Rick Springfield - Human Touch

Our second All Hallows Even clip is Rick Springfield's "Human Touch."  This is Springfield's second appearance on ERV; his cover of Sammy Hagar's "I've Done Everything for You" was featured on our little blog way back in 2012.

"Human Touch" came in the midst of Rick Springfield's heyday - between 1981 and 1988 he had 16 top 40 hits and five top 40 albums.  Over time, we've come around on his work - there is a fair amount of solid pop rock songs in his catalog, including this one.  Helped by the slightly odd video, the song hit #18 on the charts, while the Living in Oz album reached #12 and would become the third of four consecutive Springfield albums to go platinum.

The apocalyptic sci-fi video starts with some small skeleton people wondering into a lab that contains Rick and ... a bunch of dancers, it seems.  The year: 2016. The world seems to be a total wasteland (sadly, Springfield might not have been that far off about 2016).  There is then a bunch of dancing, some computers, and a four eyed saxophonist (no, not with glasses ... but with four actual eyes).  The result is an odd but fun video, which is easily recognizable as an 80s clip (the special effects ... oh my).

The sci-fi elements, set, and costumes make this an excellent Halloween video, and we hope that our reader(s) enjoy it as much as we did.

Sting - Fortress Around Your Heart

By the early 1980s, The Police were one of the biggest bands in the world, so Sting's 1985 solo album was huge news. Interestingly, The Police were apparently only on hiatus at this point, but they officially broke up shortly after a failed attempt at recording a new album in 1986.

Likely contributing to the breakup was the huge success of The Dream of the Blue Turtles (named after a dream that Sting had).  The album showed significant musical growth for Sting as it was both more polished and jazzier than The Police.  The result was an LP that peaked at #2 on the Billboard charts with four top 40 hits.

"Fortress Around Your Heart" was the third single off Blue Turtles and it reached #8 on the charts.  In our view, it was the most Police-like single off Sting's first solo album, and the odd, atmospheric video didn't hurt the song's success a bit.  In fact, it was all over MTV for a time in 1985.

Sting would go on to have almost continual success throughout his career, though he does seemed to have slowed down of late.  The Police eventually reunited for a hugely successful 2007-08 tour, but then disbanded, seemingly for good.  

The Outfield - My Paradise

The 1980s musical equivalent of a sunny summer day, The Outfield recorded a bunch of bright power pop gems, but somehow never became big stars.  While their first LP broke the top 10, they quickly fell out of favor, something that baffled us at the time (and ever since).  We suppose that there is no small amount of luck involved in success, and the group was not the flashiest, but they truly deserved a better fate.

Long time readers may recall that we featured the group's "Say It Isn't So" on ERV back in 2014.  That song was one of four singles off the Play Deep LP that did receive some airplay during the band's all-too-brief period of major success (primarily 1986).

For the blog we had several good options, and finally decided on 1989's "My Paradise." This song was the second single off the Voices of Babylon album (after the title track).  We don't recall seeing the video back in the day, and the single stalled at #72 on the charts.  To our ear though, this is a power pop gem. 

The Outfield continued recording through the early 1990s, but were absent from the industry from most of the rest of that decade.  They became more visible in the 2000s, but officially broke up when guitarist (and primary song writer) John Spinks died in 2014.  Sadly, lead singer/bassist Tony Lewis has also died (in 2020). 

Eddie Money - I Wanna Go Back

This is Eddie Money's second appearance on ERV; "Think I'm in Love" was posted more than 10 years ago (way back in August 2011).  As most readers will know, Money was a star in the late 1970s and 1980s with four platinum LPs and 11 top 40 hits (yes, two of which were in the early 90s).

"I Wanna Go Back" was one of those hits; it reached #14 on the singles chart, while the Can't Hold Back album reached #20 on the album charts.  The video is a combination of Money in concert and going back to a high school reunion.  At the reunion, he sees (but does not connect with) a mysterious blonde - played by Marilyn Martin, who sang the backing vocals on the track.

Eddie Money remained active in the music industry (and even dabbled in acting) until his death from cancer in 2019. 

As a cool bonus, "I Wanna Go Back" is one of those "I bet you didn't know that it is a cover" songs that we love so much at ERV.  The original version was recorded in 1984 by Billy Satellite, an Oakland rock band who never quite made it ... and the original version also has a video (you're welcome):

Cool trivia facts:  "I Wanna Go Back" was also covered by Greg Rollie and Ace Frehley.

