Jason and the Scorchers - White Lies

One of the nice things about writing a blog on eighties rare videos is that is provides an opportunity to revisit and perhaps even introduce a few folks to bands who produced great music, but never made it big.

Jason and the Scorchers (JATS) are a great case in point.  Although front man Jason Ringenberg was originally from Illinois, the band formed in Nashville in the early 1980s.  Stylistically, JATS broke new ground as a country/punk band and probably defined cowpunk as much as any other group.

Loved by critics, Jason and the Scorchers never really broke out in spite of really strong material.  The short answer is that their sound was too country for rock stations and too rocking for country stations.  Ironically, just a few years later, the emergence of modern country with strong rock influences would lead to a rise in popularity of country music.

"White Lies" was the main single of Jason and the Scorchers first full length album -- 1985's Lost and Found.  The album barely broke the top 100, and the song did not chart on the hot 100.  Jason and the Scorchers put out two other solid albums in the 1980s before breaking up in 1990.  They have since reformed a few times and continue to perform.

In addition to being an innovative band that wrote great country/punk songs, Jason and the Scorchers were also known for their high energy live performances.  For folks who are so inclined, here is a clip of them on Conan O'Brien performing "White Lies" around 1998.

JATS strong cover of Dylan's "Absolutely Sweet Marie" was posted on ERV in 2013.

Breakfast Club - Right on Track

Your basic one hit wonder, Breakfast Club has an interesting backstory that has nothing to do with John Hughes.  (In fact, there is no relationship between the movie and the band at all, as far as we can tell).

However, Breakfast Club was Madonna's first band in New York.  Yes, that Madonna (and yes, that New York).  The Material Girl was briefly the drummer of Breakfast Club, in 1979, we believe.  She left to become the lead singer of her own band, Emmy, and then, of course, went out on her own.

Breakfast Club continued on, eventually signing a record deal and releasing their self-titled first album in 1987.  "Right on Track," helped out by a catchy, if somewhat bizarre video went on to become a top 10 hit, peaking at #7.  No doubt the grooving chickens helped (check out the video if you do not know what we are talking about -- coolest chickens ever.)

While Breakfast Club recorded a second album, it was never released and the band broke up in the late 1980s.

Coll trivia fact:  Stephen Bray, the Breakfast Club's drummer, was an old friend of Madonna's from Michigan.  He co-wrote "Right on Track," and co-wrote (with Madonna) "Into the Groove," "True Blue," and "Express Yourself"  among others.  Impressive.

Joan Armatrading - Drop the Pilot

Joan Armatrading is yet another artist who should have had more American success, but never quite found her audience.  In some ways this is understandable, as her music is eclectic and a bit hard to categorize.  However, she is a really solid singer/songwriter and well worth a listen.

Armatrading was born in Saint Kitts, but her family moved to Birmingham (UK) when she was young.  John Peel (the famous UK disc jockey) became a fan early on, and was a supporter of hers throughout her career.  While Armatrading is a bit of a cult figure in the U.S., she had a successful career in Britain, with 14 charting singles between 1976 and 1992.

"Drop the Pilot" from 1983's The Key was her biggest U.S. hit, peaking at #78, while the LP hit #32.  The video is a wonderful combination of a performance and an old movie, with the old Purple Rose of Cairo trick thrown in.  (Yes, we know that Purple Rose of Cairo came out 2 years after this video.)  Additionally, "Drop the Pilot" is representative of Armatrading's work in that it contains elements from multiple musical styles.

For readers who are interested in checking out other songs, we recommend "I Love It When You Call Me Names," "Love and Affection," and "Me Myself I."

Thomas Dolby - Airhead

So in typical ERV style, we're posting a Thomas Dolby song, but it isn't the one that you know and love.  However, it is rare and quite good, actually.

"Airhead" was the lead single from 1988's Aliens Ate My Buick (excellent title, right up there with Mars Needs Guitars, if you ask us (and you didn't)).  The album was a bit of a style change for Dolby, and was more dance influenced that the synth pop that preceded it.  As a result, his fans had a tough time with it.  The album peaked at #70 (Dolby's last charting LP), but fell off the charts relatively quickly.

The video is a wonderfully creative, slightly eccentric puppet show.  Dolby was (he probably still is) a visual artist; one suspects that he was involved in the design of the video.  We haven't been able to find anything out regarding a specific target for the song, but he did marry actress Kathleen Beller in 1988.  It is not too difficult to imagine Dolby finding inspiration for this song in the Hollywood scene.  [By the by, pay attention to the the lyrics; they are truly great.]

As Dolby's popularity waned, he transitioned to film and video game soundtrack work, and we believe that he continues to work in the industry to this day.

