Keith Richards - Take It So Hard

Man, it is hard to figure out how to start a blog post about Keith Richards.  Aside from the fact the he is seemingly indestructible (from a drug standpoint, at least), we are talking about one of the greatest rock songwriters ever.  [We're particularly partial to the guitar lines in "Happy," "Brown Sugar," "Satisfaction," and "Gimme Shelter," just for starters.]

However, the mid-1980s were a difficult time for the Rolling Stones.  Mick Jagger wanted to move towards a more updated, poppy sound, and when Richards resisted, Jagger effectively went out on his own.  [Regular ERV readers will recognize that truckloads of lead singers go out on their own, almost always to the detriment of themselves and their band.]  By 1986, the situation came to a head, and Jagger refused to tour or support the Stones Dirty Work LP, instead focusing on his solo record.  At that time it was unclear if the Rolling Stones would continue as a band.

This led to Richards deciding to do his own solo record (his first); the result was the 1988 album, Talk Is Cheap.  While the songs do not measure up to the late 1960s / early 1970s masterpieces (what does?), the record produced some of the best Richards material in years.  He co-wrote the album with Steve Jordan, and set up a band (the Xpensive Winos) to record and tour.

"Take It So Hard" was the lead single and does a great job of recapturing some of the Richards magic (man, does he have a feel for great riffs ...)  The video is a shot of the band performing after a nuclear holocaust has presumably destroyed everything except Keith and the band.  (Given Richards apparent invulnerability  this seems like a shockingly plausible scenario, actually ...)

Of course, the Stones were able to get it together and have continued to periodically record and tour as of this writing.  Richards released one additional solo album, 1992's Main Offender, before re-focusing his efforts on the Stones.

The Stones dark and cool video for "Undercover of the Night" was posted on ERV in June, 2015.

Public Image Ltd - Rise

It's nearly impossible to talk about John Lydon without mentioning the Sex Pistols.  While the Sex Pistols were only together for a few years (and one studio album), they helped define the punk movement.  As the frontman for the band, Lydon (then going by Johnny Rotten) became of the most visible punk rockers in the world during the movement's heyday, making him an important and influential artist.

To his credit, Lydon did not attempt to form the Sex Pistols part two after the band fell apart.  Instead, he created a new band, Public Image Ltd (PiL) who have recorded using various interesting and eclectic styles.  Some critics have taken to calling this "post-punk," but that feels like a lazy way to characterize the music.  It seems to us that what Lydon did was take a punk attitude and try to translate it to other genres of music.  We don't think that it was always successful, but it was always interesting.

"Rise" was a 1986 single off the PiL LP called Album.  Stylistically, it is almost a punk folk song, if there is such a thing.  The lyrics were influenced by the apartheid system in South Africa (not unlike the "Sun City"  previously featured on ERV).  Hence the references to skin and torture.  The song ended up becoming one of PiL's biggest hits, and reached #11 in the UK.  It didn't chart in the U.S.

Def Leppard - Let It Go

Although Def Leppard is one of the bands that defined music in the 1980s, there are some rare and semi-rare videos of them.  In this way they are a lot like Bon Jovi, who went up on the blog last September.  And like Bon Jovi, the Leppards were not an overnight success; it took a few years to find their sound.

The band formed in Sheffield, England in 1977 and emerged as part of the new wave of British heavy metal in the early 1980s, alongside such bands as Iron Maiden and Judas Priest.  Def Leppard's first album came out in 1980, and it was immediately apparent that they were different from most other metal groups in terms of their melodic, pop-influenced melodies.  In a stroke of good fortune, their sound caught the ear of producer extraordinaire Mutt Lange, who agreed to work on the band's second album, 1981's High and Dry.  [Lange would continue to work with the band on the Pyromania and Hysteria albums, as well.]

High and Dry was a modest success, reaching #38 on the U.S. charts, although "Let It Go" did not break the top 100.  We have to say, High and Dry is our favorite Def Leppard album -- it was a bit rougher than the band's later stuff, but it is really good.

