Steve Earle & The Dukes - I Ain't Ever Satisfied

"I Ain't Ever Satisfied" is off Steve Earle's second MCA record, Exit 0, and it highlights an artist in transition.  While the album is still a country/rock record, songs such as "I Ain't Ever Satisfied" show such a strong roots rock sensibility that it is not surprising to find that Earle migrated to a more straight up rock style for his next album, 1988's Copperhead Road.  [By the by, "Copperhead Road" (the song) was featured on ERV last June.]

For better and worse, Steve Earle has lived the rock and roll lifestyle.  He was born in Virginia but grew up in Texas and began playing guitar at 11.  Earle left home at 16, eventually moving to Nashville.  Years of work led to several recording contracts before he signed with MCA and released Guitar Town in 1986.  Guitar Town was a breakout record, and Earle was seen as a fresh new country artist and a roots rocker. While Exit 0 and Copperhead Road did well, creative and political tensions with the Nashville music scene, drug use, and multiple marriages (7 as of this writing) derailed Earle's career by the early 1990s.

Recorded with his touring band, the Dukes, "I Ain't Ever Satisfied" clearly shows the talent of Earle.  The video, loosely following the Robert Johnson Crossroads story, seems pitch perfect and is enhanced by a Waylon Jennings cameo at 3:31.  The lyrics are also worth calling out, as they are tremendous.  Allmusic goes so far as to state that this is something of a theme song for Steve Earle; at a minimum, it does provide some insight into the man.

McAuley Schenker Group - Gimme Your Love

Any discussion of the McAuley Schenker Group has to begin with the Mad Axeman himself, Michael Schenker.  The guitar protégé started performing with his older brother Rudolf in the Scorpions at 15 before joining the British hard rock band UFO in 1973 as an 18 year old.  His work in UFO established Schenker as a premier guitarist but his behavior became increasingly erratic, primarily due to alcohol issues, and he left the band in 1978.

After a brief stint with the Scorpions in 1978-79, Schenker decided to form his own band, appropriately named the Michael Schenker Group (MSG).  While MSG showed flashes of strong material, the group's album were also notoriously inconsistent, plagued by the continued alcohol abuse of Schenker (which also led to significant turnover within the band).

In 1986, Schenker recruited Irish vocalist Robin McAuley and was so impressed by the songwriting that he re-named the band the McAuley Schenker Group.  This version of MSG would go on to release three studio albums, one EP and one live album before McAuley left the band (to get married and temporarily retire from the industry) in 1993.

The McAuley Schenker Group's sound was more commercial than most of Schenker's other work.  This was not accidental; the group moved to Los Angeles and tried to cross over during the heavy metal heyday of the mid to late 1980s.  Unfortunately, significant commercial success eluded them.

For the blog, we went with "Gimme Your Love" from the first McAuley Schenker Group album, 1987's Perfect Timing.  The song did not break to top 100 (though it did hit #40 on the Mainstream Rock Charts), while the album peaked at #92.

Schenker remains active in the industry to the present day, and has been involved in occasional reunions with UFO.  McAuley also remains in the industry, and was the lead vocalist for Survivor from 2006 - 2011.  He has also performed with Schenker, notably on his 2012 tour.

Cool trivia fact:  At different points in his career, Michael Schenker was asked to audition for the Rolling Stones, Aerosmith and Ozzy Osbourne.  Obviously, none of the auditions worked out.

Jody Watley - Still A Thrill

The Queen of Cool, Jody Watley, was a major star for a few years in the late 1980s.  Between 1987 and 1989, she scored two top 20 albums and six top 10 hits.  While her pop success has faded since then, she remains active and continues to have dance hits to the present day.

Watley got her start as a Soul Train dancer, and then was invited to join Shalamar in 1977.  Frustrated by the group's lack of interest in her songs, she left the group in 1982 and moved to London, where she worked with Musical Youth and Art of Noise (she was also part of the 1984 Band Aid project).  She later returned to the U.S. and released her eponymous (and hugely successful) solo album in 1987.

