The Outfield - My Paradise

The 1980s musical equivalent of a sunny summer day, The Outfield recorded a bunch of bright power pop gems, but somehow never became big stars.  While their first LP broke the top 10, they quickly fell out of favor, something that baffled us at the time (and ever since).  We suppose that there is no small amount of luck involved in success, and the group was not the flashiest, but they truly deserved a better fate.

Long time readers may recall that we featured the group's "Say It Isn't So" on ERV back in 2014.  That song was one of four singles off the Play Deep LP that did receive some airplay during the band's all-too-brief period of major success (primarily 1986).

For the blog we had several good options, and finally decided on 1989's "My Paradise." This song was the second single off the Voices of Babylon album (after the title track).  We don't recall seeing the video back in the day, and the single stalled at #72 on the charts.  To our ear though, this is a power pop gem. 

The Outfield continued recording through the early 1990s, but were absent from the industry from most of the rest of that decade.  They became more visible in the 2000s, but officially broke up when guitarist (and primary song writer) John Spinks died in 2014.  Sadly, lead singer/bassist Tony Lewis has also died (in 2020). 

Los Lobos - Will the Wolf Survive?

Los Lobos were an unlikely and underrated success story in the 1980s.  The group's roots date back to 1973, and they were originally named Los Lobos del Este de Los Angeles (the wolves of East Los Angeles.)  The band's name came from a 1977 National Geographic article, "Where Can the Wolf Survive?" making the group perhaps the only rock act named after a story in Nat Geo.

Their music blended traditional rock with country and Tex-Mex influences, creating a unique sound that became critically acclaimed.  Unfortunately, major commercial success proved to be elusive - they only had three charting singles, two of which broke the top 40 (although their cover of "La Bamba" hit #1 in 1987.)

"Will the Wolf Survive?" is a lovely piece of songwriting, and shows the sophistication of Los Lobos.  Rock, country, and Latin American sounds seem to effortlessly fuse together.  The lyrics use the metaphor of a wolf, trying to find his place in a modern world, to illuminate the status of immigrants. In our view it is poetic and evocative.

The single, "Will the Wolf Survive?" peaked at #78 on the singles charts, while the album How Will the Wolf Survive reached #47.

Los Lobos remains together (with most of their original members) as of this writing.

Cool trivia fact:  Rolling Stone rated How Will the Wolf Survive as the 30th best album of the 1980s (and at #431 on their list of the greatest albums ever)

Duke Jupiter - I'll Drink To You

Here at ERV, we have a particular soft spot for the bar band.  In the 1980s it seemed as though every city had a few of these groups - comprised of working musicians who generated a local following, hoping for their one big break.  [The Pub Rock tag will direct readers to previously featured bands who fit the bill, with varying degrees of success.]

In Rochester, NY, Duke Jupiter was the prototypical bar band.  Playing straight-ahead rock and roll, they were active on the scene from the late 1970s through the mid 1980s.  And for a brief moment in 1982, it looked as if they might break through, thanks to their exposure on a new video music channel ... but sadly it was not to be.

"I'll Drink To You" was the lead single off the group's 1982 LP, Duke Jupiter I.  The music video is a simple concert clip of them performing at the Tower Theater in Upper Darby, PA.  The performance footage captures some of the energy of their live show (though the audience seems a bit .... sedate) and it was picked up by MTV, and put into rotation for a time.  The song even charted - reaching #58, while the album reached #204.

Unfortunately, this was as close as the band came to breaking out, and in 1986 they played a farewell concert and broke up, ending a 13 year run.  However, they have occasionally re-formed for reunions, though it is unclear if this will continue, as drummer Dave Corcoran died from cancer in 2018.

Eric B. & Rakim - Follow The Leader

Check out any list of the most influential hip hop artists ever and Eric B. & Rakim will be on it - probably near the top.  Their vintage sampling and laid back, complex rhyming showed the template for modern hip hop.  In fact, many critics view Eric B. & Rakim as the seminal act that helped create the transition from old school to new school rap.

