" starts with the famous guitar intro from "How Soon Is Now?"

Cool trivia fact #2:  A Love Spit Love cover was used in the movie The Craft, and as the theme to the U.S. TV Show Charmed.  (Love Spit Love was the Butler brothers' band after The Psychedelic Furs broke up).

Cool trivia fact #3:  Many critics believe that the intro was influenced by the Rolling Stones' 1964 cover of Bo Diddley's song, "Mona (I Need You Baby)."  Decide for yourself: