Peter Wolf - Come As You Are

Peter Wolf remains one of the more interesting characters in rock and roll, although we are still a bit sad about his untimely departure from the J. Geils Band -- but more on that later.

Wolf (given name: Peter Blankfield) was born in New York City and moved to Boston to attend art school at Tufts University.  His first roommate?  David Lynch. (Yes, seriously.)  While at Tufts he got into the Boston music scene, which in 1968 led to a job at the new FM rock station in Boston, WBCN.  Wolf became the first nighttime DJ on BCN, going by Woofa Goofa.  However, he soon left the radio station to focus on making it as a rock star with the mighty J. Geils Band.

We've previously posted two great videos from the J. Geils Band - "Love Stinks" and "Come Back," both of which were off the successful Love Stinks LP.  The band's next album, 1981's Freeze Frame, became a #1 album, but a rift in the band soon developed over their musical direction.  Wolf wanted to continue with a more blues rock sound, but the rest of the group favored a more pop/dance direction.  As a result, Wolf left the group in 1983 and ventured out on his own.

"Come As You Are" (no, not the Nirvana song) was the lead single off the 1987 LP of the same name.  It became a hit, reaching #15 on the charts, though it would be Wolf's last top 40 hit.  The video is a tribute to a Bobby Van dance routine from  the 1953 movie Small Town Girl, and is a hoot - typical high energy Peter Wolf.

Cool trivia fact:  Wolf was married to actress Faye Dunaway from 1974-79.

Billy Ocean - Loverboy

Rounding out our All Hallows Even celebration is "Loverboy" by Billy Ocean.  This is definitely one of the oddest 1980s videos, with a plot that seemingly has nothing at all to do with the song.  We suspect that there may have been some controlled substances involved, along with at least one Star Wars fan.

Long time viewers may recall that this is Billy Ocean's second appearance on ERV, as "Caribbean Queen (No More Love on the Run)" was posted last March.  As we mentioned then, Billy Ocean (given name: Leslie Charles) was a modestly successful singer until 1984, when his Suddenly LP broke out, reaching the top 10 in both the U.S. and the UK.

While "Loverboy" was a big hit (#2 in the U.S. and #6 in the UK), it was not as big a hit as "Caribbean Queen" in either market. Not not worry, though, Billy Ocean remained massively successful through the rest of the decade.

As to the video ... it is a perfect Halloween video, from the sci-fi perspective.  We are of two minds here - on the one hand, it is trying to be an ambitious mini-movie.  On the other hand, there seems to be little plot, and the visuals are cheesy, though perhaps less so by the standards at the time.  The plot seems to revolve around a lizard creature, who goes to a cantina to ... kidnap a female alien (?), after killing her date in an unprovoked burst of laser fire. Yeah. 

It's probably best to not analyze it too much, but it is a weirdly engaging and odd Halloweeny clip.

Cool trivia fact: superstar music producer Robert John "Mutt" Lange co-wrote the song, along with Keith Diamond and Billy Ocean.  

Jim Capaldi - Living On The Edge

While Jim Capaldi is not a household name (even here on ERV), he was an interesting and important figure in rock, especially during the late 1960s and early 1970s.

Capaldi was born in  Evesham, Worcestershire (this isn't important, but we liked it anyhow) and became involved in the lively London music scene during the 1960s. He eventually started jamming with Steve Winwood, Dave Mason, and Chris Wood and they formed the influential rock/jazz band Traffic in 1967.

One of our favorite facts about Traffic concerns the way they wrote their songs.  Capaldi would write lyrics first and then Winwood would compose music that suited Capaldi's lyrics.

After Traffic broke up (for the second time in 1974), Capaldi married a Brazilian woman (Aninha Campos) and raised a family in Brazil, where he became interested in environmental and social issues (and Samba).  Although Capaldi remained active in the industry, his only real solo success came from his 1983 Fierce Heart LP.  That album hit #91 on the charts and generated two charting singles -  "That's Love" (#28) and "Living on the Edge" (#75). In typical ERV form, we are opting for the lower charting song, primarily because we like it better.  Additionally, it has a pretty far out there video with birds, motorcycles, and what appears to be some sort of Native American ceremony. 

