The place for great and not-so-great nearly forgotten videos from the decade of Miami Vice, mullets, and acid wash jeans. All praise to the bands, YouTube, and the original posters of these videos.
"2000 Miles" came out in late 1983, just before the Learning to Crawl LP, which was released in January, 1984. While the song does reference Christmastime, it is not a traditional Christmas song, and in fact was initially thought to be an anti-war song (in the aftermath of the Falklands war).
Subsequently, Chrissie Hynde has stated that the song is a tribute to her friend and former bandmate, James Honeyman-Scott, who died the previous year. In any event, the result is a wonderful, haunting song, and one of our holiday favorites. The song also gets the nob for being "the single most depressing Christmas standard of all time" according to Allmusic.
"2000 Miles" was a hit in the UK when it was released, hitting #15 in December 1983. It was not released as a single in the U.S., although it was the B side of "Middle of the Road." Learning to Crawl ended up being the most successful Pretenders album in the U.S. by chart position -- it peaked at #5.
The video is good cheesy fun. It was not played much back in the day and remains a somewhat rare video to this day.
Note that "Day After Day" was also posted at ERV, last December.
1989 was Young MC's year. He co-wrote the two major hits for Tone Lōc's smash LP Lōc-ed After Dark, which went to #1. The two hits both broke the top 5, with "Wild Thing" reaching #2 and "Funky Cold Medina" hitting #3. Young MC then released his first album, Stone Cold Rhymin'. That album peaked at #9, and produced two additional top 40 hits -- "Bust a Move" (#7) and "Principal's Office" (#33). Incredibly, Young MC never had another top 40 hit.
Young MC (Marvin Young) was born in England, but his family moved to Queens, NYC when he was eight. While he was at college at USC, he joined Delicious Vinyl, which led to the success with Lōc-ed After Dark and Stone Cold Rhymin'. However, he left the label after his first LP, due to a series of creative and legal disputes and eventually signed with Capital Records. His subsequent releases did not catch on, with 1991's Brainstorm being the only subsequent album to chart (it hit #66). While his later material was solid, it remained a bit stylized and changes in the hip hop scene pushed him out of the limelight. In recent years, Young MC has acted and appeared on a few celebrity-themed reality shows. He continues to write and record, as well.
For the blog, we decided to go with "Principal's Office," as it is the rarer hit, and that's what the blog is all about. The song relies on a cool old Lee Michaels riff from "Who Could Want More." By the by, Lee Michaels is best known for his 1971 hit "Do You Know What I Mean?" The video itself is full of superb 1989 fashion goodness, right down to the acid wash jeans.
"More Love" is the second Kim Carnes cover to appear on ERV, as "Bette Davis Eyes" was posted last April. That post does a good job of summarizing Carnes' career and her long path to success -- follow the link above and check it out, if you are so inclined. [In addition, Carnes' "Voyeur" appeared on ERV in May 2014.]
Unlike "Bette Davis Eyes," "More Love" is a reasonably traditional cover. [For those who have not listened to the original version of "Bette Davis Eyes," we highly recommend it, as it is one of the more dramatic re-makes that we are aware of.] "More Love" is a straightforward pop/soul song, originally recorded by Smokey Robinson and the Miracles in 1967. The original version was a hit, peaking at #23 on the charts -- one of 26 top 40 hits for that band (!). The Kim Carnes version charted even higher; the song hit #10, becoming Carnes' first solo top 40 hit ("Don't Fall in Love with a Dreamer," a duet with Kenny Rogers, had previously hit #4 in 1980).
While all of that is interesting, it is the video of "More Love" that secured it a place on ERV. Simply put, this is one of the great unknown early 1980s videos. The song came out before MTV and was a little too adult contemporary for the channel; as a result most folks have never seen it. However, it is a classic, and has a wonderful (and slightly off) sense of humor, with fork accidents, a burning piano and crashing dancers. It is not clear how much the video helped the song, but Carnes career really took off in 1980 and 1981, so it probably didn't hurt.
The original version of the song, by Smokey Robinson and the Miracles is below:
Cool trivia fact: the original version was written by Smokey Robinson, to his wife (Claudette Rogers Robinson) after she had a series of miscarriages (8 in total). Claudette felt responsible for the miscarriages; the song was Smokey's way of re-assuring her. The miscarriages also forced Claudette off the tours, but she and Smokey eventually had two children. They were divorced in 1986, after 27 years of marriage.
