Georgia Satellites - Battleship Chains

This is the Satellites second appearance on ERV, as the band's one big hit "Keep Your Hands to Yourself" was featured in July 2012.  "Battleship Chains" was the second single off the group's debut LP and it became a minor hit, reaching #86 on the charts.  The song was written by Terry Anderson, who was not a member of the group.  Interestingly, Anderson also wrote "I Love You Period" which hit #26 in 1992, becoming Dan Baird's only solo top 40 hit (Baird was the lead singer and guitarist for the Satellites).  Unlike most of the Satellites' songs, "Battleship" featured guitarist Rick Richards on lead vocals instead of Baird.

In contrast to "Keep Your Hands to Yourself," "Battleship Chains" is further up the rock spectrum, more Stones than Skynyrd.  In fact, that is one of the impressive aspects of the band -- they produced self-consciously retro music that was also fresh, and encompassed musical influences as diverse as the Rolling Stones, Chuck Berry, Lynyrd Skynyrd and Led Zeppelin.  While their music was viewed as something of a curiosity in the 1980s, it has aged better than many of their contemporaries.

The black and white video starts with a scratchy record into and then intersperses shots of pawn shops and pools halls with the band.  It is damn near pitch perfect, in our humble opinion.  This is a band that should be listened to at a BBQ joint with some ribs and cold beer.  Sadly, this cutting against the grain approach made it hard for the band to maintain a high level of commercial success, and they broke up in 1990, after two follow up LPs failed to gain traction (See the "Keep Your Hands to Yourself" post for more info on the band's history.)

The Fabulous Thunderbirds - Tuff Enuff

While the Fabulous Thunderbirds 1986 album Tuff Enough was a commercial success, many fans and critics were disappointed by the record.  It's not as though Tuff Enough was a bad LP, but it represented a different, more commercial direction for the roadhouse blues band.

The Fabulous Thunderbirds were founded in 1974 and came out of the Austin, Texas blues scene.  Led by singer Kim Wilson and guitarist Jimmy Vaughan (the older brother of Stevie Ray), they released their first album, Girls Go Wild in 1979.  Three additional  strong blues albums followed through 1982, which were generally well reviewed by critics, but they did not become huge commercial successes.

That changed with Tuff Enough.  The album rose to #13 on the album charts and featured the two highest charting hits of the band's long career -- the title cut (which went to #10) and "Wrap It Up," which reached #50.  (Yes, that makes the Fabulous Thunderbirds an official one hit wonder).

Truth be told, the video for "Tuff Enough" is pretty cheesy.  It features stripper/construction workers doing their thing, while the band plays and occasionally interacts with them.  It was not a high point of 1980s videos.  It did, however, generate some airplay, so we suppose that it did its job.

The band saw steadily declining record sales through the 1980s and in 1989 Jimmy left the group to work with his brother.  The band continues to soldier on the the present day, with Kim Wilson as the only constant member.

Cool trivia fact:  Dave Edmunds produced the Tuff Enough album.

Timbuk3 - The Future's So Bright, I Gotta Wear Shades

Timbuk3 consisted of Pat and Barbara MacDonald, a married couple who met at the University of Wisconsin in the late 1970s and formed Timbuk3 in 1984.  The name was a play on words on the Malian city of Timbuktu and underscores the band's eccentric sense of humor.

The group was signed by I.R.S. Records and released their debut album, Greetings from Timbuk3, in 1986.  It became a surprise hit, reaching #50 on the album charts, led by the single "The Future's So Bright, I Gotta Wear Shades"  That song reached #19 on the charts, making Timbuk3 an official one hit wonder.

While the song initially appears to be an upbeat pop tune, the lyrics are heavy with irony (the sunglasses are likely due to an impending nuclear blast) and meant to be symbolic of the Reagan/Yuppie era in the U.S.  It seems likely that many listeners missed this back in the day.  Pigeonholed as a novelty act, the group's pop/folk music did not get a fair shake, and that is really a shame.  Allmusic points out that audiences (and critics) loved Beck in the 1990s; Timbuk3 was attempting to carve out a similar path a decade earlier, but were unsuccessful after their one big hit.

The MacDonalds divorced in 1995, effectively ending Timbuk3.  However, Pat and Barbara K. (for Kooyman, her maiden name) remain active in the industry to the present day.  To their credit, they have refused to license the song for commercials (they have had offers from AT&T, Ford, the U.S. Army, and Bausch & Lomb (Ray-Ban sunglasses).

