Whodini - Magic's Wand

Brooklyn rappers Whodini were pioneers in the emerging New York rap scene, and are especially notable for their musical approach, which combined R&B with rapping.  As a result, many critics credit the band with laying the groundwork for the New Jack Swing genre that took off at the end of the decade.

The group consisted of Jalil Hutchins and Ecstasy (John Fletcher).  From 1986 on, the act also included DJ Grandmaster Dee (Drew Carter).  The group originally formed when DJ John "Mr. Magic" Rivas asked an intern (Jalil Hutchins) to write a song for the Rap Attack show (originally on WHBI, then on WBLS in New York).  Hutchins wrote and recorded a song, but decided that he needed another voice, and asked Ecstasy (a rival rapper) to join him.  "Magic's Wand" became the theme song for the Rap Attack show and eventually led to a recording contract for Hutchins and Ecstasy.

The act was named Whodini due to the single "Magic's Wand".  Interestingly, Thomas Dolby co-produced the band's debut record on Jive Records -- Dolby had become interested in rap, as many early artists used electronic music, and Dolby had sent a demo recording to Jive Records, who proceeded to hook him up with Whodini.  Small world, huh?

The video for "Magic's Wand" was one of the first rap videos made, but did not receive much airplay on MTV.  Along the same lines, the group picked up airplay on urban stations but never crossed over, and saw their popularity decline during the 1980s, hurt by management and label changes.  While Whodini's output dropped over the years, they remain together and still perform as of this writing.

Zebra - Tell Me What You Want

With their Led Zeppelin inspired licks and batshit crazy videos, Zebra became an MTV success story in 1983.  The trio originally formed in 1975 in New Orleans and was fronted by guitarist/singer Randy Jackson.  Bassist/keyboardist Felix Hanemann and drummer Guy Gelso rounded out the lineup.

The group gained a following on the Long Island (NY) club scene in the early 1980s, starting as a cover band playing ... Zeppelin (and Rush).  Their self-titled debut did surprisingly well, helped by the videos for "Tell Me What You Want" and "Who's Behind the Door." In fact, when the album was released it became one of Atlantic Records' fastest-selling debuts ever and eventually climbed to #29 on the charts.

The singles did not do as well; "Who's Behind the Door" only made it to #61, while "Tell Me What You Want" did not break the top 100.  Zebra's follow up album, 1984's No Tellin' Lies only reached #84, and was the band's last charting record.

 The video for "Tell Me What You Want" is a total WTF crazy clip.  Although it starts with a literal interpretation of the lyrics (head's on the floor/with a slam of the door), it soon devolves into some kind of smoke-filled nightmare, complete with Zebra chick, and a bunch of weird images that had seemingly little to do with the band or the song.  By the by, the rest of the band (non-Randy Jackson division) gets remarkably little screen time in the video.  My favorite moments:  the double neck BC Rich guitar solo (1:36), the plastic spider (2:07) and the Saran Wrap scene that presages Dexter (2:22).  Also, considered yourself warned that any drinking game that requires players to take a drink whenever the phrase "tell me what you want" is sung is likely to prove fatal.

Zebra broke up around 1990, but reformed in 1997 and remains active to the present day.

Dave Edmunds - Slipping Away

Dave Edmunds was a key part of the late 1970s and early 1980s British rockabilly scene, and his work (with Nick Lowe) in Rockpile particularly stands out.  However, both before and after Rockpile, Edmunds played and recorded his version of 1960s influenced rock and roll.

Edmunds was born in Cardiff, Wales and played in a series of bands before launching a solo career in 1970(!)  That year, his cover of "I Hear You Knocking" became a #1 hit in the UK (#4 in the U.S.).  Edmunds also became a notable producer, which led to a working relationship with Nick Lowe.  While legal issues prevented the use of the Rockpile name (Edmunds and Lowe were signed to two different labels), most of their work from 1976 through 1981 was as Rockpile (with Billy Bremner on guitar and Terry Williams on drums).  Ironically, the one 'official' Rockpile LP came at the end of this period.