[Note that the MTV has the wrong album title on their credits - Rock Art and the X-Ray Style is a 1999 album by Joe Strummer and the Mescaleros.]

Jim Capaldi died from stomach cancer in 2005. 

The B-52's - Private Idaho

New wave and surf rock might seem like an odd combination (ok, it is an odd combination), but somehow the B-52's hit on a sound that was pure campy fun.  Sounding simultaneously  modern and vintage, the band sported an odd look that included the high beehives that gave the band its name.  Combine that with some seriously catchy material, and it is not surprising that the group made a name for itself in the late 1970s and early 1980s.

The B-52's emerged out of the growing Athens, Georgia music scene, and would soon be joined by fellow Athenians R.E.M.  However, the group's sound was more Devo or Talking Heads than southern rock.  After forming in 1976 with little musical training, the band had progressed enough to make a demo of "Rock Lobster" in 1978.  That song would go on to become an independent hit, and would lead to recording contracts with Warner Bros. and Island Records.

"Private Idaho" was off the B-52's second LP, 1980's Wild Planet.  The single hit #74 on the charts (the group's second charting single, after "Rock Lobster"), while the album hit #18.  From there, things became more challenging -- the next few albums did not do as well, and founding guitarist Ricky Wilson (whose sister Cindy was also in the band) died of an AIDS-related illness in 1985.

As many readers will know, that wasn't the end of the story.  The B-52's 1989 comeback album, Cosmic Thing, became a huge surprise hit and led to a second period of success.  The group remains active as of this writing, though there have been some personnel changes and periods of inactivity through the years.

Jefferson Starship - No Way Out

Rounding out this year's All Hallows Even celebration is "No Way Out" from Jefferson Starship.  The song is off the Nuclear Furniture LP, which became the last Jefferson Starship album when guitarist Paul Kantner quit the band, taking the name with him.  (Kantner was unhappy with the group's musical direction).  The act soldiered on as Starship, and found success with a slick, commercial pop sound, though it seems unlikely that any of those videos will appear on ERV.

While "No Way Out" starts off on a creepy note, the video quickly drifts from cool and campy into plain weird.  Perhaps this was intentional, as the clip did garner some airtime on MTV, which likely helped the song. (The single reached #23 on the charts, while the LP hit #28).  In addition to being downright strange, the video is noteworthy for the appearances of one Father Guido Sarducci (Don Novello).

In the aftermath of Kantner quitting, the renamed Starship would go on to have 6 top 40 and 3 #1 singles in the later half of the 1980s, before breaking up in 1990 (although singer Mickey Thomas reformed the band in 1992).  Thomas and Kantner remain somewhat active in the industry as of this writing.

Long time readers will recall that Jefferson Starship's "Find Your Way Back" was featured on ERV in April 2013.  In addition, Marty Balin's "Hearts" has also made an appearance on ERV (Balin was the lead singer of an earlier verson of Jefferson Starship).

Cool trivia fact: Kantner's appearance in this video was was his last appearance in Jefferson Starship until he reformed the band (with different members) in 1992.

Digital Underground - The Humpty Dance

By mixing old school beats with goofy lyrics, Digital Underground (DU) created a cool and unique sound that led to one big hit, though by all rights they could have been much more successful.  The group was led by Greg Jacobs, who went by Shock G -- though in DU he played a character called Humpty Hump.

Jacobs grew up in Tampa, Florida, but formed Digital Underground after relocating to Oakland, California in 1987.  The group's sound relied heavily on old school samples, especially from Parliament Funkadelic and Sly and the Family Stone.  (Not coincidentally, both acts were sampled for "The Humpty Dance.")  DU's debut LP, 1990's Sex Packets became a hit, reaching #24 on the charts.  However, this proved to be Digital Underground's biggest success, though the band continued to record and perform through 2008.

Needless to say, "The Humpty Dance" was DU's biggest hit at #11.  The video became a mainstay on MTV for a time in 1989 (the song and video came out prior to the LP).  The crazy lyrics, and Humpty Humps' Groucho Marx glasses and vintage clothes created a visual image completely different from anything else on MTV at the time.  Unfortunately, this momentum proved hard to maintain.

