Kix - Cold Blood

Although they were lumped in with the hair metal scene, Kix were actually more of a bluesy hard rock band, along the lines of AC/DC or Cinderella.  Additionally, they were an East Coast act, cutting their teeth primarily in the northeast until their all-too-brief period of success.

The band formed in Maryland in 1977 and were initially called Shooze.  They then changed their name to The Generators before finally settling on Kix.  Led by frontman Steve Whiteman, and with bassist Donnie Purnell as the primary songwriter, the group seemed to have all of the ingredients for major success.  However, in spite of strong material their first three albums barely dented the charts.

This all changed with 1988's Blow My Fuse.  The LP went platinum and reached #46 on the charts, led by the power ballad "Don't Close Your Eyes" (which reached #11 on the singles charts).  However, in classic ERV style, we're opting for "Cold Blood" instead - a straight up banger that is more representative of Kix' style.

Unfortunately, the band was unable to maintain its momentum; the 3 year delay between Blow My Fuse and Hot Wire probably didn't help matters.  With the emergence of grunge, their fate was sealed, and the band broke up in 1995.  However, they subsequently re-formed in 2003 (without Donnie Purnell) and have been performing since, albeit with some personnel changes.

Cool trivia fact: the actress in the video is Helene Clarkson.

Little Feat - Let It Roll

This one goes out to D, the biggest Little Feat fan that we know.

For all intensive purposes, there were two Little Feats.  The first version came out of Frank Zappa's Mothers of Invention, and formed in the late 1960s.  This group was led by singer/songwriter/multi-instrumentalist Lowell George, and built a following in the 1970s.  They were the prototypical swamp rock act, best known for "Dixie Chicken."

Unfortunately, George's erratic behavior and drug use (and differing views as to the musical direction of the band) led to Little Feat's demise by 1979.  George made conflicting statements about whether he would re-form a new Little Feat or remain a solo act, but this was all rendered moot when he died of a heart attack later that year.  He was 34.

The remaining members of the group managed to release one last album (1979's Down on the Farm), at which point Little Feat officially broke up.  However, the now former bandmates remained in the industry, playing with other artists. In 1987, the surviving members re-formed the band, added a couple of new musicians, and set out to record an album.  This became the second version of Little Feat.

Their 1988 album, Let It Roll served to successfully relaunch the band and further grew their audience. While we don't recall seeing much of them on MTV, the songs were all over rock radio in 1988. For the blog, we went with the title cut off the LP.  Yes, the vintage hot rod is a little ZZ Top derivative, but the blending of cars and the band performing live mostly works, in our opinion. 

While Let It Roll was Little Feat's last top 40 album, the band retained their loyal fan base, and remains active (with a few lineup changes) to the present day.

LL Cool J - Going Back To Cali

The late 1980s were a weird time for hip hop.  Following the huge success of the Beastie Boys' License to Ill, the genre found itself becoming more and more mainstream.  The backlash to this was predictable - and led to concern over artists "selling out" or "going commercial."

LL Cool J was in the midst of this maelstrom.  Born James Smith, he opted for a stage name based on Ladies Love Cool James.  He started rapping at 9, and was a rising star by 1988.  He also had a vision for hip hop that added ballads and pop sensibilities to the growing segment, something that was controversial back in the day. 

"Going Back to Cali," with its nostalgic intro, highlights LL Cool J's vision, and became his second top 40 hit ("I Need Love" was the first).  The song was originally released on the Less Than Zero soundtrack (best known for The Bangles cover of "Hazy Shade of Winter"), and was also released on the Walking with a Panther album, which reached #6 on the album charts.

As many readers will know, LL Cool J would go on to have a long and successful musical career, before transitioning to acting.  He remains active in both art forms at the time of this writing. 

Eric B. & Rakim - Follow The Leader

Check out any list of the most influential hip hop artists ever and Eric B. & Rakim will be on it - probably near the top.  Their vintage sampling and laid back, complex rhyming showed the template for modern hip hop.  In fact, many critics view Eric B. & Rakim as the seminal act that helped create the transition from old school to new school rap.

Eric B. (Barrier) and Rakim (born as William Griffin, but changed his name upon his conversion to Islam) were part of the vibrant metro New York rap scene of the 1980s.  By 1986 they were working together, and that same year released their first single, "Eric B. Is President." The following year saw the release of the Paid in Full LP, often viewed as one of the most important and influential hip hop albums ever.   