The video was a straight up performance filmed at the Royal Court Theatre in Liverpool, England.  In fact, Def Leppard shot "Let It Go," "High and Dry" and the original version of "Bringin' On the Heartbreak" all at the same time ... ah, the innocence of those pre-MTV days.

Of course, Def Leppard would crack the code of pop-metal with their 1983 Pyromania album (the catchy videos on MTV didn't hurt) and become huge stars -- Pyromania and Hysteria (1987) each sold in excess of 10 million units in the U.S.  Unfortunately, the band was also know for their tragedies as well, especially drummer Rick Allen's 1984 car accident (and loss of an arm) and guitarist Steve Clark's death in 1991.

Cool trivia fact:  The working title of "Let It Go" was "When The Rain Falls."

Cool trivia fact #2:  The dark-haired guitarist (with the Gibson Explorer) is Pete Willis, who was fired from the band in 1982 for alcoholism.  He was replaced by Phil Collen (not the one from Genesis), who remains in the band to the present day.

Pebbles - Mercedes Boy

Pebbles (born as Perri McKissack; Pebbles was a childhood nickname) had a brief but successful career as a solo artist before transitioning to management.  She is one of few artists who was probably more successful as a manager than a performer ... but more on that in a moment.

Pebbles got her start as a backup singer for Bill Summers and Con Funk Shun in the early 1980s.  In addition to singing, she began writing songs and eventually secured a recording contract with MCA.  Her self-titled first album, released in 1987, peaked at #14 and produced two top 5 hits -- Girlfriend (#5) and Mercedes Boy (#2).  Her second album, 1990s Always also did well and produced two more top 40 singles.

In 1989, Pebbles married her second husband (she has been married 4 times as of this writing), record producer L.A. Reid.  This led to the formation of Pebbitone (her management company) and Savvy Records (her record label).  More importantly, Pebbles became the manager of a new female R&B group called TLC.  While TLC became superstars, Pebbles relationship with the band deteriorated over time, and eventually TLC left Pebbitone, around the same time that Pebbles marriage to Reid ended.  Pebbles then became more religious and left the secular music industry.

"Mercedes Boy" was written by Pebbles about a high school boyfriend, and co-produced by Charlie Wilson (of Gap Band fame).  It is notable for having a strong guitar solo, which is something of a rarity for R&B (and may be one factor that helped the song cross over).

Cool trivia fact:  The male dancer is Rudy Houston, a former Solid Gold dancer who also appeared in Janet Jackson's "What Have You Done For Me Lately?" video.  In the 1990s, he apparently underwent a sex change operation (and appeared on the Sally Jessy Raphael Show to discuss it).

Artists United Against Apartheid - Sun City

The political music and concert trend of the 1980s was somewhat weird.  The whole thing started with Bob Geldof's Band Aid project "Do They Know It's Christmas?" in late 1984.  In 1985, seemingly every musician on the planet was recording an all star song or appearing at a concert.  USA for Africa, Live Aid, Farm Aid, Hear 'n Aid (yes, we kid you not, there was a heavy metal charity project) all took place within 12 months of Band Aid.

Still, Artists United Against Apartheid seemed to be a bit different.  First, it was much more blatantly political (younger readers can look up apartheid here). and second, it seemed to be more genuine.  The project was organized by Steven Van Zandt of the E Street Band and included Bruce Springsteen, Bob Dylan, Bono, Pete Townshend, Peter Gabriel, Pat Benatar, Bonnie Raitt, Lou Reed, Keith Richards, Run-D.M.C., Clarence Clemons, Hall and Oates, and Jackson Browne among others.

The point of the video was twofold:  to raise awareness of apartheid, and to pressure artists who were considering performing at Sun City, thus pressuring the South African regime.  This was not a totally trivial issue, as performers such as Frank Sinatra, Queen, Elton John, Liza Minnelli, Julio Iglesias, The O'Jays, Linda Ronstadt, Cliff Richard, Johnny Mathis, Rod Stewart, Tina Turner, Dionne Warwick and Laura Branigan had performed at the casino.

