Erasure - A Little Respect

If you are not a big 80s synth pop fan, the name Vince Clarke may not mean anything to you, but he wrote some of the strongest songs of the genre, and was a writing force behind several successful bands.

Clarke got his start in Depeche Mode, where he wrote most of the songs for 1981's Speak and Spell, including "Just Can't Get Enough."  A disagreement over the musical direction of the band led to his departure that same year, and he formed Yazoo (Yaz if you live in the U.S), where he again wrote most of the material, including "Don't Go."  When Alison Moyet opted to go solo in 1983, Clarke worked with Eric Radcliffe and Feargal Sharkey (yes, the same one who was highlighted on this blog on November 15, 2011 ... small world, huh?) in a project called The Assembly who actually had a top 5 hit in the UK called "Never Never" that was written by Clarke (of course).

The Assembly did not work out, and Clarke started Erasure (with Andy Bell) in 1985.  After a slow start, they had a string of hits in the UK and Europe, with 22 consecutive top 20 hits in the UK, including 12 that peaked in the top 10.  In the U.S., Erasure was more of a cult dance/synth pop band, and had only 2 top 40 hits -- "Chains of Love" (#12) and "A Little Respect" (#14), both from 1988's The Innocents LP.

"A Little Respect" has become one of Erasure's signature songs, and is a great example of a strong dance/synth/pop song.  However, it would have to go on the list of least imaginative (i.e., most literal) videos ever.  Just check it out (but consider yourself warned ...)

John Hiatt - Slow Turning

How can you tell if an artist is a great singer-songwriter?  Well, how is this for a partial list of performers who have covered John Hiatt songs:   Bob Dylan, Willy DeVille, Linda Ronstadt, Bonnie Raitt, Eric Clapton, B.B. King, Willie Nelson, Three Dog Night, Joan Baez, Paula Abdul, Buddy Guy, Jimmy Buffett, Mandy Moore, Iggy Pop, Emmylou Harris, Dave Edmunds, Nick Lowe, The Nitty Gritty Dirt Band, Rosanne Cash, Jewel, Aaron Neville, Jeff Healey, Keith Urban, Joe Cocker and Chaka Khan.  Impressive, yo.

John Hiatt put out his first record in 1974, but it took him years to find his voice (and his audience).  In addition, his career was almost ruined by years of alcohol abuse.  His breakthrough came on 1986's Bring the Family, which had two notable songs -- "Have a Little Faith in Me" and "Thing Called Love."  Since then, virtually all of his album have had strong sales, and end up peaking between 110 and 50 or so on the album charts.

Amazingly, in spite of critical acclaim and solid LP sales, Hiatt has never had a top 100 single.  "Slow Turning," from the 1988 LP of the same name, is his biggest hit -- it reached #8 on the Mainstream Rock Charts.  It is also a great song and quirky, cool video.  And, as a bonus, it has one of the great lines in rock and roll:

"Now I'm in my car

Ooh, I got the radio on

And I'm yellin' at the kids in the back

Cuz they're banging like Charlie Watts"

The Church - Under the Milky Way

A lush, haunting song, "Under the Milky Way" almost did not make it on to The Church's 1988 album, Starfish.  When bassist/singer Steve Kilby first played the song to the band, they were unenthusiastic, although the drummer and manager liked it enough to push for its inclusion on the LP.  The band eventually came around enough to release it as a single, and it went on to become a huge hit.  In fact, The Church are a classic one hit wonder in the U.S. -- one hit single (in the top 40) and no other charting songs.

While "Under the Milky Way" was ostensibly written about Kilby's then-girlfriend, Karin Jansson, it was really about nothing, according to Kilby.  He wasn't terribly bothered about the lyrics, instead working on the song to create an atmosphere, which he did exceedingly well.  The 12-string acoustic guitar (which starts the song) and the Ebow solo (providing a strange, bagpipe-esque sound) all combine to make this an unusual, and interesting song.

The Church remained successful through the mid-1990s in their native Australia, and continue performing to this day.  "Under the Milky Way" would go on the be voted the best Australian song of the past 20 years (in 2008) by The Australian newspaper.