In spite of their innovative approach to hip hop (from both a DJ and MC perspective), Eric B. & Rakim had only modest commercial success - the duo did not have a top 40 single or a top 20 album.  This was partly due to the duo's image - they were viewed as authentic rap artists, and made little effort to modify their image or their songs to become more commercially successful.

For the blog, we went with the timeless "Follow the Leader" video, off the 1988 album of the same name.  The song reached #16 on the R&B charts, but did not break the top 40.  The album hit #22 - their highest charting effort.

Starting in 1992, tensions over their recording contract and perhaps their master tapes led to an extended legal conflict.  As a result, Eric B. & Rakim broke up, although they remained in the industry as solo artists.  However, in 2017, they re-united for a tour and appear to be together as of this writing.

Neneh Cherry - Buffalo Stance

Although American readers may remember Neneh Cherry as a one hit wonder, she actually had two top 10 hits ("Kisses on the Wind" is the song that you forgot about).  And while her period of commercial success was brief in the U.S., she had a longer stretch in Europe.  For instance, in Britain Cherry had 10 top 40 singles, running through the late 1990s.

Interestingly, Neneh Cherry was born in Sweden, and is the stepdaughter of jazz musician Don Cherry (hence the surname).  After moving to London as a teenager in the late 1970s, she became active in the punk scene but soon expanded into other musical genres.  This would eventually lead to catching lightning in a bottle, as "Buffalo Stance" became a huge hit (reaching #3 in both the U.S. and U.K.)

The song refers to a photo shoot stance, and is named after the Ray Pretri's Buffalo group.  It also pays homage to Malcolm McLaren's 1983 song "Buffalo Gals" (which it samples from).  The catchy tune combines dance and hip hop elements, while the video is a perfect late 1980s timepiece:

However, the 1988 hit version of the song was actually a re-make (cover?) of a 1986 Morgan McVey B side, "Looking Good Diving With The Wild Bunch" that featured Neneh Cherry.  Morgan McVey were comprised of Jamie Morgan and Cameron McVey, and released one single ever - 1986's "Looking Good Diving."  Two years later, Cameron McVey and Neneh Cherry were an item (they married in 1990) and McVey was producing Cherry's solo album ... and well, you know the rest.

Jimmy Page - Wasting My Time

It goes without saying that it's not a bad thing to be considered one of the greatest rock guitarists ever.  We suppose it is also not surprising that Jimmy Page seemed to have trouble figuring out what to do after the demise of Led Zeppelin.

As most readers will know, Jimmy Page became a well-regarded studio musician in Britain in the 1960s before forming Led Zeppelin in 1968.  Books have been written about Led Zep, but suffice to say that they remain one of the most important and influential rock acts of all time.  The sudden end of the group (in 1980, due to the death of drummer John Bonham) left Page without a clear direction, and for much of the next 15 years he embarked on short-lived collaborations.

In 1988, he released his first solo studio album, Outrider.  The album sounded a bit like a (slightly) updated Led Zeppelin, with its stripped down blues/rock sound.  Unfortunately, it didn't do all that well -- the album peaked at #26, and none of the singles charted.

In spite of the lack of success, we've always been partial to "Wasting My Time," which was co-written and sung by John Miles.  Jason Bonham (Drums) and Tony Franklin (Bass) round out the lineup.  While the song doesn't break any new ground, it is a solid track which isn't helped much by the standard performance video.  [As an aside, has there ever been a performance video made where the singer is show less frequently?]

Page continued with short-lived projects through the 1990s, but has re-connected with (Led Zeppelin) singer Robert Plant with greater frequency since the mid-1990s.  He remains active in the music industry as of this writing.

Ziggy Marley And The Melody Makers - Tomorrow People

David Nesta "Ziggy" Marley was reggae legend Bob Marley's eldest son, and he built a career in the industry after his father's untimely passing in 1981.  Along with several siblings, he formed the Melody Makers in 1979 -- named after the British music trade rag, by the by.

The group released three independent albums in the 1980s and built enough of a fan base to get signed by Virgin Records.  Their first major label release was 1988's Conscious Party, and it became a surprise hit.  The album climbed to #23 on the charts, while "Tomorrow People" broke into the top 40 (barely) at #39.  The sound was undoubtedly helped by the production team of Chris Frantz and Tina Weymouth (both of Talking Heads fame), who helped find the pop side of the strong material.

