Fay Ray - Modern Lovers

Originally from Bangor, Wales, Fay Ray were a new wave act who made one really solid album before things went south.  The band was named after one of photographer William Wegman's Weimaraner dogs and was fronted by Sheila McCartney.  Other members of the band were John Lovering (guitar), Owen Hughes (drums), Tony Travis (bass), and Jeff Taylor (sax).

Fay Ray were sometimes lazily compared to Siouxsie and the Banshees, another British new wave band with a female lead singer.  However, they sounded quite different from Siouxsie, with a strong pop sense folded into their new wave sound.  This could have made them quite successful, had things broken their way a bit more.

The band released their debut album, Contact You, in 1982, but it did not chart.  They did make a couple of videos, and even picked up a bit of airplay on MTV.  However, Elektra/Warner dropped the band after the recording of their second LP, and refused to release the master tapes (!).  Fay Ray broke up soon afterwards, although they have re-formed in the early 2000s and are still occasionally active as of this writing.

"Modern Lovers" was off Contact You, and is a great driving new wave song with a cheap and colorful video to boot.  File this one under rare and really good.

The Tourists - Don't Say I Told You So

The Tourists formed in 1975 and were originally a three member band called The Catch.  By 1977, they had become a five piece act and renamed themselves as The Tourists.  Although the group would release three top 75 LPs in the U.K and have four top 40 hits between 1977 and 1980, they would never quite break through.

Part of the issue was the band's sound, as they were viewed by fans and critics alike as a 1960s-influenced  power pop band.  Additionally, there were significant artistic differences among the band's members that would lead to the act's demise after only a few short years.

In the U.S., The Tourists barely made a dent in the market -- although their 1979 cover of "I Only Want to Be with You" did chart at #83.

"Don't Say I Told You So" was off the group's 1980 album, Luminous Basement, and was the third (and last) album that the band recorded.  The song reached #40 on the U.K. singles chart (the last charting single by the band), while the album peaked at #75.  The album was clearly influenced by the emerging new wave scene, but the band's pop image was likely one reason for the breakup.

 

And in the interest of burying the lead, it should be pointed out that The Tourists were particularly noteworthy as the group that Dave Stewart and Annie Lennox were in before they formed Eurythmics.

U2 - I Will Follow

Before U2 became one of the biggest bands in the world, they were just an earnest, post punk act from Ireland.  Note that in 1980, college rock not even in the lexicon -- in fact, U2 was one of the bands that helped to create this segment in the early 1980s.

U2 formed in Dublin in 1976, and consists of Bono (given name: Paul Hewson) on vocals, The Edge (given name: David Evans) on guitar, Adam Clayton on bass, and Larry Mullen, Jr. on drums.  Signed to Island Records, the band released their debut LP, Boy in 1980, and "I WIll Follow" was the first single.

While "I Will Follow" quickly became a staple at parties and on college radio, the song did not do terribly well in the charts.  It originally did not chart (in 1980), although a 1984 live version (from the Under a Blood Red Sky LP) reached #84.  On the other hand, Boy definitely attracted some attention and reached #63 on the album charts.

Similarly, the video for "I Will Follow" is relatively rare.  By the time MTV launched in 1981, U2's October album was out, and the fledgling music video channel focused on "Gloria,"  leaving "I Will Follow" as a forgotten classic.

Cool trivia fact:  The lyrical inspiration for "I Will Follow" came from the death of Bono's mother (she died when he was 14).

Cool trivia fact #2:  "I WIll Follow" is the only song that U2 has played on every tour.

Lastly, U2 fans and other interested parties may want to check out the video for the rare and controversial song "A Celebration," which was posted on ERV in May, 2015.

Martha Davis - Don't Tell Me The Time

In 1987, Martha Davis broke up the Motels in order to go solo.  Later that year,  she released the Policy LP, which unsurprisingly sounded a lot like a Motels record.  However the hard-fought success that the Motels had captured eluded Davis as a solo artist.

In retrospect, the album was likely hurt by the name change and perhaps by the evolving tastes in the music industry.  Davis' brand of melancholy-tinged new wave pop likely seemed out of place by 1987, especially as pop metal took over the charts (and MTV).  The album peaked at #127, while "Don't Tell Me the Time" only reached #80.

