Elliot Easton - (Wearing Down) Like a Wheel

As we've mentioned before, The Cars appeared to be running out of steam by the mid-1980s, which led to three of the five member releasing solo albums.  ERV has previously featured work by guitarist/singer Ric Ocasek ("Emotion in Motion") and by bassist/singer Ben Orr ("Stay the Night") both of which came out in 1986.  However, The Cars' lead guitarist, Elliot Easton released his only solo album the prior year.

Easton's solo album was titled Change No Change and was co-written with Jules Shear.  If Shear's name sounds familiar, it's because he wrote Cyndi Lauper's "All Through the Night" and The Bangles' "If She Knew What She Wants."

The resulting record was neither a commercial nor a critical success.  While Easton is undoubtedly a gifted guitarist, the songs don't highlight this, and there was criticism of his voice, as well.  The album peaked at #99, and while "(Wearing Down) Like a Wheel" picked up a modicum of airplay, it did not chart.  It is a solid, if unspectacular song, and a nice rare video too.

In addition to the videos linked above, Ric Ocasek's earlier (and excellent) "Something to Grab For" was featured on ERV early on, in September 2011.  We also posted The Cars "Since You're Gone" in May 2014. [Yes, The Cars are well-represented on ERV.]

Cool trivia fact: Elliot Easton's given name was Elliot Steinberg.

Blue Murder - Jelly Roll

While many readers may not know who John Sykes is, most will have heard his music.  In fact, Sykes' story is another somewhat sad rock and roll tale.

Sykes got his big break in 1982, when he joined Thin Lizzy just before the recording of their last studio LP, 1983's Thunder and Lightning.  Sykes even co-wrote one of the tracks for the LP - "Cold Sweat." In 1984, as Thin Lizzy was winding up, Sykes joined Whitesnake.

ERV readers will recall that David Coverdale ran Whitesnake - full stop. (Note that "Slow An' Easy" and "Love Ain't No Stranger" have been previously featured on the blog.) Sykes joined the band in time to re-record some guitar parts for the U.S. release of the Slide It In LP, and toured in support of the album.  He and Coverdale then co-wrote all of the songs on what became the 1987 self-titled album, with the exception of two older Whitesnake songs that the band re-recorded.

Unfortunately, the Whitesnake story then became difficult.  Coverdale developed a sinus infection that required surgery and there was some doubt as to whether he would be able to continue singing. After being out of action for most of 1986, Coverdale returned to the studio and put the vocal tracks over the music. However, the delays and health issues strained Coverdale's relationship with the rest of the band; as a result, he fired everyone prior to the album's release.

Sykes would go on to form Blue Murder with Tony Franklin on bass and Carmine Appice on drums.  Their 1989 album was quite solid, but did not become a huge hit.  Sykes would later speculate that the label (Geffen) did not properly promote the group, perhaps due to being on the same label as Whitesnake.

Blue Murder would release a second album (Nothin' but Trouble) in 1993, but sales were disappointing.  The group broke up in 1995.

Cool trivia fact: the actress in the video is Meg Register.

Stephanie Mills - Never Knew Love Like This Before

"Never Knew Love Like This Before" was a catchy pop/R&B hit from Stephanie Mills that became her biggest hit.  The song reached #6 on the charts, while the Sweet Sensation LP peaked at #16 and went gold.

Mills grew up in Bedford–Stuyvesant (Brooklyn) and landed a recording contract at 16.  Her big break came a year later, when she was cast as the original Dorothy in the Broadway production of The Wiz, a role she held from 1974-79.  Known as "the little girl with the big voice," Mills transitioned to the music industry full time after The Wiz, and had 5 gold records and three top 40 singles during the late 1970s and 1980s. She also had 24 top 40 R&B singles, including five #1s.  We believe that she is still active in the industry as of this writing.

The video for "Never Knew Love Like This Before" is literally Mills happily dance-walking through a park.  Ah, for the simple days before MTV, when promotional videos were something of an afterthought for much of the industry ...

