Ziggy Marley And The Melody Makers - Tomorrow People

David Nesta "Ziggy" Marley was reggae legend Bob Marley's eldest son, and he built a career in the industry after his father's untimely passing in 1981.  Along with several siblings, he formed the Melody Makers in 1979 -- named after the British music trade rag, by the by.

The group released three independent albums in the 1980s and built enough of a fan base to get signed by Virgin Records.  Their first major label release was 1988's Conscious Party, and it became a surprise hit.  The album climbed to #23 on the charts, while "Tomorrow People" broke into the top 40 (barely) at #39.  The sound was undoubtedly helped by the production team of Chris Frantz and Tina Weymouth (both of Talking Heads fame), who helped find the pop side of the strong material.

The video for "Tomorrow People" is a well-crafted performance piece that seems to suit the song well.  The upbeat clip with the reggae-pop sound even went into heavy rotation for a time at MTV.

While Ziggy's time as a pop star was brief, he remains a major figure in the reggae scene and has continued to record and perform to the present day.

Cool trivia fact:  Ziggy Marley And The Melody Makers are a one hit wonder, as only "Tomorrow People" broke the top 40.  However, that is one more top 40 hit than Bob Marley had.

Little Steven and the Disciples of Soul - Forever

Yesterday, The Universe requested another video for the blog, and as per usual we am only too happy to oblige.  In this case, the rare and exceptional "Forever" by Little Steven and the Disciples of Soul made an appearance on my radio while commuting to work.  A quick google search (after safely parking the car) confirmed it an an Eighties Rare Video; and so here it is.

Steven Van Zandt (aka Little Steven or Miami Steve) is one of the most colorful personalities in rock.  He got his start in the Jersey Shore scene of the early 1970s, most notably with Southside Johnny and the Asbury Jukes (their later song, "New Romeo" was previously posted on ERV).  After helping Bruce Springsteen with the horn arrangement on "Tenth Avenue Freeze-Out," he became a member of the E Street Band, where he remained until 1984 (and from the late 1990s on).

By the early 1980s Little Steven was looking for additional creative outlets, and was also becoming increasingly political (more on that in a moment).  This led to several solo rock/soul albums; 1982's Men Without Women was the first (and best in the eyes of many critics).  For readers who like rock and classic R&B (think late 1960s Motown), this LP is highly recommended.

Sadly, the album never quite found its audience.  The LP peaked at #118, while "Forever" hit #63.  We remember hearing it on New York rock radio back in the day, but do not recall ever seeing the video -- which is full of NYC 1982 goodness including Times Square, old cars and at least one Mohawk.

In addition to Little Steven's solo records, he was instrumental in the formation of the Artists United Against Apartheid "Sun City" effort which has also been posted on ERV.  In 1999 he landed an acting lead in The Sopranos TV show, and has continued his work as a musician and DJ (Little Steven's Underground Garage) to the present day.

Gregg Allman - I'm No Angel

Although "I'm No Angel" and the album of the same name represented a solid comeback for Gregg Allman, they have become somewhat forgotten over time.  In part this is due to the fact that classic rock stations tend to focus on his earlier (and frankly stronger) work with The Allman Brothers.  Additionally, the production on the I'm No Angel LP sounds a bit dated, and its focus on synthesizers doesn't help matters.

In spite of its flaws, the album represented a surprising success for Allman, who had not released an album in the previous 9 years due to personal problems and substance abuse.  The "I'm No Angel" single hit #49 on the pop charts (and #1 on the Album Rock Tracks chart; it was everywhere for a time).  The album also sold well, and reached #30 on the charts.

The video is a nice performance piece involving an old saloon (that happens to have a full set of instruments) and a flashback to a version of the west where only female cowgirls exist.  But just like the song, the video seems to capture of part of Allman's personality, and it mostly works.

In the aftermath of his success, Gregg Allman continued to have substance abuse problems, though he did clean up his act by the early 1990s.  He remains active in the industry to the present day, but with a reduced schedule due to some health issues.

Cool trivia fact:  While "I'm No Angel" has become something of a Gregg Allman theme song, he did not write it -- two Brits (Tony Colton and Phil Palmer) wrote the song.

The John Hall Band - You Sure Fooled Me

Long time readers may (or may not) recall that we posted The John Hall Band's "Crazy" video way back in January, 2012.  That song became a minor hit, and picked up some airplay in the early days of MTV.  While researching "Crazy," we discovered the video for "You Sure Fooled Me" and put it in the bullpen, where it remained until today.

"You Sure Fooled Me" is a totally solid rock song -- as an aside, why wasn't The John Hall Band bigger?  Sure, they aren't exactly breaking any new ground here, but the music is surprisingly good.

At any rate, this early video includes old cars and a girl, as the band brings the song to life, in a charming, yet low-budget sort of way.  In spite of their efforts, we don't recall ever seeing the vid or hearing the song, and it doesn't appear to have charted.  As we noted on the "Crazy" post, the group released a second LP before breaking up, though Hall would remain in the industry as a songwriter before embarking on a brief career in Congress (yes, really).

Oh, and as previously mentioned, John Hall is not related to Daryl Hall (or John Oates) and got his start in the 1970s band Orleans (of "Dance with Me" and "Still the One" fame).

Lone Justice - Ways To Be Wicked

This is Lone Justice's second appearance on ERV, as the equally strong "Sweet, Sweet Baby (I'm Falling)" showed up on our little corner of the universe back in November 2011.

As we mentioned then, Lone Justice was one of the leading acts in the cowpunk movement, a roots revival scene that merged country and rockabilly with the rough edges of punk.  Sadly, while several acts garnered critical acclaim, there was little to speak of in terms of commercial success.  Country rock just didn't sell in the 1980s, and we're all a little worse off because of that.

The band's roots go back to 1982 when the group was founded by Maria McKee (vocals) and Ryan Hedgecock (guitar).  Lone Justice eventually built a following, and signed to Geffen in 1985.  In the 'it's nice to have friends in high places' category, Tom Petty and Mike Campbell wrote "Ways to be Wicked."

