The place for great and not-so-great nearly forgotten videos from the decade of Miami Vice, mullets, and acid wash jeans. All praise to the bands, YouTube, and the original posters of these videos.
Stabilizers were another act that appeared on MTV for the briefest of time before fading from view. The band consisted of Dave Christenson on vocals and Rich Nevens on guitar and keyboard. By 1985, they had generated enough buzz on the Erie, PA music scene to get signed by Columbia Records, and Tyranny (their debut LP) came out the following year.
"One Simple Thing" was the lead single from Tyranny, and it picked up a bit of airplay -- even breaking into the top 100 at #93. However, the follow up single did not do as well, and the band was dropped by the label before releasing their second effort.
There seems to be remarkably little information on Christenson and Nevens since then, so if any reader has information to share, please leave it in the comments.
"One Simple Thing" is a classic 1980s pop song, in the Mr. Mister vein (note that Mr. Mister's Welcome to the Real World hit #1 on the album charts in early 1986).
Cool trivia fact: "One Simple Thing" was directed by David Fincher, who got his start in videos (including Jermaine Stewart's "We Don't Have To Take Our Clothes Off" and Loverboy's "Notorious") before transitioning to movies (Seven, Fight Club and The Social Network, among others).
I remember seeing "Heavy Metal Love" back in the day, and thoroughly enjoyed it. The same holds true for Helix's earlier entry on ERV, "Deep Cuts the Knife," which was posted back in October, 2011.
As we mentioned on the earlier post, Helix is a hard working, hard rocking Canadian band. The group formed in Kitchener, Ontario, Canada in 1974 and has been led by Brian Vollmer on vocals from day one. At the time of this single, the remainder of the band consisted of Paul Hackman and Brent 'The Doctor' Doerner on guitars, Mike Uzelac on bass and Greg 'Fritz' Hinz on drums.
Hinz and Vollmer remain with the band to the present day. Hackman was killed in 1992 when the band's van crashed during a tour. Doerner left Helix in 1989, but has rejoined the act several times over the years, and Uzelac quit in 1983.
While "Heavy Metal Love" picked up some airplay on my favorite music video channel, the song did not break into the singles chart, though it did reach #23 on the Mainstream Rock chart (based on airplay on rock radio stations). The No Rest for the Wicked LP peaked at #186 on the album chart.
Cool trivia fact: The woman in the video is actress Sandahl Bergman, best known as the female lead in the 1982 film Conan the Barbarian.
David Nesta "Ziggy" Marley was reggae legend Bob Marley's eldest son, and he built a career in the industry after his father's untimely passing in 1981. Along with several siblings, he formed the Melody Makers in 1979 -- named after the British music trade rag, by the by.
The group released three independent albums in the 1980s and built enough of a fan base to get signed by Virgin Records. Their first major label release was 1988's Conscious Party, and it became a surprise hit. The album climbed to #23 on the charts, while "Tomorrow People" broke into the top 40 (barely) at #39. The sound was undoubtedly helped by the production team of Chris Frantz and Tina Weymouth (both of Talking Heads fame), who helped find the pop side of the strong material.
The video for "Tomorrow People" is a well-crafted performance piece that seems to suit the song well. The upbeat clip with the reggae-pop sound even went into heavy rotation for a time at MTV.
While Ziggy's time as a pop star was brief, he remains a major figure in the reggae scene and has continued to record and perform to the present day.
Cool trivia fact: Ziggy Marley And The Melody Makers are a one hit wonder, as only "Tomorrow People" broke the top 40. However, that is one more top 40 hit than Bob Marley had.
Yesterday, The Universe requested another video for the blog, and as per usual we am only too happy to oblige. In this case, the rare and exceptional "Forever" by Little Steven and the Disciples of Soul made an appearance on my radio while commuting to work. A quick google search (after safely parking the car) confirmed it an an Eighties Rare Video; and so here it is.
Steven Van Zandt (aka Little Steven or Miami Steve) is one of the most colorful personalities in rock. He got his start in the Jersey Shore scene of the early 1970s, most notably with Southside Johnny and the Asbury Jukes (their later song, "New Romeo" was previously posted on ERV). After helping Bruce Springsteen with the horn arrangement on "Tenth Avenue Freeze-Out," he became a member of the E Street Band, where he remained until 1984 (and from the late 1990s on).