Belinda Carlisle - Mad About You

We don't dislike Belinda Carlisle -- really, we don't.  While her solo work was a bit slick and commercial for our taste it was also pretty inoffensive.  And truth be told, there is nothing wrong with a good pop song.  In fact, we tend to be somewhat deferential here at ERV, recognizing the tremendous amount of skill and work that goes into writing and recording any song.

Having said that, we found Carlisle's solo career somewhat disappointing.  The Go-Go's brand of new wave and surf influenced pop rock was creative and interesting -- even at the end, they were still churning out solid material, such as "Turn to You" (featured on ERV in November 2012).  In contrast, Carlisle seemed to take the safe route, recording well-crafted but less interesting pop songs.  We wonder if part of the issue was losing the songwriting influence of Jane Wiedlin, who co-wrote many of The Go-Go's strongest songs (often with Charlotte Caffey who continued to work with Carlisle).

Anyhow, "Mad About You" was the lead single off Belinda Carlisle's 1986 solo album, and it did quite well, hitting #3 on the charts, while the Belinda LP peaked at #13.  Carlisle would go on to have five additional top 40 singles and two additional top 40 albums before her success waned.

The video for "Mad About You" was directed by Leslie Libman, who would go on to become a successful TV director.  The video features Morgan Mason, Belinda Carlisle's husband (in fact, they married in 1986) and Andy Taylor (of Duran Duran fame) playing the guitar solo, just as he did on the record.

Cool trivia fact:  "Mad About You" was originally intended to be a Go-Go's song when the band briefly considered recording an album without Jane Wiedlin.

The Pursuit of Happiness - I'm An Adult Now

Many years ago, when I was in college, I had a really cool friend -- Catherine Alice, though she went by Ali.  Ali's two favorite expressions were: "Bodacious ta-tas" (originally from the movie An Officer and a Gentleman) and "Cheese-eating high school boy" from The Pursuit of Happiness song, "I'm An Adult Now."  It is slightly amazing that hearing this song recently (while working on the blog) reminded my of Ali and her expressions, 25 years later.

At any rate, The Pursuit of Happiness (TPOH) was a Canadian independent band fronted by Moe Berg.  Although Berg was from Edmonton, the group formed in 1985, when he moved to Toronto.  TPOH released a few independent singles (including "I'm An Adult Now") before signing with Chrysalis Records.  Their first LP, Love Junk was produced by Todd Rundgren (who appeared on ERV back in March), and was released in 1988.

TPOH crafted some clever college rock material, but they never broke through in the U.S.  Love Junk peaked at #93 on the album charts, and "I'm An Adult Now" did not chart, although it did generate a little bit of airplay on MTV and college radio.

While The Pursuit of Happiness never officially broke up, they more or less stopped recording after 1996, though they did record two new tracks for a 2005 greatest hits collection.  Moe Berg remains in the music industry as of this writing, working primarily as a producer.

Note that we have two videos for the song -- the 1986 original independent video:

And the 1988 version:

The Blow Monkeys - Digging Your Scene

The Blow Monkeys were part of the U.K. blued-eyed soul scene of the mid 1980s.  The band formed in 1981 and were led by singer/songwriter Dr. Robert (Bruce Robert Howard).  While the group had ten singles and four albums on the U.K. charts between 1986 and 1990, they are essentially a one hit wonder in the U.S. -- although they did contribute a cover of "You Don't Own Me" to the Dirty Dancing soundtrack.

For the blog, we opted to go with their one charting single, 1986's "Digging Your Scene" from the Animal Magic LP.  The smooth retro soul sound contrasts nicely with the lyrics, which are pretty blatantly about AIDS.  Interestingly, Dr. Robert (the songwriter) was straight but really enjoyed the gay/club scene in Britain.  Given all of the negative attention on AIDS at the time, he decided to write a song expressing his support for the community.  "Digging Your Scene" would go on to reach #14 in the U.S., while the album went to #35.

While the Blow Monkeys were unable to maintain their success in the U.S., they remained popular in the U.K. and became increasingly political over time.  Their 1987 anti-Thatcher song "Celebrate (The Day After You)" was banned by the BBC for it's perceived political bias, although it did reach #52 on the charts there.  The band broke up in 1990, but reunited in 2007 and has continued to perform as of this writing.