Eric B. (Barrier) and Rakim (born as William Griffin, but changed his name upon his conversion to Islam) were part of the vibrant metro New York rap scene of the 1980s.  By 1986 they were working together, and that same year released their first single, "Eric B. Is President." The following year saw the release of the Paid in Full LP, often viewed as one of the most important and influential hip hop albums ever.   

In spite of their innovative approach to hip hop (from both a DJ and MC perspective), Eric B. & Rakim had only modest commercial success - the duo did not have a top 40 single or a top 20 album.  This was partly due to the duo's image - they were viewed as authentic rap artists, and made little effort to modify their image or their songs to become more commercially successful.

For the blog, we went with the timeless "Follow the Leader" video, off the 1988 album of the same name.  The song reached #16 on the R&B charts, but did not break the top 40.  The album hit #22 - their highest charting effort.

Starting in 1992, tensions over their recording contract and perhaps their master tapes led to an extended legal conflict.  As a result, Eric B. & Rakim broke up, although they remained in the industry as solo artists.  However, in 2017, they re-united for a tour and appear to be together as of this writing.

Del Amitri - Kiss This Thing Goodbye

Although they were stars in the UK, Del Amitri never quite broke through in the U.S., through no fault of their own.  The band's strong pop-rock songs, with folk, roots rock and even country influences, were melodic and catchy.  In spite of this, they only had 3 top 40 hits in the U.S., and only 1995's "Roll to Me" really garnered a significant amount of air play.

The band formed in the early 1980s in Glasgow, Scotland, and was named after ... well, perhaps a film producer.  It was a Scottish interpretation of the name Dimitri, and ended up sticking.  The group released a self-titled debut album on Chrysalis in 1985, but it did not gain traction, and they were subsequently dropped by the label.  Their second album, 1989's Working Hours (on A&M), did make an impact, reaching #6 on the album charts in the UK.

Del Amitri released 3 more LPs in the 1990s, all of which broke the to 10 in the UK, and had 13 top 40 singles, as well.  In the U.S., only Working Hours even broke the top 100 on the album charts.

For the blog, we went with the first single off Working Hours, "Kiss This Thing Goodbye."  It's a fine example of the band's catchy songwriting.  Interestingly, the song was released in 1989, and reached #59 on the UK charts.  A re-release in 1990 did better, reaching #43 in the UK and #35 in the U.S.

Del Amitri went on hiatus (broke up?) in 2002, but has subsequently re-formed in 2014, and seem to be active as of this writing.

Peter Gabriel - I Don't Remember

For this years' slightly abbreviated All Hallows Even celebration, we are going with Peter Gabriel's excellent, creepy, and underrated video for "I Don't Remember."

As many readers will know, Peter Gabriel left Genesis in 1975, and released his first solo album in early 1977.  [As a side note, the first four Peter Gabriel solo albums are all untitled, and are often referred to by the cover art.]  While Gabriel's first two solo albums sold well, it was his third LP, 1980's 'Melt' that broke him as a solo artist.  The album was a sonic breakthrough with a modern, driving sound.  As one example, the album did not use any cymbals at all, which led to the innovation of the gated reverb drum sound.

'Melt' would go on to hit "1 in the U.K. and #22 in the U.S., led by "Games Without Frontiers," which reached #4 in the U.K. and #48 in the U.S.  The album also drew no small amount of critical acclaim; Rolling Stone ranked it as the 45th greatest album of the 1980s.  The LP is remarkably strong from cover to cover with lyrics that are creative and political, and a sound that was unlike anything on radio at the time.

In the All Hallows Even spirit, we opted for "I Don't Remember," which has a genuinely unnerving video.  The song only reached #107 in the U.S. and did not chart in the U.K., and we doubt that the video would have been played by most mainstream outlets back in the day.  However, it fits seamlessly into our theme of the season here.

Also note that previous All Hallows Even videos can be selected by choosing the Label to the right.

Cool trivia fact: Rolling Stone rates the Melt LP as the 46th greatest album of the 1980s.

