Roger Hodgson - Had a Dream (Sleeping with the Enemy)

Any discussion of Roger Hodgson has to begin with his time in Supertramp, as he co-fronted the band (with Rick Davies) from its 1969 founding until 1983.  Over time, he began to feel less comfortable in the band (a sadly common occurrence) and this seems to have been exacerbated by his move to Northern California in 1981 (the remainder of Supertramp was based in LA).  As a result, Hodgson left Supertramp in 1983 to spend more time with his family.

However, Hodgson continued to write and record (with the aid of a home studio) and in 1984 he released his first solo album -- In the Eye of the Storm.  While the album garnered favorable reviews, it did not perform well, reaching #46 on the album charts, while "Had a Dream (Sleeping with the Enemy)" only hit #48 on the singles charts.  It is likely that the fading popularity of art rock and the lack of name recognition combined to hurt sales.

Three years later, Hodgson's second solo LP was released (Hai Hai), but it performed even worse than its predecessor.  Compounding the issue, Hodgson fell and broke both wrists, which prevented him from touring.  He then seems to have semi-retired from the industry for a time, although he has performed more in recent years (he did release a third solo album in 2000, as well).

In spite of the lack of commercial success, "Had a Dream" sounds like a classic Supertramp song to my ear (in a very good way).  The upbeat song and progressive, quirky lyrics lend themselves to the video, including the juxtapositioning of marching bands and military parades.  We view the song and video as something of a forgotten classic.

Chris Rea - The Road to Hell (Part 2)

Though Chris Rea was a major star in Europe in the 1980s and 1990s, he was more of a cult figure in the U.S.  Stylistically, his music was a modern English (no relation to the band) interpretation of the blues; while Rea and ZZ Top (below) shared some of the same influences, they interpreted the material differently.  Rea's smooth, laid-back feel often reminds me of Dire Straits, but Rea's songs seemed a bit darker compared to Mark Knopfler.

Chris Rea was born in Middlesbrough, England, and started his music career in 1973, when he joined the local band Magdalene (he replaced David Coverdale, who would go on to find success in Deep Purple and Whitesnake).  After kicking around the industry for several years, Rea released his first solo LP in 1978, and gradually built up a following in Europe, before breaking through in the U.K. in the mid-1980s.  Between 1985 - 1998, Rea had 8 top 15 albums in the U.K., and 11 top 40 singles.

"The Road to Hell (Part 2)" (and yes, there is a part 1) was a song with a long instrumental intro, and the label pushed to break the track into two parts.  It is off the 1988 album of the same name, and is generally viewed quite favorably by critics.  The song was conceived while Rea was stuck in traffic on the M25 (the major ring road around London).  "The Road to Hell" reached #10 in the U.K., but did not chart in the U.S., while the album of the same name was a #1 album in the U.K. (#107 in the U.S.)

Rea remains active to the present day, and his albums continue to perform better in the U.K. and Europe compared to the U.S.

Cool trivia fact:  Rea is a U.S. one hit wonder, as only his 1978 single "Fool (If You Think It's Over)" (#12) broke the top 40.

ZZ Top - Stages

ZZ Top may have been the most surprising success story of the 1980s.  True, the blues-rock trio had landed five albums in the top 25 from 1973 - 1981, and even had two top 40 hits ("Tush" and "I Thank You.")  Still, the success of 1983's Eliminator, which launched the band into superstardom, was stunning.  In retrospect, this success was largely driven by two factors ... but more on that in a minute.

The group formed in Houston in 1969 (!) and has remained intact to this day, with guitarist/singer Billy Gibbons, bassist/co-singer Dusty Hill and drummer Frank Beard (ironically the only member of the group without the trademark Rip Van Winkle facial hair).  From the start, the band's sound incorporated elements of the blues into modern rock songs.

On Eliminator, the group updated their sound even further, adding synthesizers and drum machines to their blues-rock sound.  Though this sounds like a recipe for disaster, the results were spectacular.  It was this updated sound, combined with a shrewd use of videos, that drove ZZ Top's massive success.

1985's Afterburner continued in the same vein, albeit with results that did not hold together quite as well.  Still, there were highlights, such as "Stages," which is our favorite cut off the album.  The song reached #21, while the Afterburner LP went to #4 (thus becoming the highest charting ZZ Top album ever).

The band released one more synthesizer-influenced LP, 1990's Recycler, before returning to a more traditional sound.  While their mainstream popularity gradually declined from the 1980s highs, they remain active in the music industry to the present day.

Cool trivia fact:  The ZZ Top name came as a tribute to blues legend B.B. King.  The band was originally called ZZ King, but decided that this was too similar, and changed it to ZZ Top.