Cool trivia fact:  "Never Knew Love Like This Before" was co-written by James Mtume and Reggie Lucas, who also co-produced the Sweet Sensation album. Hardcore Madonna fans will note that Reggie Lucas was the original producer on Madge's self-titled debut (he also wrote "Borderline.")  Unfortunately, he and Madonna did not see eye to eye, and she brought in John Jellybean Benitez to remix the album prior to its release. 

The Screaming Tribesmen - I've Got A Feeling

Way back when ... in 2011, we envisioned ERV as a site which highlighted rare videos from the eighties - hence the name.  However, a funny thing happened when we started posting.  It turns out that a blog that only featured rare videos drew virtually no visitors.  As a result, we re-tooled, and included some rare videos, some that were less rare, along with a few covers (many that you might not know about) and an annual collection of spooky All Hallows Even videos.  This mashup is the ERV that you see today.

However, we do love our rare videos, which is a long-winded way of introducing The Screaming Tribesmen.  The group formed in Brisbane, Queensland, Australia in 1981 and was led by singer/guitarist  Mick Medew.  Their appealing pop-influenced indy rock sound generated some buzz, and the band released several EPs, and finally an album in 1987 - Bones and Flowers.

"I've Got A Feeling" was the first single off the Bones and Flowers LP, and it picked up a bit of airplay, reaching #8 on the U.S. modern rock charts.  Even better, the video was played on MTVs 120 Minutes.  Unfortunately, the band struggled to grow their audience, and (after several lineup changes) broke up in the mid-1990s.

Interestingly (to us at least), the band made two videos for "I've Got A Feeling." Here is the original stripped down version:

And this is the second, more polished MTV-ish video:

The Cure - Lullaby

For the final selection of our 2020 All Hallows Even celebration, we are going with The Cure's "Lullaby."  Skeptics might point at that just about any Cure song could be considered for a Halloween celebration, but this isn't totally true.  Yes, The Cure were known for their goth pop songs - they might even be the masters of this genre.  However, few of their songs were genuinely spooky - although "Lullaby" certainly fits the bill.

While the lyrics of "Lullaby" are literally about being eaten by "The Spiderman," the song is likely a metaphor. Lead singer Robert Smith wrote the lyrics, and in typical form, has provided several conflicting answers as to the meaning of "Lullaby."  Many fans believe that the song is a metaphor for drug addiction, a view shared by Tim Pope, who directed the video.  Other possibilities include depression, sexual assault, sleep issues, and even nightmares.

The video takes a somewhat literal approach to the song, creating a spider infested nightmare - though it is worth noting that Robert Smith plays both the victim and the spider. Amazingly (considering how dark it is), the clip won the video of the year at the 1990 Brit Awards.  The song would go on to reach #5 on the UK charts and become the highest charting single of The Cure's career there.  In the U.S., it was less successful, reaching only #74. ("Lovesong" also off the Disintegration LP, would hit #2 and become the band's highest charting single in the U.S.)

As many readers will know, The Cure remains active as of this writing, and have become one of the most successful alternative bands of the past few decades.  For other ERV videos of the group, "In Between Days" was posted in April, 2013 and "Pictures of You" was posted in September, 2014.

Cool trivia fact:  Rolling Stone ranked the Disintegration LP at #116 on their list of the 500 greatest albums of all time.

Iron Maiden - 2 Minutes To Midnight

We love highlighting the diversity of eighties music at ERV, and we particularly enjoy abrupt transitions from one video to the next. This made it hard to pass up the opportunity to go from Sheena Easton to Iron Maiden as part of our 2020 All Hallows Even Celebration.

Iron Maiden made this even easier by starting "2 Minutes to Midnight" with one of the filthiest guitar riffs of the decade.  Combined with a somewhat creepy video about ... well, we're not exactly sure, but it definitely passes the atmospheric Hallowweny test for us. (Although we're not quite sure why there's a yo-yo starting at 0:26).

The song would go on to become a hard rock classic, and it actually hit #11 on the U.K. charts, while the Powerslave LP reached #2 in the U.K. and #21 in the U.S.  As most readers will know, Iron Maiden remains active as of this writing, and is one of the few 1980s acts that has remained successful during the intervening years. 

For folks who want more Iron Maiden, "The Number of the Beast" was featured on ERV's first All Hallows Even celebration in 2011, while "Flight Of Icarus" appeared on our blog in 2015. Both are highly recommended from your friends at ERV.     