The Babys - Back On My Feet Again

The Babys were a British-American power pop act who by all rights should have become big stars in the 1970s.  Guitarist/keyboardist Mike Corby and manager Adrian Miller formed the band in 1974 and held auditions to fill out the roster.  Tony Brock (drums), John Waite (vocals/bass) and Wally Stocker (guitars) made up the original lineup.

The group were signed by Chrysalis and seemed to be building an audience, but a dispute with the record label resulted in Corby and Miller being fired in 1978.  Soon afterwards, Americans Jonathan Cain (keyboards) and Ricky Phillips (bass) joined; this lineup continued until the group broke up in 1980.

While The Babys has some modest successes (3 top 40 hits and 2 top 40 LPs), their hard work never really paid off, and this frustration eventually led to their breakup.  John Waite would go on to have some success in the 1980s as a solo artist, while Jonathan Cain would join Journey right as that band became megastars.  In 1989, Waite, Cain and Phillips would reunite in Bad English (with guitarist Neil Schon and drummer Deen Castronovo).

For the blog, we went with the group's last top 40 single, 1980's "Back on My Feet Again."  The song peaked at #33 on the charts while the Union Jacks album only hit #42.  However, it is a solid representation of the band's later material.

In 2013, original members Tony Brock and Wally Stocker reformed the band.  Additionally, John Waite has been know to perform Babys songs at concerts from time to time.

The Long Ryders - I Want You Bad

This is the second appearance on ERV for The Long Ryders; the superb "Looking for Lewis and Clark" was posted on our little blog in October, 2013.

Regular readers will recall that The Long Ryders were a roots rock act associated with the LA Paisley Underground scene.  They made a bit of a ripple on the college radio scene in the middle part of the 1980s, but never quite found their audience.

"I Want You Bad" was the lead single of the group's 1987 LP, Two Fisted Tales.  It is a cover (more on that below), but highlights the band's style and musicianship.  Unfortunately, we don't believe that either the LP or single charted.

While The Long Ryders remained well-regarded by critics, their big breakthrough never happened and in 1987 and the strenuous touring schedule finally did the band in.  Bassist Tom Stevens and guitarist Stephen McCarthy left the group by year end, and the remaining members (vocals/guitarist Sid Griffin and drummer Greg Sowders) chose not to continue.  However, the group did re-form in 2014, and plans to tour and perform some more as of this writing.

As mentioned above, "I Want You Bad" is a cover of an NRBQ song, below.  NRBQ is an influential and eclectic rock band who are known for their live shows.

The John Hall Band - You Sure Fooled Me

Long time readers may (or may not) recall that we posted The John Hall Band's "Crazy" video way back in January, 2012.  That song became a minor hit, and picked up some airplay in the early days of MTV.  While researching "Crazy," we discovered the video for "You Sure Fooled Me" and put it in the bullpen, where it remained until today.

"You Sure Fooled Me" is a totally solid rock song -- as an aside, why wasn't The John Hall Band bigger?  Sure, they aren't exactly breaking any new ground here, but the music is surprisingly good.

At any rate, this early video includes old cars and a girl, as the band brings the song to life, in a charming, yet low-budget sort of way.  In spite of their efforts, we don't recall ever seeing the vid or hearing the song, and it doesn't appear to have charted.  As we noted on the "Crazy" post, the group released a second LP before breaking up, though Hall would remain in the industry as a songwriter before embarking on a brief career in Congress (yes, really).

Oh, and as previously mentioned, John Hall is not related to Daryl Hall (or John Oates) and got his start in the 1970s band Orleans (of "Dance with Me" and "Still the One" fame).

Flesh for Lulu - Postcards from Paradise

"Postcards from Paradise" is yet another excellent reader request and we liked it enough to immediately put it up on the blog.  Thanks, cool loyal reader (you know who you are).

Flesh for Lulu was a British rock band with an interesting sound that was simultaneously alternative and retro.  Think the Rolling Stones meets the Velvet Underground.  The resulting music was critically acclaimed, but never quite found its audience, which is a real shame.