In spite of the positive press, the single only reached #71 on the charts, while the LP stalled at #56.  The band effectively broke up after that, although singer Maria McKee kept the name and released a second album (Shelter) in 1986 that did not do appreciably better.

McKee officially went solo in the late 1980s, and has remained active in the industry to the present day.

Jefferson Starship - No Way Out

Rounding out this year's All Hallows Even celebration is "No Way Out" from Jefferson Starship.  The song is off the Nuclear Furniture LP, which became the last Jefferson Starship album when guitarist Paul Kantner quit the band, taking the name with him.  (Kantner was unhappy with the group's musical direction).  The act soldiered on as Starship, and found success with a slick, commercial pop sound, though it seems unlikely that any of those videos will appear on ERV.

While "No Way Out" starts off on a creepy note, the video quickly drifts from cool and campy into plain weird.  Perhaps this was intentional, as the clip did garner some airtime on MTV, which likely helped the song. (The single reached #23 on the charts, while the LP hit #28).  In addition to being downright strange, the video is noteworthy for the appearances of one Father Guido Sarducci (Don Novello).

In the aftermath of Kantner quitting, the renamed Starship would go on to have 6 top 40 and 3 #1 singles in the later half of the 1980s, before breaking up in 1990 (although singer Mickey Thomas reformed the band in 1992).  Thomas and Kantner remain somewhat active in the industry as of this writing.

Long time readers will recall that Jefferson Starship's "Find Your Way Back" was featured on ERV in April 2013.  In addition, Marty Balin's "Hearts" has also made an appearance on ERV (Balin was the lead singer of an earlier verson of Jefferson Starship).

Cool trivia fact: Kantner's appearance in this video was was his last appearance in Jefferson Starship until he reformed the band (with different members) in 1992.

David Bowie - Ashes To Ashes

What better way to continue the Halloween celebration than with a song from the Scary Monsters (And Super Creeps) album.  Many critics view Scary Monsters as the last great David Bowie record, and while that is somewhat debatable, it was a classic Bowie album; odd, artistic and interesting.  In addition, it had more than a bit of funk added to the mix.

A discussion of David Bowie could fill a blog, making it hard to do justice to him in a few sentences.  The lazy narrative is that he is a musical chameleon, shifting his style to capitalize on emerging trends in popular music.  While there is some truth to this, we have always thought of Bowie (especially in the 1970s through Scary Monsters period) as more of a restless artist, indulging in whichever tickles his fancy.  Although the results were inconsistent, there were more highs than lows.

"Ashes to Ashes" was the lead single off Scary Monsters, and plays like a requiem for the 1970s.  The video was rumored to be the most expensive music video made to that point (at £250,000; this was still a year before MTV).  Bowie wanders about in a Pierrot costume with strange color effects and odd characters (including many Blitz Kids).  The video is iconic in Britain, and some critics believe that it accelerated the New Romantic movement that would dominate the British charts for most of the early 1980s.

The song would go on to become a #1 hit in the U.K., but it barely dented the U.S. charts at #101.  Scary Monsters also did better in the U.K. (#1) though it did reach #12 on the U.S. album charts.

Bowie would of course go on to significant commercial success in the 1980s and would remain active in the industry until his untimely passing in January of 2016.

Cool trivia fact: Rolling Stone ranks Scary Monsters at 443 on its list of the 500 greatest albums ever.

Rockwell - Somebody's Watching Me

Welcome to ERV's 5th annual All Hallows Even celebration, and feel free to click on the (appropriately named) All Hallows Even label to the right if you'd like to catch up on our earlier videos.  In short, we try to come up with rare and interesting Halloween videos to celebrate the spooky time of year.

Leading off this year is an artist who had some definite career advantages.  For instance, although being Barry Gordy's son may not ensure that you make in the music business, it sure can't hurt.  Ditto for having Michael Jackson (yes, that Michael Jackson) sing backup on your first single.

To be fair, Rockwell (born as Kennedy William Gordy) used a stage name, and may have even signed to his father's Motown label without the old man knowing.  Rockwell's first single was released in 1984 and is a perfect Halloween video (it has been in the bullpen from our first All Hallows Even post).  One viewing and you'll see (or remember) why.

"Somebody's Watching Me" turned out to be a big hit for Rockwell, reaching #2 on the charts, while his debut LP of the same name hit #15.  However, that was the peak of his success, and after his next two albums failed to break the top 100, Rockwell left the industry.

Cool trivia fact:  Rockwell is not a one hit wonder, as "Obscene Phone Caller" off Somebody's Watching Me reached #35 on the chats.

Bananarama (featuring Fun Boy Three) - Really Sayin' Something

This is Bananarama's second appearance on ERV for a cover, as "Venus" was posted on our little blog back in January of 2013.  To be fair, the members of Bananarama also co-wrote much of their material, often with the Stock Aitken Waterman team.

The group initially consisted of Sara Dallin, Siobhan Fahey, and Keren Woodward -- three friends who sang in unison, instead of using harmonies.  They started the band in 1979 and created the name by combining the TV show The Banana Splits with Roxy Music's "Pajama Rama."

Amazingly, Bananarama got not one but two big breaks to help launch their career.  First, the group happened to live above a rehearsal room used by Steve Jones and Paul Cook (formerly of the Sex Pistols); this led to their first recording contract in 1981.  Later that year, an article in The Face (a U.K. fashion magazine) in support of their first single ("Aie a Mwana") was read by ex-Specials singer Terry Hall.  Hall reached out to Bananarama to work with his new group (Fun Boy Three) on  "It Ain't What You Do (It's the Way That You Do It)" which led to a second collaboration on "Really Sayin' Something."

Both Fun Boy Three songs became top 10 hits in the U.K., and launched Bananarama as a major pop act in their native country.  During the 1980s they had 18 top 40 singles in the U.K., though they had only 3 in the U.S. ("Cruel Summer," "Venus," and "I Heard a Rumour").