In the aftermath of Policy, Davis asked to be released from her contract (with Capitol Records) and did not release another solo album until ...So the Story Goes in 2004.

While the song didn't break any new ground, "Don't Tell Me the Time" is a solid Motels-ish pop song that could have been a hit with a bit of luck.

Kim Carnes - Voyeur

Although Kim Carnes has been featured on ERV twice before (for "More Love" and "Bette Davis Eyes"), those songs were both covers.  As Carnes is a prolific songwriter, we thought that it would be appropriate to highlight a song that she wrote (co-wrote in this case), which leads us to "Voyeur."

Carnes co-wrote "Voyeur" with her husband Dave Ellingson and songwriter Duane Hitchings.  The song was the lead single off the 1982 album of the same name, the follow up to the massively successful Mistaken Identity.  As ERV readers know, the music industry can be a capricious place, and although Voyeur was a well-constructed new wave/pop album, it fell flat with the listening public.

It's not that Carnes had a terrible career -- she generated 5 top 100 LPs and 7 top 40 singles before moving to Nashville with her husband and repositioning herself as a songwriter.  But it is a shame that she didn't stay at the top of the charts for longer.  Her unique voice and solid songs, which bridged the gap between new wave, pop, jazz, and folk would have made her an interesting pop star.

"Voyeur" is a strong video of a really decent song.  As was alluded to, the song only reached #29 on the charts, while the album stalled at #49.  Carnes would continue to release solo albums through the early 1990s and continues to sporadically perform to the present day.

Cool trivia fact:  Carnes only had one top 40 album in her career -- 1981's Mistaken Identity, a #1 LP.

The Cars - Since You're Gone

Long time readers will note that we have previously posted solo videos from Ric Ocasek ("Something to Grab For') and Benjamin Orr ("Stay the Night"), so it seemed appropriate to roll out a Cars video as well.  In fact, "Since You're Gone" was on the original list of videos to be posted from August 2011, so we suppose that it's about time.

The Cars were at the forefront of the new wave scene; the band's blending of new wave, rock and pop made for interesting and radio-friendly music that justly made them stars.  The band's roots go all the way back to Columbus, Ohio in the early 1970s where Ric Ocasek (Otcasek) and  Benjamin Orr (Orzechowski) met.  Relocating to Boston, the duo went through several musical styles before becoming a new wave act with Greg Hawkes (keyboards), Elliot Easton (lead guitar) and David Robinson (drums).

In 1977, a demo recording of "Just What I Needed" caught the ear of WBCN DJ Maxanne Sartori, which led to a recording contract and tons of success.  We view the first two Cars LPs as classics, with strong songs from cover to cover.  The band's music is also noteworthy for their use of interesting rhythms and offbeat lyrics.  Sadly (for the blog), they were released in the 1970s.

"Since You're Gone" was off the Car's fourth album, 1981's Shake It Up.  This was the last Cars LP produced by Roy Thomas Baker (he did the previous three, as well as albums from Queen).  Shake It Up was more pop than new wave, and after a few years off the band returned with 1984's Heartbeat City, which was even more top 40 oriented.  At the peak of their success, the band took a break and released a half-hearted effort (1987's Door to Door) before breaking up.

Original vocalist and bass player Ben Orr died of pancreatic cancer in 2000, ending any hope of a true reunion.  However, Easton and Hawkes formed the New Cars (with Todd Rundgren, Prairie Prince, and Kasim Sulton) and released Move Like This in 2011.

The Smiths - How Soon Is Now?

The Smiths were an interesting band whose fortunes widely diverged on each side of the Atlantic.  In Britain, they had 3 #2 and 1 #1 LPs and 18 top 40 singles.  In the U.S., they did not have a top 50 album or a charting single.  Nevertheless, they were critically acclaimed in both countries and widely seen as perhaps the most important British alternative act of the decade.  In particular, their use of guitars and rejection of dance beats cut strongly against the grain, and laid the groundwork for the 1990s alternative scene in the U.K.