Jim Capaldi - Living On The Edge

While Jim Capaldi is not a household name (even here on ERV), he was an interesting and important figure in rock, especially during the late 1960s and early 1970s.

Capaldi was born in  Evesham, Worcestershire (this isn't important, but we liked it anyhow) and became involved in the lively London music scene during the 1960s. He eventually started jamming with Steve Winwood, Dave Mason, and Chris Wood and they formed the influential rock/jazz band Traffic in 1967.

One of our favorite facts about Traffic concerns the way they wrote their songs.  Capaldi would write lyrics first and then Winwood would compose music that suited Capaldi's lyrics.

After Traffic broke up (for the second time in 1974), Capaldi married a Brazilian woman (Aninha Campos) and raised a family in Brazil, where he became interested in environmental and social issues (and Samba).  Although Capaldi remained active in the industry, his only real solo success came from his 1983 Fierce Heart LP.  That album hit #91 on the charts and generated two charting singles -  "That's Love" (#28) and "Living on the Edge" (#75). In typical ERV form, we are opting for the lower charting song, primarily because we like it better.  Additionally, it has a pretty far out there video with birds, motorcycles, and what appears to be some sort of Native American ceremony. 

[Note that the MTV has the wrong album title on their credits - Rock Art and the X-Ray Style is a 1999 album by Joe Strummer and the Mescaleros.]

Jim Capaldi died from stomach cancer in 2005. 

Duke Jupiter - I'll Drink To You

Here at ERV, we have a particular soft spot for the bar band.  In the 1980s it seemed as though every city had a few of these groups - comprised of working musicians who generated a local following, hoping for their one big break.  [The Pub Rock tag will direct readers to previously featured bands who fit the bill, with varying degrees of success.]

In Rochester, NY, Duke Jupiter was the prototypical bar band.  Playing straight-ahead rock and roll, they were active on the scene from the late 1970s through the mid 1980s.  And for a brief moment in 1982, it looked as if they might break through, thanks to their exposure on a new video music channel ... but sadly it was not to be.

"I'll Drink To You" was the lead single off the group's 1982 LP, Duke Jupiter I.  The music video is a simple concert clip of them performing at the Tower Theater in Upper Darby, PA.  The performance footage captures some of the energy of their live show (though the audience seems a bit .... sedate) and it was picked up by MTV, and put into rotation for a time.  The song even charted - reaching #58, while the album reached #204.

Unfortunately, this was as close as the band came to breaking out, and in 1986 they played a farewell concert and broke up, ending a 13 year run.  However, they have occasionally re-formed for reunions, though it is unclear if this will continue, as drummer Dave Corcoran died from cancer in 2018.

Robert Plant - Burning Down One Side

Nothing lasts forever - not even the mighty  Led Zeppelin.  John Bonham's death in 1980 ended the band, and left the remaining three members jobless for the first time in years.  After the tragedy, John Paul Jones semi-retired from the business, while Jimmy Page would go on to form several groups (The Firm being the most successful).  However, it was Robert Plant who carved out the strongest career post-Zeppelin. 

In 1982, Plant released his first solo album, Pictures at Eleven ... and rock fans had no idea what to make of it.  Plant co-wrote all of the songs, but they sounded nothing like his prior band.  Sure, it was still rock, but it was wrapped in a smoother, jazzier package.  

Yet somehow, it worked.  Pictures at Eleven would go on to become a top 5 album in both the U.S. and the UK, and would establish Plant as a star in his own right.  He would go on to have an interesting, eclectic career, up to the present day.

The first song from Plant's debut solo LP was "Burning Down One Side."  Its odd vibe and striking visuals fit perfectly with MTV, and it picked up a significant amount of airplay, which no doubt helped the album, and introduced Plant to a new, younger audience.  It seems to have become a bit of a forgotten song and video, though, making it perfect for our little blog.

Rush - Tom Sawyer

As many readers will know, sometimes The Universe calls out and makes a request.  Often times these are serendipitous events, but some of the time they are sad - and that's ok.  We've been processing the passing of Rush drummer Neil Peart, and were unsure at first whether to put a post up.  Then, we heard "Tom Sawyer" on the radio, reminding us of all that is great about Rush and rock and drummers.  Even better, the video is somewhat rare.

