The place for great and not-so-great nearly forgotten videos from the decade of Miami Vice, mullets, and acid wash jeans. All praise to the bands, YouTube, and the original posters of these videos.
Although they had a string of hits in the U.K (including 13 top 40 singles)., Echo & the Bunnymen never charted in the U.S. However, they were popular on college radio and did develop something of a cult following in the 1980s.
The band came out of the late 1970s Liverpool scene. In fact, lead singer Ian McCulloch had previously been in Crucial Three with Julian Cope (who went on to form The Teardrop Explodes before his solo career) and Pete Wylie (Wah! Heat). After Crucial Three broke up, McCulloch began working with guitarist Will Sergeant and bass player Les Pattinson and Echo & the Bunnymen was formed. Some sources believe that the drum machine used by the band was named Echo, but this seems to be in dispute. There is little doubt that the name was essentially random and meant to be ridiculous.
We have to admit that we were surprised that "Lips Like Sugar" never charted, as it has generated a fair bit of airplay through the years. The song did chart in the U.K., where it reached #36, while the album was Echo's highest charting U.S. LP, where it reached #51.
McCullouch left the band in 1988, effectively ending Echo & the Bunnymen (although one album without him was released). The group then re-formed in 1997 and remains together as of this writing.
When De La Soul's debut album came out in 1989, it created quite a stir in the music industry. At a time when old school rap had started to feel stale, De La Soul's funky, jazzy and quirky take on hip hop was a breath of fresh air. That album, 3 Feet High and Rising, was both critically and commercially successful and was hailed by many critics as a sign of things to come.
The lead single from the LP was "Me Myself and I" which would go on to become De La Soul's only top 40 hit (at #34), while the album would reach #24 and go platinum. At the time, the group's positive message and broad use of samples seemed to be pushing hip hop in an upbeat, artistic direction; it was easy to believe that this was the beginning of a new era. This sense of a movement was reinforced by the Native Tongues collective, which was a grouping of artists (led by De La Soul, A Tribe Called Quest and Jungle Brothers) who shared a musical vision that was positive, laid-back and somewhat Afrocentric.
Unfortunately, things did not go according to plan for De La Soul. First, The Turtles sued the band for not obtaining permission to use their song "You Showed Me" as a sample (in "Transmitting Live from Mars"). The Turtles eventually won the case, which had a huge impact on the rap industry, as samples now had to be cleared (and paid for) prior to work being released. This delayed the group's second album, and made it more difficult to produce the layered songs that they favored.
In addition, the group had a difficult time artistically as their recordings varied in style but did not resonate as well with critics and listeners. To my ear, it almost sounds as if they were trying to find their sound, something that became more difficult after the industry's shift to gangster rap in the early 1990s. While the band continued to record, their audience seemed to shrink with every record. To their credit, De La Soul has stayed together and continues to record to the present day.
Cool trivia fact: Rolling Stone rated 3 Feet High and Rising as the 103rd album on their list of the 500 greatest albums of all time.
Eurogliders were an Australian band that had one minor international hit, although they had much greater success in their homeland. The group formed in Perth in 1980 and were originally called Living Single. By 1981 they had changed their name and secured a recording contract. It is unclear why they chose the name Eurogliders as they were neither (to be fair, lead singer Grace Knight was born in the U.K., but had relocated to Australia by 1977).
The band's big hit was their 1984 single "Heaven (Must Be There)," off their second LP, This Island. I'm not sure how much airplay the song had on radio, but the video was in rotation on MTV for a time. In any event, "Heaven" peaked at #65 in the U.S., while the album stalled at #140. In contrast, our Australian reader(s) may recall that the song reached #2 on the charts there (the album hit #4), one of seven top 40 hits in their homeland.
Eurogliders broke up in 1989. Lead singer Grace Knight went on to have a successful career as a jazz singer and several of the other members remained in the music industry. The band has sporadically re-formed since 2005.
Often viewed by critics as the first punk band, the Ramones are an incredibly important act in the history of rock and roll. By stripping rock down to its basic elements, they created something new, brash and exciting, and breathed new life into the music industry.
The roots of the Ramones go back to early 1960s rock and roll, and the band's style (jeans, leather jackets) showed these influences. This was probably one of the factors that made them so influential -- they were doing something new, but it was connected to rock's past.
The Ramones got their start in New York City, and they quickly became part of the punk/new wave scene at CBGB's that included Blondie, Talking Heads, and Television among others. Their early sets (often featuring 10 songs in 20 minutes) soon gathered a following, and they were signed by Sire in 1975. Their debut album came out the following year, and the band then began a relentless touring schedule for the next 20 or so years.