For the blog, we went with "Still A Thrill," a lesser-known single from her debut album.  The song only reached #56 on the charts, and we do not think that the video was widely played at all.  This is a shame, because it is a great late 1980s funk song, with a definite Minneapolis feel to it.  It turns out the Watley's co-writer was none other than André Cymone, who had been Prince's bass player (pre-Revolution).  Cymone and Watley were also married until 1995.

Cool trivia fact: Watley's dance partner (and choreographer) was Tyrone “The Bone” Proctor, a fellow Soul Train dancer from back in the day.

Mojo Nixon and Skid Roper - Elvis Is Everywhere

Every now and then, MTV would highlight something bizarre -- as in straight out of Dr. Demento bizarre.  (Weird Al immediately comes to mind).  One of these unlikely success stories was the psychobilly craziness of Mojo Nixon and Skid Roper.

Mojo Nixon (born as Neill McMillan) and Skid Roper (born as Richard Banke) began working together in San Diego in the early 1980s.  Nixon was the hyperactive hillbilly, while Roper provided the accompaniment (mostly the washboard).  Although the duo had "novelty band" written all over them, Nixon's manic monologues and the band's rockabilly/cowpunk/psychobilly sound generated some airplay on college radio.

For some strange reason, MTV got behind "Elvis Is Everywhere" from the band's third album Bo-Day-Shus!!!  Even better, the video music channel used Nixon as a part time VJ and ran a few short clips between videos ... well, just because.  The results led to some short-lived success, as the album charted (#189) and the song received some airplay.  [We're particularly partial to the claim that Commodore Elvis needs boats.]

Mojo Nixon and Skid Roper continued releasing albums through the 1980s before breaking up in 1989.  Nixon continued working, but was hampered when his label went bankrupt.  However, he remained in the industry as a musician and personality (though there have been several retirements) to the present day.

INXS and Jimmy Barnes - Good Times

As fall rolls in (in the Northern hemisphere), our thoughts turn towards the upcoming All Hallows Even.  And yes, before you ask, ERV will have a special collection of Halloween videos (just as we do every year), starting in about two weeks.  Consider this an offering from the chef -- a tasty morsel prior to the full meal of Halloweeny videos.

"Good Times" was off the soundtrack of the 1987 teen vampire film The Lost Boys which starred Kiefer Sutherland, Jason Patric, Jami Gertz and the Coreys (Haim and Feldman).  We may be biased, but the movie is not half bad, and the soundtrack is actually pretty strong (and used extensively in the movie itself).  Helped by MTV, "Good Times" would peak at #47, while The Lost Boys soundtrack would reach #15 on the album charts.

Americans (well, non-Australians) may also wonder why Jimmy Barnes got to sing with INXS.  It turns out that Barnes was the lead singer of the Australian rock band Cold Chisel before becoming a solo artist.  Cold Chisel enjoyed huge success in their home market (6 top 10 LPs, including 3 #1s) but never broke through internationally.  The group disbanded in 1983, and Barnes would go on to have a successful solo career in Australia, with 7 #1 LPs (and 3 #2s).

Making the song even more interesting (and more Australian, to boot), it is a cover of a 1968 Easybeats song.  The Easybeats were the most successful Australian rock band of the 1960s and the first Australian rock act to have an international hit with "Friday on My Mind."

The INXS and Jimmy Barnes version:

The original Easybeats song:

Note that INXS was previously featured on ERV with "Don't Change" back in December 2011.

Echo & The Bunnymen - Lips Like Sugar

Although they had a string of hits in the U.K (including 13 top 40 singles)., Echo & the Bunnymen never charted in the U.S.  However, they were popular on college radio and did develop something of a cult following in the 1980s.

The band came out of the late 1970s Liverpool scene.  In fact, lead singer Ian McCulloch had previously been in Crucial Three with Julian Cope (who went on to form The Teardrop Explodes before his solo career) and Pete Wylie (Wah! Heat).  After Crucial Three broke up, McCulloch began working with guitarist Will Sergeant and bass player Les Pattinson and Echo & the Bunnymen was formed.  Some sources believe that the drum machine used by the band was named Echo, but this seems to be in dispute.  There is little doubt that the name was essentially random and meant to be ridiculous.

We have to admit that we were surprised that "Lips Like Sugar" never charted, as it has generated a fair bit of airplay through the years.  The song did chart in the U.K., where it reached #36, while the album was Echo's highest charting U.S. LP, where it reached #51.