The band formed in Manchester in 1982 and consisted of Morrissey (Steven Patrick Morrissey, vocals), Johnny Marr (John Maher, guitar), Andy Rourke (bass) and Mike Joyce (drums).  The Smiths was chosen as the most ordinary name they could think of, to contrast the band with the synth pop scene, where names such as Orchestral Manoeuvres in the Dark and Spandau Ballet were used.  After an indy single was picked up by John Peel, the influential BBC Radio 1 DJ, the band landed a recording contract which led to nearly immediate success in their home market.

"How Soon Is Now?" was originally the B side of "William, It Was Really Nothing." As the song gained momentum, it was released as a single in its own right, and was added to some versions of the Meat is Murder LP.  The single reached #24 on the U.K chart in 1985 (and re-charted at #16 in 1992).

Although "How Soon Is Now?" is not viewed as a typical Smiths song, it is a lush, atmospheric masterpiece.  The opening line was inspired by a quote from the George Eliot novel Middlemarch.  Johnny Marr's guitars were painstakingly crafted using multiple amps, which made the song difficult to play live in the 1980s.  (In fact, the band rarely played it live).  The video was put together by Sire Records; the band only found out about it after the fact (and by all accounts, was none too pleased).  Both the short and long versions of the video are below:

Cool trivia fact:  The 1990 Soho hit "Hippychick" starts with the famous guitar intro from "How Soon Is Now?"

Cool trivia fact #2:  A Love Spit Love cover was used in the movie The Craft, and as the theme to the U.S. TV Show Charmed.  (Love Spit Love was the Butler brothers' band after The Psychedelic Furs broke up).

Cool trivia fact #3:  Many critics believe that the intro was influenced by the Rolling Stones' 1964 cover of Bo Diddley's song, "Mona (I Need You Baby)."  Decide for yourself:

Huey Lewis and the News - Some of My Lies Are True (Sooner or Later)

This one goes out to long time reader Sam, who recommended it when we posted the last Huey Lewis and the News video, for "Workin' For A Livin'" in December 2013.  (We have also posted "Heart and Soul" in October 2011 as part of our first All Hallows Even celebration, and posted "Doing It All For My Baby" in October 2018 as part of a more recent All Hallows Even.)

"Some of My Lies Are True (Sooner or Later)" was off the 1980 self titled debut for Huey Lewis and the News.  The album was released just after the band changed its name (from Huey Lewis and the American Express) after Chrysalis Records expressed concern over the threat of lawsuits from the financial services company.  Sadly, neither the album nor the single charted, although we think that things turned out just fine for Huey and the band.

To our ear, this is the most new wave-influenced song from the band, and we're not sure that they had quite found their sound.  However, we still really like it.  Huey Lewis and the News always had a strong pop sensibility, but we especially enjoyed the songs where they showed their bar band roots and just rocked out a little.

The video is a classic and rare early clip, with the band playing on a beach (in Northern California, we presume).  [Note that and earlier version of the clip below was from MTV, and was mislabeled as "Don't Ever Tell Me That You Love Me," a different song off the same LP).

We also found an alternate version of the video (and song), for folks who are interested.

Cool trivia fact:  A remixed version of Some of My Lies Are True" was released in 1986 as the B side to the "Hip to Be Square" single, and generated a bit of airplay at that time.

Altered Images - Happy Birthday

Altered Images were shooting stars in their native Britain, but barely made a dent in the U.S. market.  The Scottish new wave act released 3 top 30 LPs in the U.K. between 1981 - 83 and scored 9 charting singles, including 6 top 40 hits.  However, in the U.S., we don't believe that they had a charting song or album -- the closest thing the band had to a hit was 1982's "I Could Be Happy," which reached #45 on the Dance charts.

The group formed in 1979 and was led by frontwoman Clare Grogan, who also acted (more on that later).  The band was helped by two influential U.K. artists --   Siouxsie and the Banshees (who received a demo tape and liked it enough to have the band open for them on a few dates) and John Peel (the famous Radio One DJ) who had them on his show a couple of times, which led to an Epic Records recording contract.

"Happy Birthday" obviously caught someone's attention on MTV, as the video did manage to pick up some airplay on the channel.  Interestingly, the song is somewhat atypical of the band's music, as most of the songs on the group's debut album (also called Happy Birthday) are a bit darker.  Still, it comes off as a decent new wave/pop song, and one of the better rock birthday songs recorded.

