The place for great and not-so-great nearly forgotten videos from the decade of Miami Vice, mullets, and acid wash jeans. All praise to the bands, YouTube, and the original posters of these videos.
Originally called the Timex Crew, Timex Social Club switched names after a lineup change and ended up as a classic one hit wonder. The group originally formed at Berkeley High School (in Berkeley, California) in 1982. Timex Social Club's sound combined elements of R&B, jazz, hip hop and dance into something that would come to be know as new jack swing in the early 1990s, and if things had broken slightly differently for the group, they could have been major players in that scene. However, squabbles and lineup changes prevented this from happening.
The group only released one major label LP, 1986's Vicious Rumors, which hit #29 on the R&B albums chart but did not break onto the main albums chart. However, the single "Rumors" became a hit, reaching #8 on the singles chart. While the follow up singles ( "Thinkin' About Ya" and "Mixed-Up World") both broke the top 20 on the R&B charts, they did not enjoy crossover success and the group broke up.
Producer Jay King, who had a major influence on the group's sound would go on to form Club Nouveau (literally: New Club) and would land 2 more top 40 hits, including the 1987 cover of Bill Withers' "Lean on Me" which would go to #1.
Timex Social Club has re-formed in recent years and continues to perform as of this writing.
Before U2 became one of the biggest bands in the world, they were just an earnest, post punk act from Ireland. Note that in 1980, college rock not even in the lexicon -- in fact, U2 was one of the bands that helped to create this segment in the early 1980s.
U2 formed in Dublin in 1976, and consists of Bono (given name: Paul Hewson) on vocals, The Edge (given name: David Evans) on guitar, Adam Clayton on bass, and Larry Mullen, Jr. on drums. Signed to Island Records, the band released their debut LP, Boy in 1980, and "I WIll Follow" was the first single.
While "I Will Follow" quickly became a staple at parties and on college radio, the song did not do terribly well in the charts. It originally did not chart (in 1980), although a 1984 live version (from the Under a Blood Red Sky LP) reached #84. On the other hand, Boy definitely attracted some attention and reached #63 on the album charts.
Similarly, the video for "I Will Follow" is relatively rare. By the time MTV launched in 1981, U2's October album was out, and the fledgling music video channel focused on "Gloria," leaving "I Will Follow" as a forgotten classic.
Cool trivia fact: The lyrical inspiration for "I Will Follow" came from the death of Bono's mother (she died when he was 14).
Cool trivia fact #2: "I WIll Follow" is the only song that U2 has played on every tour.
Lastly, U2 fans and other interested parties may want to check out the video for the rare and controversial song "A Celebration," which was posted on ERV in May, 2015.
"Mountain Song" is a truly great, groove-driven hard rock song that was unlike virtually everything on the radio in 1988. For readers who only know Jane's Addiction from 1990's "Been Caught Stealing," this song is evidence that the band could rock out with the best of them.
The song came off the band's major label debut, 1988's Nothing's Shocking. [Note that "Jane Says" from the same LP was featured on ERV in January 2014.] The album created a stir in the music industry, but did not become a huge commercial success. In retrospect, album sales were hurt by the lack of exposure on MTV, and by the diverse alternative feel that the record had -- remember that 1988 was the peak of hair metal.
On the exposure front, the (edited) video below was shot in 1988 at Scream (an alternative rock club in LA), and is an awesome Jane's Addiction timepiece. The vid was banned by MTV for years, due to the nudity and general weirdness (I believe that MTV dropped the ban in 1990).
Sadly, "Mountain Song" did not chart, while the Nothing's Shocking LP only reached #103 on the album charts.
For more on Jane's Addiction (including the story behind Jane), check out the "Jane Says" entry.
"Love Ain't No Stranger" was the first Whitesnake song to make a dent in the U.S. market, reaching #34 on the Mainstream Rock charts. However, this was soon overshadowed by "Slow An' Easy" (posted on ERV in August 2011), which reached #17 on the same charts.