McCullouch left the band in 1988, effectively ending Echo & the Bunnymen (although one album without him was released).  The group then re-formed in 1997 and remains together as of this writing.

Loverboy - Notorious

Loverboy was one of the biggest arena rock acts of the early to mid 1980s.  During their heyday, they had four consecutive double platinum (or better) records in the U.S., plus nine top 40 singles.  The band's combination of layered guitars and synthesizers, and a "four on the floor" bass drum (typically coming down every beat rather than every other beat) created a driving rock sound that sounded vaguely dance influenced.  While they could be inconsistent, their best work was anthemic and likable.

The band formed in Calgary in 1979, and was comprised of musicians who were veterans of other bands, making them something of a local all star band.  Legend has it that their initial demo recordings were rejected by every major label in the U.S.; they eventually signed with Columbia Records of Canada.  The resulting album almost immediately became a huge hit in Canada, and crossed over to become a major success in the U.S., as well.

Led by singer Mike Reno (he of the headband and tight red leather pants) and guitarist Paul Dean, the band's name came about somewhat randomly.  The band was originally named Cover Girl, after seeing a magazine ad for the cosmetics; over time the name changed to Cover Boy and then Loverboy.

"Notorious" is a later and lesser-known song (hence its inclusion on ERV), and it was the band's last U.S. top 40 hit at #38.  It was the lead single off their 1987 Wildside album, the last album before the band broke up due to creative differences in 1988.  They since re-formed in 1991 and we believe are together as of this writing (with the exception of original bassist Scott Smith, who died in a boating accident in 2000).

Oh, and the video is about as lightweight as it gets, with girls, a Ferrari and some savoir faire thrown around in a seemingly random pattern.  But we still like it.

Cool trivia fact:  "Notorious" was co-written by Jon Bon Jovi and Richie Sambora (along with Mike Reno, Paul Dean and professional songwriter Todd Cerney).

T'Pau - Heart and Soul

Although they were stars in the U.K. (where they had 8 top 40 hits), T'Pau were a classic one hit wonder in the U.S., with only "Heart and Soul" breaking the top 40.  The band was formed in Shropshire, U.K. in 1986 and were led by singer Carol Decker.  The group was originally called Talking America but changed their name to T'Pau (a Star Trek character) almost randomly.  It seems that an old episode of the TV show was on in the background while they were debating names, and the word T'Pau stuck in their heads.

T'Pau's demo tapes soon scored them a recording contract with Virgin Records, and the band's debut LP, Bridge of Spies was released in 1987.  Interestingly, the initial release of "Heart and Soul" did not go well.  And then ... it was used in a Pepe Jeans commercial in the U.S. and U.K. and absolutely took off, reaching #4 on both sides of the Atlantic.

While they did not chart again in the U.S., our British readers may remember "China in Your Hand," a #1 song from later in 1987.

The band broke up in 1991, then re-formed in 1998 and continue to perform as of this writing.

Midnight Oil - The Dead Heart

In 1986, Midnight Oil embarked on the Blackfella/Whitefella Tour with the Warumpi Band and Gondwanaland (both Aboriginal rock bands).  The resulting experience of playing before some of the most remote and impoverished Aboriginal communities in Australia led to the 1987 concept album Diesel and Dust.

In retrospect, the tour and resulting LP were a logical continuation of the path that Midnight Oil had blazed since their 1978 debut album.  The band was known for their progressive political views; they were one of the first Australian political rock bands.  Led by the tall, bald Peter Garrett, Midnight Oil looked and sounded unlike other bands and built a loyal following through the 1980s.

The Diesel and Dust album is generally regarded as Midnight Oil's finest effort.  Rolling Stone ranked it as the 13th best album of the 1980s, and it routinely shows up at or near the top of many lists of the best Australian albums ever.  The album was also a huge success, reaching #21 in the U.S. (it was the band's second of four consecutive #1 albums in Australia).

While "Beds Are Burning" was the biggest U.S. hit from the LP, we went with "The Dead Heart," a haunting pop song written from the Aboriginal point of view.  It was a #4 hit in Australia  but did not break the top 40 in the U.S., peaking at  #53.

