Sheila E. - A Love Bizarre

Although she is sometimes thought of as a Prince protégé, Sheila E. (Escovedo) was actually an accomplished musician before she played with His Purpleness.  Several family members were professional musicians, most notably her uncle (and also her father, we believe), who were in Azteca.  In fact, she initially met Prince at one of her concerts in 1978 before reconnecting with him in the mid-1980s.

Sheila E. began working with Prince during the Purple Rain sessions (1984), and it quickly turned into a full collaboration.  Her 1984 LP, The Glamorous Life was primarily comprised of songs written by Prince, including the title track (which was originally intended for Apollonia 6).

While the single "The Glamorous Life" remains Sheila E.'s best known song (and highest charting at #7), we opted for "A Love Bizarre," from her 1985 album, Romance 1600.  The song was also written by Prince and performed as a duet between The Unpronounceable Symbol and Sheila E.  It also did well (#11), underscoring the Midas touch that Prince had during the 1980s.

Sheila E. eventually joined Price's band for a few years (87-89) before going off on her own.  While she has recorded a few solo albums, she has mostly worked as a musician in the intervening years (including a few stints with Prince).

Cool trivia fact that may only interest me:  "A Love Bizarre" is the second song featured on ERV from the Krush Groove soundtrack.  The Beastie Boys "She's On It" was on the blog back in May 2012.

Cool trivia fact #2:  Sheila E. is not a two hit wonder.  In addition to "A Love Bizarre" and "The Glamorous Life," she also broke the top 40 with "The Belle of St. Mark."  Nope, we don't remember that one either.

Melissa Etheridge - Like The Way I Do

Melissa Etheridge is the second native Kansas artist to appear on ERV, as long time readers may remember Clocks from August 2011.  Unlike Clocks, Etheridge built quite the following, capped by her 1993 CD, Yes I Am, which has sold more than six million units.

For the blog, we went with "Like The Way I Do," from her 1988 self titled debut album.  The record actually generated a fair amount of buzz, and ended up peaking at #22 on the charts, while "Like The Way I Do" did not initially chart (the song hit #42 upon its re-release in 1995).  Interestingly, we don't remember seeing the video on MTV back in the day (readers should feel free to leave a comment if they recall seeing it).

While the video is a pretty standard performance piece, Etheridge's music was somewhat off the beaten track for 1988.  At the time, highly polished pop and hair metal dominated the charts, and Etheridge's folky roots rock reminded  critics of Springsteen or Mellencamp.  It didn't hurt that her raspy voice seemed tailor-made for the songs either.  While Etheridge's hairstyle seems dated (in the video), we think that the songs from her debut album have held up remarkably well.

As most folks will know, Etheridge remains active in the music industry to the present day.

Motörhead - Ace of Spades

As subtle as artillery, Motörhead's punk-infused hard rock was way ahead of its time.  But while the band laid the groundwork for thrash and speed metal, they never really broke through commercially in the U.S.  Even today, when many critics sing the praises of the Ramones, the Sex Pistols and the Clash (deservedly so), Motörhead seems (sadly) to be a bit of a forgotten band.

Formed by  Lemmy (Ian Kilmister) in 1975 (!) after he was kicked out of Hawkwind, the new band (named after the last song that Lemmy wrote for Hawkwind) had a tough start.  In fact, by 1977, the trio including guitarist "Fast" Eddie Clarke and drummer "Philthy Animal" (Phil Taylor) were flat broke.  The band decided to do a farewell show before breaking up, which led to a one album contract with Chiswick Records.  The following year, they managed to sign a one single deal with Bronze Records, which was extended several times as the band's popularity grew in the U.K.

"Ace of Spades," from the 1980 album of the same name would go on to become the band's signature song.  The video is a simple performance piece and it fits well with the group's dark, rocking sound.  Motörhead is definitely a "let the music do the talking" sort of group, and it totally comes off in the video.  We also think that their sound has held up remarkably well (this is a 30 year old song!).

Lemmy continued to record and perform with Motörhead until his death in December 2015.  However, "Fast" Eddie Clarke left the group in 1982 to form Fastway, though he has played with Lemmy several times during the past few years. "Philthy Animal" (Phil Taylor) left Motörhead in 1984, rejoined the group in 1987 and left for good in 1992.

Motörhead recorded a cool, acoustic version of "Ace of Spades" for a Kronenbourg beer commercial in 2010; this version (well worth a listen) is below.

Cool trivia fact: Rolling Stone ranks the Ace of Spades LP at #408 on their list of the 500 greatest albums ever.

Mojo Nixon and Skid Roper - Elvis Is Everywhere

Every now and then, MTV would highlight something bizarre -- as in straight out of Dr. Demento bizarre.  (Weird Al immediately comes to mind).  One of these unlikely success stories was the psychobilly craziness of Mojo Nixon and Skid Roper.