Both songs were off the poorly titled 1984 LP Slide It In, which turned out to be Whitesnake's breakthrough album in the important U.S. market; the album reached #42 in the U.S. and eventually went double platinum. As we have previously mentioned on ERV, it was around this time that lead singer David Coverdale began to focus more intently on commercial success, which resulted in significant turnover among the other members of the band. This also led to an increased focus on videos.
The video for "Love Ain't No Stranger" intercuts the band playing with Coverdale watching girls on trucks at an army base. No, it doesn't make much sense to me, either. The video is quite rare though, and the song is a solid, somewhat forgotten power ballad.
Whitesnake would go on to have huge success on their eponymous next album in 1987, and Coverdale continues to use the Whitesnake name to record and perform as of this writing.
Cool trivia fact: Whitesnake's first charting single on the U.S. pop charts (the Billboard 200), "Here I Go Again '87" went to #1.
"The Walls Came Down" was one of two charting songs by The Call, though the group never had a top 40 hit. ["Let the Day Begin," which was featured on ERV back in August 2012 was The Call's other charting single.] In spite of this lack of mainstream success, the band became a favorite of critics and musicians including Peter Gabriel, Jim Kerr, Bono, and Bruce Cockburn.
Led by Michael Been, The Call were known for their strong lyrics and updated roots rock sound. The band released their first album in 1982, but it was 1983's Modern Romans that became their first hit. Helped by MTV, "The Walls Came Down" reached #74 on the charts while the LP peaked at #84.
However, the band followed up Modern Romans with the more ethereal Scene Beyond Dreams in 1984 (which did not break the top 200), and then became embroiled in a legal dispute with Mercury Records that delayed the release of their next album (Reconciled) until 1986. Needless to say, this damaged the group's momentum.
In spite of these issues, The Call continued to release strong albums through 1990, when Michael Been left to try his hand at a solo career. The band later re-formed in 1997, but broke up again in 2000. Been eventually became involved with his son's group (Black Rebel Motorcycle Club) until his untimely death from a heart attack in 2010.
In 1987, Martha Davis broke up the Motels in order to go solo. Later that year, she released the Policy LP, which unsurprisingly sounded a lot like a Motels record. However the hard-fought success that the Motels had captured eluded Davis as a solo artist.
In retrospect, the album was likely hurt by the name change and perhaps by the evolving tastes in the music industry. Davis' brand of melancholy-tinged new wave pop likely seemed out of place by 1987, especially as pop metal took over the charts (and MTV). The album peaked at #127, while "Don't Tell Me the Time" only reached #80.
In the aftermath of Policy, Davis asked to be released from her contract (with Capitol Records) and did not release another solo album until ...So the Story Goes in 2004.
While the song didn't break any new ground, "Don't Tell Me the Time" is a solid Motels-ish pop song that could have been a hit with a bit of luck.
Although they were a one hit wonder in the U.S., Scritti Politti were more successful in the U.K., where they had 5 top 40 hits (and 15 charting singles). The band's origins date back to 1977, but the group (named after the Italian phrase for political writings) was essentially the musical vehicle for Welsh singer-songwriter Green Gartside (born as Paul Strohmeyer).
Scritti Politti's pop sound (with new wave and blue-eyed soul influences) contrasted nicely with Gartside's complex and interesting lyrics. The result was music that can be enjoyed on several levels, and unsurprisingly made the band something of a critical darling. This was no doubt enhanced by the well-crafted studio productions.
"Perfect Way" comes off Scritti's 1985 studio LP, Cupid & Psyche 85. While this was the band's second album, it was their first major label recording, which allowed Gartside access to the money and equipment that he desired. As a result, it was a lush sounding, lyrically dense pop record that did surprisingly well on the charts.
While Scritti did not dent the U.S. charts after "Perfect Way," the group did continue to have mainstream success in the U.K. through the end of the 1980s. Green Gartside remains active in the industry, and continues to release the occasional album (he rarely performs, due to stagefright).