"Slipping Away" is off Edmunds' 1983 Information LP, which was released after Rockpile broke up.  The song would go on to become a top 40 hit for him (barely), reaching #39 on the charts, while album rose to #51.  We suspect that some of this success was due to the video, which received a bit of airplay on MTV back in the day.

Edmunds remains active in the music industry to the present day, although his work has been less frequent since the early 1990s.

Cool trivia fact:  "Slipping Away" was written and produced by Jeff Lynne (of ELO fame).

Aztec Camera - Oblivious

Aztec Camera is another in a long line of interesting pop bands who never broke through.  While they were generally well-regarded by critics, their acoustic pop sound may have been seen as out of step with the musical trends of the time.  This resulted in very little success in the U.S., where none of their singles charted on the main charts, and none of their albums broke the top 100.  Fortunately, they did better in their native Britain, where they had 15 charting songs, including six that broke the top 40.

The band was led by Scottish singer-songwriter Roddy Frame; in fact, for all practical purposes he was Aztec Camera.  He began recording indy demos at the age of 16, and caught the ear of legendary BBC DJ John Peel, which led to radio play and a recording contract.

"Oblivious" comes off the group's first album, 1983's High Land, Hard Rain.  This album is now generally regarded as the group's best effort, made all the more amazing by the fact that Roddy Frame was all of 19 when it was released.  It is a great example of their work -- a well-crafted pop song with catchy hooks and clever lyrics.

It appears that Aztec Camera made two videos for the song, so we will include both here.

By the by, Aztec Camera did a very cool cover of Van Halen's "Jump" (yes, really) that is up on the ERV Facebook page.

Greg Kihn Band - Jeopardy

The Greg Kihn Band was a solid working group that had some meaningful success in the early 1980s with three top 40 albums and three top 40 singles.  While Kihn was originally from Baltimore, he moved to San Francisco in the early 1970s to work in the music industry.  By 1976 Kihn had a band and a recording contract.

Success came slowly for the band, who played constantly as they built a following.  Their first real breakthrough was 1981's "The Breakup Song (They Don't Write 'Em)," which reached #15 on the singles chart.  However, they are probably best-known for "Jeopardy" from their 1983 Kihnspiracy LP (yes, Kihn has a thing for puns as album titles).

The wild, surreal video quickly gained traction on MTV and helped propel the song to the #2 slot on the charts (behind Michael Jackson's "Beat It").  While the song isn't spooky, the video, complete with skeletons, zombies and a giant, tentacled monster seemed like a great fit for our All Hallows Eve videos.

Although Kihn has not had a charting single since 1986, he remains active in the music industry.  He was also a DJ on KFOX in San Jose, California for 16 years (he and the station parted ways in 2012).

The Greg Kihn Band's rarer (and excellent) "Reunited" was posted on ERV in April 2014.

Tracey Ullman - They Don't Know

Tracey Ullman has enjoyed a long and diverse career as a singer, actress and comedienne, helped by her gentle and observant comic touch.  Although we are more focused on her 1980s music for the blog, her TV shows The Tracy Ullman Show (which spawned The Simpsons) and Tracey Takes On ... are definitely recommended.

While Ullman is best-known for her sketch comedy, she got her start in West End (London) musical theater, and her growing visibility there led to a recording contract.  Ullman's first album, 1983's You Broke My Heart in 17 Places is a quirky, nostalgic take on 1960s pop that became a surprise success in both the U.S. (#34, with 2 top 100 singles) and the U.K. (#14, with three top 10 songs).

For the blog, we went with Ullman's biggest hit, "They Don't Know," a cover of a 1979 Kirsty MacColl song.  The video is pure Ullman, with bowling reminiscent of The Big Lebowski, a cameo from Sir Paul McCartney and grocery cart dancing.  The comic touches are really outstanding, as well.

Unfortunately, Ullman was unable to maintain her success and refocused on comedy and acting when the follow up LP did not do as well ... but we think things turned out all right for her.

The Kirsty MacColl original version of the song received a bunch of airplay in the U.K., but did not do as well on the charts, hurt by a distributors strike.  By the by, MacColl was an  English singer / songwriter who flirted with major success, but never quite broke through.  In the U.K., she had 7 top 40 singles 4 top 50 albums.  She also performed with The Pogues and sang backup for a bunch of artists including: Robert Plant, The Smiths, Alison Moyet, Simple Minds, Talking Heads and Big Country.  Sadly, MacColl died in a tragic boating accident in 2000.

