Apollonia 6 - Sex Shooter

The Apollonia 6 story begins where the Vanity 6 story ends.  (And another shout out to long time reader Sam, who requested the Vanity 6 video more than two years ago).  As we mentioned in the earlier post, Vanity left Vanity 6 (and Prince) in order to go out on her own.  This created a problem for Prince, as not only was he writing material for Vanity 6, but Vanity was supposed to be the female lead in Prince's upcoming movie at the time (you may have heard of it -- Purple Rain).

A casting call ensued, and Patricia Apollonia Kotero was chosen for the role.  Prince liked her middle name, and just like that Apollonia was the new lead singer of Apollonia 6 (still named after the number of breasts in the band ... really).  Additionally, Apollonia became the female lead in Purple Rain.

While Apollonia was quite beautiful, she did not have the strongest singing voice, and Prince seemed to lose interest in her (and the concept of a girl band) soon after Purple Rain.  There may or may not have been a romantic falling out, as well.  As a result, only one album was released, the eponymous 1984 LP.  "Sex Shooter" became a minor hit, reaching #85 on the charts, but Apollonia is probably best-known for the movie, and her duet with Prince, "Take Me With You," a top 40 hit from 1985 (and the last single from Purple Rain.)

Apollonia also had a falling out with Prince, and went out on her own in 1985, primarily as an actress.  She later went to film school, and we believe that she still runs her entertainment company, Kotero Entertainment.

In addition to the primary video for "Sex Shooter," we also found the performance clip from Purple Rain; in the interests of completeness both are below.

Cool trivia facts:  "Take Me With You" was originally intended to be an Apollonia 6 song, but was a late addition to Purple Rain.  In additional, "Manic Monday" (later a big hit for The Bangles) and "Glamorous Life" (later a hit for Sheila E.) we both originally written as Apollonia 6 songs.

Billy Squire - Rock Me Tonight

Eighties Rare Videos is filled with rare and semi-rare videos of great bands that never quite made it.  But we also like a great story, and the tale of how Billy Squier supposedly ruined his career with a terrible video is just too good for us to pass up.

Billy Squier, the pride of Wellesley, Massachusetts, had a long road to rock stardom.  He began performing in bands in 1969, and finally signed with Capitol Records as a solo artist in 1980.  His breakthrough came on his second LP, 1981's Don't Say No, which went triple platinum and peaked at #5 on the U.S. album charts.

By 1984, Squier was a well-established rock star, with two top 5 LPs and three top 40 hits ... which makes the "Rock Me Tonight" video all the more inexplicable.  To be honest, we just thought of it as a terrible music video, but in recent years, it has become legendary in scope (and has been requested more than once by our readers).  The story really took off after after it was featured in the 2011 Rob Tannenbaum and Craig Marks book, I Want My MTV.  During their research for the book, they found that the video was generally viewed as the worst major video ever made, and that it essentially ruined Billy Squier's career.  In fact, they devote an entire chapter of their book to "Rock Me Tonight."

In reality, the video was not played much on MTV, as the station realized what Squier's management and label didn't (namely, that it was effeminate and suckie).  Ironically, the song ended up being the highest charting single of Squier's career at #15, and the album also did well at #11.  While Squire had four more charting singles and two top 75 albums in the 1980s, his period of major commercial success was over.  In my view, the video didn't help but probably was not the major cause for Squier's fall in popularity (in general, rock stars have a limited shelf life).

However, "Rock Me Tonight" is a genuinely terrible (and unintentionally hilarious) video:

Billy Squire continued recording albums through the mid-1990s and remains occasionally active as a performer as of this writing.  Note that Squier's "The Big Beat," which has been sampled nearly 200 times by hip hop artists, was featured on ERV in November, 2014.

Billy Joel - Sometimes a Fantasy

By 1980, Billy Joel was a big big star, but the lack of critical acclaim bothered him.  So, he did what any good artist would and poured these frustrations into his seventh solo album.  The resulting effort (Glass Houses) combined Joel's skillful pop melodies with a stronger rock sound and edgier lyrics.  It is our favorite Billy Joel album, and the last of four tremendous LPs (Turnstiles, The Stranger, 52nd Street and Glass Houses) that he made between 1976 and 1980.

The really impressive thing about Glass Houses (and the three other albums) is the strength of the material.  There is nary a bad song on any of these records, and they are quite stylistically diverse, to boot.  They are also impeccably produced by Phil Ramone, which, ironically, may have added fuel to the fire for some critics who viewed it as too polished for rock and roll.

As many readers will know, Joel was anything but an overnight success.  He started playing keyboards with The Echoes in 1965, then quit to join The Hassles in 1967.  In 1969, Joel formed Atilla with The Hassles drummer Jon Small, but the group disbanded after Joel had an affair with Small's wife (Joel would eventually go on to marry her).  Billy Joel's solo career started with the release of Cold Spring Harbor in 1971, and he gradually build a following until the huge success of The Stranger in 1977.