Siobhan Fahey left Bananarama in 1988 and was replaced by Jacquie O'Sullivan (who left in 1991).  Since then, the group has been a duo, and remains active as of this writing.  Fahey went on to form Shakespears Sister with Marcella Detroit.

"Really Sayin' Something" (with a g) reached #5 on the U.K. charts, but did not break the top 100 in the U.S.  It was off Bananarama's 1983 debut LP, Deep Sea Skydiving, which hit #7 on the U.K. album charts, and #63 in the U.S.

The original version of the song ( "He Was Really Sayin' Somethin'" with no g at the end) was recorded by Motown group the Velvelettes in December 1964 and became their biggest hit, reaching #64 on the U.S. charts.

Digital Underground - The Humpty Dance

By mixing old school beats with goofy lyrics, Digital Underground (DU) created a cool and unique sound that led to one big hit, though by all rights they could have been much more successful.  The group was led by Greg Jacobs, who went by Shock G -- though in DU he played a character called Humpty Hump.

Jacobs grew up in Tampa, Florida, but formed Digital Underground after relocating to Oakland, California in 1987.  The group's sound relied heavily on old school samples, especially from Parliament Funkadelic and Sly and the Family Stone.  (Not coincidentally, both acts were sampled for "The Humpty Dance.")  DU's debut LP, 1990's Sex Packets became a hit, reaching #24 on the charts.  However, this proved to be Digital Underground's biggest success, though the band continued to record and perform through 2008.

Needless to say, "The Humpty Dance" was DU's biggest hit at #11.  The video became a mainstay on MTV for a time in 1989 (the song and video came out prior to the LP).  The crazy lyrics, and Humpty Humps' Groucho Marx glasses and vintage clothes created a visual image completely different from anything else on MTV at the time.  Unfortunately, this momentum proved hard to maintain.

Although Digital Underground soldiered on for years, Jacobs (Shock G) was no one trick pony, as he also has worked as a solo artist and producer.  He remains active in the industry as of this writing.

Cool trivia fact:  None other than Tupac Shakur got his start as a member of Digital Underground, starting in 1991.  In addition, G Shock produced several early Tupac songs.

Cool trivia fact #2:  Digital Underground is not a one hit wonder, as 1991's "Kiss You Back" reached #40 on the charts.

The Cult - Rain

"Rain" was the second single off The Cult's 1985 Love album (or perhaps the first, as "She Sells Sanctuary" was actually released prior to the LP).  This is another atmospheric rock song that makes one wonder why The Cult weren't even bigger stars.

The group formed in Yorkshire, England in the early 1980s, and started as a goth rock band called Southern Death Cult.  Lineup, name, and style changes followed with the band really taking shape in 1983 or 1984.  Led by the mystical singer Ian Astbury and guitarist Billy Duffy, The Cult crafted a unique hard rock sound with atmospheric and new wave influences.

The video for "Rain" is a cool, slightly freaky clip that alludes to the song's subject matter (in a word: sex).  We don't recall seeing this one back in the day, but it is a strong if somewhat odd effort.  The single did not chart in the U.S., but did pick up a bunch of rock and college radio airplay - similar to "She Sells Sanctuary," which was posted on ERV in August, 2011.  However, the Love album would reach #87 on the charts and go gold.

The Cult would go on to have significant success before breaking up in 1995, though there have been numerous reunions since then.

Cool trivia fact:  The Cult are a no hit wonder in the U.S.; their highest charting single was 1989's Fire Woman (#46).  (They did have #11 top 40 singles in the U.K.)

Cool trivia fact #2:  Prior to joining The Cult, guitarist Billy Duffy played with a pre-Smiths Morrissey in the Nosebleeds.

The video for "Lil' Devil" was posted on ERV in May, 2021.

Daryl Hall & John Oates - How Does It Feel To Be Back

Although they would go on to become the most successful duo of the rock era,  Daryl Hall & John Oates had a choppy career before becoming superstars for most of the first half of the 1980s.

Hall and Oates met in 1967 in Philadelphia, and began working together in 1970.  While their first three albums (for Atlantic) were unsuccessful, 1975's self-titled album (on RCA) made them pop stars.  Between 1975 and 1977, they had three top 10 hits with "Sara Smile," "She's Gone," and "Rich Girl."  This run of success ended with "Rich Girl" and they had no top 10 hits through the end of the 1970s.  In fact, 1979's X-Static was the duo's first non-Gold record on RCA.

Needless to say, this made 1980's Voices album a really important record for the group, and they opted to go with the John Oates track "How Does It Feel To Be Back" as the lead single.   Had the duo not gone on to become hugely successful, this would have become a forgotten track.  Perhaps it still is.  The strong pop song doesn't even really sound like a typical Hall & Oates single, mostly due to Oates' voice (Hall sang most of the big hits of the 1980s).

"How Does It Feel To Be Back" did not become the big hit the the band had hoped for -- it stalled at #30.  However, the next single, a cover of the 1964 Righteous Brothers hit, "You've Lost That Lovin' Feelin'" became a surprise success at #12, and "Kiss on My List" became the duo's second #1 hit (after "Rich Girl").  The rest of the story is history, as they say.

Note that Hall & Oates inexpensive but masterful video for "Private Eyes" was featured on ERV in September 2020.

They Might Be Giants - Ana Ng

They Might Be Giants (TMBG; named after the 1971 movie) was an odd yet interesting band that started showing up on MTV (mostly on the 120 Minutes program) in the late 1980s.  The group consisted of two Johns (Flansburgh and Linnell) who met as teenagers in Lincoln, Massachusetts and eventually moved to Brooklyn, New York to pursue a career in music.

Not surprisingly, the music industry had absolutely no idea what to make of the band, so TMBG promoted themselves through Dial-A-Song.  The group posted ads in local newspapers (such as The Village Voice) with a phone number, which led to an answering machine with a taped song.  The band maintained the service even after they were signed; some listeners estimate that more than 500 songs were recorded over the years.