Although Digital Underground soldiered on for years, Jacobs (Shock G) was no one trick pony, as he also has worked as a solo artist and producer.  He remains active in the industry as of this writing.

Cool trivia fact:  None other than Tupac Shakur got his start as a member of Digital Underground, starting in 1991.  In addition, G Shock produced several early Tupac songs.

Cool trivia fact #2:  Digital Underground is not a one hit wonder, as 1991's "Kiss You Back" reached #40 on the charts.

They Might Be Giants - Ana Ng

They Might Be Giants (TMBG; named after the 1971 movie) was an odd yet interesting band that started showing up on MTV (mostly on the 120 Minutes program) in the late 1980s.  The group consisted of two Johns (Flansburgh and Linnell) who met as teenagers in Lincoln, Massachusetts and eventually moved to Brooklyn, New York to pursue a career in music.

Not surprisingly, the music industry had absolutely no idea what to make of the band, so TMBG promoted themselves through Dial-A-Song.  The group posted ads in local newspapers (such as The Village Voice) with a phone number, which led to an answering machine with a taped song.  The band maintained the service even after they were signed; some listeners estimate that more than 500 songs were recorded over the years.

Helped by Dial-A-Song, TMBG generated enough interest to be signed in 1985 and their self-titled debut LP came out the following year.  The album even picked up some college radio airplay.  1988's Lincoln actually charted (#89) and "Ana Ng" picked up some mainstream radio airplay as well.

Of course, the band's big break came in 1990 with the Flood album ( "Birdhouse in Your Soul" and "Istanbul (Not Constantinople)" may both be familiar to readers.  TMBG's period of major success was relatively brief, but they maintained a loyal following, and expanded their audience in the mid-2000s with a series of children's albums.  The band remains active in the industry as of this writing.

Cool trivia fact:  At their first concert, They Might Be Giants used the name, El Grupo de Rock and Roll.

Animotion - Obsession

We continue our series of songs that you didn't know were covers with Animotion's 1985 hit, "Obsession."  This song was originally written by Michael Des Barres and Holly Knight (more on them in a moment).

Animotion was a San Francisco-based band that was mainly comprised of former members of the Sci-Fi rock band Red Zone.  The six member band was also notable for having co-lead singers -- Astrid Plane and Bill Wadhams.  Their 1985 self-titled debut LP reached #28 on the charts, led by "Obsession," which would go on to become a #6 hit for them.  Unfortunately, lineup changes and weaker material would hurt the band, though they did release three major label albums before their 1989 break up.

The video for "Obsession" is a nice set up for our forthcoming All Hallows Even celebration; it looks like a cool mid-1980s costume party in California.  MTV loved the vid and it went into heavy rotation for quite some time in 1985, which no doubt helped the song.

As previously mentioned, the original version was written and performed by Michael Des Barres and Holly Knight and was featured in the 1983 movie A Night in Heaven.  By the by, Holly Knight has been previously mentioned on ERV (we now have a tag for her) as a big time songwriter.  There is more on her on the posts for John Waite's "Change" and  Lou Gramm's "Just Between You and Me" ... and yes, she wrote both of those songs too.

Cool trivia fact:  Animotion is not a one hit wonder, as 1985's "Let Him Go" (#39) and 1989's "Room to Move" (#9) both broke the top 40.

Billy Squire - Rock Me Tonight

Eighties Rare Videos is filled with rare and semi-rare videos of great bands that never quite made it.  But we also like a great story, and the tale of how Billy Squier supposedly ruined his career with a terrible video is just too good for us to pass up.

Billy Squier, the pride of Wellesley, Massachusetts, had a long road to rock stardom.  He began performing in bands in 1969, and finally signed with Capitol Records as a solo artist in 1980.  His breakthrough came on his second LP, 1981's Don't Say No, which went triple platinum and peaked at #5 on the U.S. album charts.

By 1984, Squier was a well-established rock star, with two top 5 LPs and three top 40 hits ... which makes the "Rock Me Tonight" video all the more inexplicable.  To be honest, we just thought of it as a terrible music video, but in recent years, it has become legendary in scope (and has been requested more than once by our readers).  The story really took off after after it was featured in the 2011 Rob Tannenbaum and Craig Marks book, I Want My MTV.  During their research for the book, they found that the video was generally viewed as the worst major video ever made, and that it essentially ruined Billy Squier's career.  In fact, they devote an entire chapter of their book to "Rock Me Tonight."