Although Altered Images remained successful, multiple lineup changes seemed to wear on Grogan, and the band broke up in 1983.  Grogan would go on to have a successful career in acting, appearing mostly in British TV shows (notably Red Dwarf and EastEnders).  Some readers may also recall that she had a starring role in the 1981 Scottish coming-of-age film Gregory's Girl, a film that gets ERV's stamp of approval.

Cool trivia fact:  Altered Images are named after the Dutch design firm that did the artwork for the Buzzcocks 1978 "Promises" / "Lipstick" 45 (Single, for our younger readers).

Novo Combo - Tattoo

Sometimes characterized as an American version of The Police (albeit a much, much, much, much less successful version), Novo Combo released two solid new wave/pop albums in the early 1980s and even generated a bit of airplay on MTV.  However, the band was unable to break through, which of course makes them perfectly suited for ERV.

Novo Combo formed in New York and was composed of several music industry veterans, including Michael Shrieve (drums), who played on the first 8 Santana albums.  Stephen Dees (bass) played with Hall & Oats, while guitarist/singer Pete Hewlett and lead guitarist Jack Griffith rounded out the original lineup.  (Carlos Rios replaced Griffith on the second Novo Combo album.)

"Tattoo" was off the band's self-titled 1981 debut LP.  The album did hit the charts, at #167, and "Tattoo" reached #42 on the Mainstream Rock charts.  However, the group's second effort, 1982's Animation Generation did not do as well, and the band broke up soon afterwards.

The video is a classic early MTV performance piece, and we vaguely remember seeing it.  We particularly enjoyed the super-serious drummer, smoke effects, and Steinberger headless bass (so 1980s).

The Motels - Take the L

While the Motels may have seemed like an overnight success in the early 1980s, the original version of the band actually formed in 1971.  Led by the beautiful and charismatic Martha Davis, the Motels kicked around the California rock scene for years before finding a niche as a new wave act.  In fact, this version of the Motels was essentially the second iteration of the band, with only Martha Davis as the common member.

"Take the L" was off the group's breakthrough album, 1982's All Four One.  It was the Motel's third LP, and nearly turned into a total fiasco.  All Four One was a reworked version of the group's Apocalypso album, which Capitol Records rejected.  [The darker and less radio-friendly Apocalypso was finally released in 2011.]  In fact, "Take the L" was not on Apocalypso, although "Only the Lonely" was.

The video for "Take the L" was directed by Russell Mulcahy, who directed "Video Killed the Radio Star," "Bette Davis Eyes," "Total Eclipse of the Heart," and most of the early Duran Duran videos including "Rio" and "Hungry Like the Wolf."  Shot like a magazine, "Take the L" is an excellent example of an early music video.  In spite of heavy airplay on MTV, the song only reached #52 on the charts, though the All Four One album did better (#16), led by "Only the Lonely" (a #9 hit).

The Motels next LP (1983's Little Robbers) also did well, and the group enjoyed another big hit in "Suddenly Last Summer."  From there the band's popularity gradually waned, and Martha Davis broke up the band to officially go solo in 1987.  Davis re-formed the Motels with new members in 1998 and they remain active as of this writing.

Martha Davis' solo effort "Dont Tell Me the Time" was posted on ERV in June 2014.

Robin Lane & The Chartbusters - When Things Go Wrong

The 11th video ever played on MTV, "When Things Go Wrong" is another great, nearly forgotten classic by Robin Lane & The Chartbusters.  Lane was a native Californian who began her career as a folk artist in the late 1960s.  By the mid-1970s, she had moved to Massachusetts and became involved in the vibrant punk and new wave scene.  After hanging out at the legendary Rathskeller club (nicknamed The Rat) in Boston, she decided to put a group together.

The resulting band released an independent three song EP in 1979, which sold more than 10,000 copies.  Later that year, Jerry Wexler (one of the most well-regarded A&R executives in the industry) signed them to Warner Bros. and the band's major label LP came out in 1980.  Unfortunately, poorly produced records and a lack of marketing doomed the group.  "When Things Go Wrong" managed to reach #87 on the singles chart, but the band did not have another charting single or album as far as we can tell.  By 1983 the Chartbusters had broken up, although Lane remained in the industry.

