Peter Wolf - Come As You Are

Peter Wolf remains one of the more interesting characters in rock and roll, although we are still a bit sad about his untimely departure from the J. Geils Band -- but more on that later.

Wolf (given name: Peter Blankfield) was born in New York City and moved to Boston to attend art school at Tufts University.  His first roommate?  David Lynch. (Yes, seriously.)  While at Tufts he got into the Boston music scene, which in 1968 led to a job at the new FM rock station in Boston, WBCN.  Wolf became the first nighttime DJ on BCN, going by Woofa Goofa.  However, he soon left the radio station to focus on making it as a rock star with the mighty J. Geils Band.

We've previously posted two great videos from the J. Geils Band - "Love Stinks" and "Come Back," both of which were off the successful Love Stinks LP.  The band's next album, 1981's Freeze Frame, became a #1 album, but a rift in the band soon developed over their musical direction.  Wolf wanted to continue with a more blues rock sound, but the rest of the group favored a more pop/dance direction.  As a result, Wolf left the group in 1983 and ventured out on his own.

"Come As You Are" (no, not the Nirvana song) was the lead single off the 1987 LP of the same name.  It became a hit, reaching #15 on the charts, though it would be Wolf's last top 40 hit.  The video is a tribute to a Bobby Van dance routine from  the 1953 movie Small Town Girl, and is a hoot - typical high energy Peter Wolf.

Cool trivia fact:  Wolf was married to actress Faye Dunaway from 1974-79.

Stevie Wonder - Master blaster (Jammin')

There are not a lot of true music legends, either in general or on ERV, but Stevie Wonder certainly qualifies.  Born as Stevland Hardaway Morris, and blind since shortly after birth, Wonder started in the music industry at 11 (!) and was given the name Little Stevie Wonder by Motown producer Clarence Paul.

While many acts count their top 40 songs or albums, one indication of Stevie Wonder's success is the amount of #1s.  Wonder has ten #1 songs and three #1 albums.  In the 1970s, his music - an upbeat fusion of soul, pop, and R&B - dominated the charts (and was critically acclaimed, to boot).  For example, Wonder has four albums in the Rolling Stone top 500, including three in the top 60. 

His 1980 LP, Hotter Than July may not quite reach the career peaks of his 1970s efforts, but it is still an extremely good record.  The album would peak at #3 and go platinum, while "Master Blaster (Jammin')" would reach #5 on the singles chart.  The song was heavily influenced by Wonder's friendship with reggae legend Bob Marley.  The title is a nod to Marley's 1977 song "Jamming" and the lyrics, envisioning a world at peace, were also likely influenced by Marley.

Wonder continued to have significant commercial success through the 1980s, albeit with a somewhat more commercial sound.  Although his production has decreased in the years since, he remains active in the industry as of this writing, and remains a true living legend.

Kim Wilde - Kids In America

For a time in 1982, and again in 1987, it looked like Kim Wilde might break out and become a pop star in the U.S., but unfortunately the stars did not align for her.  However, she did carve out a long career in Europe and the UK, as well as two breakthrough hits in the U.S.

Wilde was basically born into the music business; her father (Marty Wilde) had several hits in the 1950s and early 1960s before transitioning to a career as an entertainer.  By the early 1980s, Marty was working with his son Ricky.  Kim offered to sing backup vocals in the studio with Ricky, and drew the attention of Mickie Most, the head of RAK Records. Ricky and Marty recognized that this could be a big break for Kim and wrote a song for her: "Kids in America."

The song became a hit in the UK and Europe in 1981, but it was the video, shown on the fledgling MTV cable channel that really drove Wilde's U.S. success.  "Kids in America" peaked at #25 in August 1982 - roughly eighteen months after its UK peak (at #2 in February 1981).  However, Wilde's other singles did not do well in the U.S.; none broke the top 40.  In contrast, from 1981-86, she had nine top 40 hits in her native UK.

Surprisingly, in 1987 Wilde broke through again, this time with a cover of The Supremes' "You Keep Me Hangin' On," which went to number 1.  Although Wilde never had another top 40 hit in the U.S., her career remain strong in the UK throughout the 1990s.  She later became a DJ and TV presenter which continues to the present day.

Hipsway - The Honeythief

Ah, the one hit wonder - such an interesting phenomena.  The category is comprised of major bands where only one single hit the Top 40 (such as Roxy Music), talented underappreciated artists who never quite caught on (Marshall Crenshaw), and acts who just caught lightning in a bottle (T'Pau).