Cool trivia facts (a bunch):  Thomas Dolby's given name was Thomas Morgan Robertson; the Dolby nickname came from the keyboards and audio equipment that he used.  Surprisingly, Thomas Dolby is officially a one hit wonder in the U.S. -- while "She Blinded Me With Science" peaked at #5, he did not have another top 40 hit.  Lastly, Dolby played the keyboard intro to Foreigner's 1981 smash, "Waiting for a Girl Like You."  (See what you can learn by reading the whole entry.)

In the interest of completeness, here is the link to the extended dance version of "Airhead," called "Airhead's Revenge," and featuring Salt-n-Pepa.

April Wine - Just Between You and Me

As with any endeavor, inspiration for eighties videos can strike in strange ways.  After we finished the previous post (Lou Gramm's, "Just Between You and Me"), we thought that it would be cool to follow it up with April Wine's, "Just Between You and Me," a totally different song that has the same title (as astute readers will already have noticed).  Consider this a double shot of "Just Between ... "

Canadian rockers April Wine had been around for a lifetime by the time their 1981 album, Nature of the Beast came out.  The band formed in 1969 (!) and had released 8 albums prior to their U.S. breakout.  Nature of the Beast peaked at #26, and ended up going platinum in the U.S. (and double platinum in Canada).  In addition, two singles broke the U.S. top 100 -- "Just Between You and Me" (#21) and "Sign of the Gypsie Queen" (#57).

The video is pretty basic, highlighting the band in concert (in fact, "Sign of the Gypsie Queen" was shot using footage from the same concert).  We have to say, we love the three guitars and the big drum kit (with double bass); the whole thing is a great snapshot of a late 70s / early 80s rock band.

Cool trivia fact:  "Just Between You and Me" was the 14th video ever played on MTV and the first one by a Canadian performer, securing April Wine a place in music video history.

Lou Gramm - Just Between You and Me

Lou Gramm (born Lou Grammatico) became famous as the voice behind Foreigner, who were massively successful during the late 1970s and early 1980s.  However, the creative tension between Gramm (who wanted the band to continue with the straight-ahead rock sound that made them stars) and guitarist Mick Jones (who was pushing for more ballets and new wave inspired keyboards) began to tear the band apart in the mid-1980s.

As a result (stop us if this sounds familiar), Gramm released a solo album in 1987 (Ready or Not).  The LP peaked at #27 and the single "Midnight Blue" broke the top 10. While Gramm returned to Foreigner to work on their next album (Inside Information), the writing was on the wall, and Gramm left Foreigner after his second solo album came out, 1989's Long Hard Look.  (To be fair, Gramm did rejoin the band in the 1990s, but the second iteration did not have much success).

Long Hard Look yielded two top 40 hits, "True Blue Love" (which peaked at #40) and "Just Between You and Me," which hit #6.  "Just Between You and Me" was co-written by the superb hired-gun songwriter Holly Knight (there is more on her on the post for John Waite's "Change," which she also co-wrote.)  The nicely done black and white video intersperses Gramm with a nice young couple who seem to be acting out the song's lyrics.

Gramm would go on to have a major health scare (a benign brain tumor) in 1997; while he survived, the resulting treatment impacted his weight and voice.  However, he seems to be doing well, and continues to perform.

By the way, "Midnight Blue" was posted on ERV in May 2014.

Talk Talk - Talk Talk

Talk Talk were part of the New Romantic movement of early 1980s British synth pop, along with other non-threatening bands such as Duran Duran, Haircut 100, ABC, A Flock of Seagulls and the like.  Amazingly (to me, at least), Talk Talk only had one top 40 hit in the U.S., 1984's, "It's My Life," although a No Doubt cover of the song would go on to hit #10 on the U.S. charts in 2004.

In their native Britain, though, Talk Talk were stars, and had 17 top 100 hits from 1982 - 1990, with "Talk Talk" charting twice, and "It's My Life" charting three times.  "Talk Talk" (the song) was off Talk Talk's (the band's) 1982 debut album, which was surprisingly not called Talk Talk.  (It was titled The Party's Over.)  As another interesting diversion, there have been a fair number of bands that named themselves after their own songs; a partial list will appear in the comments section.

The video for "Talk Talk" (the song) is classic 1982.  By the way, for our younger readers, the machine at the beginning of the video is called a turntable, and it was used to play spinning disks called records, which is how many people listened to music in the dark days before the iPod.  However, the quick cuts, interesting camera angles, white outfits (with ties), and electronic drums were proto-typical of an early 1980s new wave video designed for the new video music channel MTV.  We had not watched the video for this song in quite some time, and we have to say, it really is a somewhat dated thing of beauty.