Cool trivia fact:  Although The Blow Monkeys' name sounds slightly obscene, it is actually Australian slang for someone playing the Didgeridoo.  It turns out that front man Dr. Robert spent his teen years in Australia before returning to the U.K. and he liked the expression.

Paul Simon - Diamonds On The Soles Of Her Shoes

In 1986, Paul Simon's career was at an interesting juncture.  On the one hand, he was one of the foremost singer/songwriters of the 1970s, with three top 5 LPs (plus another three top 5 albums as half of Simon and Garfunkel).  Oh, and he had recorded 26 top 40 singles, too.

On the other hand, his 1983 album, Hearts and Bones had not broken the top 30, and a case could be made that his most interesting work (and biggest successes) were behind him.  Simon had other ideas, however, and recorded the unexpected and brilliant Graceland album.

Some readers may have a hard time appreciating just how out of left field this album was.  World music was in its infancy, and South African music was essentially unknown in the rest of the world.  In addition, music was very stratified in the 1980s.  The idea of combining western pop with mbaqanga and turning it into an album ... this was insanity.  And genius, as it turned out.  The resulting album was a masterpiece that managed to sound fresh and familiar at the same time.

The album rejuvenated Simon's career, and went 5x platinum in the U.S., where it peaked at #3.  It had similar success globally.  Graceland also appeared on seemingly every best of list -- Rolling Stone considers it the 5th best album of the 1980s (and the 46th best album ever).

For the blog, we went with "Diamonds On The Soles Of Her Shoes," our favorite cut from the LP.  The song features Ladysmith Black Mambazo, a black South African men's choral group singing the intro (in Zulu of course).

Big Country - Look Away

Long time reader Krista recommended this one, and it is a perfect fit for the blog.  (I have to say, having well-informed readers makes my job even easier ...)

Big Country was a one hit wonder in the U.S., with only "In a Big Country" (#17 in 1983) breaking the top 40.  However, in the U.K., the band had significant success with 15 top 40 songs between 1982 and 1993.  Even more surprising (to me, at least), "In a Big Country" was not their highest charting single in the U.K. (at #17, same as the U.S.).  Instead, "Look Away" was, as it reached #7 in 1986.  In the U.S., the song is not nearly as well known as it did not chart.

Although Big Country formed in mid-1981, it took a few months to solidify the classic line up of Stuart Adamson (guitars, vocals), Bruce Watson (guitars), Tony Butler (Bass) and Mark Brzezicki (drums).  Interestingly, Tony Butler was not the first choice on bass, but Gang of Four bassist Dave Allen declined to join the group.  In 1982, the band signed with Mercury-Phonogram and released their first LP in 1983.

The band was known for their strong Scottish folk influences, driven by guitars that often had a bagpipe-like sound.  This stylized sound eventually hurt the band as critics argued that their songs sounded too much alike.  However, the band did produce a bunch of solid Celtic-rock songs (and that is not a sentence that one writes very often).

For the blog, we went with the previously mentioned "Look Away," from the 1986 LP The Seer.  The video uses period costumes, horses and dogs to capture the feel of the song, and does a nice job, in my opinion.

Big Country remained together and continued to record and perform until Stuart Adamson's suicide in 2001.  The band broke up at that point, but has re-formed twice in the intervening years, most recently with Mike Peters (former lead singer of The Alarm). [Note: Mike Peters left the group in November 2013 and was replaced by Simon Hough.]

The group's first charting single, "Fields of Fire (400 Miles)" was posted on ERV in January 2015.

Bruce Hornsby and the Range - Mandolin Rain

Bruce Hornsby and the Range released their well-crafted debut album in 1986.  The Way It Is quickly gained traction, rising to #3 in the U.S. and generating three top 20 hits -- the title cut (a #1 single), "Mandolin Rain" (#4) and "Every Little Kiss" (#14).  Hornsby then went on to win the Grammy for Best New Artist in 1987, and was never heard from again.  OK, the last part is not true, but Horsby's debut album was the commercial high point of his career.  [And for a list of Best New Artist Grammy winners since 1975, check out the BoDeans' "Only Love" post from last June.]