In spite of the band's importance, they had only modest commercial success, and in 1980 they decided to work with Phil Spector on their fifth album, End of the Century. While the combination was a bit weird, it also made some sense, as the band's 1960s influences and desire for more commercial success fit well with Spector's strengths. The resulting album was surprisingly good, though the recording sessions were tumultuous (at one point, Spector apparently pulled a gun on the band).
While End of the Century was the band's highest charting LP, it only reached #44, and none of the singles charted. The band would go on to tour and release records up until their breakup in 1996. Sadly, Joey, Johnny and Dee Dee would all pass away within eight years of the breakup.
Cool trivia facts: "Do You Remember Rock 'n' Roll Radio?" was the 103rd video played on MTV (on the first day).
The Ramones never had a top 40 hit; 1977's "Rockaway Beach" was their highest charting single at #66.
In 2002, Spin Magazine ranked the Ramones as the second greatest band ever, trailing only the Beatles.
The Ramones video for "Pet Sematary" was posted on the blog in October 2013 as part of our annual All Hallows Even celebration.
This is the second appearance on the blog for Jason and the Scorchers (JATS), as "White Lies" showed up on ERV in April 2012. As we pointed out then, Jason and the Scorchers is one of the great unknown country rock bands of the 1980s. The band produced a catalog of stellar cow punk (country rock), but never found their audience. In my view, they were just a bit ahead of their time, and as has been mentioned several times on ERV, country rock bands had a particularly difficult time breaking through in the eighties.
For the second JATS video, we went with "Absolutely Sweet Marie" from the band's 1983 EP Fervor. This was the record that really placed them on the map, and it was a critical darling to boot. The New York Times rated it the EP of the year, the Village Voice placed it third on the critics poll, and Rolling Stone gave it a four star review. How's that for impressive?
The lead single was a re-worked cover of Bob Dylan's "Absolutely Sweet Marie" this is truly marvelous. As an aside, Dylan remains a wonderful artist to cover, as he wrote a truckload of great songs, many of which were not huge commercial successes. The video did show up on MTV for a time, but the single did not chart, and the EP only reached #116 on the charts.
Jason and the Scorchers would go on to release three LPs during the 1980s before breaking up in 1990. The band periodically re-formed several times since then, most recently in 2010-11 when they recorded a new album (Halcyon Times) and toured to support it. It is not clear what the current status of the band is, as drummer/songwriter Perry Baggs died of complications from diabetes in 2012.
Here is the JATS version of "Absolutely Sweet Marie:"
Loverboy was one of the biggest arena rock acts of the early to mid 1980s. During their heyday, they had four consecutive double platinum (or better) records in the U.S., plus nine top 40 singles. The band's combination of layered guitars and synthesizers, and a "four on the floor" bass drum (typically coming down every beat rather than every other beat) created a driving rock sound that sounded vaguely dance influenced. While they could be inconsistent, their best work was anthemic and likable.
The band formed in Calgary in 1979, and was comprised of musicians who were veterans of other bands, making them something of a local all star band. Legend has it that their initial demo recordings were rejected by every major label in the U.S.; they eventually signed with Columbia Records of Canada. The resulting album almost immediately became a huge hit in Canada, and crossed over to become a major success in the U.S., as well.
Led by singer Mike Reno (he of the headband and tight red leather pants) and guitarist Paul Dean, the band's name came about somewhat randomly. The band was originally named Cover Girl, after seeing a magazine ad for the cosmetics; over time the name changed to Cover Boy and then Loverboy.
"Notorious" is a later and lesser-known song (hence its inclusion on ERV), and it was the band's last U.S. top 40 hit at #38. It was the lead single off their 1987 Wildside album, the last album before the band broke up due to creative differences in 1988. They since re-formed in 1991 and we believe are together as of this writing (with the exception of original bassist Scott Smith, who died in a boating accident in 2000).
Oh, and the video is about as lightweight as it gets, with girls, a Ferrari and some savoir faire thrown around in a seemingly random pattern. But we still like it.
Cool trivia fact: "Notorious" was co-written by Jon Bon Jovi and Richie Sambora (along with Mike Reno, Paul Dean and professional songwriter Todd Cerney).
By 1988, hard rock had virtually taken over the U.S. charts and the record labels responded by putting out a ton of product. This included a bunch of pop metal that was modeled after Bon Jovi or Def Leppard and was more or less designed to be commercially successful.