Cool trivia fact #1: "2 Minutes to Midnight" is one of the few Iron Maiden songs not written or co-written by bassist Steve Harris. It was co-written by guitarist Adrian Smith and singer Bruce Dickinson. This helps explain why it sounds different (to my ear, at least) from most other Maiden songs.

Cool trivia fact #2: The video for "2 Minutes to Midnight" about spies, cults, and a stolen nuclear weapon (we think) was the group's first concept video.  The theme plays off the fears on a nuclear war, which drove the title and lyrics for the song.

Sheena Easton - Telefone (Long Distance Love Affair)

Nine years ago (!), we started an ERV tradition - the posting of the All Hallows Even videos.  We are justifiably proud of the 22 (and counting) clips that we have presented since then, which can be found using the All Hallows Even label to the right and down a bit.

Kicking off 2020 - on October 13th, no less, we'll start with Sheena Easton. Easton grew up in Scotland, and got her big break on the BBC reality show The Big Time, were amateurs showed off their skills (dressmakers, cooks, comedians, etc.) Easton appeared in 1980, as a singer, which eventually led to a recording contract - even though the talent manager on the show (Marion Massey) was quite lukewarm on her.

Easton would go on to become a genuine pop star, with 15 top 40 hits in the U.S. - all but 1 of which were in the 1980s. "Telefone" came out during Eason's early period of success, and went on to hit #9 on the charts, while the Best Kept Secret album reached #33 and went gold.

The video is a campy black and white classic.  While the single was released in August, the LP came out in October, so perhaps that's why they went with a movie monster theme.  Frankenstein's monster, Dracula, Quasimodo, King Kong, and a disembodied hand all make an appearance - making this a great way to kick off our All Hallows Even celebration.

Sheena Easton had continued success throughout the decade, and famously worked with Prince for a time.  She remains active in the industry to the present day.

As an added bonus, we found some behind the scenes footage shot when the video was being made.

Robbie Nevil - C'est La Vie

"C'est La Vie" was the song that was played at every party in 1987, before fading away.  It was the debut single from Robbie Nevil, and became his biggest hit, peaking at #2.  Interestingly (to me at least), it spent 2 weeks at #2, but was blocked from the top spot by 2 different songs - "Shake You Down" by Gregory Abbott and "At This Moment" by Billy Vera & The Beaters.

Robbie Nevil was born in Los Angeles and worked in the industry for years prior to landing a recording contract in 1986.  His self-titled debut album was a hit, reaching #37 and yielding three top 40 hits ("Dominoes" and "Wot's It to Ya" are the other two).  He would go on the have five top 40 singles before transitioning to songwriting, and remains active in the industry as of this writing.  

The video for "C'est La Vie" was shot at a construction site, and shows a shy Nevil hanging with a bunch of models.  The clip (and song) were strong enough to go into heavy rotation for a time at MTV. 

Oh, and one other thing - this is a cover.  Nevil did co-write the song, but it was released by Beau Williams two years earlier:

Daryl Hall & John Oates - Private Eyes

Long time viewer(s) may recall that this is Hall & Oates second appearance on ERV; "How Does It Feel To Be Back" (a truly rare song and video) was posted back in September 2015.

"Private Eyes" highlights Hall & Oates in their prime, and shows the incredibly catchy pop craftsmanship that made them superstars.  The song was originally written by Warren Pash, and started as a Janna Allen solo project, before turning into a Hall & Oates song - with assists from Janna and Sara Allen and Daryl Hall. As an aside, Sara Allen was Daryl Hall's long term girlfriend ("Sara Smile" was written about her) and sisters Sara and Janna were heavily involved in Hall & Oates songwriting in the early 1980s.

The video was released at the dawn of the MTV era, but its low budget charm was likely evident even in 1981.  The backup band (with G.E. Smith), the trench coats and fedoras ... this represents a master class in how to make a fun, inexpensive video.  Still, we don't remember seeing the video much on MTV back in the day, though it did show up on other programs, such as HBO's Video Jukebox (now who remembers that).