Helped by Dial-A-Song, TMBG generated enough interest to be signed in 1985 and their self-titled debut LP came out the following year.  The album even picked up some college radio airplay.  1988's Lincoln actually charted (#89) and "Ana Ng" picked up some mainstream radio airplay as well.

Of course, the band's big break came in 1990 with the Flood album ( "Birdhouse in Your Soul" and "Istanbul (Not Constantinople)" may both be familiar to readers.  TMBG's period of major success was relatively brief, but they maintained a loyal following, and expanded their audience in the mid-2000s with a series of children's albums.  The band remains active in the industry as of this writing.

Cool trivia fact:  At their first concert, They Might Be Giants used the name, El Grupo de Rock and Roll.

The Jam - Town Called Malice

The Jam were a popular, influential, and interesting band in Britain, but couldn't get arrested in America.  Between 1977 and 1982, the group had 18 top 40 U.K. singles and 6 top 25 LPs without any real success in the U.S.

The band formed in Woking (England) in the early 1970s, and burst onto the scene in 1977.  While their early work fit into the punk scene, they had a stronger melodic sense and more obvious 1960s soul influences than many of their contemporaries.  Over time, this soul sound became more pronounced, though they remained popular throughout this transition.

At peak of their popularity, singer/guitarist/songwriter Paul Weller decided to disband The Jam in order to form a full-on soul band, which led to the creation The Style Council in 1983.  When The Style Council's popularity faded, Weller ended that group in 1989 and has remained a solo artist to the present day.

"Town Called Malice" was off The Jam's last studio LP, 1982's The Gift.  The title was inspired by Nevil Shute's 1950 novel A Town Like Alice, though the content was not.  The contrast between an upbeat melody and more downbeat lyrics (reflecting the mood in Britain at the time) made the song a huge hit; it reached #1 on the British charts.

The video is all 1982 goodness, and shows the cool, mod-revival style that led to Weller's nickname "The Modfather."  We're particularly partial to the soft ultra-white lighting.

Cool trivia fact:  Not only did every Jam single break the top 40 in the U.K., but two import singles also charted (1981's "That's Entertainment" at #21 and 1982's "Just Who Is the 5 O'Clock Hero?" at #8).

Bruce Cockburn - If I Had a Rocket Launcher

"If I Had a Rocket Launcher" was one of the more political songs to hit the charts during the 1980s.  The song was written by Canadian singer/songwriter Bruce Cockburn, who built a successful career in his home country, but saw little mainstream success south of the Canadian border.

Cockburn was born in Ottawa and entered the music business in the late 1960s.  His big breakthrough was 1979's "Wondering Where the Lions Are" which led to an extended period of chart success in Canada.  Between 1979 and 1997, Cockburn had 8 top 40 singles (and another 12 songs that charted but did not break the top 40).  In contrast, only  "If I Had a Rocket Launcher" and "Wondering Where the Lions Are"  broke the top 100 in the U.S.

Interestingly, prior to 1984's Stealing Fire, Cockburn was not considered an unusually political songwriter, though his humanist and pacifist leanings were known to his fans.  However, an Oxfam sponsored trip to Central America underscored the troubles there, and led to much of the material on his album.  "If I Had a Rocket Launcher" was inspired by an actual event, where Cockburn saw Guatemalan refugees fired on by helicopters.

Although there was some controversy around the song -- particularly the last lyric, Cockburn has said that it is not a call for violence, but a cry for help.

"If I Had a Rocket Launcher" peaked at #88 in the U.S., while the Stealing Fire LP would reach #74.

Cool trivia fact:  Bruce Cockburn is a one hit wonder in the U.S.; only 1979's "Wondering Where the Lions Are" (#21) broke the top 40.

Tora Tora - Walkin' Shoes

Tora Tora (named after the Van Halen song, not the movie) was a Memphis blues rock band that came close to a major breakout at the end of the 1980s.  The group consisted of Anthony Corder (vocals), Keith Douglas (guitar), Patrick Francis (bass), and John Patterson (drums).

After recording an independent EP, Tora Tora generated some local buzz, which led to a recording contract with A&M.  The band's debut LP, 1989's Surprise Attack reached #47 on the charts, while the single "Walkin' Shoes" hit #86, thanks in part to some airplay on MTV.  The band also landed a song ("Dancing With a Gypsy") on the soundtrack to Bill and Ted's Excellent Adventure.

However, Tora Tora's second album did not come out until 1992, right as grunge was changing the rock scene.  That album (Wild America) did not break the top 100, turning Tora Tora into more of a working band.  They were subsequently dropped by their label in 1994, after recording their third album (which was not released until 2011).  After losing their recording contract, the band broke up.

The group re-formed in 2008 and have been performing and releasing material since that time.

Commodores - Lady (You Bring Me Up)

A nearly perfect 1981 time capsule (right down to the short shorts and high socks), "Lady (You Bring Me Up)" captures the Commodores at the end of the Lionel Richie era, when they were still one of the biggest acts in pop/funk.

The group formed while at the Tuskegee Institute in the late 1960s, and signed with Motown Records in 1972.  They quickly rose to become one of the most popular acts in 1970s and early 1980s pop/funk; between 1975 and 1981 they had 10 top 30 LPs and 15 top 40 singles.  As many reader will know, the Commodores sound evolved over time, becoming more pop and less funk.  This migration to pop was driven by singer/songwriter Lionel Richie, which created tension in the band and ultimately led to Richie leaving in 1982.

In the aftermath of Richie's departure, the Commodores soldiered on as a working band, but without a ton of major commercial success.  Lionel Richie would of course go on to become a major pop star, before going into semi-retirement in 1987.

"Lady (You Bring Me Up)" became a #8 hit in 1981, while the In the Pocket LP would peak at #13.