In 2001, there was a Robin Lane & The Chartbusters reunion, which led to a new album in 2003.  More recently, Lane has been involved with the Turners Falls Women's Resource Center, where she uses music therapy to help abuse survivors. [As an aside, this gets our vote for coolest post rock star job ever.]

Cool trivia fact:  Robin Lane was married to Andy Summers (guitarist of The Police) from 1968-70.

Addendum:  Thanks to reader Shellie, who mentioned a TV show in Boston, called Chronicle, that featured Robin Lane over the summer.  The show is up on YouTube (here), for folks who are interested (It gets a recommendation from ERV).

Echo & The Bunnymen - Lips Like Sugar

Although they had a string of hits in the U.K (including 13 top 40 singles)., Echo & the Bunnymen never charted in the U.S.  However, they were popular on college radio and did develop something of a cult following in the 1980s.

The band came out of the late 1970s Liverpool scene.  In fact, lead singer Ian McCulloch had previously been in Crucial Three with Julian Cope (who went on to form The Teardrop Explodes before his solo career) and Pete Wylie (Wah! Heat).  After Crucial Three broke up, McCulloch began working with guitarist Will Sergeant and bass player Les Pattinson and Echo & the Bunnymen was formed.  Some sources believe that the drum machine used by the band was named Echo, but this seems to be in dispute.  There is little doubt that the name was essentially random and meant to be ridiculous.

We have to admit that we were surprised that "Lips Like Sugar" never charted, as it has generated a fair bit of airplay through the years.  The song did chart in the U.K., where it reached #36, while the album was Echo's highest charting U.S. LP, where it reached #51.

McCullouch left the band in 1988, effectively ending Echo & the Bunnymen (although one album without him was released).  The group then re-formed in 1997 and remains together as of this writing.

Eurogliders - Heaven (Must Be There)

Eurogliders were an Australian band that had one minor international hit, although they had much greater success in their homeland.  The group formed in Perth in 1980 and were originally called Living Single.  By 1981 they had changed their name and secured a recording contract.  It is unclear why they chose the name Eurogliders as they were neither (to be fair, lead singer Grace Knight was born in the U.K., but had relocated to Australia by 1977).

The band's big hit was their 1984 single "Heaven (Must Be There)," off their second LP, This Island.  I'm not sure how much airplay the song had on radio, but the video was in rotation on MTV for a time.  In any event, "Heaven" peaked at #65 in the U.S., while the album stalled at #140.  In contrast, our Australian reader(s) may recall that the song reached #2 on the charts there (the album hit #4), one of seven top 40 hits in their homeland.

Eurogliders broke up in 1989.  Lead singer Grace Knight went on to have a successful career as a jazz singer and several of the other members remained in the music industry.  The band has sporadically re-formed since 2005.

Talking Heads - Once In a Lifetime

The 63rd video aired on MTV, "Once In a Lifetime" is now often viewed as one of the most significant songs and videos of the 1980s.  The song was named to the NPR 100 (the 100 most important American musical works of the 20th century) while the video has been displayed in the Museum of Modern Art in New York.

Talking Heads was made up of three friends from the Rhode Island School of Design (David Byrne, Chris Frantz and Tina Weymouth) who were subsequently joined by Jerry Harrison (who had played in Jonathan Richman's band The Modern Lovers).  The band came out of the vibrant punk/new wave scene at New York's CBGBs, along with the Ramones, Blondie, and Television, among others.

Allmusic characterizes Talking Heads as art-school punks, which is a great description.  The band incorporated punk, new wave and world music influences into something that resembled artistic pop music.  The formula did not always work, but at their best, Talking Heads made some of the most artistic and interesting music of their era.

"Once In a Lifetime" was the lead single off the band's fourth record, 1980's Remain in Light.  While the album sold well and reached #19 on the charts, "Once In a Lifetime" did not break the top 100, peaking at #103.  (It did better in the U.K., where it reached #14.)  Remain in Light was also the third LP where Talking Heads collaborated with Brian Eno, who co-wrote, produced and engineered the album.

The video was one of the craziest, most creative things shown on early MTV.  Choreographed by Toni Basil (of "Mickey" fame), it consists of David's Byrne's crazed marionette-like spasms, which are combined with additional footage in the background.  Somehow, the whole thing comes together, and the result is a musical and visual masterpiece.