The band formed in London in 1982, and was named after the Andy Warhol movie, Flesh for Frankenstein.  Lulu was a bend member's girlfriend who sat in front of a poster for the movie, leading to an in-joke that eventually became the group's name.  Their major label debut came out in 1984, and they released several solid efforts in the mid to late 1980s.

While they attracted a cult following in the U.K., their U.S. break happened when they had a song included on the 1987 teen flick, Some Kind of Wonderful.  (Does anyone else remember that one?)  Sensing an opportunity, they modified their sound in an attempt to cross over.  The resulting album, 1987's Long Live the New Flesh, was solid, but did not advance their career.  After several more years of toiling away, Flesh for Lulu broke up in 1992, though a version of the band re-formed in 2013.

For the blog, we went with "Postcards from Paradise," a particularly strong effort from 1987.  The song was later covered by Paul Westerberg (formerly of The Replacements) and the Goo Goo Dolls.

The Knack - I Want Ya

Rock and roll's equivalent to a shooting star, the Knack burst onto the scene in 1979 with their massively successful debut, Get the Knack.  That album went to #1 for 5 weeks and reached double platinum status.  However, in spite of their success (or perhaps because of it), the band quickly fell out of favor with the listening public and broke up just two short years later.

The group formed in Los Angeles in 1978 and were led by singer/guitarist Doug Fieger.  Guitarist Berton Averre, bassist Prescott Niles, and drummer Bruce Gary rounded out the original lineup.  Although the Knack were lazily compared to the Beatles, they were a pure power pop group, closer to Badfinger.  There was nothing fancy about the Knack; they wrote straight up songs (mostly about sex), but they were really good pop rock tunes.  In retrospect, their immediate success meant that many listeners viewed them as a fad, but the Knack created a catalog of strong material, much of it after their debut record.  Unfortunately, egos, stress, and just bad luck torpedoed their career.

The Knack reunited for the first time in 1986, and worked together on and off through 2010.  They even released another solid album in 1991, Serious Fun.  Sadly, in 2006 Doug Fieger became disoriented during a show and it was eventually determined that he had brain cancer.  Fieger passed away in 2010, marking an official end to the band.

For the blog, we went with "I Want Ya" off 1980's ... But the Little Girls Understand (named after a line from Willie Dixon's "Backdoor Man.")  We don't believe that the song was released as a single, and the album reached #15 and went gold, which was considered a disappointment after Get the Knack.  "I Want Ya" is classic Knack; fun, well-crafted, and eminently listenable.

The Outfield - Say It Isn't So

When we started ERV in August 2011, the Outfield were one of the first bands to go in the bullpen, and they have been patiently waiting their turn ever since.  This is somewhat typical of the group -- they weren't avant-garde, or loved by critics, and they did not develop a large cult following over time.  What they did do, however, was produce a bunch of strong power pop songs, led by a #6 hit with one of the best opening lines of the decade:  "Josie's on a vacation far away..."

The Outfield's original lineup of Tony Lewis (bass and vocals), John Spinks (guitars), and Alan Jackman (drums) formed around 1983 in London.  The group was originally called The Baseball Boys, a name inspired by the Baseball Furies gang from The Warriors movie (a great flick that gets a thumbs up from ERV).  When the group signed with Columbia/CBS in 1984, their manager suggested that the name might be too campy.  After a discussion, the group renamed itself the Outfield.

Unlike most British acts, the Outfield were much more popular on this side of the Atlantic, where they had five top 40 hits and four charting albums.  (In the U.K., the group had two charting singles, but no top 40 hits).  It seems likely that their sound, with soaring vocals and strong guitar lines, fit better into the American music scene of the time.

For the blog, we went with "Say It Isn't So," the lead single from their 1985 breakthrough, Play Deep.  While the song didn't chart, the next three singles from the LP did, and the record ultimately peaked at #9 on the album charts.  Sadly, the Outfield would never match the success of their debut album, though they continued to be moderately successful until the grunge era.