Cool trivia fact:  The Commodores had great difficulty picking their name, and ultimately chose it by picking a name out of the dictionary.  This led the band to joke that they almost became known as the Commodes.

Cool trivia fact #2:  The group is looking at a Billboard magazine at the start of the video, and eagle eyed readers may notice the back page advertisement for Van Halen's Fair Warning album (our favorite Van Halen LP), which was released in April, 1981.

The Housemartins - Happy Hour

The Housemartins were the rock band equivalent of a shooting star.  In Britain, they enjoyed some mainstream success, with 7 top 40 singles between 1986 - 1988.  However, the band barely made a ripple in the U.S., though they did pick up a modicum of airplay on college radio in the mid 1980s.

The group formed in Hull (U.K.) in 1983 and jokingly referred to themselves as the fourth best band in town (after Red Guitars, Everything but the Girl, and the Gargoyles).  However, their seductive combination of upbeat guitar hooks and cutting lyrics endeared them to critics and fans alike.  John Peel (the influential DJ) became an early supporter, and the Housemartins' first album, 1986's London 0 Hull 4 became a surprise hit, reaching #3 on the U.K. album charts and going platinum.  Our pick for the blog, "Happy Hour" was the big hit off this album, and reached #3 on the U.K. singles chart.

While 1987's The People Who Grinned Themselves to Death (yes, that's really what they called their sophomore effort) did not do quite as well, it still reached #9 on the charts, and their non album single "Caravan of Love" (a cover of the Isley-Jasper-Isley song) became a #1 smash in the U.K.  However, inside the band, things were not going well at all.  Singer Paul Heaton was interested in sophistipop, while bassist Norman Cook was more interested in club and dance music.  As a result, the band amicably called it a day in 1988.

For most of the acts on ERV, that would be the end of the story (except for the reunions).  However ... Paul Heaton along with drummer Dave Hemingway and roadie/bassist Sean Welch formed The Beautiful South, who would go on to have massive success in the U.K. through 2007.  Not to be outdone, Norman Cook also became a big success; you may know him by his pseudonym, Fatboy Slim.

Joe Satriani - Satch Boogie

How prevalent were rock guitarists in the 1980s?  So much so that even Michael Jackson inserted a blistering solo into "Beat It" (with Eddie Van Halen, no less).

However, even among guitar heroes Joe Satriani stood out as a king among kings.  His effortless technical prowess, use of multiple styles and abilities as a teacher made him a living legend in the hard rock scene of the 1980s.  Surprisingly, a combination of great musicianship, good timing, and a bit of good luck led to some commercial success, in spite of the fact that his work was entirely instrumental.

Satriani was born on Long Island and gained local notoriety as a player and teacher.  In the late 1970s he moved to California to pursue a career in music, which eventually led to a gig in the Greg Kihn Band (seriously!)  After former student Steve Vai joined David Lee Roth's solo band, Satriani became better-known, and he eventually released his second solo LP in 1987.

Surfing With the Alien became a surprise hit that same year, reaching #29 on the charts, and the title cut and "Satch Boogie" both hit the Mainstream Rock Charts, due to FM radio play.  The video for "Satch Boogie" is relatively basic, but this is definitely a 'let the music do the talking' sort of song.

 Joe Satriani's  commercial success faded somewhat in the 1990s, be he remains a working musician, and seems to enjoy performing with other guitarists.  (For example, G3, a working group that originally comprised Satriani, Steve Vai, and Eric Johnson has continued in various versions to the present day).

Cool trivia fact:  Satch is Joe Satriani's nickname.

Styx - A.D. 1928 / Rockin' the Paradise

Long time readers will recall that videos which were played during the first day of MTV (August 1, 1981) have a special place in our hearts at ERV.  Is this rational?  Probably not. (Especially since we did not get MTV on our cable system until the following summer).  But there you have it.

Which brings us the Styx' "A.D. 1928 / Rockin' The Paradise," the 10th video played on MTV (yes, ever).  "A.D. 1928" is the piano and keyboard intro, while "Rockin' the Paradise" begins with the guitars (around 1:10 below).  The song is a good example of the band combining different musical styles, while the live (ish) video highlights the band's showmanship.

Styx are an interesting band and an unlikely success story.  The group formed in Chicago in the late 1960s and officially became Styx when they signed their first recording contract in 1972.  Originally a prog rock act, the band's style become progressively more pop rock during the 1970s, leading to their 1977 breakout, The Grand Illusion.

"Rockin' the Paradise" was off the group's 1981 Paradise Theater album, a concept album based on the opening and eventual closing of a theater in Chicago.  By this point, the tension between guitarists Tommy Shaw / James Young (who were more rock oriented) and keyboardist Dennis DeYoung (who was more pop ballad focused) were nearing a breaking point.  The conflict would eventually boil over during the 1983 Kilroy Was Here album and the group would break up the following year.

In spite of this, the Paradise Theater album would reach #1 on the charts, although "Rockin' the Paradise" surprisingly did not chart.  However, "The Best of Times" (#3) and "Too Much Time on My Hands" (#9) would both break the top 10.

Styx re-formed in 1989 (without Tommy Shaw, who was in Damn Yankees at the time), broke up in 1992, and reformed in 1995.  They remain together (with some personnel changes) as of this writing.

Tommy Shaw's solo video for "Girls With Guns" was posted on ERV in September 2013.

Katrina & The Waves - Do You Want Crying?

Although casual listeners may view Katrina & the Waves as an overnight success story and a one hit wonder, the truth is that they were neither.  In fact, this is the second time that they have been featured on ERV without their signature hit, 1985's "Walking on Sunshine." [The first time was when we posted The Bangles' cover of "Going Down to Liverpool," complete with Mr. Spock.]

The group formed in London in 1981 and was fronted by American ex-pat (and army brat) Katrina Leskanich.  Guitarist Kimberley Rew (the group's primary songwriter), Vince de la Cruz (Bass) and Alex Cooper (drums) rounded out the lineup.  Signed in Canada, the band released two records there before they finally scored a major deal with Capitol in 1985.