The Ullman video:

The Kirsty MacColl original:

Note that the Pogues song "Fairytale of New York," which features Kirsty MacColl, was posted on ERV in December 2014.

Arc Angel - Tragedy

Arc Angel (not to be confused with The Arc Angels, the 1990s blues rock band) was an early 1980s  AOR band.  Though they were talented, the group never quite found its audience and broke up after just one LP.

The band was comprised of Jeff Cannata and Michael Soldan, who had previously been in Jasper Wrath, a locally famous Connecticut progressive rock band.  After Jasper Wrath broke up in 1976, Cannata and Soldan continued to work together and eventually secured a recording contract as Arc Angel.  The record was put together using studio musicians; while the video appears to show a band, Arc Angel was in fact a Cannata and Soldan project.

Although Arc Angel was not a success, "Tragedy" from their 1983 eponymous debut album did pick up some radio play.  However, we don't recall ever seeing the video at the time.  While the music did not break any new ground, it was a well-produced slice of album rock and we think the band deserved more success than they found.

After Arc Angel, Jeff Cannata remained in the industry, and released records under the Cannata name.  Arc Angel (with Michael Soldan) also released a second album in 2002, called Tamorok.

Cool trivia fact:  the intro (backwards) lyrics are "Never gonna slip away."

Jason and the Scorchers - Absolutely Sweet Marie

This is the second appearance on the blog for Jason and the Scorchers (JATS), as "White Lies" showed up on ERV in April 2012.  As we pointed out then, Jason and the Scorchers is one of the great unknown country rock bands of the 1980s.  The band produced a catalog of stellar cow punk (country rock), but never found their audience.  In my view, they were just a bit ahead of their time, and as has been mentioned several times on ERV, country rock bands had a particularly difficult time breaking through in the eighties.

For the second JATS video, we went with "Absolutely Sweet Marie" from the band's 1983 EP Fervor.  This was the record that really placed them on the map, and it was a critical darling to boot.  The New York Times rated it the EP of the year, the Village Voice placed it third on the critics poll, and Rolling Stone gave it a four star review. How's that for impressive?

The lead single was a re-worked cover of Bob Dylan's "Absolutely Sweet Marie" this is truly marvelous.  As an aside, Dylan remains a wonderful artist to cover, as he wrote a truckload of great songs, many of which were not huge commercial successes.  The video did show up on MTV for a time, but the single did not chart, and the EP only reached #116 on the charts.

Jason and the Scorchers would go on to release three LPs during the 1980s before breaking up in 1990.  The band periodically re-formed several times since then, most recently in 2010-11 when they recorded a new album (Halcyon Times) and toured to support it.  It is not clear what the current status of the band is, as drummer/songwriter Perry Baggs died of complications from diabetes in 2012.

Here is the JATS version of "Absolutely Sweet Marie:"

And the Bob Dylan original ...

The Pointer Sisters - Neutron Dance

The Pointer Sisters were a fascinating group who managed to navigate the difficult pop and R&B waters during most of the 1970s and 1980s.  They had 15 top 40 hits, and had a stretch in 1984 where they had four consecutive top 10 hits (including "Neutron Dance.")

The sisters (who really were sisters) were from Oakland, California.  In the late 1960s Bonnie and June began singing (often as backup singers) and were soon joined by Anita and Ruth.  They remained a quartet until 1977 when Bonnie left the band.  While they were versatile in terms of their musical style, they were also distinctive due to their tight harmonies and strong vocals.

"Neutron Dance" was off their 1983 smash LP Break Out.  However, the song is best known for its inclusion in the movie Beverly Hills Cop.  The song was co-written by Allee Willis (who co-wrote Earth, Wind and Fire's "September" and "Boogie Wonderland") and Danny Sembello (the younger brother of Michael, who wrote "Maniac" from Flashdance.)  Interestingly, the song was originally written for the 1984 film Streets of Fire, but it did not make the cut.