Midnight Oil disbanded in 2002, as Peter Garrett wanted to devote more time to his political career, although they have re-formed from time to time since then.  Garrett has been a Labour MP (Member of Parliament)  since 2004.

Cool trivia fact:  Midnight Oil is a U.S. one hit wonder, as only "Beds Are Burning" (#17) broke the top 40.

Great White - Rock Me

Part of the appeal of rock and roll is that it is an escape from the real world, but every once in a while, the real world crashes the party.  Few bands know this better than Great White, as their story includes one of the most tragic chapters in rock history.

Of course, we are referring to the February 2003 fire at The Station nightclub in Rhode Island.  As most folks will recall, pyrotechnics lit by the band's touring manager ignited soundproofing foam and led to a fire that killed 100 people and injured another 200.  It was the fourth deadliest fire in U.S. history.  Among the dead was Great White's guitarist, Ty Longley, and WHJY DJ Mike "The Doctor" Gonsalves (who was MCing the show).

In the aftermath of the show, Great White toured to support the Station Family Fund, before the band split into two factions.  Lead singer Jack Russell continued to tour, using the name Jack Russell's Great White, while several other original members played shows using the Great White name.

All of this was a far cry from the band's successes during the late 1980s / early 1990s.  Their brand of blues-rock led to three straight top 25 albums, and two top 40 hits.  Great White's biggest hit was their cover of Ian Hunter's "Once Bitten, Twice Shy," but they had a second hit with "The Angel Song." (Nope, not sure we remember that one either.)

For the blog, we went with their breakout hit, 1987's "Rock Me" from the Once Bitten ... LP.  While the song peaked at #60 on the charts, it introduced the band to a wider audience, helped by the video below.  By the way, the woman in the video is Tracy Martinson, who appeared in a bunch of Great White videos, but left the industry years ago.

Pebbles - Mercedes Boy

Pebbles (born as Perri McKissack; Pebbles was a childhood nickname) had a brief but successful career as a solo artist before transitioning to management.  She is one of few artists who was probably more successful as a manager than a performer ... but more on that in a moment.

Pebbles got her start as a backup singer for Bill Summers and Con Funk Shun in the early 1980s.  In addition to singing, she began writing songs and eventually secured a recording contract with MCA.  Her self-titled first album, released in 1987, peaked at #14 and produced two top 5 hits -- Girlfriend (#5) and Mercedes Boy (#2).  Her second album, 1990s Always also did well and produced two more top 40 singles.

In 1989, Pebbles married her second husband (she has been married 4 times as of this writing), record producer L.A. Reid.  This led to the formation of Pebbitone (her management company) and Savvy Records (her record label).  More importantly, Pebbles became the manager of a new female R&B group called TLC.  While TLC became superstars, Pebbles relationship with the band deteriorated over time, and eventually TLC left Pebbitone, around the same time that Pebbles marriage to Reid ended.  Pebbles then became more religious and left the secular music industry.

"Mercedes Boy" was written by Pebbles about a high school boyfriend, and co-produced by Charlie Wilson (of Gap Band fame).  It is notable for having a strong guitar solo, which is something of a rarity for R&B (and may be one factor that helped the song cross over).

Cool trivia fact:  The male dancer is Rudy Houston, a former Solid Gold dancer who also appeared in Janet Jackson's "What Have You Done For Me Lately?" video.  In the 1990s, he apparently underwent a sex change operation (and appeared on the Sally Jessy Raphael Show to discuss it).

Icehouse - Crazy

"Man of Colours" was Icehouse's fifth album; the band dates back to 1977, and began as a pub rock group from Sydney, Australia.  The group was originally called Flowers, but changed their name in 1981 (after signing with Chrysalis) to avoid legal issues, as there was a signed Scottish band with the same name.  Icehouse was chosen as it was the name of Flower's debut album in Australia, which in turn was named after a song, inspired by frontman Iva Davies' flat (apparently the building was cold and in a dodgy part of town).

Speaking of Iva Davies, it is worth pointing out that Icehouse really was his band, as he was the lead singer and songwriter for Icehouse.  (He also played keyboards and guitars on their studio recordings).  The other members of the band tended to turn over every few years (with a few exceptions).  [This explains why both videos below feature Iva so much.]