Although they never officially broke up, the Outfield took an extended break for most of the 1990s.  They have performed sporadically since then, but have been more active since 2009 (when the original lineup with drummer Alan Jackman re-formed).  Sadly, it is unclear what the current status of the band is, as guitarist (and primary songwriter) John Spinks passed away from cancer in 2014.

The Outfield's "My Paradise" was featured on ERV in November 2021,

Fay Ray - Modern Lovers

Originally from Bangor, Wales, Fay Ray were a new wave act who made one really solid album before things went south.  The band was named after one of photographer William Wegman's Weimaraner dogs and was fronted by Sheila McCartney.  Other members of the band were John Lovering (guitar), Owen Hughes (drums), Tony Travis (bass), and Jeff Taylor (sax).

Fay Ray were sometimes lazily compared to Siouxsie and the Banshees, another British new wave band with a female lead singer.  However, they sounded quite different from Siouxsie, with a strong pop sense folded into their new wave sound.  This could have made them quite successful, had things broken their way a bit more.

The band released their debut album, Contact You, in 1982, but it did not chart.  They did make a couple of videos, and even picked up a bit of airplay on MTV.  However, Elektra/Warner dropped the band after the recording of their second LP, and refused to release the master tapes (!).  Fay Ray broke up soon afterwards, although they have re-formed in the early 2000s and are still occasionally active as of this writing.

"Modern Lovers" was off Contact You, and is a great driving new wave song with a cheap and colorful video to boot.  File this one under rare and really good.

The Call - The Walls Came Down

"The Walls Came Down" was one of two charting songs by The Call, though the group never had a top 40 hit.  ["Let the Day Begin," which was featured on ERV back in August 2012 was The Call's other charting single.]  In spite of this lack of mainstream success, the band became a favorite of critics and musicians including Peter Gabriel, Jim Kerr, Bono, and Bruce Cockburn.

Led by Michael Been, The Call were known for their strong lyrics and updated roots rock sound.  The band released their first album in 1982, but it was 1983's Modern Romans that became their first hit.  Helped by MTV, "The Walls Came Down" reached #74 on the charts while the LP peaked at #84.

However, the band followed up Modern Romans with the more ethereal Scene Beyond Dreams in 1984 (which did not break the top 200), and then became embroiled in a legal dispute with Mercury Records that delayed the release of their next album (Reconciled) until 1986.  Needless to say, this damaged the group's momentum.

In spite of these issues, The Call continued to release strong albums through 1990, when Michael Been left to try his hand at a solo career.  The band later re-formed in 1997, but broke up again in 2000.  Been eventually became involved with his son's group (Black Rebel Motorcycle Club) until his untimely death from a heart attack in 2010.

Kim Carnes - Voyeur

Although Kim Carnes has been featured on ERV twice before (for "More Love" and "Bette Davis Eyes"), those songs were both covers.  As Carnes is a prolific songwriter, we thought that it would be appropriate to highlight a song that she wrote (co-wrote in this case), which leads us to "Voyeur."

Carnes co-wrote "Voyeur" with her husband Dave Ellingson and songwriter Duane Hitchings.  The song was the lead single off the 1982 album of the same name, the follow up to the massively successful Mistaken Identity.  As ERV readers know, the music industry can be a capricious place, and although Voyeur was a well-constructed new wave/pop album, it fell flat with the listening public.

It's not that Carnes had a terrible career -- she generated 5 top 100 LPs and 7 top 40 singles before moving to Nashville with her husband and repositioning herself as a songwriter.  But it is a shame that she didn't stay at the top of the charts for longer.  Her unique voice and solid songs, which bridged the gap between new wave, pop, jazz, and folk would have made her an interesting pop star.

"Voyeur" is a strong video of a really decent song.  As was alluded to, the song only reached #29 on the charts, while the album stalled at #49.  Carnes would continue to release solo albums through the early 1990s and continues to sporadically perform to the present day.