As a result of their previous work, the act's self-titled major label debut consisted primarily of reworked material - making it something of a greatest hits record.  The album would go on to become a major success, reaching #25 on the charts, led by the ever present (in the summer of 1985) "Walking on Sunshine," which peaked at #9.  However, "Do You Want Crying?" would also break the top 40 at #37, as would 1989's "That's the Way" (#16).

While Katrina & the Waves continued recording and touring in the 1990s, they did not have much in the way of major commercial success ... until a surprising win at the 1997 Eurovision song contest with "Love Shine a Light," which would go on to be a #3 smash in the U.K.  Sadly, this second period of success did not last, and the group broke up in 1998, though there have been occasional reunions in recent years.

J. Geils Band - Come Back

ERV regulars will recall that we posted "Love Stinks" back in July 2012.  And our Facebook readers will note that we would have prefered to post "Just Can't Wait" here, but alas, no video appears to have been made for that song.  Fortunately, our second choice is still quite solid indeed.

"Come Back" is J. Geils at their danciest (not totally sure that this is a word, but let's go with it).  The song is clearly influenced by the popularity of Disco, and we suspect that means that lead singer Peter Wolf had a particularly large impact on the songwriting -- though officially virtually every song on the Love Stinks LP was co-written by Wolf and keyboardist Seth Justman.

"Come Back" ended up becoming the highest charting single off the Love Stinks album, reaching #32 (the title cut hit #38, while "Just Can't Wait" peaked at #78).  However, the video was not played as much as the insanity that is "Love Stinks," making this a bit of a rare one.

As many readers will know, the J. Geils Band story is a bit sad.  The band toiled as an overgrown bar band, gradually becoming a major act, before finally breaking out with 1982's Freeze Frame.  Success seemed to ruin the group, as Wolf left in 1983 to embark on a solo career.  The remaining member released one album (1984's You're Gettin' Even While I'm Gettin' Odd) before breaking up the following year.  However, there have been periodic reunions in recent years.

Cinderella - Gypsy Road

When we posted Cinderella's "Shake Me" (back in December, 2011), we pointed out that the group was not a typical hair band.  While they looked the part, their sound was more bluesy hard rock than pop metal.  This became even more evident on their second LP, 1988's Long Cold Winter.

In spite of this, the strong songwriting (and general popularity of hard rock) led to continued success.  The album reached #10 on the charts, while 3 singles cracked the top 40.  Sadly, "Gypsy Road" was not one of them -- it peaked at #51.

The video for "Gypsy Road" was filmed in Yucatan, Mexico and features footage of the Mayan ruins at Chichén Itzá (who says you can't learn anything from 1980s videos).  Although there is no direct connection between the song and Mexico, the video does a nice job of highlighting the vibe of the song.

Cinderella released one further platinum record (1990's Heartbreak Station) before changing musical tastes relegated the group to working band status.  They remain together to the present day -- with the original lineup, as drummer Fred Coury rejoined the act in 1996.

The Rolling Stones - Undercover of the Night

The 1980s were tough on the Rolling Stones.  The group had been around for twenty years by the early part of the decade, an eternity in the music industry.  In addition, the punk, new wave, and metal scenes made their music seem old fashioned to many younger listeners.

To complicate matter further, Mike Jagger and Keith Richards had a fundamental disagreement over songwriting.  Jagger wanted to move in a more current dance/pop direction, while Richards wished to stay true to the roughed up blues sound that was the Stone's signature.  (For more on this, please see our earlier post for Keith Richards solo video, "Take It So Hard.")

The result was disjointed and mostly disappointing, though there was some solid material mixed in.  Sadly, much of this material was composed by either Richards or Jagger, due to the difficulty that they had in working together.

Which brings us to "Undercover of the Night," the lead single off the Stone's 1983 Undercover album.  The song was all Mick; supposedly Keith just showed up and played some guitar lines.  Jagger has since said that the concept for the song came from the William Burroughs novel Cities of the Red Night.

The video for "Undercover of the Night" was the first full-on production that the Stones released.  Directed by Julien Temple, the story was dark and violent -- in fact, Temple has said that he didn't believe that the band would use it.  MTV would only air an edited version of the vid (and only at night), but this did not seem to hurt sales.  The single would go on to hit #9 on the charts, while the album reached #4 (breaking a string of eight consecutive LPs to hit #1).  By the by, due to the violent imagery of the video, the band cut a second version, which is below.

As of this writing, the Stones remain mostly intact (bassist Bill Wyman left the group in 1993) and continue to  sporadically tour, although they have not released a new album since 2005's A Bigger Bang.

In the interests of completeness, here is the B version video of "Undercover:" (Not nearly as good as the original clip, in our opinion).

Ric Ocasek - Emotion in Motion

Back in September 2011, we posted Ric Ocasek's cool, quirky "Something to Grab For," off his first solo LP, 1982's Beatitude.  Four years later, Ocasek released his second solo album, This Side of Paradise. To my ear, this record sounds a bit tired (as in exhausted).  Of course, by this point the Cars had released five albums and the band was slowly coming undone.

Additionally, Ocasek and the Cars had transitioned from eccentric new wave songs to a more traditional pop sound.  The music wasn't bad at all, and it was lushly produced (no surprise, as Ocasek would go on to become a successful producer in the 1990s.)  However, it wasn't as sharp or interesting as their early material. In contrast, the first two Cars records are simply sensational in our opinion.

"Emotion in Motion" is the strongest cut off Ocasek's album, and it would go on to become his only top 40 hit as a solo artist (#15).  To be fair, The Cars also had 13 top 40 singles (and 3 #41s), so it's not like he didn't have a ton of success with his band.

The Cars released Door to Door in 1987 before breaking up.  Ocasek has remained in the industry and has released five albums since then, but has had little in the way of commercial success.  The Cars never did have a full reunion prior to Ben Orr's untimely death in 2000.