While an early version of the song named names, it was decided to take a more subtle route in the end.  In spite of this, "Sun City" was not a huge success -- the single hit #38, while the album peaked at #31.  It is likely that the blatant political message of the song, combined with the rap elements made this a little bit of a tough sell.  Still, the project did generate a fair amount of publicity, and it also raised money for anti-apartheid causes.  Overall, we think it was a solid success for Little Steven.  And this story has a happy ending, as South Africa is now a free and democratic country in the community of nations.

Cool trivia fact:  Rolling Stone ranked the Sun City album as the 100th greatest LP of the 1980s.

Bonnie Raitt - Thing Called Love

Let's face it:  not all of the stories on ERV are happy.  The blog is littered with talented artists who did not break though; in fact that is something of the point of ERV -- to highlight these musicians and their videos.  Still, there are some cool success stories here as well, including a lot of the covers posted on ERV (which is kind of the point of the covers category).

Bonnie Raitt actually fits into both categories.  For the first fifteen years of her career, she was an under-appreciated artist who then had a late career renaissance.  Raitt released 9 albums between 1971 and 1986 with some commercial success, but she did not have a top 40 single or a top 20 album.  However, her bluesy sound and slide guitar made her a trailblazer and a critical darling.

Everything changed when Raitt released Nick of Time in 1989.  Her 10th album was produced by Don Was (previously featured on the blog in Was Not Was) and contained the song that really broke her career wide open -- her cover of John Hiatt's "Thing Called Love."  (Hiatt's "Slow Turning" was posted on ERV in March 2012.)  The stars aligned and Raitt had a #1 album, one that would go on to sell some 5 million units in the U.S.  Incredibly, "Thing Called Love" did not break the top 100 on the U.S. charts, but Raitt had multiple charting singles after it, including 5 top 40 songs.

The video of "Thing Called Love" features Dennis Quaid, (a friend of Raitts') who is basically there to flirt with her.  In subsequent interviews, Raitt recounts that she was somewhat uncomfortable shooting videos, and thought that having an actor friend there would help the process.

And of course, the rougher but still excellent John Hiatt original:

Cool trivia fact:  Rolling Stone ranked John Hiatt's Bring the Family album (with his version of "Thing Called Love") as the 53rd greatest album of the 1980s ... and they ranked Bonnie Raitt's Nick of Time as the 492nd greatest album ever.

Face to Face - 10-9-8

Face to Face (no relation to the 1990s punk band) was a Boston-based new wave band fronted by lead singer Laurie Sargent.  In their heyday, they were often compared to 'Til Tuesday for obvious reasons (Both were Boston-based new wave bands with a female lead singer).

Face to Face's big break came in 1984, and for a brief period it looked like they were on their way to stardom.  Their self-titled first album broke into the charts, as did the single "10-9-8."  The band's music was also featured in the movie Streets of Fire, which was heavily marketed over the summer of 1984.  However, sales of their single and album stalled, and Street of Fire bombed at the box office.  Face to Face soldiered on for a few more years, but eventually broke up in 1988.

"10-9-8" peaked at #38, while Face to Face's debut LP reached #127.  For those keeping score at home, that does make Face to Face an official one hit wonder.  By the way, the video for "10-9-8" is not half bad -- it is something of an artistic performance piece.  And for our younger readers, that thing shown around 1:20 is called a payphone, and was used in days of yore (before cell phones).

After the band broke up, Laurie Sargent remained active in the industry, while guitarist Angelo Petraglia became a successful songwriter (mostly roots and country rock).

Ian Hunter - All of the Good Ones Are Taken

Ian Hunter's "All of the Good Ones Are Taken" is another video that fits in perfectly in the ERV neighborhood, and there are a bunch of cool factoids associated with the vid to boot.