In fact, Hornsby recorded two additional album with The Range (both of which reached the top 20) and had three additional top 40 hits before dropping the band to go out on his own.  In the intervening years, he has worked as a studio musician, recorded a bunch of albums (his more recent work has more of a jazz-influenced sound) and played with the Grateful Dead.

While Hornsby's videos were played in the 1980s, his low key approach (which is apparent in "Mandolin Rain" below) did not fit in well with MTV target market.   Afterwards, his move to a more jazz and bluegrass influenced sound took him out of the mainstream.  However, he remains a talented artist who had six top 40 songs from 1986 - 1990.

Cool trivia fact:  Bruce Hornsby co-wrote two top 10 hits for other artists -- Don Henley's "The End of the Innocence" (#8 in 1989) and Huey Lewis' "Jacob's Ladder" (#1 in 1987).

Andy Taylor - Take it Easy

By 1985 Duran Duran were huge stars, but the years of recording and touring had taken their toll on the band.  The group decided to take a break to recharge, but the members' free time soon led to two side projects.  Andy and John Taylor went for a rock/dance sound with the Power Station (with Tony Thompson and Robert Palmer), while Simon Le Bon, Nick Rhodes and Roger Taylor formed Arcadia, which focused on more atmospheric pop.

The Power Station LP became a huge success, reaching #6 on the album charts and spawning three top 40 hits ("Some Like It Hot" (#6), "Get It On (Bang a Gong)" (#9) and "Communication" (#34).)  While Robert Palmer soon left the band to continue his solo career, the new sound interested Andy Taylor and he left Duran Duran in 1986 to pursue a solo career.

His first solo project involved working on the soundtrack of American Anthem, and he eventually contributed three songs to the film's soundtrack.  "Take It Easy" (no relation to the Eagles song) was released as a single and did well, reaching #24 on the charts.  Sadly, this would be Andy Taylor's only top 40 solo hit, as his 1987 album (Thunder) did not do terribly well.  Taylor then moved on to producing, although he continued to perform and record both as a solo artist and with Duran Duran (he officially rejoined the band from 2001 - 2006).

While American Anthem was not a huge hit, it did feature Mitch Gaylord (best known for leading the 1984 U.S. men's gymnastics team to a gold medal) and Janet Jones (best known for marrying Wayne Gretzky).  The video, blending Taylor's band with clips from the film, is a highly entertaining mid-1980s video.

Cool trivia fact:  The rhythm section for the song and video for "Take It Easy" featured Terry Bozzio on drums and Patrick O'Hearn on bass -- they both had been in Missing Persons and were now unemployed, as that band broke up in 1986.

Honeymoon Suite - Feel It Again

"Feel It Again" was Honeymoon Suite's only top 40 U.S. hit, and it remains something of a guilty pleasure for me. The band originally formed in 1981 in Niagara Falls, Canada and chose the band's name based on the fact that a lot of couples honeymoon in Niagara Falls.

The group's big break came when "New Girl Now" helped them win a 1983 unsigned band contest held by Toronto radio station Q107.  Honeymoon Suite soon had a recording contract and released their self-titled debut album in 1984.  While they were not superstars, they had a bunch of success in Canada, with 14 charting singles, 8 of which went top 40.  The U.S. market proved tougher to crack, although they did have three other top 100 songs aside from "Feel It Again."

While we have often lumped the band together with Helix (another Canadian hard rock band), Honeymoon Suite was more polished (poppy?) and less metal than Helix.  [Helix has already appeared on ERV with their ballad "Deep Cuts the Knife," so interested readers can decide for themselves.]

The video for "Feel It Again" is awesomely cheesy, and uses some wonderfully dated special effects, which generated some airplay back in the day.  (We are particularly partial to the dog on treadmill effect at 1:06.)  The song ended up as a modest hit, reaching #34 in the U.S. (#16 in Canada) while their LP The Big Prize peaked at #61.  The band's mainstream success faded after the early 1990s, but they continue to perform and record as of this writing (though there have been some personnel changes).

Cool trivia facts:  Honeymoon Suite won the 1986 Canadian Juno Award for Group of the Year.  The group also performed the title cut for the 1987 movie Lethal Weapon.

Jermaine Stewart - We Don't Have to Take Our Clothes Off

It's funny how capricious the charts can be.  While ERV is filled with one hit wonders, there are also some lesser-known bands who landed more than one top 40 hit -- as well as some great acts who never broke the top 40.  Apparently, the music gods have a sense of humor -- how else can you explain the fact that Roxy Music and the Psychedelic Furs are one hit wonders, while Chilliwack and Stacey Q aren't (they have 2 top 40 hits each).