By the early 1980s Little Steven was looking for additional creative outlets, and was also becoming increasingly political (more on that in a moment). This led to several solo rock/soul albums; 1982's Men Without Women was the first (and best in the eyes of many critics). For readers who like rock and classic R&B (think late 1960s Motown), this LP is highly recommended.
Sadly, the album never quite found its audience. The LP peaked at #118, while "Forever" hit #63. We remember hearing it on New York rock radio back in the day, but do not recall ever seeing the video -- which is full of NYC 1982 goodness including Times Square, old cars and at least one Mohawk.
In addition to Little Steven's solo records, he was instrumental in the formation of the Artists United Against Apartheid "Sun City" effort which has also been posted on ERV. In 1999 he landed an acting lead in The Sopranos TV show, and has continued his work as a musician and DJ (Little Steven's Underground Garage) to the present day.
Although "I'm No Angel" and the album of the same name represented a solid comeback for Gregg Allman, they have become somewhat forgotten over time. In part this is due to the fact that classic rock stations tend to focus on his earlier (and frankly stronger) work with The Allman Brothers. Additionally, the production on the I'm No Angel LP sounds a bit dated, and its focus on synthesizers doesn't help matters.
In spite of its flaws, the album represented a surprising success for Allman, who had not released an album in the previous 9 years due to personal problems and substance abuse. The "I'm No Angel" single hit #49 on the pop charts (and #1 on the Album Rock Tracks chart; it was everywhere for a time). The album also sold well, and reached #30 on the charts.
The video is a nice performance piece involving an old saloon (that happens to have a full set of instruments) and a flashback to a version of the west where only female cowgirls exist. But just like the song, the video seems to capture of part of Allman's personality, and it mostly works.
In the aftermath of his success, Gregg Allman continued to have substance abuse problems, though he did clean up his act by the early 1990s. He remains active in the industry to the present day, but with a reduced schedule due to some health issues.
Cool trivia fact: While "I'm No Angel" has become something of a Gregg Allman theme song, he did not write it -- two Brits (Tony Colton and Phil Palmer) wrote the song.
Long time readers may (or may not) recall that we posted The John Hall Band's "Crazy" video way back in January, 2012. That song became a minor hit, and picked up some airplay in the early days of MTV. While researching "Crazy," we discovered the video for "You Sure Fooled Me" and put it in the bullpen, where it remained until today.
"You Sure Fooled Me" is a totally solid rock song -- as an aside, why wasn't The John Hall Band bigger? Sure, they aren't exactly breaking any new ground here, but the music is surprisingly good.
At any rate, this early video includes old cars and a girl, as the band brings the song to life, in a charming, yet low-budget sort of way. In spite of their efforts, we don't recall ever seeing the vid or hearing the song, and it doesn't appear to have charted. As we noted on the "Crazy" post, the group released a second LP before breaking up, though Hall would remain in the industry as a songwriter before embarking on a brief career in Congress (yes, really).
Oh, and as previously mentioned, John Hall is not related to Daryl Hall (or John Oates) and got his start in the 1970s band Orleans (of "Dance with Me" and "Still the One" fame).
This is Lone Justice's second appearance on ERV, as the equally strong "Sweet, Sweet Baby (I'm Falling)" showed up on our little corner of the universe back in November 2011.
As we mentioned then, Lone Justice was one of the leading acts in the cowpunk movement, a roots revival scene that merged country and rockabilly with the rough edges of punk. Sadly, while several acts garnered critical acclaim, there was little to speak of in terms of commercial success. Country rock just didn't sell in the 1980s, and we're all a little worse off because of that.
The band's roots go back to 1982 when the group was founded by Maria McKee (vocals) and Ryan Hedgecock (guitar). Lone Justice eventually built a following, and signed to Geffen in 1985. In the 'it's nice to have friends in high places' category, Tom Petty and Mike Campbell wrote "Ways to be Wicked."
In spite of the positive press, the single only reached #71 on the charts, while the LP stalled at #56. The band effectively broke up after that, although singer Maria McKee kept the name and released a second album (Shelter) in 1986 that did not do appreciably better.