Elvis Costello (given name: Declan MacManus) recorded a bunch of seriously great pop songs between 1977 and 1979 and he probably doesn't get the credit that he deserves for this. This is partly because his songs transcended a single genre and partly because his later material is not as strong. Unfortunately, given the time frame he won't be appearing much at ERV, unless we add a "Near Miss" category some day. [Hmm ... interesting idea ...]
"Everyday I Write the Book" was from Costello's 1983 album Punch the Clock. By this point his career was on the downswing, and it appears that he focused on producing a more commercial sound. While this did not always work for him, it did fit together nicely on "Everyday." The result was his first top 40 U.S. hit (#36); the only other top 40 hit that Costello would have was "Veronica" in 1989.
Cool trivia fact: The video was directed by the legendary Don Letts, who worked with the Clash (and later became a member of Big Audio Dynamite). Letts is generally regarded as the most important factor in bringing punk and reggae music together.
Cool trivia fact #2: The backup singers are Afrodiziak (Caron Wheeler and Claudia Fontaine) who also worked with The Jam, Howard Jones, Heaven 17 and Madness. Wheeler would go on to success as a singer in Soul II Soul.
As most readers will know, Costello remains active in the music industry to this day.
New Order's "Bizarre Love Triangle" marks the 150th video at ERV, and we wanted to take a moment to thank the reader(s) and provide a few highlights of the blog so far.
First, a few of our favorite videos that are particularly rare (and were posted way back when the blog started):
We have to say, there is not an obvious pattern for what is popular on the blog, with different genres all doing well (or badly) at different times.
Lastly, while the blog has been mostly viewed by Americans, there have been almost a thousand page views each from Canada and the UK, and hundreds of views from Russia, Germany, France, Australia, India and Turkey. So a big thank you is in order to our international viewers, too.
To all of our readers, we hope that you have enjoyed reading the posts as much as we have enjoyed writing them. Please feel free to friend us on Facebook (Eighties Rare Videos), and leave comments or suggestions as the spirit moves you. Clicking on ads is also cool, if they are interesting.
And have no fear: while we have posted 150 videos, we have a list of potential adds that is well over 100, and seems to grow every week. So, more to come ...
"Bizarre Love Triangle" is one of those cool songs where the title does not appear in the lyrics, something that New Order did a lot. It was the second single from the band's 1986 Brotherhood LP and was one of a relatively small number of songs that the famously reclusive (aloof?) band turned into a video. The main video (the first one below) was directed by the American painter Robert Longo of Men in the Cities fame.
New Order was formed from the remains of Joy Division, following the tragic suicide of lead singer Ian Curtis. While the band started out as stylistically similar to Joy Division, they gradually incorporated more dance and synth pop elements into their songs. The result was a new wave dance sound that was trendsetting, and laid the groundwork for many bands to follow.
While they became huge stars in their native Britain, New Order had only modest mainstream success in the U.S. "Bizarre Love Triangle" did not chart in 1986, although it was re-released and did hit #98 in 1995. The Brotherhood album was also not a huge hit; it peaked at #161.
Of course New Order continued to have success (particularly in the UK and Europe) and they remain active as of this writing, although they have had at least two breakups/long hiatuses through the years.
In classic ERV style, we found a second video of the song, recorded in the famous Strawberry Studios in London. (Sorry for the abrupt ending.)
Cool trivia fact: New Order is not a U.S. one hit wonder. They actually had two top 40 hits -- 1987's "True Faith (#32) and 1990's "Regret (#28).
By 1988, as pop metal was reaching its zenith, Britny Fox emerged out of the Philadelphia music scene. Led by lead singer "Dizzy" Dean Davidson, the band came off almost as Cinderella lite, but truth be told, their first album is not half bad. However, the Cinderella comparisons are not totally off base; several Britny Fox members had played in earlier versions of Cinderella, and the band took both musical and style cues from their more established compatriots.
Britny Fox' self titled debut became one of the best selling first albums of the year, peaking at #39 and going gold. The first two singles, "Long Way to Love" and "Girlschool" both broke the top 100. Unfortunately, weaker material, changing tastes and tensions within the band caused Britny Fox to fade from view almost as quickly as they had appeared. While the members remained in the music industry (to this day, in fact), they have not been able to catch lightning in a bottle twice.