At any rate, this brings us (in a roundabout way) to Jermaine Stewart.  Stewart got hist start as a Soul Train dancer before joining Shalamar as a backup dancer.  Touring with Shalamar led to a meeting with Culture Club's bass player, Mikey Craig, who helped Stewart put together a demo tape that helped him secure a recording contract.

The anthemic pop / funk smash, "We Don't Have to Take Our Clothes Off" was off Stewart's second album, 1986's Frantic Romantic.  The song was written by master songwriters Narada Michael Walden and Preston Glass.  Walden wrote or co-wrote (among other hits): "How Will I Know" and "I Wanna Dance with Somebody" (both with the songwriting team of Boy Meets Girl and both for Whitney Houston), along with songs for Diana Ross and Aretha Franklin.

"We Don't Have to Take Our Clothes Off" hit #5 on the charts, while the Frantic Romantic LP reached #34.  As savvy readers might have guessed from the introduction, Stewart had a second top 40 hit with "Say It Again" (#27) in 1987, as well as two songs that peaked just outside of the top 40 ("The Word Is Out," #41 and "Jody," #42).

Sadly, Jermaine Stewart died of an AIDS-related illness in 1997.  He was 39 years old.

Iggy Pop - Real Wild Child (Wild One)

Often called the godfather of punk, Iggy Pop is a true musical innovator who helped change the course of rock.  Unfortunately, this influence did not lead to a ton of commercial success, making him akin to Lou Reed, who was featured on ERV last September.

Iggy Pop is best-known for being the frontman of the Stooges, who are often viewed as the proto-punk band.  While they were not hugely successful, their stripped down, high velocity songs and energetic live performances (which included the innovation of stage diving) were years ahead of their time.  The Stooges first album was released in 1969 and the band broke up in 1974.  At that time, substance abuse derailed Pop's career, a problem that would haunt him for years.

While Pop recorded some music during the 1970s and early 1980s, it was inconsistent, almost as if he did not know what direction to turn towards after the Stooges.  Additionally, his addiction problems undoubtedly impacted his work (and led to several breaks from the industry).

His 1986 album Blah Blah Blah, co-produced by old friend David Bowie, saw something of a return to form, and the album was a modest commercial success -- reaching #90 on the charts.  Although his cover of  Johnny O'Keefe's "Wild One" did not break the Hot 100, it did chart on the Mainstream Rock Charts.  [As an aside, I'll bet that there are a bunch of folks that heard the song and did not realize that it was a cover.]  The success helped re-launch Pop's career, and he has continued to perform (and act a little) to this day.

His version of "Real Wild Child (Wild One):"

And, of course, the original "Wild One" by Australian Johnny O'Keefe from 1958:

Cool trivia fact:  The O'Keefe song was the first rock song to hit the Australian national charts, and the song's release date, July 5, 1958 is often considered the birthday of rock and roll in Australia.

'Til Tuesday - Coming Up Close

While 'Til Tuesday started out as a new wave band, they quickly evolved into folk-rock artists, shaped by the strong songwriting of bassist/lead singer Aimee Mann.  As many readers will know, the band is best known for their 1985 hit "Voices Carry," and is often (incorrectly) though of as a one hit wonder.  In fact, they had two top 40 hits (1986's "What About Love" being the second) and three additional top 100 songs, including "Coming Up Close."

'Til Tuesday formed in Boston in 1982, and started to really gain traction when they won the WBCN Rock & Roll Rumble in 1983. [WBCN was the major rock station in Boston, and the Rock & Roll Rumble was essentially a battle of the bands.]  This led to a recording contract with Epic and the band's debut album, 1985's Voices Carry, became a top 20 album, while the eponymous single broke the top 10.

From there, the band's success steadily waned, primarily due to their musical shift to a more folk-driven sound.  Interestingly, critics were generally supportive of the new direction, something that has followed Aimee Mann throughout her career.  The band's second LP, 1986's Welcome Home peaked at #49 and their 1988 album, Everything's Different Now topped out at #124.  The band broke up soon afterwards, although Aimee Mann has remained active as an independent musician, releasing critically acclaimed albums that sell well, but do not break the top 30.