"Neutron Dance" reached #6 on the charts and was the last of the four top 10 Pointer Sister singles (the first three were "Automatic" (#5), "Jump (For My Love)" (#3) and "I'm So Excited" (#9)).  The sisters had several more hits through 1987 and have remained active (with some personnel changes) through the present day.

Cool trivia fact:  In 1974 the Pointer Sisters became the first black artists to play at the Grand Ole Opry.

Men at Work - Overkill

Most ERV readers will remember (or have heard of) Men at Work -- the Australian band that seemingly came out of nowhere to become international recording stars in 1982.  The combination of catchy songs and Beatles-esque videos drove their debut album (Business As Usual) to the top of the charts all over the world.    In fact, as of this writing, they are the only Australian artists to have a simultaneous #1 album and single in the U.S.

Of course, we are not going to feature anything off of this massively successful album.  Instead, we are highlighting "Overkill" from their 1983 Cargo album.  While Cargo was not as big a success as Business as Usual (what was?) it did reach #3 on the U.S. charts, and "Overkill" also peaked at #3.  Additionally, "It's a Mistake" reached #6, giving the band 4 top 10 singles in 2 years.  Sadly, they would never have another top 40 album or single, as the follow up to Cargo, 1985's Two Hearts, did not do as well, and the band broke up soon afterwards.

Several of the member of the band remained in the industry, most notably lead singer Colin Hay, who has had some success in recent years with a more folk driven sound.  In addition, Hay and original member Greg Ham (keyboards, saxophone, flute) performed at reunion concerts prior to Ham's death in 2012.

The original video:

By the way, is it just me, or is this a surprisingly reflective and sad song for a band who just sold a gazillion copies of their debut album?

The outstanding acoustic version of the song (by Colin Hay) was featured on the TV show Scrubs, and appeared on Hay's cleverly titled 2003 solo album, Man @ Work.  It is a great reinterpretation of the song, and well-worth a listen:

Cool trivia fact:  Men at Work is yet another band that may have been jinxed by the "best new artist" curse, as they won the 1983 Grammy for Best New Artist.  For more on this, check out previous posts on the BoDeans and Michael Penn.

Ian Hunter - All of the Good Ones Are Taken

Ian Hunter's "All of the Good Ones Are Taken" is another video that fits in perfectly in the ERV neighborhood, and there are a bunch of cool factoids associated with the vid to boot.

We'll start with Ian Hunter, your basic under-appreciated musician.  Hunter started his career as the frontman for Mott the Hoople, a groundbreaking English glam rock band that never quite broke out.  Mott the Hoople are best known for their 1972 classic, "All the Young Dudes" (written for the band by David Bowie).  Hunter left Mott in late 1974 and embarked on a solo career that was critically acclaimed, but generally flew under the radar of the listening public.  In particular, Hunter's 1979 LP, You're Never Alone with a Schizophrenic is viewed by many as a rock classic (and totally goes on my list of greatest album titles).

"All of the Good Ones Are Taken" comes from the 1983 album of the same name -- note that the album contained two versions of the song (fast and slow)  The video is set to the fast version of the song (the slow version can be found here, for interested readers).  It is also worth pointing out that the sax solo is performed by Clarence Clemons, who does not appear in the video.

The video is pitch perfect in my humble opinion and is notable for the presence of Carol Miller (she is the blonde with the side ponytail).  Miller is a famous NY DJ (WPLJ, WNEW-FM and now Q104.3) and one of your author's favorite DJs ever.  The butler is played by Arthur "Captain" Haggerty, a famous animal trainer and actor.  And, of course, we have to call out the presence of roller skates (!) at 1:14.  All this adds up to a fun, rare video of a good and nearly forgotten song.

Cool trivia fact:  ERV reader Corkey pointed out the Martin Briley, whose song "Salt of My Tears" was posted on ERV in October 2011 can be seen (well, the back of his head can, at least) at 0:31.

Cool trivia fact #2:  Hilly Michaels, who appeared on ERV in February ("Calling All Girls"), played drums on  the All of the Good Ones Are Taken LP, and co-wrote one of the songs on the album, as well.