In any event, Talk Talk (the band) would go on to become one of the most interesting bands of its era, as they evolved quite dramatically from a new wave band to an experimental post-rock band that were critically acclaimed -- and quite ahead of their time.  Unfortunately, this rapid evolution did not lead to huge commercial success, and the band broke up in 1992.  For readers who are interested in Talk Talk's development, almost anything from 1988's Spirit of Eden or 1991's Laughing Stock is recommended.

Is it just me, or does it appear that lead singer Mark Hollis is having some kind of seizure when he sings?

As an added bonus, we recently (2014) found a second version of the video; it is below for your approval.

Hyts - Backstabber

Here at ERV, we realize that there is a wide range of videos that could be considered rare, and we try to run the gamut.  In fact we even put some not-so-rare stuff up occasionally (the cover songs, for instance).  However, there can be little doubt that "Backstabber" is rare by any definition, and we suspect that most of our readers have never heard of the band or the song.

Hyts were a foursome out of California who signed to Gold Mountain Records in the early 1980s.  The band was made up of Pat Little (lead vocals, guitars), Stan Miller (bass), Tommy Thompson (keyboard, guitar) and Roy Garcia (drums).  Their self-titled debut album was released in 1983, and had a minor hit, "Backstabber" that reached #48 on the rock charts (it did not chart in the Hot 100).

The video is something else.  A "Psycho" inspired schlockfest, complete with a lead singer singing in the shower, dancing skeletons, and dancers who transform into mother (complete with knives) ... it really has to be seen to be believed.  Oh, and did we mention that the guitarist and bass player have matching outfits?  [We also love the video clip that it comes from, as it starts with a promo for a Duran Duran concert ... cool, old MTV].

At any rate, Hyts went on tour to support the record, but had to stop when drummer Roy Garcia was injured (he fell off the stage).  The follow up record (Looking From The Outside) was delayed by the label, and when it was finally released in 1986, it did not sell well.  The band was subsequently dropped by the label and faded from view ... until now.

Benjamin Orr - Stay the Night

Benjamin Orr (Orzechowski) was the co-vocalist and bass player for the Cars, the seminal 70s and 80s new wave band out of Boston.  He released one solo album, 1986's The Lace, which peaked at #86 on the Billboard album charts.  The Lace also produce one hit single, "Stay the Night," which hit #24.

The Lace came out during a down period for the Cars; in fact, Ric Ocasek and Elliot Easton also released solo albums around the same time.  While the band did manage to churn out one more album (1987's Door to Door), in retrospect this was the beginning of the end.  Interestingly, the break up does not seem to have been terribly acrimonious, as many of the members stayed in touch.  It just seemed as if they were tired of working together as a band.

Orr continued to play music, but curiously never did a follow up album.  He apparently recorded some music for an intended CD in the 1990s, but it never materialized.  However, Orr continued to play music until his death (from pancreatic cancer) in 2000.

By the by, an earlier Ric Ocasek solo song ("Something to Grab For") was previously posted on this blog (September 1, 2011).  We also posted the Cars "Since You're Gone" in May, 2014.

Erasure - A Little Respect

If you are not a big 80s synth pop fan, the name Vince Clarke may not mean anything to you, but he wrote some of the strongest songs of the genre, and was a writing force behind several successful bands.

Clarke got his start in Depeche Mode, where he wrote most of the songs for 1981's Speak and Spell, including "Just Can't Get Enough."  A disagreement over the musical direction of the band led to his departure that same year, and he formed Yazoo (Yaz if you live in the U.S), where he again wrote most of the material, including "Don't Go."  When Alison Moyet opted to go solo in 1983, Clarke worked with Eric Radcliffe and Feargal Sharkey (yes, the same one who was highlighted on this blog on November 15, 2011 ... small world, huh?) in a project called The Assembly who actually had a top 5 hit in the UK called "Never Never" that was written by Clarke (of course).

The Assembly did not work out, and Clarke started Erasure (with Andy Bell) in 1985.  After a slow start, they had a string of hits in the UK and Europe, with 22 consecutive top 20 hits in the UK, including 12 that peaked in the top 10.  In the U.S., Erasure was more of a cult dance/synth pop band, and had only 2 top 40 hits -- "Chains of Love" (#12) and "A Little Respect" (#14), both from 1988's The Innocents LP.

"A Little Respect" has become one of Erasure's signature songs, and is a great example of a strong dance/synth/pop song.  However, it would have to go on the list of least imaginative (i.e., most literal) videos ever.  Just check it out (but consider yourself warned ...)