In reality, the video was not played much on MTV, as the station realized what Squier's management and label didn't (namely, that it was effeminate and suckie).  Ironically, the song ended up being the highest charting single of Squier's career at #15, and the album also did well at #11.  While Squire had four more charting singles and two top 75 albums in the 1980s, his period of major commercial success was over.  In my view, the video didn't help but probably was not the major cause for Squier's fall in popularity (in general, rock stars have a limited shelf life).

However, "Rock Me Tonight" is a genuinely terrible (and unintentionally hilarious) video:

Billy Squire continued recording albums through the mid-1990s and remains occasionally active as a performer as of this writing.  Note that Squier's "The Big Beat," which has been sampled nearly 200 times by hip hop artists, was featured on ERV in November, 2014.

Whitesnake - Love Ain't No Stranger

"Love Ain't No Stranger" was the first Whitesnake song to make a dent in the U.S. market, reaching #34 on the Mainstream Rock charts.  However, this was soon overshadowed by "Slow An' Easy" (posted on ERV in August 2011), which reached #17 on the same charts.

Both songs were off the poorly titled 1984 LP Slide It In, which turned out to be Whitesnake's breakthrough album in the important U.S. market; the album reached #42 in the U.S. and eventually went double platinum.  As we have previously mentioned on ERV, it was around this time that lead singer David Coverdale began to focus more intently on commercial success, which resulted in significant turnover among the other members of the band.  This also led to an increased focus on videos.

The video for "Love Ain't No Stranger" intercuts the band playing with Coverdale watching girls on trucks at an army base.  No, it doesn't make much sense to me, either.  The video is quite rare though, and the song is a solid, somewhat forgotten power ballad.

Whitesnake would go on to have huge success on their eponymous next album in 1987,  and Coverdale continues to use the Whitesnake name to record and perform as of this writing.

Cool trivia fact:  Whitesnake's first charting single on the U.S. pop charts (the Billboard 200), "Here I Go Again '87" went to #1.

Greg Kihn Band - Reunited

Greg Kihn followed up the success of 1983's "Jeopardy" (featured on ERV during our 2013 All Hallows Even extravaganza) with another catchy pop/rock song, "Reunited."  Unfortunately, the song and video did not gain traction on our favorite music video channel.  In fact,  "Reunited" did not break the top 100, while the Kihntagious album stalled at #121.

In retrospect, this is less surprising, as MTV was continuing to look for the next new thing, and Kihn's brand of straight up rock and roll may have seemed too basic.  However, "Reunited" is a totally solid song, and the video was an entertaining remake of The Wizard of Oz.

Without MTV's support, Kihn's success waned, although his 1985 LP, Citizen Kihn did reach #51 (led by the #30 single "Lucky").  However, that was his last charting alum.  Kihn continued to release albums on a regular basis through the 1990s (releases have been less regular since then), and became a DJ on San Jose's KFOX radio station for 12 years, ending in 2012.

As an extra bonus, we found a short feature on the making of "Reunited"

Cool trivia fact:  Joe Satriani was briefly a member of the Greg Kihn Band (in 1986) before he left to embark on a solo career.

Utopia - Feet Don't Fail Me Now

The story of Utopia is intertwined with Todd Rundgren, but the band evolved over time to become more than just an outlet for Rundgren's more adventurous music.  Fresh off his pop successes, Rundgren formed Utopia (originally called Todd Rundgren's Utopia) in 1973 to perform progressive rock.  By 1977, the band membership stabilized with Rundgren (guitar), Kasim Sulton (bass), Roger Powell (keyboards) and Willie Wilcox (drums), and this lineup would remain until the group disbanded.

The consistent lineup helped Utopia to become a real group, and by the early 1980s they had a sound that was somewhat distinct from Rungdren's, helped by the fact that other members wrote and sang material.  Unfortunately the group had label problem, which likely limited their commercial success.  It also didn't help that they were viewed as a progressive rock band at a time when that segment was seen as out of date.