As with many Australian bands, they were much bigger in their home market than they were abroad.  Icehouse had 18 top 40 hits in their homeland between 1980 and 1990; in contrast they had 2 in the U.S. -- "Crazy" (which hit #14) and "Electric Blue" (Co-written by John Oats of Hall & Oats, which peaked at #7).  By the way, "Electric Blue" was their only #1 in Australia, although "Crazy" did hit #3.  While the band's success diminished after 1990, they have remained active to this date.

Lastly, it is worth noting that the band shot two videos for the song -- the first version was the Australian music video, directed by Mark Joffe:

The second version is the U.S./International version directed by John Jopson.  If that name is familiar, it is because Jopson directed a ton of videos in the 1980s, including songs by the Hooters, Poison, Choirboys, the Outfield and John Waite:

Julian Cope - World Shut Your Mouth

The ambitious, eclectic and eccentric Julian Cope has been one of the more interesting figures in the music industry over the past few decades.  Cope first showed up on the scene as the lead singer of The Teardrop Explodes, a psychedelic new wave band from Liverpool.  The band achieved a fair amount of success in the UK in the early 1980s, before creative tensions and drug use tore the band apart.

Cope then went on to a successful solo career.  To be fair, his solo work is somewhat inconsistent, partly due to continued drug use and partly a result of his avant-garde tendencies.  However, at his best, Cope recorded some truly great (and under appreciated) independent rock.

"World Shut Your Mouth" was Cope's most successful single, and was off the Saint Julian LP.  The song was a top 20 hit in the UK, but only rose to #84 in the U.S.  It remains Cope's only charting (top 100) song on Billboard.  The video is pretty straight ahead, with the exception of the jungle gym mike stand.

In the aftermath of Saint Julian, Cope remained a prolific songwriter and continues to release material to the present day.  In addition, he has written 2 autobiographies, 2 books on lesser-known music (one each on the German and Japanese underground music scenes), and 2 books on ancient monuments and sites in the UK and Europe.

Cool trivia fact:  Cope recorded Saint Julian using a Gibson ES-335 12-string guitar, but he only used 9 strings -- the E, A and D strings were singles, while the the G, B and high E strings were doubled.  This is an unusual set up, but it does seem to fit Cope.

Cool trivia fact #2:  Chris Whitten (formerly of The Waterboys) played drums on Saint Julian.  Whitten was also the drummer on "The Whole of the Moon."

Guns N' Roses - It's So Easy

There was never anything easy about Guns N' Roses.  The band announced their presence with screaming vocals and howling guitars, and made music that was raw, rough and occasionally ugly -- but it was very, very real.  They also brought a level of excitement that rock had not seen in years.  For an all-too-brief period in the late 1980s and early 1990s, they were the Biggest Band in the World, before it all went south.

Between 1987 and 1991, the band released four albums, and sold just shy of 90 million units worldwide.  Appetite for Destruction, their debut LP, was a #1 record and sold 18 million units in the U.S. alone.  So how does a band this big show up on ERV?  Well, that's a funny story ...

Back in 1987, after the band recorded Appetite, they decided to release "It's So Easy" as their lead single.  The video was filmed at Riki Rachtman's Cathouse club, a run down bar that was popular among up and coming LA hard rock bands.  So the video is shot, a rough cut is made ... and the label freaks out.  The video is just way too rough to be played in the U.S.  In fact, an edited version was rejected by MTV, and Geffen drops the video (and never promotes the single, as far as we can tell).

Later, when "Welcome to the Jungle" is released, Geffen still has a hard time with MTV, but finally gets the station to air the video -- at 5AM on a Sunday.  Apparently, MTV almost immediate started getting requests for the video, the momentum built, and ... well, you know the rest of the story.

Years later, the original promo video for "It's So Easy" is leaked and shows up on the internet.  Overall, this makes it the perfect video for ERV -- totally rare video from a huge band.  Oh, and be warned, the video is somewhat explicit, so NSFW (or kids).

2018 Update:  GnR officially released a better quality, official video, so we have updated the link.  It includes a bit of behind the scenes footage from back in the day.