Hipsway is mostly the latter, but there was definitely talent in the band, as well.  The group formed in Glasgow, Scotland in 1984 and was led by Johnny McElhone (fomerly of Altered Images) on bass. Singer Grahame Skinner, guitarist Pim Jones, and drummer Harry Travers rounded out the lineup.

The group's self-titled debut album came out in 1986, and had a seriously catchy song on it, "The Honeythief," which became a hit.  Interestingly, "The Honeythief" was the third single released from the LP, which is kind of hard to understand.  At any rate, the song reached #19 in the U.S. and #17 in the UK, and helped the album to chart, too (#55 U.S., #42 UK).

Unfortunately, follow up success was elusive, thought Hipsway did have a few charting songs in the UK.  However, after the poor performance of their second LP (1989's Scratch the Surface), they broke up.  Noteably, Johnny McElhone would go on to have continued success in the UK with his next band, Texas (a definite candidate to show up on this blog down the line).

Hipswap did re-form in 2016, and even released a new album in 2018.

Kix - Cold Blood

Although they were lumped in with the hair metal scene, Kix were actually more of a bluesy hard rock band, along the lines of AC/DC or Cinderella.  Additionally, they were an East Coast act, cutting their teeth primarily in the northeast until their all-too-brief period of success.

The band formed in Maryland in 1977 and were initially called Shooze.  They then changed their name to The Generators before finally settling on Kix.  Led by frontman Steve Whiteman, and with bassist Donnie Purnell as the primary songwriter, the group seemed to have all of the ingredients for major success.  However, in spite of strong material their first three albums barely dented the charts.

This all changed with 1988's Blow My Fuse.  The LP went platinum and reached #46 on the charts, led by the power ballad "Don't Close Your Eyes" (which reached #11 on the singles charts).  However, in classic ERV style, we're opting for "Cold Blood" instead - a straight up banger that is more representative of Kix' style.

Unfortunately, the band was unable to maintain its momentum; the 3 year delay between Blow My Fuse and Hot Wire probably didn't help matters.  With the emergence of grunge, their fate was sealed, and the band broke up in 1995.  However, they subsequently re-formed in 2003 (without Donnie Purnell) and have been performing since, albeit with some personnel changes.

Cool trivia fact: the actress in the video is Helene Clarkson.

Sting - Fortress Around Your Heart

By the early 1980s, The Police were one of the biggest bands in the world, so Sting's 1985 solo album was huge news. Interestingly, The Police were apparently only on hiatus at this point, but they officially broke up shortly after a failed attempt at recording a new album in 1986.

Likely contributing to the breakup was the huge success of The Dream of the Blue Turtles (named after a dream that Sting had).  The album showed significant musical growth for Sting as it was both more polished and jazzier than The Police.  The result was an LP that peaked at #2 on the Billboard charts with four top 40 hits.

"Fortress Around Your Heart" was the third single off Blue Turtles and it reached #8 on the charts.  In our view, it was the most Police-like single off Sting's first solo album, and the odd, atmospheric video didn't hurt the song's success a bit.  In fact, it was all over MTV for a time in 1985.

Sting would go on to have almost continual success throughout his career, though he does seemed to have slowed down of late.  The Police eventually reunited for a hugely successful 2007-08 tour, but then disbanded, seemingly for good.  

The Outfield - My Paradise

The 1980s musical equivalent of a sunny summer day, The Outfield recorded a bunch of bright power pop gems, but somehow never became big stars.  While their first LP broke the top 10, they quickly fell out of favor, something that baffled us at the time (and ever since).  We suppose that there is no small amount of luck involved in success, and the group was not the flashiest, but they truly deserved a better fate.

Long time readers may recall that we featured the group's "Say It Isn't So" on ERV back in 2014.  That song was one of four singles off the Play Deep LP that did receive some airplay during the band's all-too-brief period of major success (primarily 1986).

For the blog we had several good options, and finally decided on 1989's "My Paradise." This song was the second single off the Voices of Babylon album (after the title track).  We don't recall seeing the video back in the day, and the single stalled at #72 on the charts.  To our ear though, this is a power pop gem. 

The Outfield continued recording through the early 1990s, but were absent from the industry from most of the rest of that decade.  They became more visible in the 2000s, but officially broke up when guitarist (and primary song writer) John Spinks died in 2014.  Sadly, lead singer/bassist Tony Lewis has also died (in 2020). 