The video for "Tomorrow People" is a well-crafted performance piece that seems to suit the song well.  The upbeat clip with the reggae-pop sound even went into heavy rotation for a time at MTV.

While Ziggy's time as a pop star was brief, he remains a major figure in the reggae scene and has continued to record and perform to the present day.

Cool trivia fact:  Ziggy Marley And The Melody Makers are a one hit wonder, as only "Tomorrow People" broke the top 40.  However, that is one more top 40 hit than Bob Marley had.

They Might Be Giants - Ana Ng

They Might Be Giants (TMBG; named after the 1971 movie) was an odd yet interesting band that started showing up on MTV (mostly on the 120 Minutes program) in the late 1980s.  The group consisted of two Johns (Flansburgh and Linnell) who met as teenagers in Lincoln, Massachusetts and eventually moved to Brooklyn, New York to pursue a career in music.

Not surprisingly, the music industry had absolutely no idea what to make of the band, so TMBG promoted themselves through Dial-A-Song.  The group posted ads in local newspapers (such as The Village Voice) with a phone number, which led to an answering machine with a taped song.  The band maintained the service even after they were signed; some listeners estimate that more than 500 songs were recorded over the years.

Helped by Dial-A-Song, TMBG generated enough interest to be signed in 1985 and their self-titled debut LP came out the following year.  The album even picked up some college radio airplay.  1988's Lincoln actually charted (#89) and "Ana Ng" picked up some mainstream radio airplay as well.

Of course, the band's big break came in 1990 with the Flood album ( "Birdhouse in Your Soul" and "Istanbul (Not Constantinople)" may both be familiar to readers.  TMBG's period of major success was relatively brief, but they maintained a loyal following, and expanded their audience in the mid-2000s with a series of children's albums.  The band remains active in the industry as of this writing.

Cool trivia fact:  At their first concert, They Might Be Giants used the name, El Grupo de Rock and Roll.

Cinderella - Gypsy Road

When we posted Cinderella's "Shake Me" (back in December, 2011), we pointed out that the group was not a typical hair band.  While they looked the part, their sound was more bluesy hard rock than pop metal.  This became even more evident on their second LP, 1988's Long Cold Winter.

In spite of this, the strong songwriting (and general popularity of hard rock) led to continued success.  The album reached #10 on the charts, while 3 singles cracked the top 40.  Sadly, "Gypsy Road" was not one of them -- it peaked at #51.

The video for "Gypsy Road" was filmed in Yucatan, Mexico and features footage of the Mayan ruins at Chichén Itzá (who says you can't learn anything from 1980s videos).  Although there is no direct connection between the song and Mexico, the video does a nice job of highlighting the vibe of the song.

Cinderella released one further platinum record (1990's Heartbreak Station) before changing musical tastes relegated the group to working band status.  They remain together to the present day -- with the original lineup, as drummer Fred Coury rejoined the act in 1996.

Sonic Youth - Teenage Riot

Readers who aren't big time eighties or alternative music fans may not know much about Sonic Youth, but the alternative cult act is hugely important in the development of both the grunge and industrial  scenes.  The band formed in New York City in the early 1980s, and was comprised of guitarists Thurston Moore and Lee Ranaldo, along with bassist Kim Gordon. (Sonic Youth went through four drummers in their early days, though Steve Shelley has held this role since 1985).

Musically, the band is often associated with the noise rock scene, and early releases were somewhat experimental in nature.  Not unlike earlier experimental bands (like the Velvet Underground) this resulted in critical acclaim but only modest record sales.  Over time, Sonic Youth's sound evolved and songs incorporated more traditional rock structures and sounds, though they maintained a bit of an experimental feel.  This music was loved by alternative musicians and helped lay the groundwork for the 1990s.  [As an aside, if this sounds like Sonic Youth took a similar path to Hüsker Dü, well ... they did.]

"Teenage Riot" was the song that blew the lid off Sonic Youth in the emerging college rock scene.  Although the song is still edgy, it also has a more traditional structure and sound, which found a new and larger audience for the band.  While Sonic Youth never became mainstream stars, they did become heroes in the college rock community, and provided an inspiration to countless 1990s bands -- everyone from Nirvana to Nine Inch Nails.

Sonic Youth remained together and relatively vibrant until  Kim Gordon and Thurston Moore divorced in late 2011 (after being married for 27 years).  While no official announcement has been made, it appears that this marked the end of the band.

