Hall and Oates met in 1967 in Philadelphia, and began working together in 1970. While their first three albums (for Atlantic) were unsuccessful, 1975's self-titled album (on RCA) made them pop stars. Between 1975 and 1977, they had three top 10 hits with "Sara Smile," "She's Gone," and "Rich Girl." This run of success ended with "Rich Girl" and they had no top 10 hits through the end of the 1970s. In fact, 1979's X-Static was the duo's first non-Gold record on RCA.
Needless to say, this made 1980's Voices album a really important record for the group, and they opted to go with the John Oates track "How Does It Feel To Be Back" as the lead single. Had the duo not gone on to become hugely successful, this would have become a forgotten track. Perhaps it still is. The strong pop song doesn't even really sound like a typical Hall & Oates single, mostly due to Oates' voice (Hall sang most of the big hits of the 1980s).
"How Does It Feel To Be Back" did not become the big hit the the band had hoped for -- it stalled at #30. However, the next single, a cover of the 1964 Righteous Brothers hit, "You've Lost That Lovin' Feelin'" became a surprise success at #12, and "Kiss on My List" became the duo's second #1 hit (after "Rich Girl"). The rest of the story is history, as they say.
Note that Hall & Oates inexpensive but masterful video for "Private Eyes" was featured on ERV in September 2020.
Rockdog, I love your video categories (Non-Threatening English band, Supernatural guitars, etc.). With this video and several others, I'm going to add an "Indifferent Drummer" category. Wanna give a shout out to the James Spader look-alike "keyboard" player who only plays the tambourine.
ReplyDeleteSteve, thanks for stopping by, and for the kind words. By the by, the keyboard player is Charlie DeChant, who was with Hall & Oates for several years, primarily as a saxophonist, though he also did (a-hem) play keyboards too.
DeleteNice choice of videos showcasing the pre-Tom Wolk/G.E Smith days.
ReplyDeleteThank you! We also liked the sound, which is a bit different from most Hall & Oates songs (written by John Oates without Hall).
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