Mojo Nixon (born as Neill McMillan) and Skid Roper (born as Richard Banke) began working together in San Diego in the early 1980s.  Nixon was the hyperactive hillbilly, while Roper provided the accompaniment (mostly the washboard).  Although the duo had "novelty band" written all over them, Nixon's manic monologues and the band's rockabilly/cowpunk/psychobilly sound generated some airplay on college radio.

For some strange reason, MTV got behind "Elvis Is Everywhere" from the band's third album Bo-Day-Shus!!!  Even better, the video music channel used Nixon as a part time VJ and ran a few short clips between videos ... well, just because.  The results led to some short-lived success, as the album charted (#189) and the song received some airplay.  [We're particularly partial to the claim that Commodore Elvis needs boats.]

Mojo Nixon and Skid Roper continued releasing albums through the 1980s before breaking up in 1989.  Nixon continued working, but was hampered when his label went bankrupt.  However, he remained in the industry as a musician and personality (though there have been several retirements) to the present day.

The Blow Monkeys - Digging Your Scene

The Blow Monkeys were part of the U.K. blued-eyed soul scene of the mid 1980s.  The band formed in 1981 and were led by singer/songwriter Dr. Robert (Bruce Robert Howard).  While the group had ten singles and four albums on the U.K. charts between 1986 and 1990, they are essentially a one hit wonder in the U.S. -- although they did contribute a cover of "You Don't Own Me" to the Dirty Dancing soundtrack.

For the blog, we opted to go with their one charting single, 1986's "Digging Your Scene" from the Animal Magic LP.  The smooth retro soul sound contrasts nicely with the lyrics, which are pretty blatantly about AIDS.  Interestingly, Dr. Robert (the songwriter) was straight but really enjoyed the gay/club scene in Britain.  Given all of the negative attention on AIDS at the time, he decided to write a song expressing his support for the community.  "Digging Your Scene" would go on to reach #14 in the U.S., while the album went to #35.

While the Blow Monkeys were unable to maintain their success in the U.S., they remained popular in the U.K. and became increasingly political over time.  Their 1987 anti-Thatcher song "Celebrate (The Day After You)" was banned by the BBC for it's perceived political bias, although it did reach #52 on the charts there.  The band broke up in 1990, but reunited in 2007 and has continued to perform as of this writing.

Cool trivia fact:  Although The Blow Monkeys' name sounds slightly obscene, it is actually Australian slang for someone playing the Didgeridoo.  It turns out that front man Dr. Robert spent his teen years in Australia before returning to the U.K. and he liked the expression.

Greg Kihn Band - Jeopardy

The Greg Kihn Band was a solid working group that had some meaningful success in the early 1980s with three top 40 albums and three top 40 singles.  While Kihn was originally from Baltimore, he moved to San Francisco in the early 1970s to work in the music industry.  By 1976 Kihn had a band and a recording contract.

Success came slowly for the band, who played constantly as they built a following.  Their first real breakthrough was 1981's "The Breakup Song (They Don't Write 'Em)," which reached #15 on the singles chart.  However, they are probably best-known for "Jeopardy" from their 1983 Kihnspiracy LP (yes, Kihn has a thing for puns as album titles).

The wild, surreal video quickly gained traction on MTV and helped propel the song to the #2 slot on the charts (behind Michael Jackson's "Beat It").  While the song isn't spooky, the video, complete with skeletons, zombies and a giant, tentacled monster seemed like a great fit for our All Hallows Eve videos.

Although Kihn has not had a charting single since 1986, he remains active in the music industry.  He was also a DJ on KFOX in San Jose, California for 16 years (he and the station parted ways in 2012).

The Greg Kihn Band's rarer (and excellent) "Reunited" was posted on ERV in April 2014.

Ramones - Pet Sematary

Written for the Stephen King movie of the same (intentionally misspelled) name, "Pet Sematary" would go on to become one of the Ramones bigger radio hits.  The song would reach #4 on the Modern Rock charts, while the Brain Drain album peaked at #122.  In spite of this success, neither the song nor the album were well-regarded by critics, who viewed the song as more hard rock than punk.  [Readers who are so inclined should contrast "Pet Sematary" with "Sheena Is A Punk Rocker," which was also used in the Pet Sematary movie.]

While this criticism is valid, "Pet Sematary" still manages to combine a Stephen King horror flick with the Ramones, making it a fantastic Halloween video.  In fact, it was a match made in horror heaven, as King is a big fan of the Ramones.

The video combines scenes from the movie with the band playing in a ... well, cemetery.  While there a bunch of actors, fog machines, and graves also present, there really isn't much more to the video (although we did appreciate the fact that the band is buried in the end).