Cool trivia fact:  Rolling Stone rated Remain in Light as the 4th best album of the 1980s, and the 39th greatest album ever.

Joy Division - Love Will Tear Us Apart

The Joy Division story is among the more tragic rock and roll tales, and is only compounded by the band's innovative and visionary sound.  Joy Division formed in 1977 in Manchester (UK) and were originally called Warsaw.  They changed their name in 1978 to differentiate themselves from Warsaw Pakt, an on-the-rise UK punk band.  The Joy Division name came from the 1955 novel The House of Dolls -- it was the prostitution section of a Nazi concentration camp.

While they came out of the vibrant UK punk scene, the band quickly migrated to a different sound that was moody, dark and atmospheric; the band was one of the originators of goth.  Their innovative approach earned them the respect of several industry insiders and critics, including the influential John Peel of the BBC.  Although their first LP only reached #71 on the UK charts, they were a band on the rise.

Unfortunately, their growing success and touring schedule was placing a strain on lead singer Ian Curtis.  In particular, Curtis' epileptic seizures became difficult to control and his marriage was failing.  In May 1980, just before the band was to leave for their first American tour, Curtis committed suicide.  He was 23.

"Love Will Tear Us Apart" was written as an ironic response to "Love Will Keep Us Together," a 1975 hit for Captain & Tennille.  In retrospect, the lyrics seem autobiographical, as the song was written during a difficult time in Curtis' life.  The video was shot by the band themselves, during the recording of the song.

As many readers will know, the remaining members of Joy Division stayed together and renamed themselves New Order.  They would go on to have significant success, and were featured on ERV last December for "Bizarre Love Triangle."

Cool trivia facts: NME rated "Love Will Tear Us Apart" as the greatest single of the past 60 years in 2012.

Rolling Stone ranked the Closer LP as the 56th best album of the 1980s.

The song has charted 3 separate times in the UK -- in 1980 (#13), 1983 (#19) and 1995 (#19).  It never charted in the U.S.

The title of this song is inscribed on Ian Curtis' tombstone.

The Cure - In Between Days

Led by the unique (and intentionally unkempt)  Robert Smith, The Cure produced some of the more interesting and creative pop songs of the 1980s and 1990s.  Indeed, while a casual observer might view The Cure as a goth band, the reality is much more complex.

The Cure formed in England in 1976, and emerged during the English post punk/new wave scene of the late 1970s and early 1980s.  Although their early music mostly fits into the goth genre, there was always a strong pop and alternative sensibility present.  By the time the band released their 1985 album, The Head on the Door, they had clearly transitioned to a more pop oriented sound that was somewhat unique.  This led to huge success in the U.K. and Europe, and modest success in the U.S.  For instance, The Cure has had 22 top 40 hits in the U.K., but only 3 in the U.S. ("Just Like Heaven, "Lovesong" and "Friday I'm In Love.")

"In Between Days" is a good example of their work, as it features a strong uptempo melody with introspective lyrics.  The song hit #15 in the U.K., but peaked at #99 in the U.S. -- although it did gain some traction on college radio.  The Head on the Door was a top 10 album in Britain, but only reached #60 in the U.S., though it was the first Cure LP to go gold in America.

Of course, The Cure would go on to have continued success globally and the band remains active in the industry as of this writing.

Cool trivia fact:  early incarnations of the band were called Malice and Easy Cure before becoming The Cure in 1978.

Note that "Pictures of You" appeared on ERV in September 2014, while "Lullaby" was part of ERV's All Hallows Even celebration in 2020.

Men at Work - Overkill

Most ERV readers will remember (or have heard of) Men at Work -- the Australian band that seemingly came out of nowhere to become international recording stars in 1982.  The combination of catchy songs and Beatles-esque videos drove their debut album (Business As Usual) to the top of the charts all over the world.    In fact, as of this writing, they are the only Australian artists to have a simultaneous #1 album and single in the U.S.