Cool trivia fact:  Carnes only had one top 40 album in her career -- 1981's Mistaken Identity, a #1 LP.

Georgia Satellites - Battleship Chains

This is the Satellites second appearance on ERV, as the band's one big hit "Keep Your Hands to Yourself" was featured in July 2012.  "Battleship Chains" was the second single off the group's debut LP and it became a minor hit, reaching #86 on the charts.  The song was written by Terry Anderson, who was not a member of the group.  Interestingly, Anderson also wrote "I Love You Period" which hit #26 in 1992, becoming Dan Baird's only solo top 40 hit (Baird was the lead singer and guitarist for the Satellites).  Unlike most of the Satellites' songs, "Battleship" featured guitarist Rick Richards on lead vocals instead of Baird.

In contrast to "Keep Your Hands to Yourself," "Battleship Chains" is further up the rock spectrum, more Stones than Skynyrd.  In fact, that is one of the impressive aspects of the band -- they produced self-consciously retro music that was also fresh, and encompassed musical influences as diverse as the Rolling Stones, Chuck Berry, Lynyrd Skynyrd and Led Zeppelin.  While their music was viewed as something of a curiosity in the 1980s, it has aged better than many of their contemporaries.

The black and white video starts with a scratchy record into and then intersperses shots of pawn shops and pools halls with the band.  It is damn near pitch perfect, in our humble opinion.  This is a band that should be listened to at a BBQ joint with some ribs and cold beer.  Sadly, this cutting against the grain approach made it hard for the band to maintain a high level of commercial success, and they broke up in 1990, after two follow up LPs failed to gain traction (See the "Keep Your Hands to Yourself" post for more info on the band's history.)

Hüsker Dü - Makes No Sense At All

Hüsker Dü was one of the most interesting and influential bands of the 1980s.  No less a source than Allmusic believe that they and R.E.M. changed the direction of rock and roll.  At a bare minimum, Hüsker Dü has to be considered one of the acts that laid the groundwork for the alternative music scene.

The group formed in Minneapolis in 1979 and were originally a quartet called Buddy and the Returnables (seriously).  Eventually Grant Hart (drums/vocals), Bob Mould (guitar/vocals), and Greg Norton (bass) booted keyboardist Charlie Pine out of the band and transitioned to a hardcore punk act.

While the band's first few indy records were strong, over time Hüsker Dü began recording material that sounded like melodic punk songs -- punk pop, if you will.  This was groundbreaking and innovative stuff.  Unfortunately, although the band built a strong cult following, they never became a mainstream success.

"Makes No Sense At All" is a great example of the punk pop sound, and comes off the superb 1985 Flip Your Wig LP.  This was the last record on the SST label, as the group had just signed to major label Warner Bros. (who apparently wanted to release Flip Your Wig, but the band declined).  The video includes "Makes No Sense At All" and "Love Is All Around" (the theme from The Mary Tyler Moore Show) which was the B side.  The result is somewhat odd, but still impressive.

Hüsker Dü would go on to release two additional records on Warner Bros. before breaking up in 1987, due to the creative tension between Bob Mould and Grant Hart (the two songwriters for the band).  Mould and Hart remained in the industry, while bassist Greg Norton has sporadically played in the intervening years (he has spent most of his time in the restaurant business).

Cool trivia fact:  Neither "Makes No Sense At All" nor Flip Your Wig charted in the U.S.

Note that Bob Mould's "See A Little Light" was previously featured on ERV.

Steve Earle & The Dukes - I Ain't Ever Satisfied

"I Ain't Ever Satisfied" is off Steve Earle's second MCA record, Exit 0, and it highlights an artist in transition.  While the album is still a country/rock record, songs such as "I Ain't Ever Satisfied" show such a strong roots rock sensibility that it is not surprising to find that Earle migrated to a more straight up rock style for his next album, 1988's Copperhead Road.  [By the by, "Copperhead Road" (the song) was featured on ERV last June.]