In spite of these issues, "Feet Don't Fail Me Now" was a minor hit for the band, charting at #82, while the self-titled album peaked at #84.  The song and album were undoubtedly helped by the video, which went into heavy rotation on MTV for a while, due to its avant garde (at the time) vision of the band members as insects.

Unfortunately, Utopia was not able to really break through, and Rundgren broke up the band in 1986, though there have been periodic reunions since then.

Note that Todd Rundgren made an appearance on ERV for his underrated 1982 solo single, "Hideaway."

Cool trivia fact:  The song title refers to the "feets don't fail me now" catch phrase that dates back to the early 20th century vaudeville and chitlin' circuit performances, but its exact origins are unknown.

Cool trivia fact #2: Utopia is an official one hit wonder, as only 1980's "Set Me Free" (#27) broke the top 40 on the singles charts.

Zebra - Tell Me What You Want

With their Led Zeppelin inspired licks and batshit crazy videos, Zebra became an MTV success story in 1983.  The trio originally formed in 1975 in New Orleans and was fronted by guitarist/singer Randy Jackson.  Bassist/keyboardist Felix Hanemann and drummer Guy Gelso rounded out the lineup.

The group gained a following on the Long Island (NY) club scene in the early 1980s, starting as a cover band playing ... Zeppelin (and Rush).  Their self-titled debut did surprisingly well, helped by the videos for "Tell Me What You Want" and "Who's Behind the Door." In fact, when the album was released it became one of Atlantic Records' fastest-selling debuts ever and eventually climbed to #29 on the charts.

The singles did not do as well; "Who's Behind the Door" only made it to #61, while "Tell Me What You Want" did not break the top 100.  Zebra's follow up album, 1984's No Tellin' Lies only reached #84, and was the band's last charting record.

 The video for "Tell Me What You Want" is a total WTF crazy clip.  Although it starts with a literal interpretation of the lyrics (head's on the floor/with a slam of the door), it soon devolves into some kind of smoke-filled nightmare, complete with Zebra chick, and a bunch of weird images that had seemingly little to do with the band or the song.  By the by, the rest of the band (non-Randy Jackson division) gets remarkably little screen time in the video.  My favorite moments:  the double neck BC Rich guitar solo (1:36), the plastic spider (2:07) and the Saran Wrap scene that presages Dexter (2:22).  Also, considered yourself warned that any drinking game that requires players to take a drink whenever the phrase "tell me what you want" is sung is likely to prove fatal.

Zebra broke up around 1990, but reformed in 1997 and remains active to the present day.

Blotto - I Wanna Be A Lifeguard

The 36th video played on MTV's first day was the humorous and slightly bizarre "I Wanna Be a Lifeguard" by Blotto.  The video music channel continued to play the video for some time, and it became something of a trendsetter -- in its early years, MTV played a small number of eccentric videos mixed in with more traditional counterparts.  This gradually ended by the late 1980s.

Blotto was an unlikely success story.  The band formed in 1978 in Albany, New York and built a small following over the next couple of years.  Named after a dog in the 1931 Thorne Smith novel The Night Life of the Gods, the group used pseudonyms -- all with the last name Blotto (a nod to the Ramones).  Their comedy-infused new wave was not totally out of place with acts like the B-52s and The Tubes leading to gigs in metro New York (coincidentally, the headquarters of MTV).

In 1980, the band cut an EP - Hello, My Name Is Blotto, What's Yours and worked with some students at SUNY Albany to make a video of "I Wanna Be A Lifeguard."  The result is below.  In retrospect, videos with any kind of story were rare in the early days of MTV, giving the band a leg up.

Unfortunately, this early exposure did not lead to a huge amount of success as MTV was just starting its meteoric rise.  Blotto did release some additional work including an LP (1983's Combo Akimbo) before breaking up in 1984.  The surviving members of the group (bassist "Cheese Blotto" (Keith Stephenson) passed away in 1999) continue to perform periodically as of this writing.

Mojo Nixon and Skid Roper - Elvis Is Everywhere

Every now and then, MTV would highlight something bizarre -- as in straight out of Dr. Demento bizarre.  (Weird Al immediately comes to mind).  One of these unlikely success stories was the psychobilly craziness of Mojo Nixon and Skid Roper.