Cool trivia fact: Rolling Stone rates Appetite as the 27th best album of the 1980s ... and as the 62nd best album ever.

Sinéad O'Connor - Mandinka

Before her controversial antics turned her into a virtual pariah, Sinéad O'Connor was an important and interesting new artist.  Her debut album, 1987's The Lion and the Cobra is still viewed as a significant album for both alternative rock and female artists.  In fact, O'Connor's aggressive style set the stage for a host of female performers during the 1990s, including Liz Phair and Alanis Morissette.

For the blog, we have chosen "Mandinka," the song that really launched her career in the U.S.  The video was played on MTV a bit back in the day, including on 120 Minutes (now who remembers that show?), which helped to make it a college rock hit.  However, the song did not chart on the Billboard 100.

Of course, Sinéad O'Connor's follow up album, 1990's I Do Not Want What I Haven't Got became a huge hit (#1 just about everywhere), led by the Prince-penned "Nothing Compares 2 U" (also #1 just about everywhere).  From there, things went downhill in a hurry, as O'Connor's controversial political stands and erratic behavior hurt her popularity to the point that she was booed offstage at a Bob Dylan tribute concert.  She eventually "retired" from the music industry for a number of years, although she has released new material in recent years.

Cool trivia fact:  Sinéad O'Connor is a rare one hit wonder -- her only top 40 hit (the previously mentioned "Nothing Compares 2 U") was a #1 hit.  "The Emperor's New Clothes," O'Connor's only other charting hit in the U.S., peaked at #60.

10,000 Maniacs - Like the Weather

Few bands have as much of a disconnect between their name and their sound as 10,000 Maniacs.  The inspiration for the band's name came from the 1964 Herschell Gordon Lewis splatter film, Two Thousand Maniacs!, which is about as far from folk-pop as you can get.  As an aside, the band may not have remembered exactly how many maniacs were involved when they picked their name.

10,000 Maniacs' first big commercial success was their 1987 album, In My Tribe, and "Like the Weather" was their first charting single.  Although it did not break the top 40, it reached a respectable #68.  The band would go on to have seven additional charting singles, including two top 40 hits (but only one after lead singer Natalie Merchant left the band in 1993).  With their mellow sound and socially-aware lyrics, they became a staple of the "coffeehouse sound" and enjoyed significant success on college radio.

The video is pretty standard fare, although it almost seems to be a song by Natalie Merchant with a backing band.  To be fair, she did write the song, though.

As most readers will know, both 10,000 Maniacs and Natalie Merchant remain active in the music industry as of this writing.

Cool trivia fact:  Rolling Stone views In My Tribe as the 65th best record of the 1980s.

MARRS - Pump Up the Volume

MARRS (or M|A|R|R|S) was formed when Ivo Watts-Russell, the head of 4AD records in London, proposed a project to blend soul with electronica.  He did this after two bands on his label -- Colourbox (electronica) and A.R. Kane (dream pop) independently mentioned the idea to him.  The project was called MARRS, after the artists' first names --  Martyn Young (from Colourbox), Alex Ayuli, Rudy Tambala  and Russell Smith (from A.R. Kane), and Steve Young (from Colourbox).

Unfortunately, it soon became obvious that the bands simply could not work together.  As a result, each band recorded material and then let the other band provide input.  Although the original idea was to record an LP, the groups recorded one song each and then the project shut down.  Colourbox contributed "Pump Up the Volume," which sampled some A.R. Kane guitars, while A.R. Kane wrote "Anitina," with Colourbox providing the drum programming.

This would have been the end of the story, except that "Pump Up the Volume" sounded really, really good.  Released as a single in 1987, it became the first #1 song in the UK that used samples. (It peaked at #13 in the U.S.)  The title comes from an Eric B. & Rakim sample (from "I Know You Got Soul"); other samples include songs from:  Fab 5 Freddy, Kool & the Gang, Public Enemy and Run-D.M.C.  In fact, some samples were cut from the U.S. version, as the rights could not be obtained.  Overall, the U.S. version has 23 samples (the original UK version has 26 samples).

In spite of the huge success, the bands had no desire to record together again, and the project was never re-formed.  Colourbox broke up in 1987, while A.R. Kane remained active until 1994. Interestingly, while both bands were well-regarded by critics, neither had much commercial success either before or after the MARRS project.