For better and worse, Steve Earle has lived the rock and roll lifestyle.  He was born in Virginia but grew up in Texas and began playing guitar at 11.  Earle left home at 16, eventually moving to Nashville.  Years of work led to several recording contracts before he signed with MCA and released Guitar Town in 1986.  Guitar Town was a breakout record, and Earle was seen as a fresh new country artist and a roots rocker. While Exit 0 and Copperhead Road did well, creative and political tensions with the Nashville music scene, drug use, and multiple marriages (7 as of this writing) derailed Earle's career by the early 1990s.

Recorded with his touring band, the Dukes, "I Ain't Ever Satisfied" clearly shows the talent of Earle.  The video, loosely following the Robert Johnson Crossroads story, seems pitch perfect and is enhanced by a Waylon Jennings cameo at 3:31.  The lyrics are also worth calling out, as they are tremendous.  Allmusic goes so far as to state that this is something of a theme song for Steve Earle; at a minimum, it does provide some insight into the man.

Tom Petty and the Heartbreakers - Change of Heart

Since their 1976 founding, Tom Petty and the Heartbreakers have been considered one of the preeminent bands in rock and roll.  Their updated, Byrds-influenced brand of music led the group to fame, fortune and critical acclaim.  While the songs and attitude are straightforward, they are impeccably executed, leading many to view Petty as one of the foremost singer/songwriters of his generation.  How's that for a rave introduction?

My all-time favorite Tom Petty song is "Change of Heart" from the 1982 Long After Dark album.  While the song was a solid success (reaching #21 on the charts), the video was overshadowed by "You Got Lucky" with all of its post-apocalyptic goodness.  This is a shame, because "Change of Heart" is one of a handful of videos directed by the legendary Cameron Crowe.  Crowe is a fascinating figure; the crib notes version is: Rolling Stone writer in his teens, then wrote Fast Times at Ridgemont High and wrote/directed Almost Famous -- two films that get ERV's highest recommendation.  [He's done a bunch of other solid work, but those two really stand out to us.]

The "Change of Heart" video is a well-crafted performance piece, featuring a live audio track and keyboardist Benmont Tench (previously featured on ERV as the songwriter of one of two salacious Feargal Sharkey songs).  Straight up rock and roll doesn't get any better than this.

Note that the excellent (and underrated) Tom Petty and the Heartbreakers duet with Stevie Nicks, "Insider" was posted on ERV In February 2015. 

The Long Ryders - Looking for Lewis and Clark

"Looking for Lewis and Clark" is another reader suggestion and a mighty fine one at that.  The song is by the Long Ryders, a really interesting LA-based band who deserved a lot more success than the pittance they received.

Guitarist/singer Sid Griffin founded the band in the early 1980s.  Named after the 1980 Walter Hill western film of the same name (but with a more traditional spelling), the group quickly gathered a following.  They released their first EP in 1983, and the band's rocked up country sound and political lyrics endeared them to critics and fans alike.  We think of the Long Ryders as sounding like a more rocking version of 1980s R.E.M.; readers who enjoy that music would be well served to check out the band's catalog.

While The Long Ryders were loosely associated with the Paisley Underground scene, many critics (correctly, in our view) consider them more of a roots rock or country rock band.  [As an aside, the term Paisley Underground refers to an LA-based style of roots rock that had strong 1960s (Byrds) and psychedelic influences.  Artists associated with the scene include The Dream Syndicate, The Bangles, Rain Parade, and The Three O'Clock.]

"Looking for Lewis and Clark" was the lead single off the group's major label debut, 1985's State of Our Union.  The song charted in the U.K. (#59) but did not hit the U.S. charts.  It did generate a bit of college radio play, but we do not recall ever seeing the video on MTV.

After a few more years of struggling to break through, the Long Ryders broke up at the end of 1987.  Sid Griffin moved to London a few years later and founded The Coal Porters, a bluegrass act.

We particularly love the call-outs of  Tim Hardin and Gram Parsons in the song.

The Long Ryders' cover of "I Want You Bad" was posted on ERV in March, 2016.