Of course, we are not going to feature anything off of this massively successful album.  Instead, we are highlighting "Overkill" from their 1983 Cargo album.  While Cargo was not as big a success as Business as Usual (what was?) it did reach #3 on the U.S. charts, and "Overkill" also peaked at #3.  Additionally, "It's a Mistake" reached #6, giving the band 4 top 10 singles in 2 years.  Sadly, they would never have another top 40 album or single, as the follow up to Cargo, 1985's Two Hearts, did not do as well, and the band broke up soon afterwards.

Several of the member of the band remained in the industry, most notably lead singer Colin Hay, who has had some success in recent years with a more folk driven sound.  In addition, Hay and original member Greg Ham (keyboards, saxophone, flute) performed at reunion concerts prior to Ham's death in 2012.

The original video:

By the way, is it just me, or is this a surprisingly reflective and sad song for a band who just sold a gazillion copies of their debut album?

The outstanding acoustic version of the song (by Colin Hay) was featured on the TV show Scrubs, and appeared on Hay's cleverly titled 2003 solo album, Man @ Work.  It is a great reinterpretation of the song, and well-worth a listen:

Cool trivia fact:  Men at Work is yet another band that may have been jinxed by the "best new artist" curse, as they won the 1983 Grammy for Best New Artist.  For more on this, check out previous posts on the BoDeans and Michael Penn.

Hilly Michaels - Calling All Girls

Unless you are a big time music aficionado, the name Hilly Michaels probably doesn't mean much to you.  This is a shame, because Hilly had a really interesting, slightly crazy career that includes 2 good hyper-bubblegum albums and a ton of jobs as a session drummer.

Hilly (given name: Michael Hillman) started drumming in the late 1960s with Michael Bolton and went on to work with Sparks, Dan Hartman ("Instant Replay"), Ellen Foley and Ian Hunter ("All of the Good Ones Are Taken"), among others.  In 1980 he released his first solo album, Calling All Girls.  Produced by Roy Thomas Baker (famous for his work with The Cars and Queen), Calling All Girls is critically acclaimed for its uptempo new wave popiness.  The album is filled with well-crafted pop songs and features appearances by Liza Minnelli (really), Elton John, Greg Hawkes (Cars) and G.E. Smith (SNL).

The "Calling All Girls" video was an early classic on MTV and it is not hard to see why.  In addition to the catchy pop song, the vibrant animation really distinguishes this video from other of the era.  In fact, "Calling All Girls" was the 93rd song ever played on MTV (the first day), and it remained an early favorite of the channel for some time.

In spite of the strong material, the album did not connect with listeners and Hilly's second album, 1981's Lumia did not fare any better.  Hilly remained active for years as a session drummer, before leaving the industry to live in the Caribbean and then Florida for a number of years.  He still performs one a somewhat unpredictable basis to the present day.

Cool trivia fact: Hilly's manager was Jake Hooker.  That name doesn't ring a bell?  Well, Hooker was the guitarist of the Arrows, famous for writing and recording the original version of "I Love Rock 'n' Roll," later made famous by Joan Jett & the Blackhearts.  [The link will magically transport you to the March 2012 ERV blog post featuring the original and the cover.]

Cool trivia fact #2:  Michaels was asked to join KISS twice -- in 1980 and in 1990.  He declined both times.

Face to Face - 10-9-8

Face to Face (no relation to the 1990s punk band) was a Boston-based new wave band fronted by lead singer Laurie Sargent.  In their heyday, they were often compared to 'Til Tuesday for obvious reasons (Both were Boston-based new wave bands with a female lead singer).

Face to Face's big break came in 1984, and for a brief period it looked like they were on their way to stardom.  Their self-titled first album broke into the charts, as did the single "10-9-8."  The band's music was also featured in the movie Streets of Fire, which was heavily marketed over the summer of 1984.  However, sales of their single and album stalled, and Street of Fire bombed at the box office.  Face to Face soldiered on for a few more years, but eventually broke up in 1988.

"10-9-8" peaked at #38, while Face to Face's debut LP reached #127.  For those keeping score at home, that does make Face to Face an official one hit wonder.  By the way, the video for "10-9-8" is not half bad -- it is something of an artistic performance piece.  And for our younger readers, that thing shown around 1:20 is called a payphone, and was used in days of yore (before cell phones).

After the band broke up, Laurie Sargent remained active in the industry, while guitarist Angelo Petraglia became a successful songwriter (mostly roots and country rock).