Pretenders - 2000 Miles

"2000 Miles" came out in late 1983, just before the Learning to Crawl LP, which was released in January, 1984.  While the song does reference Christmastime, it is not a traditional Christmas song, and in fact was initially thought to be an anti-war song (in the aftermath of the Falklands war).

Subsequently, Chrissie Hynde has stated that the song is a tribute to her friend and former bandmate, James Honeyman-Scott, who died the previous year.  In any event, the result is a wonderful, haunting song, and one of our holiday favorites.  The song also gets the nob for being "the single most depressing Christmas standard of all time" according to Allmusic.

"2000 Miles" was a hit in the UK when it was released, hitting #15 in December 1983.  It was not released as a single in the U.S., although it was the B side of "Middle of the Road."  Learning to Crawl ended up being the most successful Pretenders album in the U.S. by chart position -- it peaked at #5.

The video is good cheesy fun.  It was not played much back in the day and remains a somewhat rare video to this day.

Note that "Day After Day" was also posted at ERV, last December.

Elvis Costello and The Attractions - Everyday I Write the Book

Elvis Costello (given name: Declan MacManus) recorded a bunch of seriously great pop songs between 1977 and 1979 and he probably doesn't get the credit that he deserves for this.  This is partly because his songs transcended a single genre and partly because his later material is not as strong.  Unfortunately, given the time frame he won't be appearing much at ERV, unless we add a "Near Miss" category some day.  [Hmm ... interesting idea ...]

"Everyday I Write the Book" was from Costello's 1983 album Punch the Clock.  By this point his career was on the downswing, and it appears that he focused on producing a more commercial sound.  While this did not always work for him, it did fit together nicely on "Everyday."  The result was his first top 40 U.S. hit (#36); the only other top 40 hit that Costello would have was "Veronica" in 1989.

Cool trivia fact:  The video was directed by the legendary Don Letts, who worked with the Clash (and later became a member of Big Audio Dynamite).  Letts is generally regarded as the most important factor in bringing punk and reggae music together.

Cool trivia fact #2:  The backup singers are Afrodiziak (Caron Wheeler and Claudia Fontaine) who also worked with The Jam, Howard Jones, Heaven 17 and Madness.  Wheeler would go on to success as a singer in Soul II Soul.

As most readers will know, Costello remains active in the music industry to this day.

Ozzy Osbourne - Bark at the Moon

A strong candidate for the second-best Halloween video ever, "Bark at the Moon" came about in large part due to Ozzy's fascination with werewolves.  As many readers will know, werewolves were everywhere during the 1980s (much like vampires today), including in An American Werewolf in London (which inspired Osbourne and Michael Jackson) and the "Thriller" video.

Once Osbourne decided on the werewolf theme, the decision was made to use the same team for the album cover shoot and the video.  While he did not get John Landis (who directed both An American Werewolf and "Thriller"), the team that was put together consisted of horror movie professionals, and the results were quite solid, in my opinion.

The song is also noteworthy in that it was the first collaboration between Ozzy and Jake E. Lee, who replaced Randy Rhodes as Ozzy's guitarist.  Rhodes, of course, died in a plane crash in 1982.  Lee worked with Ozzy until 1987 and would then go on to form Badlands, who have already appeared on this blog and are one of the rare underrated 1980s hard rock bands, in your author's opinion.

The Bark at the Moon LP would peak at #19 in the U.S and would go on to triple platinum status.  "Bark at the Moon" (the single) would not do as well, and did not break the top 100, hitting #109 at its peak.  To be fair, few of Ozzy's singles did well.  However, Ozzy has remained successful and continues to perform and record to the present day.

Cyndi Lauper - Girls Just Want to Have Fun

Long time readers will know that in addition to posting rare videos, ERV also likes to highlight covers, particularly ones that fit in the category of "songs that you didn't know were covers."  That is how a totally non-rare song, such as "Girls Just Want to Have Fun"  (or "Bette Davis Eyes" or "I Love Rock 'n' Roll") can show up on the blog.

So try this one on for size:  Cyndi Lauper's breakout hit is a cover.  "Girls Just Want to Have Fun" was originally written and recorded by Philadelphia local hero Robert Hazard and the Heroes in 1979.  When Lauper was putting together her first album, 1983's She's So Unusual, the record label provided her with a bunch of material.  At that time, the label (Portrait / Epic) was interested in Lauper for her voice, but did not have confidence in her songwriting, so they relied on other material (this perception changed after the success of the Lauper co-written hit, "Time After Time").