Toni Basil's "Mickey" may seem like an odd choice for a rare videos blog, but loyal readers will recall that we love our covers at ERV ... especially if most listeners don't realize that the song is a cover. This fits "Mickey" to a T. [For other songs of the same ilk, check out the Cover label to the right.]
While the path to success is rarely a straight line, Toni Basil's journey was particularly circuitous. Born as Antonia Basilotta in Philadelphia, Toni grew up as the daughter of entertainers and began her professional career as a dancer. She quickly became interested in choreography and was an assistant choreographer (and dancer) on the Shindig! TV show. Basil also sang and acted throughout the 1960s and 1970s.
Later, Basil became interested in the new wave movement; in fact, she choreographed, and co-directed with David Byrne, "Once in a Lifetime" by Talking Heads in 1980. Soon afterwards, she recorded and released her debut LP, Word of Mouth, which came out in 1981 (U.K.) and 1982 (U.S.).
"Mickey" slowly gained traction, helped by the striking music video. Legend has it that Basil came up with the idea for the video first, and then looked for a song to act as the soundtrack. The video is considered to be the first formally choreographed clip to appear on MTV and was an early example of the power of the new video music channel. The song would go on to become a #1 hit in the U.S. (#2 in the U.K.), while the Word of Mouth album went gold and reached #22 in the U.S. However, Basil never had another top 40 hit, making her a rare (#1) one hit wonder.
In the years since "Mickey," Basil has remained active in the industry, mostly as a choreographer.
"Mickey" was a cover the a song originally called "Kitty" by the U.K. band Racey. The song was written by the songwriting team of Mike Chapman and Nicky Chinn, but was not originally released as a single. It was on Racey's 1979 album Smash and Grab.
Cool trivia fact: The cheerleaders in the video were part of a squad from Carson High School in LA.
Cool trivia fact #2: Devo was heavily involved in the writing and recording of Word of Mouth. At the time, Basil was involved with Devo member Gerald Casale and the group co-wrote several songs and acted as the studio band for the LP.
"Stomp" is a real toe-tapper and a somewhat forgotten classic by the Brothers Johnson -- who really were brothers. The song is also an excellent example of early 1980s dance/funk, sometimes called sophistifunk, for sophisticated funk.
The Brothers Johnson were centered around George and Louis Johnson and began as a backing band before signing with A&M Records in 1975. The group immediately became successful, and had four consecutive platinum LPs between 1976 - 1980. They also scored four top 40 hits (and had eleven top 40 singles in the R&B charts).
Part of their success was likely due to having the smarts or good fortune to work with Quincy Jones. Mr. Jones produced the band's first four albums, co-wrote a few songs, and helped the group collaborate with songwriters such as Rod Temperton and Michael Jackson. We should all be so lucky.
The video for "Stomp" is pretty standard pre-MTV stuff, and shows the brothers playing and driving in their car while people dance. The song seems to be channeling old Kool & the Gang; we particularly dig the bass solo at 2:30. "Stomp" ended up being the band's last big hit at #7, while the album Light Up the Night reached #5. After a less successful album in 1981, the brothers split up, although they have reunited several times through the years.
Drivin' n' Cryin' is an eclectic alt southern rock band who became local heroes in Atlanta and environs, but never quite found their national audience. The group was formed in Atlanta in the mid-1980s by Kevn Kinney (guitar, vocals) and Tim Nielsen (bass), who remain as the group's constant members. And no, Kevn does not spell his name with an 'i'.
After becoming a big club act, Drivin' n' Cryin' signed with 688 Records in 1986; their first LP soon followed. Island Records then picked them up which led to some rock and college radio airtime. However, although they developed a loyal following, they never quite crossed over to mainstream rock audiences. Not only was southern rock out of favor in the late 1980s, but the shifting scene (from hair metal to grunge) made the late 1980s and early 1990s particularly treacherous for rock acts.
"Honeysuckle Blue" is off the 1989 LP Mystery Road. We don't recall ever seeing the video on MTV, although the song did pick up some radio play. However, neither the song nor the album charted.
Drivin' n' Cryin' would continue to have modest success through the early 1990s, and remain together as of this writing as a working band.