BoDeans - Only Love

The Wisconsin-based BoDeans came onto the music scene in the mid 1980s, and were another roots rock band that was loved by critics and briefly viewed as The Next Big Thing in rock -- much like the Del Fuegos had been in 1985.  The band's breakout album was 1987's Outside Looking In, and the first single was the catchy song below, "Only Love."  The BoDeans opened for U2 and were named Best New American Band by the readers of Rolling Stone magazine.  (As many readers will know, being named best new artist by anyone is the kiss of death for most acts.  Don't believe me?  See the comments section for a list of Grammy winners for Best New Artist going back to 1975).

At any rate, Outside Looking In stalled at #86 on the album charts, and "Only Love" didn't hit the singles charts.  1989's Home did slightly worse, and while the band continued to release albums and tour, they gradually became a successful working band (their albums tended to chart in the top 200, but not by much).

The band did get a second break, when their song "Closer to Free" was used as the theme to Fox's Party of Five TV show.  The song went to #16 on the Billboard singles charts in 1996, three years after it had been originally released as the lead single from the band's 1993 CD, Go Slow Down.  [By the way, the Rembrandts followed a remarkably similar path in 1994 when they wrote "I'll Be There for You" for NBC's Friends.]

While the video for "Only Love" is a basic performance shoot, it is one of the best videos of this type -- nothing fancy, but really well-shot, and the use of still images is quite effective.

Cool trivia fact:  Jerry Harrison (of Talking Heads fame) produced Outside Looking In.

Terence Trent D'Arby - Wishing Well

Mixing old school R&B with modern pop and rock elements, Terence Trent D'Arby briefly looked like The Next Big Thing in music.  His debut album, Introducing the Hardline According to Terence Trent D'Arby hit #4 on the U.S. album charts, and was a huge international hit as well.  However, his follow up efforts did not generate much commercial success, leaving him as an interesting one album wonder.

D'Arby was  born in New York City (as Terence Trent Howard), but grew up with his stepfather, which is where the Darby comes from.  As a young man, he was a boxer and joined the U.S. Army, a path that led him to Germany and eventually London, after he left the army.  Several years of working the London music scene led to a recording contract, and his first album was released with a ton of publicity and immediately became successful in Britain.

Although success in the U.S. was slower, his material gained traction in late 1987 and into 1988.  "Wishing Well" was his big hit, and it reached #1 (for 1 week) in May 1988.  From there, his career slowly fell apart, due to arrogance (he once proclaimed that his album was the most important LP since Sgt. Pepper), and weaker material that did not connect with his audience.  He eventually changed his name to Sananda Francesco Maitreya, but continues to write and record music.

Cool trivia fact:  D'Arby (Maitreya) was the guest lead singer of INXS in 1999, when they performed prior to the Sydney Olympics (their original lead singer, Michael Hutchence, died in 1997).

Bryan Adams - Hearts on Fire

The "every man" rock star, Canadian Bryan Adams seems to have flown under the radar during his career -- until you consider the large number of catchy rock songs he has written and the 75 million (or so) records that he has sold.

Although Adams released his first album in 1980, it was 1983's Cuts Like a Knife and 1984's Reckless (a #1 album that went 5x platinum in the U.S.) that really launched his career.  However, in typical ERV style, we are not going to go with anything off those smash records.  Instead, we dug a little bit deeper into his catalog.

"Hearts on Fire" was originally written during the Reckless recording session with Adams' longtime songwriting partner, Jim Vallance.  Two years later, Adams recorded the song and it became the second single off his 1987 album, Into the Fire, where it peaked at #26 on the U.S. charts.  While it was not a huge hit, it is a solid, and pretty typical Bryan Adams song.  No question about it; the dude knows how to write a decent rock song.  The video is about as straightforward as they come (much like Mr. Adams, we imagine) -- it is a performance clip, from a 1987 concert in Florida.

Cool trivia fact:  Bryan Adams sang backup on Mötley Crüe's 1989 album Dr. Feelgood (other artists who sang backup on the album include:  Sebastian Bach, Robin Zander, Jack Blades, Rick Nielsen  and Steven Tyler).