"Tom Sawyer" was the second single off Rush's breakout 1981 LP, Moving Pictures. ("Limelight" was the lead single.)  The song only reached #44 on the U.S. charts, but was a mainstay on FM rock radio in the 1980s.  The album rose to #3 and eventually went 4x platinum, making it Rush's best selling LP in the U.S.

The video was shot in Le Studio in Quebec, Canada during a cold Canadian winter.  With the exception of a quick outside intro shot, the rest of the clip is the band playing in the studio - note that these were the last few years before MTV, and we suspect the video was something of an afterthought.  As a plain vanilla video, we don't recall seeing it on MTV; perhaps it picked up a bit of airplay in the early days.

The song is particularly noteworthy in our book due to the front and center nature of the drum line.  This is the stuff that drum heroes are made of, and true to form, Rush drummer Neil Peart quickly established himself as rock's greatest living drummer.

Rush would go on to have significant success throughout the 1980s, and continued to record and tour through 2015. 

 
Cool trivia fact:  Rush is a one hit wonder, only 1982's "New World Man" broke the top 40 (at #21).

Cool trivia fact #2: Rolling Stone ranks Moving Pictures at #379 on their list of the greatest 500 albums ever.

Del Amitri - Kiss This Thing Goodbye

Although they were stars in the UK, Del Amitri never quite broke through in the U.S., through no fault of their own.  The band's strong pop-rock songs, with folk, roots rock and even country influences, were melodic and catchy.  In spite of this, they only had 3 top 40 hits in the U.S., and only 1995's "Roll to Me" really garnered a significant amount of air play.

The band formed in the early 1980s in Glasgow, Scotland, and was named after ... well, perhaps a film producer.  It was a Scottish interpretation of the name Dimitri, and ended up sticking.  The group released a self-titled debut album on Chrysalis in 1985, but it did not gain traction, and they were subsequently dropped by the label.  Their second album, 1989's Working Hours (on A&M), did make an impact, reaching #6 on the album charts in the UK.

Del Amitri released 3 more LPs in the 1990s, all of which broke the to 10 in the UK, and had 13 top 40 singles, as well.  In the U.S., only Working Hours even broke the top 100 on the album charts.

For the blog, we went with the first single off Working Hours, "Kiss This Thing Goodbye."  It's a fine example of the band's catchy songwriting.  Interestingly, the song was released in 1989, and reached #59 on the UK charts.  A re-release in 1990 did better, reaching #43 in the UK and #35 in the U.S.

Del Amitri went on hiatus (broke up?) in 2002, but has subsequently re-formed in 2014, and seem to be active as of this writing.

Heart - Even It Up

The early 1980s were a difficult time in the music industry.  While the disco and punk movements had somewhat faded from prominence, New Wave was now in full swing, and the classic rock acts of the 1970s seemed outdated by many listeners.

For Heart, this transition was compounded by the changing personnel in the band.  While the Wilson sisters (Ann - vocals and Nancy - guitar) remained the constants, guitarist (and Nancy's longtime boyfriend) Roger Fisher left Heart in 1979.

Undeterred, Heart soldiered on, releasing the Bébé le Strange LP in 1980.  This is a fascinating album, as the band's music is all over the place - to my ear, this sounds like a group working to rediscover what their sound is.  In the midst of this experiment is a great straight-up rock song, "Even It Up," with a cool early video to boot.  Particularly noteworthy are sailor Nancy (who seems to really like her Stratocasters), and the sax trio.

Bébé le Strange went gold and peaked at #5, while "Even It Up" reached #33.  Heart's greatest hits album was released later in 1980, and marked the end of their first period of mainstream success.  We suspect that most listeners and critics at the time would have viewed this as the likely end of the band.  Improbably, Heart re-positioned themselves as a pop/hair band in the mid to late 1980s, ushering in a period of commercial success that was even greater than their 1970s heyday.

Heart has remained active for many years, but appears to be on hiatus as of this writing.

Pat Benatar - Promises In The Dark

Pat Benatar's Precious Time album showcases the singer at the height of her powers and to this day it remains your author's favorite Benatar album.  While the LP didn't break new ground, it did show a refinement in the songwriting.  This combination of sharp, straight up rock and that voice (certainly one of the strongest in 1980s rock) proved irresistible to fans and led to huge commercial success.

While "Promises in the Dark" only reached #38 on the charts, the album went to #1 and ended up going double platinum to boot.  Sales were likely helped by the performance video, which was prominently featured on MTV, as was the sister video for "Fire and Ice."