For the blog, we went with the second single, "Girlschool." This song was the band's biggest hit, reaching #81 in the U.S. and #67 in the U.K. The video is classic hair metal goodness, with the band ... and lots of girls. By the way, the lead actress is Kim Anderson, who did a bunch of rock videos in the 1980s.
Amazingly, we also found some behind the scenes footage (this seems to be a recurring theme), which we have included for those who are interested. We have to say, we were struck by how professional the shoot seems ... I'm not sure what we were expecting, but probably not that.
One of the more theatrical bands to come out of the late 1970s punk / new wave movement in the U.K. was Adam and the Ants. The band started as an art / punk band, evolved more towards glam / new wave, and put out several solid singles (and a bunch of great videos at a time when this was rare). The band was known for their striking look and soon emerged as one of the leaders of the new romantic movement in Britain.
Interestingly, while Adam and the Ants never charted in the U.S top 100, they had 7 top 10 hits in their native U.K., including two #1s (and yes, "Stand and Deliver" is one of them; "Prince Charming" was the other). "Stand and Deliver" was the lead single from the third (and final) Adam and the Ants album, Prince Charming, which was released in 1981.
The following year Adam broke up the band, although he continued to work with guitarist Marco Pirroni, and began recording under the name Adam Ant. [As an aside, this has led to some confusion over whether a song is Adam Ant and or Adam and the Ants, not that it makes a ton of difference.] Ant continued to have success in the U.K., and even had some U.S. chart successes, helped by MTV. However, Ant decided to focus on acting after his 1985 album, Vive Le Rock and he effectively left the music industry for the rest of the 1980s. Subsequently, he continues to sporadically record music (and tour). Amazingly, we believe that his more recent efforts (albums in 1990, 1995 and perhaps 2012) are surprisingly good, and worth a listen.
So without further ado, here is the dandy highwayman himself.
More coolness: a brief making of video for "Stand and Deliver." Note that we have added a Making of label to the right, for those who are interested.
And after a brief delay (holidays, don'tchaknow) we are back. Long time readers will know that ERV likes to cover many different genres from the eighties, including the then-emerging hip hop scene. That includes arguably the most important rap band of the decade (perhaps ever), Run-D.M.C.
Run-D.M.C. was named after the two primary rappers -- Joseph 'Run' Simmons and Darryl 'D.M.C.' McDaniels (Jason 'Jam-Master Jay' Mizell was the third member of the group). They were the first successful 'new school' rap act, and started the crossover process, where rap began to be accepted as a legitimate music genre by mainstream audiences.
King of Rock was the group's second album, and was released in 1985. The album was produced by Russell Simmons and Larry Smith and was mixed by Rick Rubin. It took hip hop directly into the rock scene, by using guitars and drums as an integral part of the music. The result was something that sounded different from anything else out there, but which was accessible to rock audiences. King of Rock was a trendsetting album, but it was not a huge hit -- it reached #52 on the album charts. The single "King of Rock" did not chart on the Billboard 100.
The video, featuring Larry 'Bud' Melman (Calvert DeForest) from David Letterman did receive some airplay on MTV back in the day, which was a rarity for rap videos. For example, Yo! MTV Raps was not launched until 1988. Again, the video was not a huge hit, but it laid the ground work for what was to come.
Run-D.M.C. would go on to have huge success with their next album, 1986's Raising Hell, which included the top ten remake of Aerosmith's "Walk this Way." They remained at the forefront of the rap scene through the early to mid 1990s, at which point they gradually faded from view. The group officially disbanded following Jam-Master Jay's murder in 2002.
Boston-based Treat Her Right was an interesting band who performed a modern, alternative version of the blues. Loved by critics and the college rock crowd, they never quite broke out, but they were one of the bands that laid the foundation for the 1990s alternative trend.
The band was named after the 1965 Roy Head and the Traits song, and had an obvious appreciation of old school and lesser-known rock, as evidenced by the two covers on the debut album (which were by James Blood Ulmer and Captain Beefheart). In addition, they were unusual from an instrument perspective, as they used the guitar almost as a bass, and a cocktail drum kit.
Treat Her Right released three albums from 1986 - 1991. We believe that only their self-titled debut LP charted (at #127). "I Think She Likes Me" did not chart on the top 100, but did hit #15 on the Mainstream Rock charts in 1988. In typical blues style, the song is based on a true story that happened to guitarist Mark Sandman in Colorado.
After the breakup of Treat Her Right, Sandman would go on to form Morphine, and would carve out a successful career playing alternative blues until his sudden death from a heart attack in 1999.