"Coming Up Close" is a gently sad song that foreshadows the future direction of Mann and 'Til Tuesday.  The video is a simple performance piece that allows the listener to focus on the music, something that we suspect was intentional.  And with all due respect to "Voices Carry," we believe that "Coming Up Close" is the strongest song that 'Til Tuesday recorded.

Cool trivia fact:  As long time readers and music aficionados will know, Aimee Mann is married to Michael Penn ("No Myth"), who was featured on ERV in November 2012.  The "No Myth" post also discusses the dreaded Best New Artist curse (not to be confused with the Dread Pirate Roberts).

Cool trivia fact #2:  At the 1983 WBCN Rock & Roll Rumble, Digney Fignus (featured on ERV in August, 2011 and well worth checking out) was a semi-finalist.

Public Image Ltd - Rise

It's nearly impossible to talk about John Lydon without mentioning the Sex Pistols.  While the Sex Pistols were only together for a few years (and one studio album), they helped define the punk movement.  As the frontman for the band, Lydon (then going by Johnny Rotten) became of the most visible punk rockers in the world during the movement's heyday, making him an important and influential artist.

To his credit, Lydon did not attempt to form the Sex Pistols part two after the band fell apart.  Instead, he created a new band, Public Image Ltd (PiL) who have recorded using various interesting and eclectic styles.  Some critics have taken to calling this "post-punk," but that feels like a lazy way to characterize the music.  It seems to us that what Lydon did was take a punk attitude and try to translate it to other genres of music.  We don't think that it was always successful, but it was always interesting.

"Rise" was a 1986 single off the PiL LP called Album.  Stylistically, it is almost a punk folk song, if there is such a thing.  The lyrics were influenced by the apartheid system in South Africa (not unlike the "Sun City"  previously featured on ERV).  Hence the references to skin and torture.  The song ended up becoming one of PiL's biggest hits, and reached #11 in the UK.  It didn't chart in the U.S.

Bananarama - Venus

The song "Venus" has an interesting history dating back to 1969.  Many readers will know that the Bananarama version is a cover (hence the inclusion on ERV, even though it was not exactly rare).  The original version was recorded by a Dutch group called Shocking Blue in 1969, and became a #1 hit in the U.S.  This places Shocking Blue alongside Sinéad O'Connor as the rarest of one hit wonders, as their only top 40 hit was a #1 song.

The Bananarama version was off their 1986 album True Confessions, and their cover of "Venus" would also go on to become a #1 hit in the U.S., one of three top 40 hits for the band ("Cruel Summer" (#9) and "I Heard a Rumour" (#4) were the other two).  Amazingly, "Venus" did not hit #1 in the U.K., in spite of the band's success in their home market -- in the U.K. Bananarama had 25 top 40 singles, making them the most successful all female act ever.

Bananarama was formed in 1979 by Siobhan Fahey, Keren Woodward and Sara Dallin.  The band was known for its lite pop songs and the lack of harmonizing (the three singers typically sang in unison).  Sadly, creative tensions led to Fahey's departure in 1988; she would go on to form Shakespears Sister.  Jacquie O'Sullivan replaced her in Bananarama from 1988 - 1991, but when she left, the band continued on with two lead singers (which is the status to the present day).

While Bananarama were not critical darlings, they did release a bunch of solid 1980s dance pop, including "Venus:"

Amazingly (love the internet), we were able to track down a video of the original version, by Shocking Blue (Note that the volume on this one is a little loud):

Cool trivia fact:  Siobhan Fahey was married to Dave Stewart of Eurythmics from 1987 - 1996.  (Man, that guy was everywhere during the 1980s.)

Bananarama's "Really Sayin' Something" (with a g and Fun Boy Three) was posted on ERV in October 2015.

New Order - Bizarre Love Triangle

"Bizarre Love Triangle" is one of those cool songs where the title does not appear in the lyrics, something that New Order did a lot.  It was the second single from the band's 1986 Brotherhood LP and was one of a relatively small number of songs that the famously reclusive (aloof?) band turned into a video.  The main video (the first one below) was directed by the American painter Robert Longo of Men in the Cities fame.

New Order was formed from the remains of Joy Division, following the tragic suicide of lead singer Ian Curtis.  While the band started out as stylistically similar to Joy Division, they gradually incorporated more dance and synth pop elements into their songs.  The result was a new wave dance sound that was trendsetting, and laid the groundwork for many bands to follow.