Cool trivia fact: Rolling Stone rates Daydream Nation (the LP with "Teenage Riot") at #171 on their list of the 500 greatest albums ever.

Tommy Conwell & The Young Rumblers - I'm Not Your Man

Last September, we put up "If We Never Meet Again," a solid pop/rock song by Tommy Conwell & The Young Rumblers.  This was a surprisingly difficult decision, as the band had two strong cuts off their 1988 major label debut, with "I'm Not Your Man" as the other. [In fact, it was the rareness of "If We Never Meet Again" that finally broke the tie.]

"I'm Not Your Man" shows the bar band in fine form, and was a solid choice as the first single off Rumble (the aforementioned 1988 debut LP).  Interestingly, while the song picked up a significant amount of radio airplay at the time, the single only reached #74 on the charts.  "If We Never Meet Again" somehow managed to reach #48 on the singles chart with less airplay.

Rumble did not break to top 100 on the album charts, and when the act's 1990 Guitar Trouble LP didn't chart, that was it for the band.  [Tommy Conwell & The Young Rumblers actually recorded a third album, but Columbia Records chose not to release it; it has been made available in recent years.]

Conwell remained in the industry for years but was unable to break through and eventually moved on.  However, he continued to periodically perform reunion shows to the present day.

The House Of Love - Destroy The Heart

The House of Love was a British alternative rock band who made a dent in the college rock scene of the late 1980s and early 1990s before fading from view.  The group formed in London in 1986 and was led by singer/guitarist/songwriter Guy Chadwick.

After the band gained momentum in the British college rock scene, they released their self-titled independent LP in 1988 and were soon viewed as the next big thing in British rock (the kiss of death, as long time readers will recall).  From there, a combination of drinking, drugs, and egos doomed the band and they broke up in 1993.  While they had four top 50 albums and two top 40 singles in the U.K., they did not break through in the U.S. (though they did have 4 top 10 singles on the Alternative charts, based on airplay).

"Destroy the Heart" is a 1988 non-album single that did not chart on either side of the Atlantic.  However, it does showcase the group's alternative sound -- moody, but with a definite 1960s guitar vibe folded in.  The combination was unique and interesting; with a bit of luck (and less drinking), the House of Love could have been a much  bigger band.

The group reunited in 2003, and continues to record and tour as of this writing.

EPMD - Strictly Business

Although they never became a household name, EPMD was a hugely influential East Coast rap act.  The duo from Long Island, NY formed in 1986 and took their name from the two MCs -- Erick Sermon (Easy Erick, E Double, E) and Parrish Smith (Parrish Mic Doc, PMD).  Some sources state that the group started as EEPMD, and then shortened the name to make it easier to pronounce.

EPMD's first album, 1988's Strictly Business, was a breath of fresh air in the rap scene.  Instead of using dance or electronica as the basis for their music, EPMD relied heavily on old school funk, with a dose of rock and pop thrown in for good measure.  This, combined with their strong but laid back rhyming translated to a sound that was trailblazing,

While none of the singles from the album charted on the Billboard pop charts, the album reached #80 and went gold.  Over time, it has been recognized as a classic, and was even ranked #453 on Rolling Stones' list of the 500 greatest albums of all time.  Respect.

For the blog, we went with the title cut, which nicely represents EPMD's sound and solid use of grooves.  While Eric Clapton's cover of "I Shot the Sheriff" is the main sample, pieces of "Jungle Boogie" (Kool & the Gang) and "Auto Man" (Newcleus) are also used, as is an earlier EPMD song "It's My Thing."

EPMD remained successful within the rap scene until their 1993 breakup, and had a second successful stint in the late 1990s before a second breakup.  They appear to be together again as of this writing.

House Of Lords - I Wanna Be Loved

House of Lords was actually the continuation of keyboardist Gregg Giuffria's solo band (creatively called Giuffria).  Giuffria actually had a modecum of success, including a #15 hit in "Call to Your Heart" and two additional charting singles -- "Lonely in Love" and a cover of Mink Deville's "I Must Be Dreaming."

In spite of their modest success, the band was without a recording contract after their second LP.  The demos intended for the third record caught the ear of Gene Simmons (of KISS fame), who signed the group with two conditions:  that the band's name and lead singer be changed.  Hence, Giuffria became House of Lords and singer James Christian took over for David Glen Eisley.