And as many readers will know, the song went on to become a #1 smash, cementing Hall & Oates position in the industry.  In fact, between 1980-83, the duo released 3 LPs and had 11 top 40 singles and 4 #1s.  While their commercial success faded after their 1980s heyday, Hall & Oates have remained active in the industry (with some breaks) to the present day. 

Cool trivia fact: for some extra fun while watching the video, check out bass player Tom Wolk. (Trust us.)

Cool trivia fact #2: The song's title came from the 1980 movie of the same name.

LL Cool J - Going Back To Cali

The late 1980s were a weird time for hip hop.  Following the huge success of the Beastie Boys' License to Ill, the genre found itself becoming more and more mainstream.  The backlash to this was predictable - and led to concern over artists "selling out" or "going commercial."

LL Cool J was in the midst of this maelstrom.  Born James Smith, he opted for a stage name based on Ladies Love Cool James.  He started rapping at 9, and was a rising star by 1988.  He also had a vision for hip hop that added ballads and pop sensibilities to the growing segment, something that was controversial back in the day. 

"Going Back to Cali," with its nostalgic intro, highlights LL Cool J's vision, and became his second top 40 hit ("I Need Love" was the first).  The song was originally released on the Less Than Zero soundtrack (best known for The Bangles cover of "Hazy Shade of Winter"), and was also released on the Walking with a Panther album, which reached #6 on the album charts.

As many readers will know, LL Cool J would go on to have a long and successful musical career, before transitioning to acting.  He remains active in both art forms at the time of this writing. 

Robert Plant - Burning Down One Side

Nothing lasts forever - not even the mighty  Led Zeppelin.  John Bonham's death in 1980 ended the band, and left the remaining three members jobless for the first time in years.  After the tragedy, John Paul Jones semi-retired from the business, while Jimmy Page would go on to form several groups (The Firm being the most successful).  However, it was Robert Plant who carved out the strongest career post-Zeppelin. 

In 1982, Plant released his first solo album, Pictures at Eleven ... and rock fans had no idea what to make of it.  Plant co-wrote all of the songs, but they sounded nothing like his prior band.  Sure, it was still rock, but it was wrapped in a smoother, jazzier package.  

Yet somehow, it worked.  Pictures at Eleven would go on to become a top 5 album in both the U.S. and the UK, and would establish Plant as a star in his own right.  He would go on to have an interesting, eclectic career, up to the present day.

The first song from Plant's debut solo LP was "Burning Down One Side."  Its odd vibe and striking visuals fit perfectly with MTV, and it picked up a significant amount of airplay, which no doubt helped the album, and introduced Plant to a new, younger audience.  It seems to have become a bit of a forgotten song and video, though, making it perfect for our little blog.

The Comsat Angels - I'm Falling

ERV reader(s) who are into movies from back in the day may recognize this song, as it was featured prominently in Real Genius, a fun (and underrated) 1985 flick starring Val Kilmer.  However, the Comsat Angels were a well-regarded early New Wave act, and with a bit of luck could have become major stars.

The band formed in Sheffield, UK in 1978 and were named after a J. G. Ballard short story.  Their initial work was sparse, atmospheric pop, in the same segment as Joy Division.  Unfortunately, they never quite found their audience and their label (Polydor) did not know how to promote them.

The band switched to Jive, and then Island records during the 1980s, and tried to transition to a more pop-oriented sound, in an effort to become successful.  Sadly, nothing seemed to work.  By 1990, the group even changed its name to Dream Command and released a more rock-oriented LP (Fire on the Moon).  Several years later, they broke up, although they did briefly re-form in 2009-10.

"I'm Falling" is a catchy synth pop song that hints at the strong songwriting of the band.  The song did not chart in the U.S., but did reach #90 in the UK.

Robbie Robertson - Showdown At Big Sky

In 1987, Robbie Robertson released his eponymous debut album.  Younger listeners might not have been quite sure what to make of it, but it was a significant event for the music industry.

To understand why, we need to go back to Robertson's prior work as the main songwriter of The Band.  That group started as Bob Dylan's backing act, but would go on to become one of the most influential acts of the late 1960s and early 1970s.  They helped pioneer a type of roots rock that influenced ... seemingly everyone, from The Beatles and the Rolling Stones to Eric Clapton and The Eagles.