After Precious Time, Benatar's sound evolved in a more of a pop direction, and eventually she even got into jump blues (on the True Love album).

Long time readers will recall that we featured Benatar's "You Better Run" cover as the second post on ERV in August 2011 (not coincidentally it was also the second video ever played on MTV).  In addition, her cover of "All Fired Up" was on ERV in March of 2014

Cool trivia fact:  "Promises in the Dark" is one of only two top 40 singles entirely co-written by Benatar and Giraldo (out of 15 top 40 hits).  The other one: "Ooh Ooh Song" from 1984's Tropico.

Cool trivia fact #2:  "Take It Anyway You Want It," (from the Precious Time LP) was co-written by Neil Giraldo and Martin Briley. (Yes, that Martin Briley, featured on ERV in October 2011 for "Salt of My Tears.")

Divinyls - Pleasure and Pain

"Pleasure and Pain" is the second Divinyls video to show up on ERV; "Boys in Town" was posted back in July 2012, shortly before the untimely death of lead singer Chrissy Amphlett.  We view Divinyls as a unique and underrated band who were likely hurt by their hard to categorize sound that managed to combine rock, new wave, and pop elements all at once.

Interestingly, "Pleasure and Pain" was not the lead single off their 1985 What a Life! LP.  It was actually the fourth single released - perhaps because it was not written by the band.  The song was actually co-written by producer Mike Chapman and 1980s songwriter extraordinaire Holly Knight.  (Knight has shown up on the blog before; click on her name in the labels section for more info.)

I remember "Pleasure and Pain" picking up a fair bit of airplay on Boston rock radio when it came out, but the song only reached #76 on the charts, while the What a Life! album peaked at #91.  To be fair, the band did become stars in their native Australia, but it did seem like they never really broke through in the U.S. in the 1980s. (Although "I Touch Myself" did become a big hit in 1991.)

The energetic video featuring Chrissy Amphlett was filmed in the closed Balmain power plant in Sydney, Australia.  In our view it suits the song pretty well:

In addition to the vid, we also found a cool making of video, showing the somewhat boring hard work that went in to making music videos during MTV's heyday.

Golden Earring - Twilight Zone

Welcome to ERV's 6th annual All Hallows Even celebration.  Yes, we've been doing our version of a Halloween party since we started -- way back in 2011.  Older videos can be found using the All Hallows Even tag to the right.

While "Twilight Zone" isn't the rarest of the rare, it is an excellent video and song that suits the seasonal theme to a T.  And it has become somewhat of a forgotten gem in the 35 years (can it really be that long) since it hit our favorite video music channel.

The song is by the Dutch group Golden Earring, who are not a one hit wonder by virtue of their 1973 hit "Radar Love."  That song hit #13 on the U.S. charts only to be topped by "Twilight Zone" 9 years laters, which peaked at #10 in the U.S.

"Twilight Zone" was written by George Kooymans (Golden Earring's guitarist), and was inspired by Robert Ludlum's The Bourne Identity (before it became a hit movie).  The band translated that inspiration to the excellent video, directed by Dick Maas, and it caught the eye of the folks at MTV for pretty obvious reasons.  The result was a video in heavy rotation for months, and a hit song.

While Golden Earring would not become huge stars in the U.S., they remained successful in Europe (especially their native Holland), and remain active in the industry to the present day.

Oh, and one word of caution -- this is the uncensored version of the song, which includes brief nudity and a drug injection.  (These scenes were removed from the U.S. version back in the day).

The Kinks - State of Confusion

We're back, and what better way than with a song that may be more apropo today than when it came out. 

The lyrics of "State of Confusion" touch on both personal and global stresses, and remind the listener that Ray Davies had been on the rock scene for a long time by 1983.  Musically, the strong pop rock sound fits in nicely with the Kinks' early 80s work.

Interestingly, "State of Confusion" was not released as a single in the U.S., although the song did hit #26 on the Mainstream Rock Tracks chart (based on airplay).  The album of the same name hit #12 on the charts, driven by the success of "Come Dancing" - the Kinks most successful song in decades.

The video seems a little bit more lighthearted than the song, but still conveys the intended message.  We particularly like how Davies singing is out of synch with the song at several points.