To my ear, House of Lords sounds a bit heavier than Giuffria, although they remained solidly in the commercial pop metal segment.  "I Wanna Be Loved" sounds very Whitesnake-influenced, which might not have been the worst sound to go for in 1988.  In any event, the song would go on to chart at #58, while the band's debut album would reach #78 on the charts.

The video mimics the sound of the band, and is pretty typical pop metal stuff -- not terrible, but not groundbreaking either.  House of Lords would go on to release two additional records before breaking up in 1993.

The group has re-formed several times since 2004, mostly without Gregg Giuffria, who seems to have more or less left the industry.

Tommy Conwell & The Young Rumblers - If We Never Meet Again

Your basic bar band made good (almost), Tommy Conwell & The Young Rumblers came onto the music scene in 1988 with their major label debut, Rumble.  Sounding like a mix of Bruce Springsteen and George Thorogood (with some 1950s rock and roll thrown in for good measure), the band was definitely cutting against the musical grain of the time.

The group formed in Philadelphia in the mid-1980s and released an independent record (Walking on the Water) in 1986.  They were signed to Columbia Records in 1988 and released two major label LPs before being dropped by the label.

"If We Never Meet Again" is off their 1988 major label debut.  The song picked up some radio play, though we do not recall seeing the video at the time.  The single never charted, while the Rumble album peaked at #103 on the charts -- the group's only charting record.

Conwell and The Young Rumblers disbanded soon after they were dropped by Columbia.  Conwell remained in the music business for a number of years, but never broke through.  In more recent years, he has taught third grade, was a DJ on WYSP (a Philadelphia rock station) and most recently is in the family's fence business.  He and the Young Rumblers continue to periodically perform, typically in the Philadelphia area.

Tommy Conwell & The Young Rumblers excellent first single, "I'm Not Your Man" was featured on ERV in February, 2015.

Siouxsie and the Banshees - Peek-A-Boo

"Peek-A-Boo" was Siouxsie and the Banshees first charting U.S. single, although it was the band's 15th top 40 song in their native Britain.  Led by their dramatic frontwoman Siouxsie Sioux (Susan Ballion), the band came out of the Bromley Contingent -- a group of hardcore Sex Pistol fans.  However, instead of becoming a straight up punk band, Siouxsie and the Banshees found their own sound, which fused punk with art house and postmodern elements.

The band's unique sound and appearance quickly found an audience in the U.K.  In fact, "Peek-A-Boo" was off the group's ninth studio album (Peepshow); all of the previous eight LPs broke the top 15 on the U.K. album charts.

The song also showed Siouxsie and the Banshees' continued sonic experimentation.  The idea for "Peek-A-Boo" began during the band's previous album, when they began writing a song based on playing John Cale's "Gun" backwards.  A year later, the song, with its layered instruments and cutting lyrics was ready, and became the lead single off Peepshow.

Ironically, the success of "Peek-A-Boo" came back to haunt the band, as the song was found to infringe on the 1938 standard "Jeepers Creepers." In response, Harry Warren and Johnny Mercer (who wrote "Jeepers Creepers" ) would go on to receive songwriting credit for "Peek-A-Boo."

Siouxsie and the Banshees would remain together until 1996, although the members (including Siouxsie Sioux) remains active in the industry as of this writing.

Cool trivia fact:  Siouxsie and the Banshees is an official one hit wonder, as only 1991's "Kiss Them for Me" (#23) broke the top 40 in the U.S.

Jane's Addiction - Mountain Song

"Mountain Song" is a truly great, groove-driven hard rock song that was unlike virtually everything on the radio in 1988.  For readers who only know Jane's Addiction from 1990's "Been Caught Stealing," this song is evidence that the band could rock out with the best of them.

The song came off the band's major label debut, 1988's Nothing's Shocking.  [Note that "Jane Says" from the same LP was featured on ERV in January 2014.]  The album created a stir in the music industry, but did not become a huge commercial success.  In retrospect, album sales were hurt by the lack of exposure on MTV, and by the diverse alternative feel that the record had -- remember that 1988 was the peak of hair metal.

On the exposure front, the (edited) video below was shot in 1988 at Scream (an alternative rock club in LA), and is an awesome Jane's Addiction timepiece.  The vid was banned by MTV for years, due to the nudity and general weirdness (I believe that MTV dropped the ban in 1990).