We'll start with Ian Hunter, your basic under-appreciated musician.  Hunter started his career as the frontman for Mott the Hoople, a groundbreaking English glam rock band that never quite broke out.  Mott the Hoople are best known for their 1972 classic, "All the Young Dudes" (written for the band by David Bowie).  Hunter left Mott in late 1974 and embarked on a solo career that was critically acclaimed, but generally flew under the radar of the listening public.  In particular, Hunter's 1979 LP, You're Never Alone with a Schizophrenic is viewed by many as a rock classic (and totally goes on my list of greatest album titles).

"All of the Good Ones Are Taken" comes from the 1983 album of the same name -- note that the album contained two versions of the song (fast and slow)  The video is set to the fast version of the song (the slow version can be found here, for interested readers).  It is also worth pointing out that the sax solo is performed by Clarence Clemons, who does not appear in the video.

The video is pitch perfect in my humble opinion and is notable for the presence of Carol Miller (she is the blonde with the side ponytail).  Miller is a famous NY DJ (WPLJ, WNEW-FM and now Q104.3) and one of your author's favorite DJs ever.  The butler is played by Arthur "Captain" Haggerty, a famous animal trainer and actor.  And, of course, we have to call out the presence of roller skates (!) at 1:14.  All this adds up to a fun, rare video of a good and nearly forgotten song.

Cool trivia fact:  ERV reader Corkey pointed out the Martin Briley, whose song "Salt of My Tears" was posted on ERV in October 2011 can be seen (well, the back of his head can, at least) at 0:31.

Cool trivia fact #2:  Hilly Michaels, who appeared on ERV in February ("Calling All Girls"), played drums on  the All of the Good Ones Are Taken LP, and co-wrote one of the songs on the album, as well.

The Jacksons - Can You Feel It

You have to hand it to the Jacksons -- when they went big, they really went big.  Case in point:  the 9+ minute video for "Can You Feel It" from 1981.  For an early (pre-MTV) video, this is about as big as it gets.    And while the video is dated (and just a bit over the top), it has become regarded as something of a classic in recent years.

1980's Triumph LP came during a weird period for the brothers.  While the band had remained reasonably successful in the late 1970s, Michael's 1979 solo album Off the Wall had rocketed him to super-stardom, leading to speculation that he would leave the band to focus on his solo career.  (This eventually happened, but not for several more years.)

At any rate, the video for "Can You Feel It" is particularly noteworthy for the Robert Abel's special effects.  Michael (who co-wrote the song with Jackie) came up with the concept, which portrays the Jacksons as god-like creatures who spread magical pixie dust ... really.  We particularly like that the special effects at times drown out the music.

"Can You Feel It" would go on to be a modest disappointment, peaking at #77 on the charts, while the Triumph album would do better, reaching #10 and going platinum.  Of course, in 1982 Michael Jackson would release Thriller, and go on to become one of the most successful recording artists of all time ... but you already knew that.

Michelle Shocked - Anchorage

It's hard to imagine a more extreme transition than from Accept to Michelle Shocked, and it underscores the diversity of eighties music.  [I'm not sure how many readers will actually listen to the two songs, but they are both good ... in very different ways.]

Michelle Shocked (given name:  Karen Michelle Johnston) is an indy folk artist who became a musician almost accidentally.  Her first album (The Texas Campfire Tapes) was a bootleg recording of her made on a Sony Walkman performing an impromptu set at 1986 Kerrville Folk Festival in Texas.  The recording (released without her permission) became a hit in the UK and led to a recording contract.

Her next album, 1988's Short Sharp Shocked reached #73 on the album charts, while "Anchorage" hit #66 on the singles chart, making her a bona fide indy folk star.  Shocked followed this up with a 40s style swing album (1989's Captain Swing) and a folk / old time country album (1992's Arkansas Traveler).  When she recorded a gospel album next, her exasperated label dropped her, and she has continued to record interesting music in a variety of genres (mostly folk based) since then.

"Anchorage" is a pretty, slightly sad song sung as if it were a letter.  While the lyrics are straightforward, there is a beauty to them -- and more than a hint of feminism and nostalgia.  As with many great songs, it is open-ended enough to allow many interpretations.

Note: As folks can see below, Michelle Shocked has asked that we pull the video, and so we have.