While State of Confusion (and "Come Dancing") were the last big successes of the Kinks storied career, long time readers may recall that we featured "Do It Again" on ERV in September 2012.  We encourage folks to check that one out, as well.

Peter Gabriel - I Don't Remember

For this years' slightly abbreviated All Hallows Even celebration, we are going with Peter Gabriel's excellent, creepy, and underrated video for "I Don't Remember."

As many readers will know, Peter Gabriel left Genesis in 1975, and released his first solo album in early 1977.  [As a side note, the first four Peter Gabriel solo albums are all untitled, and are often referred to by the cover art.]  While Gabriel's first two solo albums sold well, it was his third LP, 1980's 'Melt' that broke him as a solo artist.  The album was a sonic breakthrough with a modern, driving sound.  As one example, the album did not use any cymbals at all, which led to the innovation of the gated reverb drum sound.

'Melt' would go on to hit "1 in the U.K. and #22 in the U.S., led by "Games Without Frontiers," which reached #4 in the U.K. and #48 in the U.S.  The album also drew no small amount of critical acclaim; Rolling Stone ranked it as the 45th greatest album of the 1980s.  The LP is remarkably strong from cover to cover with lyrics that are creative and political, and a sound that was unlike anything on radio at the time.

In the All Hallows Even spirit, we opted for "I Don't Remember," which has a genuinely unnerving video.  The song only reached #107 in the U.S. and did not chart in the U.K., and we doubt that the video would have been played by most mainstream outlets back in the day.  However, it fits seamlessly into our theme of the season here.

Also note that previous All Hallows Even videos can be selected by choosing the Label to the right.

Cool trivia fact: Rolling Stone rates the Melt LP as the 46th greatest album of the 1980s.

The Babys - Back On My Feet Again

The Babys were a British-American power pop act who by all rights should have become big stars in the 1970s.  Guitarist/keyboardist Mike Corby and manager Adrian Miller formed the band in 1974 and held auditions to fill out the roster.  Tony Brock (drums), John Waite (vocals/bass) and Wally Stocker (guitars) made up the original lineup.

The group were signed by Chrysalis and seemed to be building an audience, but a dispute with the record label resulted in Corby and Miller being fired in 1978.  Soon afterwards, Americans Jonathan Cain (keyboards) and Ricky Phillips (bass) joined; this lineup continued until the group broke up in 1980.

While The Babys has some modest successes (3 top 40 hits and 2 top 40 LPs), their hard work never really paid off, and this frustration eventually led to their breakup.  John Waite would go on to have some success in the 1980s as a solo artist, while Jonathan Cain would join Journey right as that band became megastars.  In 1989, Waite, Cain and Phillips would reunite in Bad English (with guitarist Neil Schon and drummer Deen Castronovo).

For the blog, we went with the group's last top 40 single, 1980's "Back on My Feet Again."  The song peaked at #33 on the charts while the Union Jacks album only hit #42.  However, it is a solid representation of the band's later material.

In 2013, original members Tony Brock and Wally Stocker reformed the band.  Additionally, John Waite has been know to perform Babys songs at concerts from time to time.

Glenn Fry - Smuggler's Blues

It has been a tough few weeks in rockland; Atropos has been busy.  And while we already had posts up for Lemmy ("Ace of Spades") and Bowie ("Ashes to Ashes"), Glenn Fry was still in the bullpen at the time of his passing.  As a result, we moved him up in order to create a fitting ERV memorial to him.

Glenn Fry was born in Detroit, Michigan, and moved to California in the late 1960s to follow his dream in music.  This eventually led to work in Linda Ronstadt's backup band, and in 1971 he and fellow backup band members Don Henley, Randy Meisner, and Bernie Leadon formed the Eagles.

The Eagles were at the forefront of the California folk/country/rock sound of the 1970s, and became one of the best-selling acts of the decade.  And though there was some turnover among the band members, the group was more or less run by Fry and Henley.

After the Eagles disbanded in 1980, Fry continued recording as a solo artist, and had three top 40 LPs and 7 top 40 singles in the 1980s.  His solo popularity faded in the 1990s, but this was offset by the Eagles' resurgence, as they had several reunions starting in 1994.

"Smuggler's Blues" showcases Glenn Fry at the peak of his popularity, and the song was helped by the movie-like video.  Additionally, the song and theme fit perfectly with the TV show Miami Vice, and Fry (and his song) were showcased on the 15th episode, which was named (not coincidentally) Smuggler's Blues.  All this publicity helped "Smuggler's Blues" to reach #12, while The Allnighter album hit #22.