Cool trivia fact:  The song's title comes from the English translation of the Amsterdam music hall called the Melkweg, which is still around.

The La's - There She Goes

Astute readers may look at this post and think, "Isn't this song from the early 1990s?"  And they would be half-right (but let's say wrong for the purpose of this blog).

The story of The La's centers around Lee Mavers, your garden-variety perfectionist/musical genius.  Creatively, Mavers was The La's, although there have been a succession of musicians who worked with him over the years.  The band formed in Liverpool in the mid 1980s, and signed their first recording contract in 1987.

The first version of "There She Goes" was released in 1988, and hit #59 on the UK charts, hence my assertion that this song belongs on the blog.  However, work on their self-titled first album took two additional years, before finally being released in 1990.  The remixed version of the song (from the LP) reappeared on the UK charts (#14) and hit the U.S. charts in 1991 (#49).  With the success of their first album, Mavers was given additional autonomy to record his second album.  This turned out to be a disastrous decision.  Work on the follow up LP started in 1991, but was never completed (the project was apparently abandoned in the mid-1990s).  Sadly, aside from an occasional appearance, Mavers has disappeared from view.

In terms of the song, it is a catchy 60s-influenced pop song with an unusual structure.  The song has no verses -- just a chorus (repeated 4 times) and a bridge.  And yet, the unusual structure only seems to add to the appeal.  There are unconfirmed rumors that "There She Goes" is about heroin use or is an allusion to "There She Goes Again" (Velvet Underground).  Or perhaps it is just a simple, honest love song.  Regardless, it has aged well and is now something of a rock standard.

As befits a song with a complex, interesting history, there are two videos.  And what kind of lame blog would this be if we didn't show our (few) loyal readers both versions?

The first version was shot in 1988:

And the second version came out in 1990:

Cool trivia fact:  the La's version of "There She Goes" has charted 4 separate times in the UK -- in 1988 (#59), 1990 (#14), 1999 (#65), and 2008 (#181).

Jane Wiedlin - Rush Hour

Best known as the rhythm guitarist for the Go-Go's, Jane Wiedlin also released two albums that charted in the 1980s, and has released two more since then.

"Rush Hour" is from her second album, 1988's Fur.  Although the album received mixed reviews, "Rush Hour"  was praised as a good pop song, and would go on to become Wiedlin's biggest solo hit, reaching #9 on the Billboard charts.  Unfortunately, the Fur album did not do as well, peaking at #105.

The original idea for the song came from sitting in traffic in LA.  It occurred to Wiedlin, that "Rush Hour" sounds like it should be fun, but obviously it isn't.  She turned the phrase on its head, and came up with the idea for the song, which she then co-wrote with Peter Rafelson (a professional song writer).

The video is relatively simple, and just shows Wiedlin performing and swimming with the fishies (ok, dolphins, whatever).  Wiedlin is a well-known animal rights activist, which may have had something to do with it.

Henry Lee Summer - I Wish I Had a Girl

Indiana born Henry Lee Summer (born Henry Lee Swartz) was not an overnight success story.  Self-taught on guitar, piano and drums, he was a working musician from the late 1970s on, and released a few demo singles, and even two full albums before being signed by Epic records in 1988.  Summer then had a brief period of real success, with 5 songs that charted between 1988 - 91, including 2 top 40 hits.

"I Wish I Had a Girl" was his first hit, and rose to #20 on the Billboard charts (and #1 on the Mainstream Rock Charts).  The song was actually written and recorded in 1985, but was re-recorded for his major label debut.

As for the video ... well, it is chock full of mullety (is that a word?), acid wash late 1980s goodness.  Henry Lee seems to be harassing every young woman who walks down the street.  My favorite is the bicycle singing harassment, which cannot be an easy thing to do.

As his success waned, Summer wrote songs for a few soundtracks (Sniper and Striking Distance) before fading from view.  He was back in the news a few times between 2005 - 10 for drug-related issues, but seems to have cleaned up as of this writing.