By the by, the Ramones were featured on ERV last August with "Do You Remember Rock 'n' Roll Radio?" which is well worth checking out.

The Specials - Ghost Town

Kicking off this year's All Hallows Even festivities is "Ghost Town" by The Specials.  The Specials were a truly innovative band, and one of the first 2 Tone ska bands in the U.K.  Founded in 1977, they combined an updated ska sound with an aggressive punk attitude.  Add in political lyrics, and you have the makings of an important and interesting band.

The group had 7 top 10 hits in the U.K. between 1979 and 1981, without much success in the U.S.  "Ghost Town," a non-album single released in 1981, spent three weeks as the #1 song in the U.K.  Inspired by the economic problems and urban decay of Britain in the early 1980s, the song touched a nerve in the U.K., but remains somewhat unknown in the U.S.

The video, featuring the band driving around in a Vauxhall Cresta through empty London streets is simple but effective, and is a great way to start off the Halloween season.

Many critics view "Ghost Town" as The Specials greatest achievement.  Unfortunately, the band partially disintegrated soon after the song was released, with the three primary singers (Terry Hall, Neville Staple, and Lynval Golding) leaving to form Fun Boy Three.  While The Specials carried on (as The Special AKA) for one album, it was not as successful, and Jerry Dammers (the band's primary songwriter) disbanded the group in 1984.

Krokus - Midnite Maniac

One of the few rock acts to emerge from Switzerland, Krokus built a successful career with their straight-up version of hard rock.  The band formed in Solothurn in the mid-1970s and gradually developed a local following.  An AC/DC concert in the late 1970s apparently made a huge impression on the band, and Krokus' music steadily became more anthemic in the 1980s -- a move which coincidentally led to greater international success.

The band's big breakthrough in the U.S. was their 1983 Headhunter LP, which featured "Screaming in the Night."  The Road Warrior influenced video went into heavy rotation on MTV, helping the album rise to #25 on the charts.  Krokus would go on to release several more moderately successful albums in the mid-1980s before their popularity waned at the end of the decade.

For the blog, we went with "Midnite Maniac" from the band's 1984 album The Blitz.  The song is a pop metal gem, while the video contrasts the band's unique style on stage with a retro story line.  By the way, is it me, or does the video seems to be heavily influenced by Def Leppard's "Photograph"?  You be the judge of that.

"Midnite Maniac" would become the band's first charting single in the U.S. (#71), although a 1986 cover of Alice Cooper's "School's Out" would become Krokus' highest charting single at #67.

Cool trivia fact:  Bryan Adams and Jim Vallance co-wrote "Boys Night Out" for The Blitz album (with lead singer Marc Storace and guitarist Fernando von Arb).  The Adams/Vallance connection to Krokus was Bruce Fairbairn, who produced The Blitz.  Eagle-eyed readers may also recall that Fairbairn got his start with Prism who were featured on ERV in May 2012.

Tracey Ullman - They Don't Know

Tracey Ullman has enjoyed a long and diverse career as a singer, actress and comedienne, helped by her gentle and observant comic touch.  Although we are more focused on her 1980s music for the blog, her TV shows The Tracy Ullman Show (which spawned The Simpsons) and Tracey Takes On ... are definitely recommended.

While Ullman is best-known for her sketch comedy, she got her start in West End (London) musical theater, and her growing visibility there led to a recording contract.  Ullman's first album, 1983's You Broke My Heart in 17 Places is a quirky, nostalgic take on 1960s pop that became a surprise success in both the U.S. (#34, with 2 top 100 singles) and the U.K. (#14, with three top 10 songs).

For the blog, we went with Ullman's biggest hit, "They Don't Know," a cover of a 1979 Kirsty MacColl song.  The video is pure Ullman, with bowling reminiscent of The Big Lebowski, a cameo from Sir Paul McCartney and grocery cart dancing.  The comic touches are really outstanding, as well.

Unfortunately, Ullman was unable to maintain her success and refocused on comedy and acting when the follow up LP did not do as well ... but we think things turned out all right for her.

The Kirsty MacColl original version of the song received a bunch of airplay in the U.K., but did not do as well on the charts, hurt by a distributors strike.  By the by, MacColl was an  English singer / songwriter who flirted with major success, but never quite broke through.  In the U.K., she had 7 top 40 singles 4 top 50 albums.  She also performed with The Pogues and sang backup for a bunch of artists including: Robert Plant, The Smiths, Alison Moyet, Simple Minds, Talking Heads and Big Country.  Sadly, MacColl died in a tragic boating accident in 2000.

The Ullman video:

The Kirsty MacColl original:

Note that the Pogues song "Fairytale of New York," which features Kirsty MacColl, was posted on ERV in December 2014.