McKee officially went solo in the late 1980s, and has remained active in the industry to the present day.
Rounding out this year's All Hallows Even celebration is "No Way Out" from Jefferson Starship. The song is off the Nuclear Furniture LP, which became the last Jefferson Starship album when guitarist Paul Kantner quit the band, taking the name with him. (Kantner was unhappy with the group's musical direction). The act soldiered on as Starship, and found success with a slick, commercial pop sound, though it seems unlikely that any of those videos will appear on ERV.
While "No Way Out" starts off on a creepy note, the video quickly drifts from cool and campy into plain weird. Perhaps this was intentional, as the clip did garner some airtime on MTV, which likely helped the song. (The single reached #23 on the charts, while the LP hit #28). In addition to being downright strange, the video is noteworthy for the appearances of one Father Guido Sarducci (Don Novello).
In the aftermath of Kantner quitting, the renamed Starship would go on to have 6 top 40 and 3 #1 singles in the later half of the 1980s, before breaking up in 1990 (although singer Mickey Thomas reformed the band in 1992). Thomas and Kantner remain somewhat active in the industry as of this writing.
Long time readers will recall that Jefferson Starship's "Find Your Way Back" was featured on ERV in April 2013. In addition, Marty Balin's "Hearts" has also made an appearance on ERV (Balin was the lead singer of an earlier verson of Jefferson Starship).
Cool trivia fact: Kantner's appearance in this video was was his last appearance in Jefferson Starship until he reformed the band (with different members) in 1992.
What better way to continue the Halloween celebration than with a song from the Scary Monsters (And Super Creeps) album. Many critics view Scary Monsters as the last great David Bowie record, and while that is somewhat debatable, it was a classic Bowie album; odd, artistic and interesting. In addition, it had more than a bit of funk added to the mix.
A discussion of David Bowie could fill a blog, making it hard to do justice to him in a few sentences. The lazy narrative is that he is a musical chameleon, shifting his style to capitalize on emerging trends in popular music. While there is some truth to this, we have always thought of Bowie (especially in the 1970s through Scary Monsters period) as more of a restless artist, indulging in whichever tickles his fancy. Although the results were inconsistent, there were more highs than lows.
"Ashes to Ashes" was the lead single off Scary Monsters, and plays like a requiem for the 1970s. The video was rumored to be the most expensive music video made to that point (at £250,000; this was still a year before MTV). Bowie wanders about in a Pierrot costume with strange color effects and odd characters (including many Blitz Kids). The video is iconic in Britain, and some critics believe that it accelerated the New Romantic movement that would dominate the British charts for most of the early 1980s.
The song would go on to become a #1 hit in the U.K., but it barely dented the U.S. charts at #101. Scary Monsters also did better in the U.K. (#1) though it did reach #12 on the U.S. album charts.
Bowie would of course go on to significant commercial success in the 1980s and would remain active in the industry until his untimely passing in January of 2016.
Cool trivia fact: Rolling Stone ranks Scary Monsters at 443 on its list of the 500 greatest albums ever.
Welcome to ERV's 5th annual All Hallows Even celebration, and feel free to click on the (appropriately named) All Hallows Even label to the right if you'd like to catch up on our earlier videos. In short, we try to come up with rare and interesting Halloween videos to celebrate the spooky time of year.
Leading off this year is an artist who had some definite career advantages. For instance, although being Barry Gordy's son may not ensure that you make in the music business, it sure can't hurt. Ditto for having Michael Jackson (yes, that Michael Jackson) sing backup on your first single.
To be fair, Rockwell (born as Kennedy William Gordy) used a stage name, and may have even signed to his father's Motown label without the old man knowing. Rockwell's first single was released in 1984 and is a perfect Halloween video (it has been in the bullpen from our first All Hallows Even post). One viewing and you'll see (or remember) why.
"Somebody's Watching Me" turned out to be a big hit for Rockwell, reaching #2 on the charts, while his debut LP of the same name hit #15. However, that was the peak of his success, and after his next two albums failed to break the top 100, Rockwell left the industry.
Cool trivia fact: Rockwell is not a one hit wonder, as "Obscene Phone Caller" off Somebody's Watching Me reached #35 on the chats.