Mojo Nixon (born as Neill McMillan) and Skid Roper (born as Richard Banke) began working together in San Diego in the early 1980s.  Nixon was the hyperactive hillbilly, while Roper provided the accompaniment (mostly the washboard).  Although the duo had "novelty band" written all over them, Nixon's manic monologues and the band's rockabilly/cowpunk/psychobilly sound generated some airplay on college radio.

For some strange reason, MTV got behind "Elvis Is Everywhere" from the band's third album Bo-Day-Shus!!!  Even better, the video music channel used Nixon as a part time VJ and ran a few short clips between videos ... well, just because.  The results led to some short-lived success, as the album charted (#189) and the song received some airplay.  [We're particularly partial to the claim that Commodore Elvis needs boats.]

Mojo Nixon and Skid Roper continued releasing albums through the 1980s before breaking up in 1989.  Nixon continued working, but was hampered when his label went bankrupt.  However, he remained in the industry as a musician and personality (though there have been several retirements) to the present day.

Talking Heads - Once In a Lifetime

The 63rd video aired on MTV, "Once In a Lifetime" is now often viewed as one of the most significant songs and videos of the 1980s.  The song was named to the NPR 100 (the 100 most important American musical works of the 20th century) while the video has been displayed in the Museum of Modern Art in New York.

Talking Heads was made up of three friends from the Rhode Island School of Design (David Byrne, Chris Frantz and Tina Weymouth) who were subsequently joined by Jerry Harrison (who had played in Jonathan Richman's band The Modern Lovers).  The band came out of the vibrant punk/new wave scene at New York's CBGBs, along with the Ramones, Blondie, and Television, among others.

Allmusic characterizes Talking Heads as art-school punks, which is a great description.  The band incorporated punk, new wave and world music influences into something that resembled artistic pop music.  The formula did not always work, but at their best, Talking Heads made some of the most artistic and interesting music of their era.

"Once In a Lifetime" was the lead single off the band's fourth record, 1980's Remain in Light.  While the album sold well and reached #19 on the charts, "Once In a Lifetime" did not break the top 100, peaking at #103.  (It did better in the U.K., where it reached #14.)  Remain in Light was also the third LP where Talking Heads collaborated with Brian Eno, who co-wrote, produced and engineered the album.

The video was one of the craziest, most creative things shown on early MTV.  Choreographed by Toni Basil (of "Mickey" fame), it consists of David's Byrne's crazed marionette-like spasms, which are combined with additional footage in the background.  Somehow, the whole thing comes together, and the result is a musical and visual masterpiece.

Cool trivia fact:  Rolling Stone rated Remain in Light as the 4th best album of the 1980s, and the 39th greatest album ever.

Wall of Voodoo - Mexican Radio

We have no idea who at MTV liked this quirky number, but somehow "Mexican Radio" went into heavy rotation for a time on the video music channel.  Helped by the exposure, the song reached #58 on the charts (the band's only top 100 hit), while the Call of the West album peaked at #45 (the band's only top 100 album).

Wall of Voodoo was a new wave band from LA., and originally formed in the late 1970s as a soundtrack company.  The band's new wave approach, laid back vocals (almost talk-singing) and unusual music has led some to compare them to Devo, which is not totally unfair.  I.R.S. Records (now who remembers them?) signed the band in 1980, and Wall of Voodoo's first EP had a cover of Johnny Cash's  "Ring of Fire" that generated some buzz.  While the band had some Western influences, their music is a bit tough to categorize; overall they were darker and more complex than one would expect from this song.

At any rate, "Mexican Radio" was the lead single from the band's second LP, Call of the Wild.  The concept for the song came from the Mexican radio stations that the band used to listen to on AM radio in their car.  In fact, the Spanish segments of the song were recorded from these stations.  Similarly, the video was shot on the cheap, in Tijuana (in retrospect, we think that this helped the video).  Overall, the video does a great job of capturing the eccentric song -- and we have to point out the "face in beans" scene (around 3:33) that was an iconic early MTV image.

Unfortunately, frontman Stan Ridgway left Wall of Voodoo in 1983, right after their appearance at the US Festival.  The band continued for a couple of years before calling it quits.  While Ridgeway did not have much success as a solo artist, he carved out a successful career scoring films.