Billy Ocean - Loverboy

Rounding out our All Hallows Even celebration is "Loverboy" by Billy Ocean.  This is definitely one of the oddest 1980s videos, with a plot that seemingly has nothing at all to do with the song.  We suspect that there may have been some controlled substances involved, along with at least one Star Wars fan.

Long time viewers may recall that this is Billy Ocean's second appearance on ERV, as "Caribbean Queen (No More Love on the Run)" was posted last March.  As we mentioned then, Billy Ocean (given name: Leslie Charles) was a modestly successful singer until 1984, when his Suddenly LP broke out, reaching the top 10 in both the U.S. and the UK.

While "Loverboy" was a big hit (#2 in the U.S. and #6 in the UK), it was not as big a hit as "Caribbean Queen" in either market. Not not worry, though, Billy Ocean remained massively successful through the rest of the decade.

As to the video ... it is a perfect Halloween video, from the sci-fi perspective.  We are of two minds here - on the one hand, it is trying to be an ambitious mini-movie.  On the other hand, there seems to be little plot, and the visuals are cheesy, though perhaps less so by the standards at the time.  The plot seems to revolve around a lizard creature, who goes to a cantina to ... kidnap a female alien (?), after killing her date in an unprovoked burst of laser fire. Yeah. 

It's probably best to not analyze it too much, but it is a weirdly engaging and odd Halloweeny clip.

Cool trivia fact: superstar music producer Robert John "Mutt" Lange co-wrote the song, along with Keith Diamond and Billy Ocean.  

Real Life - Send Me An Angel

For our second All Hallows Even treat, we're posting Real Life's "Send Me An Angel" (the original version; more on that in a moment).

Real Life were an Australian band that formed in Melbourne in 1980.  Originally called The Wires, the group changed their name to avoid being confused with Wire (the UK punk rock act).  They settled on A Private Life, which turned out to be a terrible choice, as they were then threatened with a lawsuit from Private Lives (a Sydney band) and so changed their name again to Real Life.

"Send Me An Angel" was the lead single from the group's first LP, 1983's Heartland. The song did reasonably well, reaching #29 on the U.S. charts, and going to #6 in their native Australia.  The video, with a spooky forest and a wolfman (prince?) looking for his Celtic (?) princess (?) seems ... odd, but definitely Halloweeny.

As mentioned above, Real Life re-released the song (and video) in 1989, as part of their Send Me An Angel/Best of Real Life compilation.  Incredibly, "Send Me An Angel" re-charted even higher in the U.S., reaching #26.  The video is less interesting (and less spooky) than the original, but we've included it here anyway (cause that's what we do).

Special shout out to M, who asked for our help after seeing a portion of the video on Loop ... and then found it herself.  Obviously, we liked it enough to put it up on the blog.

Kiss - I Love It Loud

Welcome to ERV's 10th annual All Hallows Even party.  A reminder to our newer readers: our  prior ghostly (ghastly) clips can be found using the All Hallows Even tag on the right.

Leading off this year's festivities is "I Love It Loud" by Kiss.  As most readers know, Kiss has a long and somewhat controversial history.  The group started in New York City in 1973, and was led by Paul Stanley (guitar and vocals) and Gene Simmons (bass and vocals).  Ace Frehley (guitars) and Peter Criss (drums) rounded out the original lineup.  Right from the start, Kiss was known for their makeup, costumes, and theatrical stage shows as much as for their music.

The group really broke out following their 1975 Alive! double album and had a period of superstardom, which was on the wane by the early 1980s.  Changes to their sound likely didn't help - 1979's Dynasty was dance-influenced, while the 1981 "Music from 'The Elder'" concept album included orchestral parts.

With this backdrop, "I Love It Loud" from the 1982 Creatures of the Night LP was a return to form.  Although the album didn't become a huge commercial success, the anthemic hard rock and focus on music videos laid the groundwork for Kiss' success in the 1980s.  Stanley and Simmons capitalized on this by having the band remove their makeup (on MTV no less) and effectively repositioned Kiss as a pop metal act, which paid huge dividends for the rest of the decade.

From a Halloween perspective, "I Love It Loud" is spot on.  The makeup, costumes, and tank/drum kit are nicely complimented by the sonic assault (and glowing eyes).  The result works, in our opinion, and makes for a fun Halloweeny video.