To her credit, Lauper re-worked the lyrics to suit her, and changed the style of "Girls," making it much more upbeat.  And, undoubtedly some of the success was due to the video, which went on to win the 1984 MTV VMA for Best Female Video.

The song, of course, became a smash, peaking at #2 on the charts -- the first of 4 consecutive top 5 hits from She's So Unusual.  That album, in turn, peaked at #4 and sold 6 million units in the U.S. (16 million worldwide), launching Lauper's career.

Robert Hazard, on the other hand, never had that hit, and is another in a long list of artists who wrote strong material but never found commercial success.  For readers who are so inclined, Mr. Hazard's "Escalator of Life" is also up on the blog (click on the link to see it).  We'll also point out that the original version of "Girls" is very good, in your author's opinion.

The famous Cyndi Lauper Version:

And the Robert Hazard version:

Cool trivia fact:  Rolling Stone ranked She's So Unusual as the 75th greatest album of the 1980s (and #184 on their list of the greatest albums ever).

Planet P Project - Why Me?

Long time reader Krista requested this, and we have to say that it is an excellent pick, even if it did take us a minute to even remember the song.

Planet P Project (named after a planet from Robert A. Heinlein's book Starship Troopers) was an experimental band comprised of keyboardist Tony Carey and producer Peter Hauke.  Carey had previously played in Rainbow from 1976-77, and was working on his solo career in the early 1980s.  While Carey's solo work was relatively straight ahead rock, Planet P Project provided an outlet for his avant-garde side.

Amazingly, "Why Me?" caught somebody's eye at MTV and the video went into moderate rotation for a while.  It was definitely among the stranger things being played on the channel at the time, both musically and visually.  While "Why Me?" did not break the top 40, it did chart -- hitting #64, and helped the self-titled album reach #42 on the charts.  When the follow up album, 1984's Pink World only reached #121, Carey dropped Plant P, although he did reform the concept in 2005 and has released three albums in recent years.

Note that Tony Carey's 1982 single, "I Won't Be Home Tonight" was posted on ERV in July 2014.

New Edition - Candy Girl

For better or worse (mostly worse), New Edition created the template that would be used by boy bands during the 1980s and 1990s.  Unlike many other boy bands, though, New Edition was an actual group, and the members -- Ricky Bell, Michael Bivins, Bobby Brown, Ronnie DeVoe and Ralph Tresvant -- all grew up in Boston.

The group was spotted by promoter Maurice Starr at a talent show, who signed them to a recording contract in spite of the fact that they came in second.  Star modeled the band after the Jackson 5 (in fact, the name signified that they were a 'New Edition' of that group) and actively shaped their sound and image -- for example, he co-wrote "Candy Girl" and played guitar and synthesizers on the Candy Girl album.

"Candy Girl" was a success -- it peaked at #46 on the charts (and also became a #1 hit in the UK).  However, in an infamous story, the boys (they were 13 to 15) were dropped off after their first tour and handed checks for $1.87 each (they rest was spent on tour expenses, they were told).  Unsurprisingly, the band lawyered up, eventually firing Star and signing a lucrative contract with MCA.

From there, New Edition would go on to much larger success, with four consecutive gold or platinum LPs.  Later, both Bobby Brown and Bell Biv DeVoe found solo success, and in Bell Biv DeVoe's case, became one of the originators of what became known as New Jack Swing.

Maurice Starr would quickly move on and form a white version of New Edition, which he named the New Kids on the Block.

While "Candy Girl" is not groundbreaking, it is a solid updated version of the Jackson 5 sound.  The video (which we don't ever recall seeing on MTV) is the band singing and dancing around Boston, we believe.  And yes, they guys were really young back then.

Divinyls - Boys in Town

"Boys in Town" was the debut single by Divinyls, the Australian rock/new wave act fronted by the charismatic Chrissy Amphlett.  The song was released internationally in 1983, as the lead single off the Desperate album.  (It had been released earlier in Australia, and was included on the soundtrack of Monkey Grip, an early Ken Cameron film.)