While they became huge stars in their native Britain, New Order had only modest mainstream success in the U.S.  "Bizarre Love Triangle" did not chart in 1986, although it was re-released and did hit #98 in 1995.  The Brotherhood album was also not a huge hit; it peaked at #161.

Of course New Order continued to have success (particularly in the UK and Europe) and they remain active as of this writing, although they have had at least two breakups/long hiatuses through the years.

In classic ERV style, we found a second video of the song, recorded in the famous Strawberry Studios in London.  (Sorry for the abrupt ending.)

Cool trivia fact:  New Order is not a U.S. one hit wonder.  They actually had two top 40 hits -- 1987's "True Faith (#32) and 1990's "Regret (#28).

Treat Her Right - I Think She Likes Me

Boston-based Treat Her Right was an interesting band who performed a modern, alternative version of the blues.  Loved by critics and the college rock crowd, they never quite broke out, but they were one of the bands that laid the foundation for the 1990s alternative trend.

The band was named after the 1965 Roy Head and the Traits song, and had an obvious appreciation of old school and lesser-known rock, as evidenced by the two covers on the debut album (which were by James Blood Ulmer and Captain Beefheart).  In addition, they were unusual from an instrument perspective, as they used the guitar almost as a bass, and a cocktail drum kit.

Treat Her Right released three albums from 1986 - 1991.  We believe that only their self-titled debut LP charted (at #127).  "I Think She Likes Me" did not chart on the top 100, but did hit #15 on the Mainstream Rock charts in 1988.  In typical blues style, the song is based on a true story that happened to guitarist Mark Sandman in Colorado.

After the breakup of Treat Her Right, Sandman would go on to form Morphine, and would carve out a successful career playing alternative blues until his sudden death from a heart attack in 1999.

World Party - Ship of Fools

World Party are essentially a one-man band, formed by Welsh multi-instrumentalist Karl Wallinger in 1986.  Wallinger created World Party after leaving The Waterboys; he had been the keyboard player for that band from 1983 to 1986 (so he did play on the classic "The Whole of the Moon," which was previously featured on this blog.)

Wallinger recorded World Party's debut album, Private Revolution, at his home studio.  He also wrote and performed most of the instruments on the album, although he did use a few studio musicians, including a then-unknown Sinéad O'Connor.  Private Revolution was a psychedelic, retro-sounding pop album, and it did surprisingly well -- the LP hit #39 on the U.S. charts, while "Ship of Fools" clocked in at #27.

While World Party's 1990 follow-up, Goodbye Jumbo did not do as well (peaking at #73), it contains two great pop songs -- "Way Down Now" and "Put the Message in the Box" and it is recommended listening.  Wallinger continues to be active both as World Party, and with other musicians, although he did have a hiatus in the early 2000s due to a brain aneurysm (he has since fully recovered).  And for those keeping score at home, "Ship of Fools" was World Party's only top 40 U.S. hit.

Cool trivia fact:  While Wallinger did work with a few studio musicians on Private Revolution, he also listed multiple pseudonyms on the albums credits, including:  Delahaye, Rufus Dove, Will Towyn, Martin Finnucane, Ahmed Gottlieb and Millennium Mills.

Robert Cray - Smoking Gun

One of a handful of artists who helped reinvigorate the blues genre was Robert Cray.  In fact, his 1986 major label debut, Strong Persuader, played a key role in bringing an updated, mellow form of the blues back into the mainstream.  As a result, no less an authority than Rolling Stone magazine placed this album 42nd on its list of the 100 greatest albums of the 1980s.

Cray was in his early 30s when Strong Persuader was released, making him a younger spokesman for the blues.  And while some saw his mellow sound and commercial success as signs of a sellout, most critics viewed him as an artist who successfully brought the blues back to relevance in the 1980s.

"Smoking Gun" was the big hit off the album, and turned out to be Cray's only top 40 hit (yes, there sure are a lot of great musicians on this blog who are official one hit wonders).  The song peaked at #22 in 1986, while the album hit lucky #13.  The video tires to capture a performance vibe, with mixed success.

Cray would never match the success of Strong Persuader, but he has had a long, solid career, and continues to record and perform to this day.

Cool trivia fact:  Robert Cray played bass in Otis Day and the Knights' band in National Lampoon's Animal House.