Note that The Cars "Since You're Gone" was posted on ERV in May 2014.

U2 - A Celebration

Many years ago (before the internet), we were involved in a conversation where the topic of rare songs came up (shocking, we know).  One of the women at the gathering (whose name we never knew) stated that she had heard that there was a U2 song that the band had pulled for some reason or other.  We remember thinking that it sounded odd, and forgot all about it until we started ERV ... and we soon discovered that not only did this rare song exist, but that there was a rare video to go with it.

"A Celebration" was a non album single, recorded in 1982, between the October and War LPs.  U2 liked it enough to record a video for it, and played in regularly at concerts through 1983.  It then fell off the face of the earth -- the band didn't play it or support the song or video, and it did not even appear on any U2 compilation albums until 2004.  Note than in the days before digital music, leaving the song off an album was the kiss of death.

The reason for all of the controversy was due to a misinterpretation of the lyrics.  The lyrics "I believe in a third world war.  I believe in the atomic bomb." were meant to be darkly humorous, but they were apparently taken seriously, particularly in Europe.  In response and to avoid any confusion about where they stood, the band pulled the song, making it and the video rare (and therefore ideal for this blog).

The video for "A Celebration" was shot in the Kilmainham Jail in Dublin, and it shows the band in fine early form.  (And man, do they look young).  The song actually charted in the U.K. at #47, prior to the controversy, but it did not chart in the U.S.

Note that U2's "I Will Follow" was posted on ERV in August, 2014.

L.A. Guns - The Ballad of Jayne

Best known as half of the inspiration for the Guns N' Roses name, L.A. Guns was a fixture on the Los Angeles hard rock scene in the 1980s, but never crossed over to big time mainstream success.  Lineup changes, and a sound that was more hard rock bar band than glam metal likely had something to do with this.

The band formed in 1983, and an early version of the group had Tracii Guns (born Tracy Ulrich) on guitar and W. Axl Rose on vocals.  Rose would leave to sing for Rapidfire and Hollywood Rose, before rejoining L.A. Guns, and the group was later renamed Guns N' Roses.  However, after a fight with Rose, Tracii Guns left Guns N' Roses and reformed L.A. Guns.  (Quite a tangled web, huh?)

L.A. Guns released their first major label record in 1988, and the LP did well, reaching #50 on the charts.  However, 1989's Cocked and Loaded did better, and hit #38 on the charts.  "The Ballad of Jayne" became the group's only top 40 hit at #33, making the band an official one hit wonder.

While 1991's Hollywood Vampires broke the top 50 on the album charts, the rise of grunge effectively ended any chance of L.A. Guns breaking out.  The band has continued as a working band  (with a ton of personnel changes) to the present day.  In fact, for much of the early 2000s, there were two version of L.A. Guns (one with Tracii Guns and one without).  In 2013 Tracii Guns broke up his version of the group, but we believe that the second version is active as of this writing.

Cool trivia fact:  "The Ballad of Jayne" is about actress Jayne Mansfield, who was killed in a car accident in 1967.

Apollonia 6 - Sex Shooter

The Apollonia 6 story begins where the Vanity 6 story ends.  (And another shout out to long time reader Sam, who requested the Vanity 6 video more than two years ago).  As we mentioned in the earlier post, Vanity left Vanity 6 (and Prince) in order to go out on her own.  This created a problem for Prince, as not only was he writing material for Vanity 6, but Vanity was supposed to be the female lead in Prince's upcoming movie at the time (you may have heard of it -- Purple Rain).

A casting call ensued, and Patricia Apollonia Kotero was chosen for the role.  Prince liked her middle name, and just like that Apollonia was the new lead singer of Apollonia 6 (still named after the number of breasts in the band ... really).  Additionally, Apollonia became the female lead in Purple Rain.

While Apollonia was quite beautiful, she did not have the strongest singing voice, and Prince seemed to lose interest in her (and the concept of a girl band) soon after Purple Rain.  There may or may not have been a romantic falling out, as well.  As a result, only one album was released, the eponymous 1984 LP.  "Sex Shooter" became a minor hit, reaching #85 on the charts, but Apollonia is probably best-known for the movie, and her duet with Prince, "Take Me With You," a top 40 hit from 1985 (and the last single from Purple Rain.)

Apollonia also had a falling out with Prince, and went out on her own in 1985, primarily as an actress.  She later went to film school, and we believe that she still runs her entertainment company, Kotero Entertainment.

In addition to the primary video for "Sex Shooter," we also found the performance clip from Purple Rain; in the interests of completeness both are below.

Cool trivia facts:  "Take Me With You" was originally intended to be an Apollonia 6 song, but was a late addition to Purple Rain.  In additional, "Manic Monday" (later a big hit for The Bangles) and "Glamorous Life" (later a hit for Sheila E.) we both originally written as Apollonia 6 songs.

Flesh for Lulu - Postcards from Paradise

"Postcards from Paradise" is yet another excellent reader request and we liked it enough to immediately put it up on the blog.  Thanks, cool loyal reader (you know who you are).

Flesh for Lulu was a British rock band with an interesting sound that was simultaneously alternative and retro.  Think the Rolling Stones meets the Velvet Underground.  The resulting music was critically acclaimed, but never quite found its audience, which is a real shame.

The band formed in London in 1982, and was named after the Andy Warhol movie, Flesh for Frankenstein.  Lulu was a bend member's girlfriend who sat in front of a poster for the movie, leading to an in-joke that eventually became the group's name.  Their major label debut came out in 1984, and they released several solid efforts in the mid to late 1980s.

While they attracted a cult following in the U.K., their U.S. break happened when they had a song included on the 1987 teen flick, Some Kind of Wonderful.  (Does anyone else remember that one?)  Sensing an opportunity, they modified their sound in an attempt to cross over.  The resulting album, 1987's Long Live the New Flesh, was solid, but did not advance their career.  After several more years of toiling away, Flesh for Lulu broke up in 1992, though a version of the band re-formed in 2013.