While the song was a big hit in their native Australia (#8), it did not chart in the U.S.  In fact, the Divinyls did not really break out in the U.S. until their eponymous 1991 CD, which includes the #4 hit "I Touch Myself."  By that point, the band was essentially a duo, with Amphlett and guitarist Mark McEntee (they used session musicians when they recorded or while touring).

The "Boys in Town" video is a performance clip from the Monkey Grip movie, and it shows the band in fine form.  Chrissy Amphlett really did use the illuminated mike stand in her early performances; that, combined with her schoolgirl outfit and aggressive attitude, made for a strong live show.

Sadly, Chrissy Amphlett passed away on April 21, 2013 after a long battle with breast cancer.

Cool trivia fact:  yes, the Divinyls count as a one hit wonder in the U.S., as "I Touch Myself" was their only  top 40 hit.

"Pleasure and Pain," the cool 1985 minor hit for Divinyls was posted on ERV on December 2017.

Quarterflash - Take Me to Heart

Quarterflash were a successful pop/rock act from the early 1980s with a couple of unusual features.  First, the band's lead singer, Rindy Ross, also played saxophone (well, we might add).  Second, Quarterflash's key members were a married couple -- Rindy and Marv Ross.  Prior to writing this entry, we did not realize just how successful they were -- between 1981 and 1983, Quarterflash had 6 charting singles, 3 of which went top 20, and their first two LPs both broke the top 40.

The band formed in Oregon in the late 1970s as the merger of two bands, Seafood Mama and Pilot, and briefly continued as Seafood Mama before changing their name to Quarterflash.  The Australian slang term came from a book the Rosses read that described recent immigrants as "one quarter flash and three parts foolish."  It seems that they just liked the name.  (I imagine that after Seafood Mama, the bar may not have been set that high.)

Quarterflash are best-known for "Harden My Heart," the lead single off their self-titled debut album, which hit #3 in 1981.  In typical ERV style, we skipped over that (for now, at least) and went for a less well-known cut from 1983's Take Another Picture LP.  "Take Me to Heart" was the band's last big hit; it peaked at #14.  The video ... well, it features that Rosses and a bunch of manikins.  (I have to call out the turned up collar on Rindy's shirt as well ... for our younger readers, this was the style of the times).

After their 1985 LP, Back into Blue did not sell that well (peaking at #150), the band was dropped by their label, and broke up soon afterwards.  The Rosses remained together, and continued to make music, even releasing Quarterflash albums in 1991 and 2008.

Marshall Crenshaw - Whenever You're On My Mind

For people who don't believe that a pop song can be a well-crafted work of art, we'd like to present Marshall Crenshaw.  He wrote a truckload of great pop songs, and his first two albums, 1982's self-titled debut and 1983's Field Day are chock full of them.  It is just short of criminal that he is an official one hit wonder, as only 1982's "Someday, Someway" broke the top 40.

In retrospect, we think Crenshaw may have been hurt by the video music revolution as much as any artist -- he released a couple of performance videos in 1982, but "Whenever ..." was his first 'real' video.  My guess is that he wasn't into the whole music video thing at the time.  Additionally, his 60's influenced pop songs may have been seen as a bit dated in the early 1980s.  Looking back on them now, however, reinforces the timeless nature of his songs.

"Whenever You're On My Mind" is a great example of his work.  On its surface, it is a love song, but the catchy hook and thoughtful lyrics make it one of the better love songs written in the decade.  Plus, you have to love a songwriter who uses the word reverie (go ahead, you can look it up if you like ... I'll wait).  Amazingly, neither the song, nor the album (Field Day) even charted upon their release in 1983.

The video was played a little back in the day, and then seems to have been forgotten.  In fact, it was hard to find even today.  For folks who like it, we suggest listening to samples from his first two albums -- there are a lot of pop classics there.

Cool trivia fact:  Crenshaw co-wrote the Gin Blossom's 1995 hit "Til I Hear It from You," which peaked at #11 in 1996 (the highest charting song that Marshall Crenshaw wrote).  The guitar intro, in particular, sounds a lot like a Crenshaw lick.