Hilly Michaels - Calling All Girls

Unless you are a big time music aficionado, the name Hilly Michaels probably doesn't mean much to you.  This is a shame, because Hilly had a really interesting, slightly crazy career that includes 2 good hyper-bubblegum albums and a ton of jobs as a session drummer.

Hilly (given name: Michael Hillman) started drumming in the late 1960s with Michael Bolton and went on to work with Sparks, Dan Hartman ("Instant Replay"), Ellen Foley and Ian Hunter ("All of the Good Ones Are Taken"), among others.  In 1980 he released his first solo album, Calling All Girls.  Produced by Roy Thomas Baker (famous for his work with The Cars and Queen), Calling All Girls is critically acclaimed for its uptempo new wave popiness.  The album is filled with well-crafted pop songs and features appearances by Liza Minnelli (really), Elton John, Greg Hawkes (Cars) and G.E. Smith (SNL).

The "Calling All Girls" video was an early classic on MTV and it is not hard to see why.  In addition to the catchy pop song, the vibrant animation really distinguishes this video from other of the era.  In fact, "Calling All Girls" was the 93rd song ever played on MTV (the first day), and it remained an early favorite of the channel for some time.

In spite of the strong material, the album did not connect with listeners and Hilly's second album, 1981's Lumia did not fare any better.  Hilly remained active for years as a session drummer, before leaving the industry to live in the Caribbean and then Florida for a number of years.  He still performs one a somewhat unpredictable basis to the present day.

Cool trivia fact: Hilly's manager was Jake Hooker.  That name doesn't ring a bell?  Well, Hooker was the guitarist of the Arrows, famous for writing and recording the original version of "I Love Rock 'n' Roll," later made famous by Joan Jett & the Blackhearts.  [The link will magically transport you to the March 2012 ERV blog post featuring the original and the cover.]

Cool trivia fact #2:  Michaels was asked to join KISS twice -- in 1980 and in 1990.  He declined both times.

The Jacksons - Can You Feel It

You have to hand it to the Jacksons -- when they went big, they really went big.  Case in point:  the 9+ minute video for "Can You Feel It" from 1981.  For an early (pre-MTV) video, this is about as big as it gets.    And while the video is dated (and just a bit over the top), it has become regarded as something of a classic in recent years.

1980's Triumph LP came during a weird period for the brothers.  While the band had remained reasonably successful in the late 1970s, Michael's 1979 solo album Off the Wall had rocketed him to super-stardom, leading to speculation that he would leave the band to focus on his solo career.  (This eventually happened, but not for several more years.)

At any rate, the video for "Can You Feel It" is particularly noteworthy for the Robert Abel's special effects.  Michael (who co-wrote the song with Jackie) came up with the concept, which portrays the Jacksons as god-like creatures who spread magical pixie dust ... really.  We particularly like that the special effects at times drown out the music.

"Can You Feel It" would go on to be a modest disappointment, peaking at #77 on the charts, while the Triumph album would do better, reaching #10 and going platinum.  Of course, in 1982 Michael Jackson would release Thriller, and go on to become one of the most successful recording artists of all time ... but you already knew that.

Planet P Project - Why Me?

Long time reader Krista requested this, and we have to say that it is an excellent pick, even if it did take us a minute to even remember the song.

Planet P Project (named after a planet from Robert A. Heinlein's book Starship Troopers) was an experimental band comprised of keyboardist Tony Carey and producer Peter Hauke.  Carey had previously played in Rainbow from 1976-77, and was working on his solo career in the early 1980s.  While Carey's solo work was relatively straight ahead rock, Planet P Project provided an outlet for his avant-garde side.

Amazingly, "Why Me?" caught somebody's eye at MTV and the video went into moderate rotation for a while.  It was definitely among the stranger things being played on the channel at the time, both musically and visually.  While "Why Me?" did not break the top 40, it did chart -- hitting #64, and helped the self-titled album reach #42 on the charts.  When the follow up album, 1984's Pink World only reached #121, Carey dropped Plant P, although he did reform the concept in 2005 and has released three albums in recent years.

Note that Tony Carey's 1982 single, "I Won't Be Home Tonight" was posted on ERV in July 2014.