Vixen fits into this guilty pleasure segment, which isn't to say that they weren't a solid band ... just that they had a crafted sound. The all-female band was formed in the early 1980s in Minnesota, but moved to LA by the middle part of the decade. They were signed by EMI in 1988, and their eponymous debut LP came out the same year. One sign of EMI's involvement was that the band wrote exactly one of the eleven songs on their album (to be fair, they co-wrote four others with external songwriters).
"Edge of a Broken Heart" was co-written by Richard Marx (yes, that Richard Marx, who also appears in the video at 2:42) and Fee Waybill (cool rock name alert!) from The Tubes, who was featured on ERV way back in August of 2011 for the under-rated classic "Talk to You Later." (Seriously worth a listen; turn the sound up as the video's volume is too low.) The song generated a ton of airplay on MTV and reached #26 on the charts, while the album peaked at #41. Vixen's second album did not do as well and the band broke up in 1991, although they have re-united periodically in the ensuing years.
Cool trivia fact: Jon Butcher wrote "American Dreams" for Vixen's debut album. Butcher's "Don't Say Goodnight" was the third video featured on ERV, back in August 2011 and gets our highest recommendation.
Cool trivia fact #2: Vixen is not a one hit wonder, as their Heart-influenced single "Cryin'" hit #26 on the charts.
As many readers will know, Chris Difford and Glenn Tilbrook were the main creative force behind the underrated new wave/pop band Squeeze. (By the by, Squeeze was featured on ERV last January with "Another Nail in My Heart.") Squeeze released five solid LPs between 1978 and 1982, broke up, re-formed in 1985 and stayed together until 1999, broke up again, and re-formed again in 2007.
Interestingly, Difford and Tilbrook continued to work together after the first Squeeze break up and actually released an album in 1984, which they creatively called Difford & Tilbrook. The album did not do that well, only reaching #55 on the Billboard charts, which perhaps explains why there wasn't a second Difford and Tilbrook album. Additionally, we do not believe that the "Love's Crashing Waves" single even charted in the U.S. (it did reach #57 in the U.K.).
While the material is still strong, the album's production is definitely blue-eyed soul, influenced by Hall & Oates (as several critics have pointed out). Along the same lines, the duo changed their clothes and Glenn Tilbrook even grew his hair (in retrospect, probably not the best idea; you can judge for yourself in the video below). The new image and sound did not resonate with listeners, and after a successful reunion show in 1985 Squeeze re-formed and stayed together (with some personnel changes) for the next 14 years.
Carl Carlton has been a working musician since the mid-1960s, and had two top 40 hits in his career. The second big hit was 1981's "She's a Bad Mama Jama (She's Built, She's Stacked)" from his shirtless self-titled album (yes, really). The song reached #22 on the charts, and helped propel the album to the #34 slot, making it the highest charting album (but not single) of Carlton's career.
The video features Mr. Carlton in a Michael Jackson-esque white tux and four swimsuit beauties (Misses Pieces, Gemini, Virgo and Aries if you must ask). Carlton serenades the women and there is a little bit of dancing involved ... and that's pretty much it.
In any event, "She's a Bad Mama Jama" is a seriously good pop/funk song, written by Leon Haywood. Haywood's name might not ring a bell, but you know his one hit -- 1975's "I Want'a Do Something Freaky To You." Younger readers may recognize the melody as "Nuthin' But A G Thang," which samples (essentially covers) the song.
Carlton's first big hit was a cover of "Everlasting Love," which peaked at #6 in 1974. As an aside, "Everlasting Love" is a great and interesting song that is one of two songs to have broken the top 40 in the 1960s, 70s, 80s and 90s. (The other song to do this is "The Way You Do the Things You Do".)
Carl Carlton remains active to the present day, but has not had another major hit. In recent years, he has rotated to more gospel-related music.
Long time reader Sam requested Vain (multiple times) and he is right -- "Beat the Bullet" is a solid late 1980s choice for the blog. So this one goes out to Sam, with my compliments.
Vain came out of the San Francisco hard rock scene of the mid 1980s and was led by singer Davy Vain. The band formed in 1986 and played regularly in San Francisco and Los Angeles before signing a contract with Island Records in 1988. Vain's debut album, 1989's No Respect was a solid initial effort and reached #154 on the album charts. Although the single, "Beat the Bullet" did generate some airplay on MTV, it did not chart.
The group returned to the studio to work on their second LP, titled All These Strangers, but were dropped by their label when Island Records was acquired by PolyGram. Vain then joined forces with ex-Guns N' Roses drummer Steven Adler to form Road Crew and recorded an album that generated some recording label interest. Unfortunately, Adler's drug problems soon put an end to the project. The band then returned to the Vain moniker and has continued to record and perform to the present day.