"Sometimes a Fantasy" was the last of five singles released from Glass Houses.  The song reached #36 on the charts, but given Joel's huge success at the time, it is almost a lost classic.  The video (which we don't recall ever seeing back in the day) is the only 'story' video shot from Glass Houses, as the other videos are simply Joel performing on a sound stage (remember, Glass Houses came out a year before MTV launched).  We am particularly partial to the "bad" Billy Joel (the one with the beard) in the video.

Billy Joel would go on to have continued success throughout the 1980s and early 1990s, albeit with mostly weaker material in your humble author's view.  His last rock studio album was 1993's River of Dreams, although he still performs to the present day.  And over time, the critics have warmed up to him -- Allmusic rates the four albums above as 4 stars (on a 5 point scale; actually, all but 52nd Street are 4 1/2 stars).

Vanity 6 - Nasty Girl

Long time reader and commenter Sam requested Vanity 6, and we figured: why not?  I mean who doesn't like your basic story about sex and drugs and rock & roll, with ties to Prince and The Time.

The Vanity 6 story begins in the early 1980s with Prince.  By this point Prince is a star on the rise (note that ERV has previously featured "Dirty Mind" and "Controversy," which are great examples of his early work).  He is also a prolific songwriter, and starts working on side projects to manufacture additional creative outlets.

The first project is The Time, featuring vocalist Morris Day.  While The Time was an actual band, Prince (using the pseudonym Jamie Starr) wrote the songs and recorded all of the parts (except for the vocals).  This gave Prince a different band, but one where he had total creative control.

Around the same time, Prince decides to create a female band (called The Hookers) to perform hyper-sexual songs while wearing lingerie.  (Early 1980s Prince was way into sex and about as subtle as artillery about it.)  The original band (with three of Prince's lady friends) progressed to the point of making demos when Prince met Vanity (given name: Denise Matthews) a Canadian model and B movie actress.  Prince was smitten, he and Denise became an item and Denise eventually was renamed Vanity.  Prince then made Vanity the lead singer of his female trio and named them Vanity 6 (after the number of breasts in the band ... seriously).  The backup singers from The Hookers (Brenda Bennett and Susan Moonsie) remained in the band.

Vanity 6 goes into the studio (with his Purpleness, of course) and emerges with their 1982 self-titled debut album.  The LP hits #45 on the charts, while "Nasty Girl" becomes a dance hit but does not break the top 100.  Vanity 6 (with The Time backing them up) tour with Prince and the Revolution during their 1983 1999 tour, but Vanity eventually breaks up with Prince and develops a major drug problem.  She then leaves Prince and the group to go out on her own.

Prince re-creates the band as Apollonia 6 for Purple Rain, using the same backup singers, and new music that was originally intended for Vanity 6.  Eventually, Prince and Apollonia break up, and it seems that Prince's interest in designing a girl group also fades over time.  Vanity ends up as an addict, nearly dies, and becomes a religious Christian.  She has gone back to her given name and left the industry.

So there you go -- the Crib Notes version of Vanity 6.  The video is a bit NSFW, and we went with the extended version because it is rarer, but it also has some additional NSFW dialog at the end.

Feargal Sharkey - A Good Heart and You Little Thief

Here at ERV, we like a good salacious story as much as the next rarely-read blog, especially if it involves music videos from the 1980s that are ... well, rare.  So without further ado ...

Feargal Sharkey got his start in the Northern Irish punk band, The Undertones.  Best-known for "Teenage Kicks" (a John Peel favorite), the band kicked around during the late 1970s and early 1980s before breaking up in 1983.  As an aside, Feargal Sharkey goes on our list of "best rock names ever" with Digney Fignus, Fee Waybill, and Benmont Tench (more on him later).

In 1985, Sharkey released his first solo album, called Feargal Sharkey (ok, so he wasn't the most original chap). He also transitioned from a new wave singer to a pop crooner (and we mean that in the nicest way possible).  His first single, "A Good Heart" was a #1 hit in his native UK, and charted in the US (#74).

His second single, "You Little Thief" did not do as well, but it hit #5 in the UK.

Now stay with us, because here is where it gets interesting.  Remember Lone Justice (the band just before this posting)?  The band that was helped out by Tom Petty?  Well, it turns out that Maria McKee (the lead singer of Lone Justice) and Benmont Tench (the guy with the cool name, as promised, who was Tom Petty's keyboard player) ... well, Maria and Benmont were an item for a while.  And when they broke up, Maria wrote, "A Good Heart" about it.  Perhaps in response to this, Benmont wrote "You Little Thief" about the same breakup.  So Feargal Sharkey's first two single were written by ex-lovers about each other.  Interesting, no?

Cool trivia fact:  the Feargal Sharkey (still love that name) album was produced by Dave Stewart of Eurythmics, who was seemingly everywhere in the early to mid 1980s.