The Band broke up in 1977 (documented through one of the greatest rock movies ever made - Martin Scorsese's The Last Waltz).  And in the aftermath of The Band's breakup, Robertson didn't seem to have much interest in the mainstream music industry.  Instead, he acted and worked on film soundtracks (often with Scorsese).

So when Robertson decided to release his first solo record, it was kind of a big deal, especially as it became apparent that the sound was different from his prior work.  In general, the critics were supportive of the LP, though the commercial success was mixed.  "Showdown at Big Sky" did pick up a fair amount of rock radio play, but the song did not chart.  The album reached #38.  

Robertson continued to sporadically release albums through the years, and remains active in the music industry as of this writing.

Cool trivia fact:  Rolling Stone ranked Robbie Robertson's first solo LP at #78 on the best albums of the 1980s list. 

Rufus & Chaka Khan - Ain't Nobody

Rufus were a successful funk act during the 1970s with six top 20 albums, as well as ten top 40 singles.  However, changing tastes and lead singer Chaka Khan's desire to go solo (a story as old as time) resulted in the group's decline at the end of that decade.  In fact, although Chaka Khan's 1978 LP Chaka made her an emerging star, the singer remained in the band for an additional two albums to fulfill her contract.

All of this made Khan's appearance on 1983's Stompin' at the Savoy – Live album somewhat surprising.  The album and documentary were meant to be a commemoration of Rufus, and Khan was not required to participate.  Fortunately, she opted to assist with the project.

In addition to the live songs, the group recorded four new studio tracks for the double album, one of which was "Ain't Nobody."  This led to a dispute with their label, as the band wanted the song to be the lead single, while label executives were less enthusiastic about the track.  Warner Bros. finally relented after the song's composer (Rufus keyboardist Hawk Wolinski) threatened to sell the rights of "Ain't Nobody" to Quincy Jones for the upcoming Michael Jackson album Thriller.  (Some readers may have heard of this album, as it was somewhat successful.)
 
"Ain't Nobody" would go on the become a big hit, reaching #22 on the charts (and #1 on the R&B charts).  The song became an eighties dance mainstay, and won a Grammy to boot.  However, in spite of this, the video received little airplay on our favorite video music channel.

Rufus disbanded after the album, and have rarely played together since.  Chaka Khan remained successful as a solo artist, though she only had one top 40 hit post-Rufus: "I Feel For You."

Cool trivia fact:  Khan's 1984 hit "I Feel For You" is a cover of a Prince song.  It was originally on Prince's self-titled 1979 LP.

XYZ - Inside Out

The story of XYZ begins in Lyon, France - not exactly a hotbed of successful rock acts.  However, Patt Fontaine (bass) and Terry Ilous (vocals) hail from Lyon, though they moved to Los Angeles in 1984 in search of fame and fortune.

Fontaine and Ilous soon put a band together and by 1986 XYZ was playing on the Sunset Strip as the unofficial house band at the Whisky a Go-Go. A self-financed EP followed, as the band slowly gained a following in the LA hard rock scene.

In 1989, Enigma records signed them, and they cut their self-titled debut album, which Don Dokken produced.  The album ended up as a small success, reaching #99 on the charts, and the videos for "Inside Out" and "What Keeps Me Loving You" both picked up a bit of airplay on MTV.

Unfortunately, the 1991 follow up (Hungry) did not do well, and the band was dropped by the label.  XYZ broke up in 1993, although they have re-formed in the early 2000s, and appear to be active as of this writing.

For the blog, we went with the video for "Inside Out," an excellent time piece from 1989.  Hair, girls, and a sharp guitar hook - it's enough to make one wonder why these guys didn't do better.

Billy Ocean - Caribbean Queen (No More Love on the Run)

While Billy Ocean may have seemed like an overnight success, nothing could be further from the truth.  In fact, he had been in the music business for 15 years prior to his rapid ascent to stardom.

Born as Leslie Charles in Trinidad and Tobago, Ocean moved to London as a child, and quickly became immersed in music (his father was also a musician).  By the late 1960s, Ocean was trying to make a go of it as a professional singer, which led to a name change -- Ocean supposedly comes from the Oceans 11 football team in Trinidad and Tobago.  He scored his first album in 1976, and had a few minor hits over the years, but few would have predicted his successes in the 1980s.