For the blog, we went with "Postcards from Paradise," a particularly strong effort from 1987.  The song was later covered by Paul Westerberg (formerly of The Replacements) and the Goo Goo Dolls.

Eric Carmen - Hungry Eyes

Dirty Dancing was one of the least likely movies to ever become a hit, and the goes doubly so for the soundtrack.  The movie was a low budget ($6 million) release by a new studio, and the initial cuts of the movie were viewed as disappointing by the studio.  In fact, the original plan was for the the film to be shown for one weekend, and then go straight to video.

Instead, positive reviews (led by the New York Times) and word of mouth turned Dirty Dancing into a huge hit.  It became the 11th highest grossing film of 1987, and had continued success as a video.  In addition, the soundtrack became a monster in its own right -- it spent 18 weeks as the #1 album and has gone on to sell more than 32 million units.

The album spawned three top five hits -- "(I've Had) The Time of My Life," (#1), "She's Like the Wind" (#3) and "Hungry Eyes" (#4).

So how does a huge success show up on ERV?  Well, we love good stories and cover songs, and "Hungry Eyes" is both.  As we noted on the post for Franke and the Knockouts' "Sweatheart," Franke Previte (the lead singer of said band) was recruited to help with the soundtrack, and co-wrote "(I've Had) The Time of My Life."  He also contributed "Hungry Eyes," a song which had originally been on Franke and the Knockouts Makin' the Point LP in 1984.

So while Franke's band did not become a household name (though they did have 3 top 40 hits, including "Sweatheart"), Franke became a huge success as a songwriter, almost by accident.  He remains in the industry, though it seems that in recent years he spends most of his time helping younger songwriters.

Lastly, Eric Carmen (who sang "Hungry Eyes" for the soundtrack) has enjoyed an interesting career as well.  Originally a member of The Raspberries ("Go All the Way"), Carmen transitioned to become a pop singer, and had a huge hit with "All By Myself."  He then saw a bit of a resurgence after DIrty Dancing, but seems to have left the industry in the early 1990s.

And (of course), the original:

Fiona - Talk To Me

It is easy to forget how difficult it is to become a rock star.  Even if all of the pieces are there, sometimes they just don't fit together.  Case in point: Fiona, who had the attitude, looks and voice to be a star, but never made it.

Fiona Flanagan was born in New Jersey, but moved to New York City when she was 18, and began her career as the frontwoman of several bands.  This led to a recording contract with Atlantic, and a 1985 self-titled debut album produced by Beau Hill, who had worked with Ratt and Sandy Stewart.  (Hill would later produce albums for Winger, Warrant, and Europe.)

Fiona's debut album generated some traction, but never delivered the breakout song to launch her career.  The album reached #71, while "Talk to Me" peaked at #64.  We seem to recall seeing the video on our favorite station, but we don't think that it went into heavy rotation.

A guest spot on Miami Vice ("Little Miss Dangerous") and a second album followed in 1986.  In 1987, Fiona co-starred in the Bob Dylan movie Hearts of Fire, which did so poorly in its limited U.K. release that it was sent direct to video in the U.S.  After two additional albums did not succeed, Fiona left the industry, although she did return in 2011 with Unbroken, which has received positive reviews from AOR rock aficionados.

For the blog, we went with "Talk to Me," which does a nice job of highlighting the charismatic singer and her hair.

Jack Green - One by One

Jack Green is a Scottish guitarist who played in three famous bands.  Green was in T-Rex for five months in 1973, and was later a member of The Pretty Things from 1974 - 1976.  He was also a member of Rainbow for three weeks (apparently) in 1978.

Green was able to turn his experience in the industry into a recording contract, and he then released four solo records between 1980 and 1986.  "One by One" comes off Green's second album, 1981's Reverse Logic.  We remember the song from HBO's Video Jukebox, a program that played music videos between movies on the channel.  In fact, the main version of the video below comes complete with a HBO Video Jukebox intro.

The video includes a bowling alley, women (including Vanna Bonta) , and a trampoline.  Ahh, those early 1980s videos.  Sadly, neither the song nor the album charted.

As an added bonus, we found a version of the video with what appears to be the director's commentary:

Green apparently left the industry years ago, and now teaches guitar.  He also has a small film production company.

Sonic Youth - Teenage Riot

Readers who aren't big time eighties or alternative music fans may not know much about Sonic Youth, but the alternative cult act is hugely important in the development of both the grunge and industrial  scenes.  The band formed in New York City in the early 1980s, and was comprised of guitarists Thurston Moore and Lee Ranaldo, along with bassist Kim Gordon. (Sonic Youth went through four drummers in their early days, though Steve Shelley has held this role since 1985).

Musically, the band is often associated with the noise rock scene, and early releases were somewhat experimental in nature.  Not unlike earlier experimental bands (like the Velvet Underground) this resulted in critical acclaim but only modest record sales.  Over time, Sonic Youth's sound evolved and songs incorporated more traditional rock structures and sounds, though they maintained a bit of an experimental feel.  This music was loved by alternative musicians and helped lay the groundwork for the 1990s.  [As an aside, if this sounds like Sonic Youth took a similar path to Hüsker Dü, well ... they did.]

"Teenage Riot" was the song that blew the lid off Sonic Youth in the emerging college rock scene.  Although the song is still edgy, it also has a more traditional structure and sound, which found a new and larger audience for the band.  While Sonic Youth never became mainstream stars, they did become heroes in the college rock community, and provided an inspiration to countless 1990s bands -- everyone from Nirvana to Nine Inch Nails.

Sonic Youth remained together and relatively vibrant until  Kim Gordon and Thurston Moore divorced in late 2011 (after being married for 27 years).  While no official announcement has been made, it appears that this marked the end of the band.

Cool trivia fact: Rolling Stone rates Daydream Nation (the LP with "Teenage Riot") at #171 on their list of the 500 greatest albums ever.