Sadly, "Mountain Song" did not chart, while the Nothing's Shocking LP only reached #103 on the album charts.

For more on Jane's Addiction (including the story behind Jane), check out the "Jane Says" entry.

Hothouse Flowers - Don't Go

Hothouse Flowers' roots date back to 1985, when Liam Ó Maonlaí (lead vocals, keyboard) and Fiachna Ó Braonáin (guitar) began performing as street musicians in Dublin, under the name The Incomparable Benzini Brothers.  The group soon added Peter O'Toole (bass), Leo Barnes (sax), and Jerry Fehily (drums) and renamed themselves Hothouse Flowers.

After U2's Bono saw the band on Irish television, he became a supporter of the group and helped them land a recording contract with Polygram. In 1988, the band released their debut album (People), which became a #1 LP in Ireland (and #2 in the U.K.).  Unfortunately, Hothouse Flowers never broke out in the U.S. -- People peaked at #88 on the album charts, and the group's subsequent LPs did not break the top 100.  In addition, the act never landed a top 40 hit in the U.S. (though "Don't Go" did reach #11 in the U.K.)

Later albums continued to do well in Britain and Ireland, without causing much of a stir in the U.S.  After the band's 1993 album Songs From the Rain, Hothouse Flowers took a break (which lasted for several years) and the more recent releases have been less commercially successful.  Nevertheless, the band remains active to the present day.

"Don't Go" represents the band well, as an upbeat, somewhat folk-oriented pop song.  The song did receive a bit of airplay on college radio, so some U.S. listeners may remember it, but it never got a fair shake on this side of the Atlantic.

Information Society - What's on Your Mind (Pure Energy)

Information Society could have easily become big stars if things had broken their way just a bit more.  The band's sound was early 1980s synth pop meets late 1980s techno, which could have made them the perfect dance band to transition into the 1990s.  However, things didn't work out that way, and they ended up having a brief period of success in the late 1980s before fading from view.

The group formed in Minneapolis and the core consisted of James Cassidy, Paul Robb, and Kurt Harland (Valaquen).  The band's name came from Ingsoc (newspeak for English Socialism) from the Orwell novel Nineteen Eighty-Four.  In fact, the band's debut EP was called The InSoc EP (and came out in 1983).

However, it was Information Society's self-titled 1988 LP that catapulted them onto the scene, led by "What's on Your Mind."  The song plays like an updated early 1980s synth pop gem and became a huge hit, reaching #3 on the charts, while the album hit #25.  Surprisingly, "Walking Away" also broke the top 10, though we only vaguely remember it.  By the by, the band also had a third top 40 hit with 1990s "Think."

After the group's big breakthrough, their popularity steadily waned in the 1990s and they officially broke up in 1997, before reforming in 2006.

Cool trivia fact:  As many readers will know, "What's on Your Mind" sampled two Star Trek lines, including Dr. McCoy (DeForest Kelley) saying "It's worked so far, but we're not out yet!" in the intro and (of course) Mr. Spock's (Leonard Nimoy's) "Pure energy" line used in the chorus.

Pat Benatar - All Fired Up

Long time ERV readers may recall that Pat Benatar's cover of The Rascals "You Better Run" was the second video posted on ERV, back in August 2011.  (Uncoincidentally, it was also the second video ever played on MTV, after The Buggles.)  In contrast, "All Fired Up" may well have been the last Pat Benatar video played on MTV during the 1980s; it was unarguably her last (of 15) top 40 hits, not counting "You Better Run," which peaked at #42 in 1980.

"All Fired Up" is off the Wide Awake in Dreamland album, which was Benatar's seventh studio LP.  It was also her last album recorded in the 1980s (and last top 30 LP).  Although it is not as strong as her first few records, it is a solid effort, though perhaps a bit formulaic.  Having said that, Benatar's strong vocals make nearly everything sound good.

The video features the long haired version of Benatar, along with guitarist/husband Neil Giraldo and drummer Myron Grombacher (who was fantastic live).  It is a performance piece, with some behind-the-scenes footage.

As savvy readers will have surmised by the labels, "All Fired Up" is also a cover.  The song was written by by Kerryn Tolhurst and recorded in 1987 by his band, Rattling Sabres.  The song was the group's biggest hit, and reached #97 on the charts in their native Australia.  Through the minor miracle that is the internet, the video is below.

Benatar's "Promises in the Dark" was also posted on ERV in March 2018.