Ocean's fifth LP - 1984's Suddenly - blew up, and for several years Ocean was a bona fide star.   Between 1984 and 1989, he had 3 Top 20 albums, and 11 top 40 singles - including 3 #1s and 2 #2s.  Wow.

"Caribbean Queen (No More Love on the Run)" was the song that started the run.  The lead single off the Suddenly LP, it hit #1 in the U.S. (and #6 in the UK).  The video is pretty standard fare, but this is some well-crafted pop.

While Ocean's star faded somewhat after his 1980s heyday, he remains active in the industry as of this writing.

Note that the cool, and very weird video for Billy Ocean's "Loverboy" was posted on ERV in October 2021, as part of our annual All Hallows Even celebration. 

Ultravox - Vienna

Huge in the UK and Europe and relatively unknown in the U.S., Ultravox were an influential band that helped lay the foundation for synth pop.  The group formed in London in 1973, and was originally called Tiger Lilly.  The name was changed to Ultravox! when the act signed with Island Records in 1976, and the ! was dropped a few years later.

For all practical purposes, there were two versions of the band.  From the early days until 1979, Ultravox was led by John Foxx, and had an artsy synth-rock sound (to my ear, the sound is in the same genre as Devo).  Foxx left in '79 to start a solo career, and was replaced by Midge Ure, who pushed the band's sound in a lush, artistic direction.

The revitalized Ultravox would go on the have significant success in the 1980s in the UK, with 5 top 10 LPs and 16 top 40 singles, led by "Vienna," which hit #2 on the UK charts.  However, they made barely a ripple in the U.S., where only one album broke the top 100, and no singles reached the top 40.

I don't recall seeing the video on my favorite video music channel, but it is quite strong, especially for an early clip. Influenced by the 1949 movie The Third Man (which takes place in Vienna),  it was mostly shot in London, primarily at Covent Garden.  Interestingly, the band paid for the video, as their label at the time (Chrysalis) didn't think it was worth it.  [How things would change a few years later.]

As previously mentioned, Ultravox was successful through the eighties in Europe - and Midge Ure even co-wrote "Do They Know It's Christmas."  However, artistic difference led the Ure leaving the band in 1988, and the group broke up a few years later.  They did re-form (with Ure) in 2008, and played until 2017, but appear to have disbanded for a second time as of this writing.

Cool trivia fact "Vienna" was the 135th video played on MTV's first day.

Rush - Tom Sawyer

As many readers will know, sometimes The Universe calls out and makes a request.  Often times these are serendipitous events, but some of the time they are sad - and that's ok.  We've been processing the passing of Rush drummer Neil Peart, and were unsure at first whether to put a post up.  Then, we heard "Tom Sawyer" on the radio, reminding us of all that is great about Rush and rock and drummers.  Even better, the video is somewhat rare.

"Tom Sawyer" was the second single off Rush's breakout 1981 LP, Moving Pictures. ("Limelight" was the lead single.)  The song only reached #44 on the U.S. charts, but was a mainstay on FM rock radio in the 1980s.  The album rose to #3 and eventually went 4x platinum, making it Rush's best selling LP in the U.S.

The video was shot in Le Studio in Quebec, Canada during a cold Canadian winter.  With the exception of a quick outside intro shot, the rest of the clip is the band playing in the studio - note that these were the last few years before MTV, and we suspect the video was something of an afterthought.  As a plain vanilla video, we don't recall seeing it on MTV; perhaps it picked up a bit of airplay in the early days.

The song is particularly noteworthy in our book due to the front and center nature of the drum line.  This is the stuff that drum heroes are made of, and true to form, Rush drummer Neil Peart quickly established himself as rock's greatest living drummer.

Rush would go on to have significant success throughout the 1980s, and continued to record and tour through 2015. 

 
Cool trivia fact:  Rush is a one hit wonder, only 1982's "New World Man" broke the top 40 (at #21).

Cool trivia fact #2: Rolling Stone ranks Moving Pictures at #379 on their list of the greatest 500 albums ever.