With its bluesy guitar sound and cool video, this remains our favorite Glenn Fry single and is, we think, a fitting tribute to him.

Rest peacefully, Glenn Fry, and thanks for the music.

Little Steven and the Disciples of Soul - Forever

Yesterday, The Universe requested another video for the blog, and as per usual we am only too happy to oblige.  In this case, the rare and exceptional "Forever" by Little Steven and the Disciples of Soul made an appearance on my radio while commuting to work.  A quick google search (after safely parking the car) confirmed it an an Eighties Rare Video; and so here it is.

Steven Van Zandt (aka Little Steven or Miami Steve) is one of the most colorful personalities in rock.  He got his start in the Jersey Shore scene of the early 1970s, most notably with Southside Johnny and the Asbury Jukes (their later song, "New Romeo" was previously posted on ERV).  After helping Bruce Springsteen with the horn arrangement on "Tenth Avenue Freeze-Out," he became a member of the E Street Band, where he remained until 1984 (and from the late 1990s on).

By the early 1980s Little Steven was looking for additional creative outlets, and was also becoming increasingly political (more on that in a moment).  This led to several solo rock/soul albums; 1982's Men Without Women was the first (and best in the eyes of many critics).  For readers who like rock and classic R&B (think late 1960s Motown), this LP is highly recommended.

Sadly, the album never quite found its audience.  The LP peaked at #118, while "Forever" hit #63.  We remember hearing it on New York rock radio back in the day, but do not recall ever seeing the video -- which is full of NYC 1982 goodness including Times Square, old cars and at least one Mohawk.

In addition to Little Steven's solo records, he was instrumental in the formation of the Artists United Against Apartheid "Sun City" effort which has also been posted on ERV.  In 1999 he landed an acting lead in The Sopranos TV show, and has continued his work as a musician and DJ (Little Steven's Underground Garage) to the present day.

Gregg Allman - I'm No Angel

Although "I'm No Angel" and the album of the same name represented a solid comeback for Gregg Allman, they have become somewhat forgotten over time.  In part this is due to the fact that classic rock stations tend to focus on his earlier (and frankly stronger) work with The Allman Brothers.  Additionally, the production on the I'm No Angel LP sounds a bit dated, and its focus on synthesizers doesn't help matters.

In spite of its flaws, the album represented a surprising success for Allman, who had not released an album in the previous 9 years due to personal problems and substance abuse.  The "I'm No Angel" single hit #49 on the pop charts (and #1 on the Album Rock Tracks chart; it was everywhere for a time).  The album also sold well, and reached #30 on the charts.

The video is a nice performance piece involving an old saloon (that happens to have a full set of instruments) and a flashback to a version of the west where only female cowgirls exist.  But just like the song, the video seems to capture of part of Allman's personality, and it mostly works.

In the aftermath of his success, Gregg Allman continued to have substance abuse problems, though he did clean up his act by the early 1990s.  He remains active in the industry to the present day, but with a reduced schedule due to some health issues.

Cool trivia fact:  While "I'm No Angel" has become something of a Gregg Allman theme song, he did not write it -- two Brits (Tony Colton and Phil Palmer) wrote the song.

The John Hall Band - You Sure Fooled Me

Long time readers may (or may not) recall that we posted The John Hall Band's "Crazy" video way back in January, 2012.  That song became a minor hit, and picked up some airplay in the early days of MTV.  While researching "Crazy," we discovered the video for "You Sure Fooled Me" and put it in the bullpen, where it remained until today.

"You Sure Fooled Me" is a totally solid rock song -- as an aside, why wasn't The John Hall Band bigger?  Sure, they aren't exactly breaking any new ground here, but the music is surprisingly good.

At any rate, this early video includes old cars and a girl, as the band brings the song to life, in a charming, yet low-budget sort of way.  In spite of their efforts, we don't recall ever seeing the vid or hearing the song, and it doesn't appear to have charted.  As we noted on the "Crazy" post, the group released a second LP before breaking up, though Hall would remain in the industry as a songwriter before embarking on a brief career in Congress (yes, really).

Oh, and as previously mentioned, John Hall is not related to Daryl Hall (or John Oates) and got his start in the 1970s band Orleans (of "Dance with Me" and "Still the One" fame).